Esto es hecho, entre Rojas Zorrilla y Rosete Niño: un caso más de autoría conflictiva
In spite of the recent progress in the definition and study of the Golden Age dramatic repertoire, there still exists a good number of unresolved questions. It is common to find plays attributed to several different authors, comedies printed under different titles, and plenty of authorial issues. Among these we find the play known as Esto es hecho, attributed to Rojas Zorrilla, also printed as Ello es hecho and Acertar pensando errar, attributed to Pedro Rosete Niño. It has even been claimed that this is the same work as No hay contra suerte industria, a text that is only preserved as an unsigned manuscript. This paper revises those attributions – which are more or less reliable – and studies in depth the authorship of this singular comedy of our Golden Age theater.