Monjas portuguesas entremesiles: desvíos a la norma

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DC Field	Value
dc.identifier	ECF_chapter_968
dc.contributor.author	Camões José
dc.title	Monjas portuguesas entremesiles: desvíos a la norma
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The convent life of cloistered nuns in Portugal during the 17th and 18th centuries presents appealing material for satire. It creates a new farcical character: the nun’s beau. The entremeses (short farces) – the theatrical genre most suitable for satire – that depict the relations between the characters do not strictly follow the rules set for the genre, but rather establish new categories as the entremés de monja (nuns’ farce), not to be found elsewhere in the Spanish tradition. This paper studies the representation of the transgressive behaviours of the supposedly rigorous canonical models in a relevant set of plays, unique in the history of Iberian theater which were banned by Portuguese censorship boards.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-06-15
dc.dateSubmitted	2015-07-14
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/monjas-portuguesas-entremesiles-desvios-a-la-norma/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-33
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	17th century Theatre
dc.subject	17th century Theatre
dc.subject	Nuns
dc.subject	Nuns
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Satyre
dc.subject	Satyre
dc.subject	Short farce
dc.subject	Short farce

Chapter
open access peer reviewed

Monjas portuguesas entremesiles: desvíos a la norma

José Camões Universidade de Lisboa, Portugal

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abstract

The convent life of cloistered nuns in Portugal during the 17th and 18th centuries presents appealing material for satire. It creates a new farcical character: the nun’s beau. The entremeses (short farces) – the theatrical genre most suitable for satire – that depict the relations between the characters do not strictly follow the rules set for the genre, but rather establish new categories as the entremés de monja (nuns’ farce), not to be found elsewhere in the Spanish tradition. This paper studies the representation of the transgressive behaviours of the supposedly rigorous canonical models in a relevant set of plays, unique in the history of Iberian theater which were banned by Portuguese censorship boards.

Accepted

June 15, 2016

Submitted

July 14, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Satyre • Nuns • Portugal • Short farce • 17th century Theatre

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-33

Copyright: © 2017 José Camões. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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