Series | Antiquity Studies
Volume 23 | Edited book | The Gift of Altino
Abstract
In this volume, colleagues and friends pay tribute to Margherita Tirelli, archaeologist, curious and lively interpreter of an archaeological method that has marked a particularly flourishing season of excavations, discoveries, studies and non-superficial initiatives of valorisation. To Altino, as the progenitor of Venice, Margherita Tirelli has dedicated and continues to dedicate her uninterrupted attention, from the excavations to the delicate transition to the new prestigious museum site. In this perspective, the scholar has developed a fruitful collaboration with the Department of Humanistic Studies of Ca’ Foscari University of Venice, concretised in a convention of studies and research and in six conferences of Altino studies, aimed at investigating various themes: from the funerary to the social and the sacred. The diachronic spectrum of its archaeological, historical and epigraphic interests is reflected in the articulation of the contributions dedicated to it here: from the culture of the ancient Veneti to the themes of Romanity, up to a specific focus on glass production. The volume closes with a work on glass from the ‘historical’ age, a subject that still sees her as a reference figure in the Venetian context, and one dedicated to the choices of museum layout, a subject of communication in which she has been able to combine elegance and effectiveness with her collaborators.
Keywords Roads • Remounting Handles • Archaeological Park • Este • Necropolis • Iconography • Dancer • Harbour • Roman Necropolis • Funerary Monument • Roman Age • Museum Display • Dialogue with the passerby • Sanctuary • Pantomime • Museologist • Honorius and Theodosius II • Epigraphic situation • Mime • Murrina • Adriatic sea • Altinum • Verona Plain • Cremation • Angelo Barovier • Representativeness of coin finds • Mosaic Glass • Arcadius • Three-hoops Earrings • Roman and Preroman Antiquity • Situla Art • Women’s Clothing • Museum Communication • Pietro Aretino • Ships • Roman Verona • Etymology • Celtic Grave • Clause of ‘affective prose’ • Fresco • Roman Oderzo • Iron Age • Giovanni Da Udine • Veneto • Crystal Glass • Aedicule • Preroman Worship • Late Roman coins • Museum • Archaeology of Cult • Ritual • Serena • Early Middle Ages • Altino • Meza Stampaura • Trade • Bronze Belt • Adige river • Language change • Late Roman Lead Seals • Rosetta • Funeral Ideology • Numismatics • Shield • Lineage • Murano • Roman Veneto • Mould Cast • LT D1 • Votive Bronzesheet • Roman-byzantine Craftmanship • Preroman Veneto • Coin finds • Patavium • Seascape • Flat-bottomed Amphorae • Enhancement • Torcello • Toponomy • Opistography • Celtic Warriors • Restoration • Aquileia • Pottery Production • Late Antiquity • Wine • Libation • Management • Francesco Zen • Pater patronus • Spinning • Glass Typology • Cenomani • Miniaturist • Venetic • Glass • Archaeological Museum • Maternity
Permalink http://doi.org/10.30687/978-88-6969-380-9 | e-ISBN 978-88-6969-380-9 | ISBN (PRINT) 978-88-6969-390-8 | Published Dec. 16, 2019 | Language it
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