Series | Library of Rassegna iberistica
Edited book | Serenísima palabra
Chapter | La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo
Abstract
Franscisco de Quevedo’s relationship with the Italian literary tradition is a prolific research area. In some poems from Erato, the imitation of Groto’s works is evident, but Quevedo uses this source as a point of departure to completely recreate it according to Baroque and conceptista sensibilities. Through a comparison of the source with the reworked version, I intend to mark the improvements of Quevedo’s poetry in terms of versification, meaning and how the poet transforms Petrarchan imagery.
Submitted: July 13, 2015 | Accepted: March 29, 2016 | Language: it
Keywords Francisco de Quevedo • Love poetry • Luigi Groto • Baroque poetry
Copyright © 2017 Alessandra Ceribelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-163-8/RiB-5-13
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_792 |
dc.contributor.author |
Ceribelli Alessandra |
dc.title |
La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
Franscisco de Quevedo’s relationship with the Italian literary tradition is a prolific research area. In some poems from Erato, the imitation of Groto’s works is evident, but Quevedo uses this source as a point of departure to completely recreate it according to Baroque and conceptista sensibilities. Through a comparison of the source with the reworked version, I intend to mark the improvements of Quevedo’s poetry in terms of versification, meaning and how the poet transforms Petrarchan imagery. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.dateAccepted |
2016-03-29 |
dc.dateSubmitted |
2015-07-13 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/la-influencia-de-luigi-groto-en-la-poesia-amorosa/ |
dc.identifier.doi |
10.14277/6969-163-8/RiB-5-13 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Baroque poetry |
dc.subject |
Baroque poetry |
dc.subject |
Francisco de Quevedo |
dc.subject |
Francisco de Quevedo |
dc.subject |
Love poetry |
dc.subject |
Love poetry |
dc.subject |
Luigi Groto |
dc.subject |
Luigi Groto |
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