Series | Library of Rassegna iberistica
Edited book | Serenísima palabra
Chapter | De sonetos calderonianos
Abstract
I would like to analyze the sonnets of two Calderon’s plays, Antes que todo es mi dama and El josé de las mujeres, to prove if the dramatist uses them as he did in El mayor monstruo del mundo or A secreto agravio, secreta venganza, which I have studied previously. The function of the sonnets in these two Calderonian plays is not the common monologue of a character alone on stage; rather, Calderón uses this type of composition in other contexts and situations and emphasizes the introduction of every sonnet placing them within other stanzas and anticipating their appearance throughout the dialogue. Moreover, similar to El mayor monstruo del mundo and A secreto agravio, secreta venganza, in these two new plays Calderón could be using these sonnets to emphasize them in multiple ways.
Submitted: July 23, 2015 | Accepted: June 15, 2016 | Language: it
Keywords Sonnets • Calderón • Comedy • Versification
Copyright © 2017 María José Caamaño Rojo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-163-8/RiB-5-32
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_993 |
dc.contributor.author |
Caamaño Rojo María José |
dc.title |
De sonetos calderonianos |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
I would like to analyze the sonnets of two Calderon’s plays, Antes que todo es mi dama and El josé de las mujeres, to prove if the dramatist uses them as he did in El mayor monstruo del mundo or A secreto agravio, secreta venganza, which I have studied previously. The function of the sonnets in these two Calderonian plays is not the common monologue of a character alone on stage; rather, Calderón uses this type of composition in other contexts and situations and emphasizes the introduction of every sonnet placing them within other stanzas and anticipating their appearance throughout the dialogue. Moreover, similar to El mayor monstruo del mundo and A secreto agravio, secreta venganza, in these two new plays Calderón could be using these sonnets to emphasize them in multiple ways. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.dateAccepted |
2016-06-15 |
dc.dateSubmitted |
2015-07-23 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/de-sonetos-calderonianos/ |
dc.identifier.doi |
10.14277/6969-163-8/RiB-5-32 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Sonnets |
dc.subject |
Sonnets |
dc.subject |
Versification |
dc.subject |
Versification |
Download data |
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