Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

crossmark logo

open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Intertextuality • Style • Baroque poetry • Cut flower • Adaptation Studies • Literary styles • Calderón • Mysticism • Anacreontics • Conquest of Peru • Margaret Theresa of Spain • Prior censorship • Music • Eroticism • Preaching • Variety • Dedications • Seventeenth century • Women writers • Madrid • Gemstones • La Zucca del Doni en spañol • Spain • Twentieth century • Slang • Espada sagrada • Golden Age • Giacomo Franco • Portugal • Castillo Solórzano • Letters • Literature • Spanish Novel • Authors • Tradition • Baroque comedy • Cohesion • Edition • Satire • Rewriting • Sacrament of penance • Castillejo • La Gerusalemme liberata • Jewels • Antonio de Zamora • Interpretation • Quiñones de Benavente • Lovers • Spanish Court Poetry • Ambiguity • Madmen • Post-Tridentine Spain • El maestro de danzar • Ineffable language • Philosophical method • Don Quixote • Rosete Niño • 17th century • Perfecto predicador • Antonio Sacchi • Court • Ideology • Anthroponomy • Topos • Francisco de Leefdael • Empresas políticas • Decameron • Comedy of magic • Politics • Booklets • Dalila • Philip IV • Álvar Núñez Cabeza de Vaca • José de la Concha • Literary Forgery • Spanish Golden Age entremeses • History of book • Sermon • Facetia • Reception theory • Stage • Italophile • Insane asylums • Nuns • Bernardo de Sandoval y Rojas • Exemplary Novels • Figurón comedy • Fernando de Herrera • Notes in scholarly editions • Correction to editio princeps • Comedy • Golden Age minor theater • Miguel Torga • Book of Job • Language • Anagilda • Tragic play • Quijote • Metre • Female reader • Las dos doncellas • Chivalric romance • Rojas Zorrilla • Catalogue • Díaz de Rivas • Theatre Translation • Farsalia • Carlo Goldoni • San Juan de la Cruz • Parody • Cea Tesa • Pynchon • Segmentation • Spiritual poetry • Poetics • Hagiographic drama • Diccionario de Autoridades • Satyre • 17th Century • Nicolini da Sabbio • Translation constraints • Collaboration • Translators • Libretto • Notes • Barahona de Soto • José de Arroyo • Caballero de Illescas • Labyrinth • King Sebastian • Unstable • Quixote • Nadie fíe su secreto • Renaissance books • Baroque theater • Fraud • Kundera • Shame • Tametsi decree • Bandello • Gongorism • Descartes • Lope • Modernity • Olivieri di Castiglia • Explicitation • Dynamism • Preacher • Anti-aulic satire • Lady of Copacabana • Melchor Díaz de Toledo • Spanish literature of the Golden Age • Priest • CABIGO • Komenský • Luis Gálvez de Montalvo • Portuguese poetry • Auto • Matos Fragoso • El dómine Lucas • Paremiology • Quevedo • Affect • Lope de Vega • Francisco de La Torre • French Classical Theatre • Francesco Portonari • Novel • Metaphor • Bibliography • Orthographiy • Suspension • Love poetry • Octosyllabic verse • Juan de Valdés • Open access • Seville • Spanish Poetry • Italian • Cáncer • Cristóbal de Morales • Jorge de Montemayor • Novelle • Spanish theatre • Repentance • Roberto el diablo • Jáuregui • Novelas ejemplares • Mythification • Justice • Comedias de pícaros • Barbers • Juan de Mariana • Spanish Golden Age, History of Linguistics • Disgust • Financial crisis • Order of the Golden Fleece • Fine taste • Renascence • resemantization • Aminta • Stylistic development • Authorship • 17th century Theatre • Dramatic space • El bautismo del príncipe de Marruecos • Girolamo Gigli • Eulogy • Critical edition • Venice • Grotesque body • Poetry • Tesoro de la Lengua Castellana • Versification • Metrics • Picaresque novel • Queen Isabel de Borbón • Coherence • Spanish Golden Age • Travel narratives • Traitors • Lope sources • Low Baroque • Witticism • José Saramago • Sociability • Helmet of Mambrino • Alonso de Castillo Solórzano • Playing cards • Romances of chivalry • Rhetoric • Symbolism • Dedicatees • Phonetics • Guzmán de Alfarache • Council of Castile • Refranes • Journey • Cándido María Trigueros • Diálogo de la lengua • Dramatic formula • La noche de San Juan • Translation • Adventure books • Graphical changes • XVII century • Festive relation • Donkey • Public-Private relation • Imago • Moreto • Literary criticism • Golden Age Poetry • Baroque • Trees • Poetry about music • Spanish Golden Age Theatre • Robbery • Iberism • Italian humanist short prose • Fernández de Lizardi • Controversy • Enríquez de Cabrera • Sonnets • Uruguay • Tree • Comedia nueva • Religious Poetry • Luigi Groto • Empire • Hernando de Acuña • Critical editions of literary Works • Pedro Sarmiento de Gamboa • Popular culture • Italian translation • Granada • Painting • The Book of Judges • Translator • Enchantment of Dulcinea • String literature • Italy • Miguel de Cervantes • Theater • Poggio Bracciolini • Truth • Images • Walter Raleigh • Spanish Golden Age theatre • Decorum • Tridentin work • La Maya • Textual bibliography • Sonnet • Christian preacher • Góngora • Publisher • Orthography • Translation Studies • Fear • El piadoso veneciano • Atonement • Sermons • Metaphors • Butterfly • Affinities • Saavedra Fajardo • Hernán Núñez • History of Spanis language • Alonso Remón • Morisco figures • Attributed authorship • Epic and Drama • Analysis • Gypsies • Love • Sociology • interludes • Marginalization • Theatre • Expression • Epic poetry • Cervantes • Jerónimo Corte-Real • Republic of Letters • Timanthes • Juan Bautista Pederzano • Honour • Promujer • Copper coin • Quotations • Santa Teresa • History of typography • Vázquez Siruela • Francisco de Quevedo • Mendeley • Short farce • Carlo Gozzi • Italian Renaissance • Córdoba • Early Music • Proverbs • Siglo de Oro • Autobiography • Literary sources • Jiménez Patón • Asceticism • Corruption • Countess of Harrach • Rimas • Censors • Literary authors • Mercadante • Press • Seven love letters • Illustrated edition • Oliveros de Castilla • Philology • Literary censorship • Homeric simile • Venitian printing • Luís de Camões • Experience • New Spain • Calderón de a Barca • Mystical symbols • Bible

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.