Antiquity Studies

open access | peer reviewed

Aims & Scope
The series, directed by Lucio Milano, is devoted to the studies of the ancient and late-ancient world. It is intended for hosting both publications arising from the research activities of Ca’ Foscari and publications of Italian and foreign scholars and institutions that help to highlight the academic network of national and international collaborations in the field of Classical. It is divided into four sections: History and Epigraphy; Archeology; Oriental Studies; Philology and Literature.

Permalink doi.org | e-ISSN 2610-9344 | ISSN 2610-8828 | Language en, fr, it | ANCE E233745

Subseries
Archeologia e-ISSN 2610-9344 ISSN 2610-8828
Filologia e letteratura e-ISSN 2610-9352 ISSN 2610-8836
Storia ed epigrafia e-ISSN 2610-8291 ISSN 2610-8801
Studi orientali e-ISSN 2610-9336 ISSN 2610-881X

Copyright This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Latest published volume

Latest journal publication cover
  • The Necessary Anomaly
  • Dangerous Women, Ideology of the Polis and Gynecophobia in Athens
  • Marcella Farioli
  • July 18, 2024
  • In Classical Athens, representations of dangerous female figures are innumerable: warriors, filicides, husband-killers, wicked stepmothers, poisoners, seductresses, sorceresses, maidens who refuse marriage, maenads and monsters with female faces pervade theatre, historiography, orations and images. Many of these figures, whose victims are almost always men, are not attested in the sources of the archaic age, or else they appear but their wickedness worsens in the transition to the classical age: a trajectory that is not activated for figures of dangerous men. In the same period, which corresponds to the birth and development of democracy in Athens, philosophy, medicine and biology trace the contours of ‘female nature’ and codify its inferiority and dangerousness on a scientific basis. This study, through a vast corpus of literary, iconographic and epigraphic sources, examines the physiognomy and evolution of around sixty figures of dangerous women drawn from myth, history and pseudo-history, in relation to the contemporary political and social context and the changing forms of marriage, inheritance and dowry. In the face of the tendency in recent studies to obscure the relations of domination between social groups, emphasising the symbolic and identity aspects and culturising the causes, this study aims to focus on the material roots underlying the relations between the sexes and the ideology that sanctions their inequality. The gynophobia aroused by representations of dangerous female figures, who escape their assigned social role, is thus analysed not as an emotion but in its function as an ideological device and naturalisation of social hierarchies in the context of the democratic polis.

  • Opitergium Necropolis
  • Libertatis dulcedo
  • Headscarf and Veiling
  • Stolen Heritage
  • Altera pars laboris
  • The Gift of Altino
  • The Soul of Things
  • Elites and Culture
  • Before the Excavation