Serenísima palabra
Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de julio de 2014)
edited by
Florencio del Barrio de la Rosa
Università Ca’ Foscari Venezia, Italia
María del Valle Ojeda Calvo
Università Ca’ Foscari Venezia, Italia
abstract
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
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Keywords vpn_key keyboard_arrow_down
Poggio Bracciolini • Comedias de pícaros • Sociology • Nadie fíe su secreto • Golden Age • Jerónimo Corte-Real • Italian humanist short prose • Spanish literature of the Golden Age • Queen Isabel de Borbón • Tridentin work • Collaboration • Poetry • Luis Gálvez de Montalvo • Castillo Solórzano • Traitors • El dómine Lucas • Lope • Translator • Barahona de Soto • Lovers • Atonement • Aminta • Segmentation • Antonio de Zamora • Fernández de Lizardi • Dynamism • Komenský • Literary authors • Anagilda • Book of Job • Quijote • Sacrament of penance • Francesco Portonari • Censors • Textual bibliography • Explicitation • Helmet of Mambrino • Jewels • Las dos doncellas • Miguel Torga • Cut flower • Nicolini da Sabbio • Stylistic development • Diccionario de Autoridades • Quixote • Slang • Baroque comedy • Autobiography • Juan de Mariana • Mystical symbols • String literature • Attributed authorship • Portuguese poetry • Adaptation Studies • interludes • La Gerusalemme liberata • Metrics • Shame • Dedications • Auto • Language • Comedia nueva • Philology • Literary criticism • Cristóbal de Morales • Figurón comedy • Italian Renaissance • Metaphors • Notes • Festive relation • Theatre Translation • Catalogue • Seville • Comedy of magic • Spanish Golden Age, History of Linguistics • Timanthes • Satire • Roberto el diablo • Honour • Intertextuality • Literary styles • Anti-aulic satire • Epic poetry • Short farce • Romances of chivalry • Italian • Juan de Valdés • Lope de Vega • Oliveros de Castilla • Bernardo de Sandoval y Rojas • Caballero de Illescas • Critical editions of literary Works • Painting • La noche de San Juan • Alonso de Castillo Solórzano • Octosyllabic verse • Spain • New Spain • Hagiographic drama • Exemplary Novels • Alonso Remón • Booklets • Quiñones de Benavente • Symbolism • Modernity • Chivalric romance • Coherence • Music • Suspension • Anthroponomy • Baroque theater • Press • Promujer • Letters • Prior censorship • Expression • Homeric simile • 17th Century • Spanish Golden Age • Facetia • Marginalization • Francisco de La Torre • Decameron • Spanish Golden Age theatre • Sermons • Cea Tesa • Sociability • Morisco figures • Politics • History of book • Christian preacher • Cándido María Trigueros • Topos • Philosophical method • Francisco de Leefdael • Jorge de Montemayor • Theatre • Poetry about music • Giacomo Franco • Asceticism • Córdoba • Affinities • Anacreontics • Ideology • Picaresque novel • Libretto • Love • Golden Age Poetry • Don Quixote • Matos Fragoso • Gemstones • Interpretation • Proverbs • Pedro Sarmiento de Gamboa • Conquest of Peru • Variety • Barbers • History of typography • José de la Concha • El bautismo del príncipe de Marruecos • Moreto • Financial crisis • Disgust • José de Arroyo • Translation constraints • Granada • Quotations • Love poetry • Insane asylums • Rewriting • Lope sources • Mercadante • Renaissance books • Comedy • Fernando de Herrera • Miguel de Cervantes • Lady of Copacabana • Popular culture • Pynchon • Olivieri di Castiglia • Italophile • Santa Teresa • Donkey • Antonio Sacchi • Style • Council of Castile • Quevedo • Calderón • Hernán Núñez • Madmen • The Book of Judges • Imago • Díaz de Rivas • Mendeley • Spanish Novel • Court • Repentance • Literary censorship • Dramatic formula • Carlo Gozzi • La Zucca del Doni en spañol • Cohesion • Metaphor • Corruption • Philip IV • Journey • History of Spanis language • Butterfly • Álvar Núñez Cabeza de Vaca • Espada sagrada • La Maya • Graphical changes • Poetics • Empresas políticas • Guzmán de Alfarache • Reception theory • Women writers • Calderón de a Barca • Uruguay • Fine taste • Sonnets • Hernando de Acuña • Refranes • Travel narratives • Truth • Low Baroque • Post-Tridentine Spain • Mythification • Dedicatees • Gongorism • Tradition • Empire • Eulogy • Decorum • Witticism • Grotesque body • Theater • resemantization • Controversy • Twentieth century • Saavedra Fajardo • Countess of Harrach • Open access • Translators • Diálogo de la lengua • Girolamo Gigli • San Juan de la Cruz • Siglo de Oro • Kundera • Priest • Tree • Rimas • Francisco de Quevedo • Novel • Labyrinth • Edition • Phonetics • Spanish Poetry • French Classical Theatre • Religious Poetry • Spanish Golden Age entremeses • Public-Private relation • Analysis • Góngora • Baroque poetry • CABIGO • Vázquez Siruela • Illustrated edition • Tametsi decree • 17th century Theatre • Publisher • Preaching • Rosete Niño • Trees • Carlo Goldoni • Novelle • Jáuregui • Spanish Golden Age Theatre • Castillejo • Novelas ejemplares • Golden Age minor theater • Epic and Drama • Enchantment of Dulcinea • Ineffable language • Venitian printing • Enríquez de Cabrera • Ambiguity • Spanish Court Poetry • Bibliography • Orthographiy • Experience • Rojas Zorrilla • Sermon • 17th century • Dalila • Jiménez Patón • Renascence • Literature • Orthography • Paremiology • Fear • Stage • Justice • Madrid • José Saramago • Seventeenth century • Spanish theatre • Mysticism • Italian translation • Tesoro de la Lengua Castellana • XVII century • Literary Forgery • Copper coin • Female reader • Melchor Díaz de Toledo • Translation Studies • Satyre • Iberism • Venice • Luigi Groto • Bible • Literary sources • Adventure books • El maestro de danzar • Preacher • Versification • Notes in scholarly editions • Margaret Theresa of Spain • Playing cards • Spiritual poetry • Affect • Gypsies • Cervantes • Robbery • Metre • Luís de Camões • Unstable • Fraud • Cáncer • Early Music • Baroque • Order of the Golden Fleece • Authorship • Descartes • Authors • Images • Tragic play • Bandello • Nuns • Juan Bautista Pederzano • El piadoso veneciano • Rhetoric • Perfecto predicador • Portugal • Translation • Italy • Sonnet • Seven love letters • Critical edition • Eroticism • Republic of Letters • Dramatic space • Walter Raleigh • Farsalia • King Sebastian • Correction to editio princeps • Parody
Table of contents
Preface
1 Plenary lectures
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2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
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3.1 Contributions: Poetry
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3.2 Contributions: Theatre
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3.3 Contributions: Prose
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3.4 Contributions: Language and translation
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3.5 Contributions: Miscellany
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