Series |
Antiquity Studies
Volume 25 | Edited book | Epigraphic Falsification
Abstract
The book investigates the complex articulations of epigraphic forgery, a phenomenon widely attested in Italy between the late Middle Ages and the 18th century. Non-genuine inscriptions or falsae, as Theodor Mommsen called them, are those that present themselves as ancient, but in reality are not. They can be produced either on material support or simply on paper. Within them, different types of documents can be distinguished: forgeries made for malicious purposes, replicas of ancient inscriptions, and texts or monuments inspired by classical epigraphic models. The book brings together fifteen scholarly essays, which examine individual cases of forgery, reconstruct the epistemology of forgery criticism and rehabilitate numerous epigraphs mistakenly believed to be forgeries, while confirming their actual antiquity.
Keywords Epitaph • Counterfeit instrumentum inscriptum • F • Inscribed zone as decorative surface • Internet • Lex de imperio Vespasiani Antonio Agustín • Senatus consultum • Casa Museo dell’Antiquariato Ivan Bruschi • Ager Mediolanensis • Critical editions • Forgeries • Fitzwilliam Museum • Aqueducts • Cities • Printed editions • Intellectual history • Theodor Mommsen • Meyranesio • Latin poets of Renaissance • Luigi Biraghi • Primacy of Sardinia • Roman Liguria • Fake inscriptions • Council of Trent • Spain • Spurious imitations • CIL VI 991* • Thomas Hollis • Antonio Trevisi • Classical scholarship • Epigraphic models • G • Epigraphy • CIL VI 990* • Johns Hopkins Archaeological Museum • Coarse altar • Digital editions • Manuscript • Antiquarian market in the early 1900s • Aquileia • Amphora • Copies • Pirro Ligorio • Renaissance • Aqua Vergine • Epigraph balanced between dimensions and inscripti • False inscriptions • Lepontic • Antiquarians • Epigraphic forgeries on paper • Forged blunder • Pingone • Savoy Piedmont • Mariangelo Accursio • Latin epigraphy • Christian forgeries • Documentary forgeries • Pseudo-antique palaeography • Ciriaco de’ Pizzicolli • Manuscripts • Forgery • Forged inscriptions • Jacopo Valvasone • Epigraphic forgeries • House of Savoy • Decretum Rubiconis • Non-alphabetic graphemes • Marche • John Disney • Fake • Lucas Peto • Ancient restorations • Epigraphic research
Permalink http://doi.org/10.30687/978-88-6969-386-1 | e-ISBN 978-88-6969-386-1 | ISBN (PRINT) 978-88-6969-387-8 | Number of pages 312 | Dimensions 16x23cm | Published Dec. 16, 2019 | Language en, it, fr
Copyright © 2019 Lorenzo Calvelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.