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De los nombres de Calderón

Reflexiones acerca de la antroponimia calderoniana

Laura Hernández González    Universidad de Valladolid, España    

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abstract

Most of Calderón de la Barca’s plays show how this author assumed classical dramatic techniques and adapted them to his theatrical conception. This article focuses on one of these classical procedures: his usage of motivated anthroponyms, those which both call and describe a character. We will consider this dramatic technique in the context of Spanish Baroque, in which the Naturalist theory in Linguistics was widely accepted, and its utility for a dramatist who needed economic theatrical procedures. At the end of this article I will propose a taxonomy to classify motivated names in Calderonian plays in order to consider their importance in Calderón’s theater.  

Accepted
May 24, 2016
Submitted
July 14, 2015
Language
IT
ISBN (PRINT)
978-88-6969-164-5
ISBN (EBOOK)
978-88-6969-163-8

Keywords: AnthroponomyTheatreSpanish Golden AgeCalderón

Copyright: © 2017 Laura Hernández González. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.