The Gift of Altino
Archeology Writings in Honour of Margherita Tirelli
open access-
edited by
- Giovannella Cresci Marrone - Ca' Foscari University of Venice - email orcid profile
- Giovanna Gambacurta - Ca' Foscari University of Venice - email orcid profile
- Anna Marinetti - Ca' Foscari University of Venice - email
Abstract
In this volume, colleagues and friends pay tribute to Margherita Tirelli, archaeologist, curious and lively interpreter of an archaeological method that has marked a particularly flourishing season of excavations, discoveries, studies and non-superficial initiatives of valorisation. To Altino, as the progenitor of Venice, Margherita Tirelli has dedicated and continues to dedicate her uninterrupted attention, from the excavations to the delicate transition to the new prestigious museum site. In this perspective, the scholar has developed a fruitful collaboration with the Department of Humanistic Studies of Ca’ Foscari University of Venice, concretised in a convention of studies and research and in six conferences of Altino studies, aimed at investigating various themes: from the funerary to the social and the sacred. The diachronic spectrum of its archaeological, historical and epigraphic interests is reflected in the articulation of the contributions dedicated to it here: from the culture of the ancient Veneti to the themes of Romanity, up to a specific focus on glass production. The volume closes with a work on glass from the ‘historical’ age, a subject that still sees her as a reference figure in the Venetian context, and one dedicated to the choices of museum layout, a subject of communication in which she has been able to combine elegance and effectiveness with her collaborators.
Keywords Iconography • Roman Oderzo • Management • Meza Stampaura • Remounting Handles • Enhancement • Pater patronus • Sanctuary • Spinning • Lineage • Museum Communication • Libation • LT D1 • Ships • Flat-bottomed Amphorae • Glass • Miniaturist • Early Middle Ages • Honorius and Theodosius II • Archaeological Park • Rosetta • Roman Verona • Adige river • Late Antiquity • Arcadius • Etymology • Mime • Roman-byzantine Craftmanship • Crystal Glass • Aedicule • Iron Age • Archaeology of Cult • Museologist • Archaeological Museum • Restoration • Dialogue with the passerby • Angelo Barovier • Altino • Representativeness of coin finds • Giovanni Da Udine • Coin finds • Celtic Grave • Harbour • Este • Roman and Preroman Antiquity • Murano • Clause of ‘affective prose’ • Trade • Ritual • Pottery Production • Seascape • Epigraphic situation • Roman Age • Votive Bronzesheet • Funerary Monument • Toponomy • Celtic Warriors • Language change • Three-hoops Earrings • Serena • Roads • Venetic • Opistography • Funeral Ideology • Glass Typology • Dancer • Fresco • Roman Veneto • Cenomani • Necropolis • Preroman Veneto • Pietro Aretino • Roman Necropolis • Francesco Zen • Torcello • Wine • Preroman Worship • Cremation • Late Roman Lead Seals • Museum Display • Maternity • Numismatics • Murrina • Museum • Patavium • Mould Cast • Situla Art • Veneto • Adriatic sea • Verona Plain • Late Roman coins • Shield • Mosaic Glass • Bronze Belt • Aquileia • Altinum • Women’s Clothing • Pantomime
Thema codes NKD • NHC • 1DST-IT-NV • 3CT
Permalink http://doi.org/10.30687/978-88-6969-380-9 | e-ISBN 978-88-6969-380-9 | ISBN (PRINT) 978-88-6969-390-8 | Published Dec. 16, 2019 | Language it
Subseries Archeologia e-ISSN 2610-9344 ISSN 2610-8828
Copyright © 2019 Giovannella Cresci Marrone, Giovanna Gambacurta, Anna Marinetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.