El dómine Lucas y El maestro de danzar: un caso

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DC Field	Value
dc.identifier	ECF_chapter_793
dc.contributor.author	Fernández Rodríguez Daniel
dc.title	El dómine Lucas y El maestro de danzar: un caso de auto-reescritura en Lope de Vega
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	My main purpose is to analyze the rewriting process that links two plays by Lope de Vega, El dómine Lucas and El maestro de danzar, written in his youth for the autor de comedias Melchor de Villalba. I will focus on how Lope reuses, rejects, expands and redistributes the materials from El dómine Lucas in the composition process of El maestro de danzar. I will also try to explain the possible reasons that led Lope to make some of the most remarkable changes, such as the profession of the main character. It seems that Lope’s deep knowledge of the art of dance played an important role in this decision, for it allowed him to create numerous plays on words and amusing scenes that are featured throughout the play. It can also be assumed that Lope saw in the physical approach between teacher and student – barely present in El dómine Lucas – a good opportunity to give the audience some erotic scenes, which were very appreciated at the time.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-03-31
dc.dateSubmitted	2015-07-13
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/el-domine-lucas-y-el-maestro-de-danzar-un-caso-de/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-40
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	El dómine Lucas
dc.subject	El dómine Lucas
dc.subject	El maestro de danzar
dc.subject	El maestro de danzar
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Rewriting
dc.subject	Rewriting
dc.subject	Spanish Golden Age theatre
dc.subject	Spanish Golden Age theatre

Chapter
open access peer reviewed

El dómine Lucas y El maestro de danzar: un caso de auto-reescritura en Lope de Vega

Daniel Fernández Rodríguez Universitat de València, Espanya

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abstract

My main purpose is to analyze the rewriting process that links two plays by Lope de Vega, El dómine Lucas and El maestro de danzar, written in his youth for the autor de comedias Melchor de Villalba. I will focus on how Lope reuses, rejects, expands and redistributes the materials from El dómine Lucas in the composition process of El maestro de danzar. I will also try to explain the possible reasons that led Lope to make some of the most remarkable changes, such as the profession of the main character. It seems that Lope’s deep knowledge of the art of dance played an important role in this decision, for it allowed him to create numerous plays on words and amusing scenes that are featured throughout the play. It can also be assumed that Lope saw in the physical approach between teacher and student – barely present in El dómine Lucas – a good opportunity to give the audience some erotic scenes, which were very appreciated at the time.

Accepted

March 31, 2016

Submitted

July 13, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: El maestro de danzar • El dómine Lucas • Lope de Vega • Rewriting • Spanish Golden Age theatre

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-40

Copyright: © 2017 Daniel Fernández Rodríguez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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