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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Carlo Goldoni • Financial crisis • Barahona de Soto • Novelle • Díaz de Rivas • Comedy • Imago • Spanish Court Poetry • Castillo Solórzano • Tree • Oliveros de Castilla • Order of the Golden Fleece • Rimas • Santa Teresa • Epic poetry • Dedicatees • French Classical Theatre • Jiménez Patón • Literary authors • Poetics • Las dos doncellas • Post-Tridentine Spain • Mercadante • Mendeley • Asceticism • Jáuregui • Critical editions of literary Works • Rewriting • Barbers • Playing cards • Fear • Priest • Honour • Anagilda • Lope sources • Painting • Spanish Golden Age, History of Linguistics • Tragic play • Critical edition • El bautismo del príncipe de Marruecos • Council of Castile • Notes • Juan de Valdés • Caballero de Illescas • Francisco de Quevedo • Poetry • Spanish Golden Age • Nadie fíe su secreto • Spanish Golden Age theatre • The Book of Judges • Shame • La noche de San Juan • Jewels • Luís de Camões • Quijote • Eulogy • Sermon • Luis Gálvez de Montalvo • Translation • Bible • Guzmán de Alfarache • Cervantes • Literature • Francesco Portonari • Vázquez Siruela • Stage • Mythification • Early Music • Booklets • Affect • Golden Age minor theater • Renaissance books • Copper coin • Quiñones de Benavente • Renascence • Novel • Public-Private relation • XVII century • Labyrinth • Figurón comedy • Baroque • Miguel de Cervantes • Quixote • Slang • Golden Age • Satire • Translation constraints • Preacher • Sonnets • Gemstones • Romances of chivalry • El piadoso veneciano • Cea Tesa • Adventure books • Antonio de Zamora • Comedy of magic • Poetry about music • History of Spanis language • Farsalia • Rhetoric • Timanthes • King Sebastian • Gongorism • Translators • Translation Studies • Alonso de Castillo Solórzano • Versification • Ineffable language • Italian humanist short prose • Seville • Trees • Madmen • Helmet of Mambrino • Álvar Núñez Cabeza de Vaca • Baroque poetry • Donkey • Popular culture • Orthographiy • Ideology • Explicitation • Kundera • Literary censorship • Festive relation • Juan Bautista Pederzano • Descartes • Anthroponomy • Edition • Cáncer • Metaphor • Auto • José de la Concha • Controversy • Disgust • Bernardo de Sandoval y Rojas • Granada • Fernández de Lizardi • Religious Poetry • Walter Raleigh • Ambiguity • Spanish Golden Age Theatre • Press • Tametsi decree • Comedias de pícaros • Portuguese poetry • El maestro de danzar • Images • Cándido María Trigueros • Language • Cut flower • Refranes • Spain • Iberism • Venice • Intertextuality • Francisco de La Torre • Style • Experience • Theatre • Journey • Nicolini da Sabbio • Theatre Translation • Christian preacher • Textual bibliography • Metre • Suspension • Facetia • Theater • Love poetry • Espada sagrada • José Saramago • Baroque comedy • Literary criticism • Tradition • Attributed authorship • Paremiology • Pynchon • Sermons • Siglo de Oro • Twentieth century • Diálogo de la lengua • Literary Forgery • Authors • Italophile • Cohesion • Jorge de Montemayor • Picaresque novel • Interpretation • Literary sources • Graphical changes • Dramatic space • Queen Isabel de Borbón • Dramatic formula • Court • Dynamism • Countess of Harrach • Traitors • Komenský • Poggio Bracciolini • Republic of Letters • Giacomo Franco • Marginalization • Sociability • Sacrament of penance • Uruguay • Justice • String literature • Travel narratives • Octosyllabic verse • Epic and Drama • Melchor Díaz de Toledo • Censors • El dómine Lucas • Lady of Copacabana • Women writers • Enchantment of Dulcinea • Spiritual poetry • Short farce • Córdoba • Metaphors • Atonement • Symbolism • Collaboration • CABIGO • Insane asylums • Miguel Torga • Spanish Poetry • Correction to editio princeps • Moreto • Diccionario de Autoridades • Homeric simile • Margaret Theresa of Spain • Modernity • Roberto el diablo • resemantization • Francisco de Leefdael • Luigi Groto • Italian translation • Lovers • Empire • Orthography • Tesoro de la Lengua Castellana • Prior censorship • La Maya • Jerónimo Corte-Real • Matos Fragoso • 17th Century • Spanish theatre • Truth • Stylistic development • History of typography • Venitian printing • Chivalric romance • Empresas políticas • Bibliography • Mysticism • Hernán Núñez • Satyre • San Juan de la Cruz • Carlo Gozzi • José de Arroyo • Notes in scholarly editions • Portugal • Spanish literature of the Golden Age • Topos • Variety • Decorum • Saavedra Fajardo • La Gerusalemme liberata • Philosophical method • Music • Tridentin work • Gypsies • Metrics • Don Quixote • Affinities • Novelas ejemplares • Reception theory • Low Baroque • Madrid • Seventeenth century • History of book • Rojas Zorrilla • Unstable • Witticism • Fine taste • Spanish Novel • Butterfly • Proverbs • Conquest of Peru • Italy • Illustrated edition • Italian Renaissance • Mystical symbols • 17th century Theatre • Fraud • Rosete Niño • Dalila • Olivieri di Castiglia • Juan de Mariana • Calderón • Aminta • Publisher • Eroticism • Baroque theater • Love • 17th century • Corruption • Translator • Grotesque body • Expression • Calderón de a Barca • Analysis • Enríquez de Cabrera • Golden Age Poetry • Góngora • Repentance • Autobiography • Promujer • Decameron • Antonio Sacchi • Open access • Lope • Hernando de Acuña • Spanish Golden Age entremeses • La Zucca del Doni en spañol • Female reader • Dedications • Fernando de Herrera • Perfecto predicador • interludes • Alonso Remón • Adaptation Studies • Philology • Lope de Vega • Hagiographic drama • Quevedo • Seven love letters • Parody • Nuns • Morisco figures • Anti-aulic satire • Segmentation • Quotations • Coherence • Cristóbal de Morales • Libretto • Girolamo Gigli • Castillejo • Book of Job • Catalogue • Robbery • Comedia nueva • Authorship • Letters • New Spain • Exemplary Novels • Philip IV • Pedro Sarmiento de Gamboa • Italian • Anacreontics • Bandello • Phonetics • Preaching • Sociology • Sonnet • Politics • Literary styles

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.