Serenísima palabra
Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de julio de 2014)
edited by
Florencio del Barrio de la Rosa
Università Ca’ Foscari Venezia, Italia
María del Valle Ojeda Calvo
Università Ca’ Foscari Venezia, Italia
abstract
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
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Keywords vpn_key keyboard_arrow_down
Early Music • interludes • Cohesion • Italophile • Nuns • Juan de Valdés • Novelle • Press • Rojas Zorrilla • Shame • Exemplary Novels • Politics • Metre • Spanish Novel • Spiritual poetry • Francisco de Leefdael • Love poetry • Álvar Núñez Cabeza de Vaca • Lovers • Orthographiy • Jerónimo Corte-Real • Castillo Solórzano • Council of Castile • Critical edition • Iberism • Book of Job • Repentance • Poetry about music • Literary criticism • El piadoso veneciano • Italian Renaissance • Diálogo de la lengua • 17th century Theatre • Spanish Golden Age Theatre • Spain • Cea Tesa • Saavedra Fajardo • Dramatic formula • Golden Age • Satyre • Italian translation • Publisher • Satire • Farsalia • Variety • Seven love letters • Suspension • Enríquez de Cabrera • Translation • Quijote • CABIGO • Italian • Open access • La Zucca del Doni en spañol • Fraud • Textual bibliography • Traitors • Court • Nicolini da Sabbio • Díaz de Rivas • Castillejo • Italy • Ambiguity • Justice • Financial crisis • Morisco figures • Sermon • Roberto el diablo • Golden Age Poetry • Paremiology • Antonio Sacchi • Translation constraints • Gongorism • La noche de San Juan • Vázquez Siruela • Censors • Festive relation • Margaret Theresa of Spain • Copper coin • Philosophical method • Decorum • Philip IV • Helmet of Mambrino • Anagilda • El dómine Lucas • Sonnets • Comedia nueva • Poetry • Asceticism • King Sebastian • Comedias de pícaros • Gypsies • Disgust • Catalogue • Lady of Copacabana • Calderón • Espada sagrada • Tradition • Mysticism • Coherence • Decameron • Lope sources • Empire • French Classical Theatre • Prior censorship • Oliveros de Castilla • Baroque • Empresas políticas • XVII century • Baroque comedy • Quotations • Diccionario de Autoridades • Calderón de a Barca • Grotesque body • Short farce • José de Arroyo • Hagiographic drama • Popular culture • Renascence • San Juan de la Cruz • Butterfly • Translation Studies • Góngora • Tesoro de la Lengua Castellana • Imago • Alonso de Castillo Solórzano • Analysis • Segmentation • Affect • 17th century • Mendeley • Cut flower • Travel narratives • Translator • Baroque poetry • Metaphor • Topos • resemantization • Interpretation • Perfecto predicador • Epic poetry • Expression • Adaptation Studies • Poetics • Style • Translators • Gemstones • Juan Bautista Pederzano • La Gerusalemme liberata • Chivalric romance • New Spain • Lope de Vega • Music • Nadie fíe su secreto • Epic and Drama • Literary sources • Comedy • Quevedo • Eulogy • Preaching • Adventure books • Journey • Literature • Spanish Golden Age entremeses • Collaboration • Unstable • Kundera • Portugal • Poggio Bracciolini • Metaphors • Refranes • Public-Private relation • Carlo Goldoni • Sonnet • Las dos doncellas • Luigi Groto • Comedy of magic • Literary styles • Dramatic space • Hernán Núñez • Priest • Caballero de Illescas • Symbolism • Language • Correction to editio princeps • Hernando de Acuña • Rosete Niño • Seville • Tridentin work • Aminta • Picaresque novel • Tree • Dedications • Post-Tridentine Spain • Miguel Torga • Spanish Golden Age, History of Linguistics • Twentieth century • Venitian printing • Romances of chivalry • Anti-aulic satire • Enchantment of Dulcinea • Homeric simile • Siglo de Oro • Venice • Santa Teresa • Booklets • Tragic play • Parody • Girolamo Gigli • Playing cards • Ineffable language • Images • Jáuregui • Religious Poetry • Quiñones de Benavente • Republic of Letters • Explicitation • Female reader • Promujer • Fernando de Herrera • Antonio de Zamora • Jorge de Montemayor • Miguel de Cervantes • Proverbs • Countess of Harrach • Spanish Golden Age theatre • Christian preacher • Labyrinth • Sociology • Sermons • Libretto • Bernardo de Sandoval y Rojas • Luis Gálvez de Montalvo • Komenský • Illustrated edition • Jiménez Patón • Sacrament of penance • Notes in scholarly editions • Donkey • Rhetoric • Love • Notes • Sociability • Moreto • Cáncer • Fear • Tametsi decree • Theatre Translation • Women writers • Marginalization • Bible • Golden Age minor theater • Graphical changes • Francesco Portonari • La Maya • Francisco de La Torre • Robbery • Portuguese poetry • Fernández de Lizardi • Baroque theater • Preacher • Phonetics • Theater • Literary censorship • Low Baroque • Mystical symbols • Cristóbal de Morales • Honour • Trees • Reception theory • José de la Concha • José Saramago • Spanish theatre • Italian humanist short prose • Insane asylums • Spanish Poetry • Rewriting • Matos Fragoso • History of Spanis language • Barbers • Granada • Rimas • Order of the Golden Fleece • Don Quixote • History of book • Novel • Modernity • Novelas ejemplares • Carlo Gozzi • Stage • Olivieri di Castiglia • Quixote • Facetia • Painting • Figurón comedy • Anacreontics • Alonso Remón • Anthroponomy • String literature • El maestro de danzar • Theatre • Mythification • Orthography • Jewels • Controversy • Edition • Guzmán de Alfarache • Spanish Golden Age • Corruption • Atonement • Madrid • Metrics • The Book of Judges • Pynchon • Letters • Timanthes • Literary Forgery • Lope • Eroticism • Conquest of Peru • Versification • Fine taste • Dalila • Spanish literature of the Golden Age • Francisco de Quevedo • Melchor Díaz de Toledo • Slang • Affinities • Philology • Córdoba • Truth • Cándido María Trigueros • Cervantes • Autobiography • Intertextuality • Mercadante • Critical editions of literary Works • Juan de Mariana • Octosyllabic verse • Luís de Camões • Authors • Authorship • Literary authors • El bautismo del príncipe de Marruecos • Bibliography • Giacomo Franco • Auto • Seventeenth century • Bandello • Experience • Spanish Court Poetry • 17th Century • Stylistic development • Queen Isabel de Borbón • Dedicatees • Descartes • History of typography • Barahona de Soto • Dynamism • Walter Raleigh • Ideology • Madmen • Pedro Sarmiento de Gamboa • Renaissance books • Witticism • Attributed authorship • Uruguay
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Table of contents
Preface
1 Plenary lectures
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2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
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3.1 Contributions: Poetry
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3.2 Contributions: Theatre
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3.3 Contributions: Prose
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3.4 Contributions: Language and translation
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3.5 Contributions: Miscellany
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