Series | Library of Rassegna iberistica
Edited book | Serenísima palabra
Chapter | El dómine Lucas y El maestro de danzar: un caso de auto-reescritura en Lope de Vega
Abstract
My main purpose is to analyze the rewriting process that links two plays by Lope de Vega, El dómine Lucas and El maestro de danzar, written in his youth for the autor de comedias Melchor de Villalba. I will focus on how Lope reuses, rejects, expands and redistributes the materials from El dómine Lucas in the composition process of El maestro de danzar. I will also try to explain the possible reasons that led Lope to make some of the most remarkable changes, such as the profession of the main character. It seems that Lope’s deep knowledge of the art of dance played an important role in this decision, for it allowed him to create numerous plays on words and amusing scenes that are featured throughout the play. It can also be assumed that Lope saw in the physical approach between teacher and student – barely present in El dómine Lucas – a good opportunity to give the audience some erotic scenes, which were very appreciated at the time.
Submitted: July 13, 2015 | Accepted: March 31, 2016 | Language: it
Keywords Rewriting • Spanish Golden Age theatre • El maestro de danzar • El dómine Lucas • Lope de Vega
Copyright © 2017 Daniel Fernández Rodríguez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-163-8/RiB-5-40
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_793 |
dc.contributor.author |
Fernández Rodríguez Daniel |
dc.title |
El dómine Lucas y El maestro de danzar: un caso de auto-reescritura en Lope de Vega |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
My main purpose is to analyze the rewriting process that links two plays by Lope de Vega, El dómine Lucas and El maestro de danzar, written in his youth for the autor de comedias Melchor de Villalba. I will focus on how Lope reuses, rejects, expands and redistributes the materials from El dómine Lucas in the composition process of El maestro de danzar. I will also try to explain the possible reasons that led Lope to make some of the most remarkable changes, such as the profession of the main character. It seems that Lope’s deep knowledge of the art of dance played an important role in this decision, for it allowed him to create numerous plays on words and amusing scenes that are featured throughout the play. It can also be assumed that Lope saw in the physical approach between teacher and student – barely present in El dómine Lucas – a good opportunity to give the audience some erotic scenes, which were very appreciated at the time. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.dateAccepted |
2016-03-31 |
dc.dateSubmitted |
2015-07-13 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/el-domine-lucas-y-el-maestro-de-danzar-un-caso-de/ |
dc.identifier.doi |
10.14277/6969-163-8/RiB-5-40 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
El dómine Lucas |
dc.subject |
El dómine Lucas |
dc.subject |
El maestro de danzar |
dc.subject |
El maestro de danzar |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
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