Paulo maiora canamus
Collection of Studies for Paolo Mastandrea
open access | peer reviewed-
edited by
- Massimo Manca - University of Turin - email
- Martina Venuti - Ca' Foscari University of Venice - email
Abstract
This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».
Keywords Griphus • Musisque Deoque • Ovid • Princeps • Metellus • Sallust • Cicero • Scholar exercise • Classical philology • Hymnodic formulas • Manuscript tradition • Fortuna • Phaedrus • Zodiac dish • Fortleben of Classics • Rusticitas • Tacitus (Emperor) • Aeneid • Christian literature • Medea • Ausonius • Bacchus • Principate • Roman Empire • Laocoon • Portraits • Book circulation • Ancient roman epic • Farewell from elegiac poetry • Martial • Variatio • am • Bucolics • Republicanism • Epic poetry • Latin poetry • Fables • Virgil • Symposius • Neo-Latin elegy • Things • Book 3 • Monologue • Epistulae • Hymn • Alcimus Avitus • Laudatio puellae • Tales • Macrobe • Vergilian tradition • Roman Republic • Nicolò d’Arco • Carmen 9 • Venice Ducal palace • Classical literature • Roman Senate • Epos • Conjectures • Catullus • Vergil • De magistratibus • Hexameter • Fortuna Catulli • Orality • Philology • Epigrammata Bobiensia • Lucretius • Metamorphoses • Inscriptions • Experimentalism • Eratosthenes of Cyrene • Objects • Late Latin poetry • Late antiquity • Sidonius Apollinaris • Textual criticism • Formulas • Claudian • Lucan • Roman aristocracy • Declamationes • Examinatio • 3 • Servius auctus • Optatianus Porfyrius • Christian Afterlife • John Lydus • Peleus • Dramaturgy • 12 • ‘Doge’ of Venice • Diomedes • Maximinus • Digital Humanities • Remigius of Reims • Latin Language • Critical edition • Religion • Animus • Saturnalia • Auienus • Style • Machiavelli • Book of Daniel • Misplacements • Historia Augusta • Pupienus • Carmina minora • FAIR principles • Late Latin literature • Propertian intertextuality • Roman consulate • Cerberus • Sidonius • Narratology • Characters • Clinamen • Balbinus • Corippus • Book circulation • Latin philology • Latin historiography • Visuality • Tibullus • Florentine Renaissance • Catabasis • Open data • Italian Reinassance • Neo-Latin poetry • Seneca • Propertius • Intertextuality • Pliny the Elder • Aratus • Religious identity
Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language it, en, fr
Subseries Filologia e letteratura e-ISSN 2610-9352 ISSN 2610-8836
Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.