Paulo maiora canamus
Collection of Studies for Paolo Mastandrea
open access | peer reviewed-
edited by
- Massimo Manca - University of Turin - email
- Martina Venuti - Ca' Foscari University of Venice - email
Abstract
This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».
Keywords Late Latin literature • Style • Objects • Eratosthenes of Cyrene • Bacchus • Latin philology • Farewell from elegiac poetry • Laocoon • 3 • Martial • Griphus • Latin poetry • Book circulation • Pliny the Elder • Inscriptions • Neo-Latin elegy • Tacitus (Emperor) • Ausonius • Aeneid • Declamationes • Experimentalism • Fortuna • Fortuna Catulli • Seneca • Metamorphoses • Tibullus • Orality • Cicero • Roman Senate • Tales • Symposius • Christian literature • FAIR principles • Sallust • Venice Ducal palace • Princeps • Musisque Deoque • Visuality • Classical philology • Machiavelli • Philology • Sidonius • Late antiquity • Diomedes • Corippus • Neo-Latin poetry • Religious identity • Variatio • Religion • Historia Augusta • Italian Reinassance • Principate • Monologue • Propertian intertextuality • Critical edition • ‘Doge’ of Venice • Metellus • Lucretius • Phaedrus • Ancient roman epic • Latin historiography • Lucan • Textual criticism • 12 • Epigrammata Bobiensia • Catabasis • Zodiac dish • Epos • Maximinus • Peleus • Hymnodic formulas • Alcimus Avitus • Book 3 • Roman aristocracy • Open data • Epistulae • Propertius • Macrobe • Claudian • Clinamen • Laudatio puellae • Formulas • Characters • Digital Humanities • Saturnalia • Virgil • Servius auctus • Classical literature • Vergil • Conjectures • Carmen 9 • Roman consulate • Things • Vergilian tradition • Narratology • Optatianus Porfyrius • Animus • Late Latin poetry • Intertextuality • Portraits • Examinatio • Hexameter • Republicanism • Fables • Balbinus • Christian Afterlife • Manuscript tradition • Rusticitas • Pupienus • John Lydus • Roman Empire • Misplacements • am • Sidonius Apollinaris • Latin Language • Catullus • Book circulation • De magistratibus • Auienus • Florentine Renaissance • Hymn • Nicolò d’Arco • Ovid • Roman Republic • Scholar exercise • Fortleben of Classics • Bucolics • Aratus • Book of Daniel • Medea • Epic poetry • Dramaturgy • Remigius of Reims • Cerberus • Carmina minora
Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language en, it, fr
Subseries Filologia e letteratura e-ISSN 2610-9352 ISSN 2610-8836
Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.