Epigraphic Falsification
Methods and Case Studies
open access | peer reviewed
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edited by
- Lorenzo Calvelli - Ca' Foscari University of Venice - email orcid profile
Abstract
The book investigates the complex articulations of epigraphic forgery, a phenomenon widely attested in Italy between the late Middle Ages and the 18th century. Non-genuine inscriptions or falsae, as Theodor Mommsen called them, are those that present themselves as ancient, but in reality are not. They can be produced either on material support or simply on paper. Within them, different types of documents can be distinguished: forgeries made for malicious purposes, replicas of ancient inscriptions, and texts or monuments inspired by classical epigraphic models. The book brings together fifteen scholarly essays, which examine individual cases of forgery, reconstruct the epistemology of forgery criticism and rehabilitate numerous epigraphs mistakenly believed to be forgeries, while confirming their actual antiquity.
Keywords G • Manuscripts • House of Savoy • Marche • Amphora • John Disney • Epigraph balanced between dimensions and inscripti • Cities • Lucas Peto • Ancient restorations • Inscribed zone as decorative surface • Fitzwilliam Museum • CIL VI 991* • Senatus consultum • Pirro Ligorio • Pingone • Antonio Trevisi • Christian forgeries • Manuscript • Non-alphabetic graphemes • Antiquarians • Epigraphic forgeries on paper • Fake • CIL VI 990* • Forgery • Lex de imperio Vespasiani Antonio Agustín • Pseudo-antique palaeography • Roman Liguria • Epigraphic models • Forged blunder • Epigraphy • Forged inscriptions • Spurious imitations • Mariangelo Accursio • Epigraphic forgeries • Internet • Spain • Epitaph • Documentary forgeries • Ager Mediolanensis • Forgeries • Johns Hopkins Archaeological Museum • Luigi Biraghi • Primacy of Sardinia • Aqueducts • Council of Trent • Ciriaco de’ Pizzicolli • Counterfeit instrumentum inscriptum • Critical editions • Latin epigraphy • Jacopo Valvasone • F • Aquileia • False inscriptions • Latin poets of Renaissance • Intellectual history • Savoy Piedmont • Fake inscriptions • Theodor Mommsen • Thomas Hollis • Copies • Printed editions • Antiquarian market in the early 1900s • Casa Museo dell’Antiquariato Ivan Bruschi • Classical scholarship • Meyranesio • Renaissance • Lepontic • Aqua Vergine • Decretum Rubiconis • Coarse altar • Epigraphic research • Digital editions
Permalink http://doi.org/10.30687/978-88-6969-386-1 | e-ISBN 978-88-6969-386-1 | ISBN (PRINT) 978-88-6969-387-8 | Number of pages 312 | Dimensions 16x23cm | Published Dec. 16, 2019 | Language fr, en, it
Subseries Storia ed epigrafia e-ISSN 2610-8291 ISSN 2610-8801
Copyright © 2019 Lorenzo Calvelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.