Series | Library of Rassegna iberistica
Edited book | Serenísima palabra
Chapter | De los nombres de Calderón
Abstract
Most of Calderón de la Barca’s plays show how this author assumed classical dramatic techniques and adapted them to his theatrical conception. This article focuses on one of these classical procedures: his usage of motivated anthroponyms, those which both call and describe a character. We will consider this dramatic technique in the context of Spanish Baroque, in which the Naturalist theory in Linguistics was widely accepted, and its utility for a dramatist who needed economic theatrical procedures. At the end of this article I will propose a taxonomy to classify motivated names in Calderonian plays in order to consider their importance in Calderón’s theater.
Submitted: July 14, 2015 | Accepted: May 24, 2016 | Language: it
Keywords Calderón • Anthroponomy • Spanish Golden Age • Theatre
Copyright © 2017 Laura Hernández González. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-163-8/RiB-5-49
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_967 |
dc.contributor.author |
Hernández González Laura |
dc.title |
De los nombres de Calderón. Reflexiones acerca de la antroponimia calderoniana |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
Most of Calderón de la Barca’s plays show how this author assumed classical dramatic techniques and adapted them to his theatrical conception. This article focuses on one of these classical procedures: his usage of motivated anthroponyms, those which both call and describe a character. We will consider this dramatic technique in the context of Spanish Baroque, in which the Naturalist theory in Linguistics was widely accepted, and its utility for a dramatist who needed economic theatrical procedures. At the end of this article I will propose a taxonomy to classify motivated names in Calderonian plays in order to consider their importance in Calderón’s theater. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.dateAccepted |
2016-05-24 |
dc.dateSubmitted |
2015-07-14 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/de-los-nombres-de-calderon/ |
dc.identifier.doi |
10.14277/6969-163-8/RiB-5-49 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Anthroponomy |
dc.subject |
Anthroponomy |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Theatre |
dc.subject |
Theatre |
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