Series |
Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra
Abstract
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
Keywords Cándido María Trigueros • Affinities • Rimas • Priest • Dynamism • Decorum • Empire • Authors • Espada sagrada • Quotations • Poggio Bracciolini • Theatre • Prior censorship • Attributed authorship • Lope de Vega • Literary censorship • Sonnet • Golden Age minor theater • Butterfly • Grotesque body • Critical editions of literary Works • Luigi Groto • Twentieth century • Góngora • Hagiographic drama • Italian translation • Mythification • Sociology • Sermons • Bandello • Post-Tridentine Spain • Dramatic space • Translation Studies • Spanish Golden Age, History of Linguistics • Cea Tesa • Castillo Solórzano • Quevedo • Anacreontics • Dedications • Philosophical method • Calderón • Octosyllabic verse • Proverbs • Enchantment of Dulcinea • Golden Age • Francisco de Leefdael • Sacrament of penance • Parody • Margaret Theresa of Spain • Venitian printing • Renaissance books • Literary Forgery • Adaptation Studies • La Zucca del Doni en spañol • Unstable • Metaphors • Fraud • Alonso de Castillo Solórzano • Antonio Sacchi • Authorship • Dedicatees • Cohesion • Picaresque novel • Festive relation • Catalogue • El dómine Lucas • Publisher • Robbery • Translator • Quiñones de Benavente • Poetry • Nuns • String literature • New Spain • Guzmán de Alfarache • Chivalric romance • Experience • Baroque comedy • Book of Job • Music • Court • Facetia • Luís de Camões • Figurón comedy • Metrics • Spanish theatre • José de la Concha • Carlo Gozzi • Madrid • Morisco figures • Interpretation • Letters • Diálogo de la lengua • Orthographiy • Miguel de Cervantes • Repentance • Spanish Golden Age Theatre • Farsalia • Segmentation • Nadie fíe su secreto • Italophile • 17th century • Spanish Golden Age entremeses • Comedy of magic • Mendeley • Diccionario de Autoridades • Textual bibliography • Gypsies • Quijote • Saavedra Fajardo • El maestro de danzar • Translation • Uruguay • Moreto • Spanish Novel • Paremiology • Mysticism • Juan de Valdés • Politics • Lovers • Promujer • Truth • Fear • Francesco Portonari • Travel narratives • Cristóbal de Morales • Matos Fragoso • History of Spanis language • Juan Bautista Pederzano • Ambiguity • Slang • Collaboration • Journey • Epic and Drama • Pedro Sarmiento de Gamboa • Oliveros de Castilla • Venice • Refranes • Love • Translation constraints • Tragic play • El bautismo del príncipe de Marruecos • Hernando de Acuña • Spanish Poetry • Melchor Díaz de Toledo • Ineffable language • La Gerusalemme liberata • Enríquez de Cabrera • Topos • José Saramago • Baroque poetry • Autobiography • Decameron • Metaphor • Love poetry • Preacher • Alonso Remón • Cáncer • Miguel Torga • Cut flower • Marginalization • Theater • Rewriting • Hernán Núñez • Preaching • Sonnets • Ideology • Spanish Golden Age theatre • Comedy • Francisco de Quevedo • Carlo Goldoni • Open access • Queen Isabel de Borbón • Anti-aulic satire • Popular culture • Spanish Golden Age • Tradition • Insane asylums • resemantization • Justice • Rosete Niño • Suspension • El piadoso veneciano • Comedias de pícaros • Spiritual poetry • Epic poetry • Córdoba • Satire • Díaz de Rivas • Intertextuality • Rhetoric • Trees • Shame • Booklets • Critical edition • Nicolini da Sabbio • Quixote • Italian • Gongorism • Girolamo Gigli • Translators • Kundera • Romances of chivalry • Explicitation • Renascence • Coherence • Literary sources • Mercadante • Poetry about music • Imago • Novelas ejemplares • Public-Private relation • Baroque theater • Donkey • Style • Italian Renaissance • Castillejo • Notes in scholarly editions • Spanish literature of the Golden Age • Graphical changes • Symbolism • Stage • Seventeenth century • Luis Gálvez de Montalvo • Gemstones • Caballero de Illescas • Álvar Núñez Cabeza de Vaca • 17th Century • Traitors • Vázquez Siruela • Philip IV • Adventure books • Financial crisis • Edition • Anagilda • Press • Religious Poetry • Auto • Low Baroque • Christian preacher • Jorge de Montemayor • Council of Castile • Jewels • Golden Age Poetry • La noche de San Juan • Exemplary Novels • Lope • La Maya • Seven love letters • Cervantes • Helmet of Mambrino • Modernity • Women writers • Descartes • Eroticism • Expression • Jáuregui • Painting • Fine taste • Fernández de Lizardi • Antonio de Zamora • Francisco de La Torre • Novelle • Timanthes • Playing cards • Komenský • Rojas Zorrilla • Tesoro de la Lengua Castellana • Analysis • Aminta • Affect • Barahona de Soto • Spain • Spanish Court Poetry • Jerónimo Corte-Real • Don Quixote • Satyre • The Book of Judges • Bible • Language • XVII century • Calderón de a Barca • Comedia nueva • Portuguese poetry • Italian humanist short prose • King Sebastian • Literary authors • Santa Teresa • Anthroponomy • Jiménez Patón • Bernardo de Sandoval y Rojas • Censors • Lady of Copacabana • Bibliography • Literary styles • Baroque • Theatre Translation • Eulogy • Countess of Harrach • History of typography • Lope sources • Granada • Dramatic formula • Juan de Mariana • Tree • Sociability • Republic of Letters • Conquest of Peru • San Juan de la Cruz • Reception theory • Literature • Tridentin work • Giacomo Franco • Portugal • CABIGO • Asceticism • Homeric simile • Roberto el diablo • Barbers • José de Arroyo • Early Music • Copper coin • Poetics • Images • Labyrinth • Walter Raleigh • Novel • Witticism • Seville • Siglo de Oro • Las dos doncellas • Notes • Controversy • Variety • Metre • Literary criticism • Order of the Golden Fleece • Female reader • Libretto • Illustrated edition • Disgust • Phonetics • Madmen • Italy • Perfecto predicador • French Classical Theatre • Sermon • Mystical symbols • Honour • Short farce • Philology • Fernando de Herrera • Olivieri di Castiglia • History of book • Iberism • Atonement • Orthography • Dalila • Corruption • Versification • Stylistic development • Correction to editio princeps • 17th century Theatre • Tametsi decree • interludes • Pynchon • Empresas políticas
Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it
Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_book_127 |
dc.creator |
Bognolo Anna |
dc.creator |
del Barrio de la Rosa Florencio |
dc.creator |
Ojeda Calvo María del Valle |
dc.creator |
Pini Donatella |
dc.creator |
Zinato Andrea |
dc.title |
Serenísima palabra. Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014) |
dc.type |
Edited book |
dc.language.iso |
it |
dc.description.abstract |
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.identifier.doi |
10.14277/978-88-6969-163-8 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/ |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
17th Century |
dc.subject |
17th Century |
dc.subject |
17th century |
dc.subject |
17th century |
dc.subject |
17th century |
dc.subject |
17th century |
dc.subject |
17th century Theatre |
dc.subject |
17th century Theatre |
dc.subject |
Adaptation Studies |
dc.subject |
Adaptation Studies |
dc.subject |
Adventure books |
dc.subject |
Adventure books |
dc.subject |
Affect |
dc.subject |
Affect |
dc.subject |
Affinities |
dc.subject |
Affinities |
dc.subject |
Alonso Remón |
dc.subject |
Alonso Remón |
dc.subject |
Alonso de Castillo Solórzano |
dc.subject |
Alonso de Castillo Solórzano |
dc.subject |
Ambiguity |
dc.subject |
Ambiguity |
dc.subject |
Aminta |
dc.subject |
Aminta |
dc.subject |
Anacreontics |
dc.subject |
Anacreontics |
dc.subject |
Anagilda |
dc.subject |
Anagilda |
dc.subject |
Analysis |
dc.subject |
Analysis |
dc.subject |
Anthroponomy |
dc.subject |
Anthroponomy |
dc.subject |
Anti-aulic satire |
dc.subject |
Anti-aulic satire |
dc.subject |
Antonio Sacchi |
dc.subject |
Antonio Sacchi |
dc.subject |
Antonio de Zamora |
dc.subject |
Antonio de Zamora |
dc.subject |
Asceticism |
dc.subject |
Asceticism |
dc.subject |
Atonement |
dc.subject |
Atonement |
dc.subject |
Attributed authorship |
dc.subject |
Attributed authorship |
dc.subject |
Authors |
dc.subject |
Authors |
dc.subject |
Authorship |
dc.subject |
Authorship |
dc.subject |
Authorship |
dc.subject |
Authorship |
dc.subject |
Auto |
dc.subject |
Auto |
dc.subject |
Autobiography |
dc.subject |
Autobiography |
dc.subject |
Bandello |
dc.subject |
Bandello |
dc.subject |
Barahona de Soto |
dc.subject |
Barahona de Soto |
dc.subject |
Barbers |
dc.subject |
Barbers |
dc.subject |
Baroque |
dc.subject |
Baroque |
dc.subject |
Baroque comedy |
dc.subject |
Baroque comedy |
dc.subject |
Baroque poetry |
dc.subject |
Baroque poetry |
dc.subject |
Baroque theater |
dc.subject |
Baroque theater |
dc.subject |
Bernardo de Sandoval y Rojas |
dc.subject |
Bernardo de Sandoval y Rojas |
dc.subject |
Bible |
dc.subject |
Bible |
dc.subject |
Bibliography |
dc.subject |
Bibliography |
dc.subject |
Bibliography |
dc.subject |
Bibliography |
dc.subject |
Book of Job |
dc.subject |
Book of Job |
dc.subject |
Booklets |
dc.subject |
Booklets |
dc.subject |
Butterfly |
dc.subject |
Butterfly |
dc.subject |
CABIGO |
dc.subject |
CABIGO |
dc.subject |
Caballero de Illescas |
dc.subject |
Caballero de Illescas |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón de a Barca |
dc.subject |
Calderón de a Barca |
dc.subject |
Carlo Goldoni |
dc.subject |
Carlo Goldoni |
dc.subject |
Carlo Gozzi |
dc.subject |
Carlo Gozzi |
dc.subject |
Castillejo |
dc.subject |
Castillejo |
dc.subject |
Castillo Solórzano |
dc.subject |
Castillo Solórzano |
dc.subject |
Catalogue |
dc.subject |
Catalogue |
dc.subject |
Cea Tesa |
dc.subject |
Cea Tesa |
dc.subject |
Censors |
dc.subject |
Censors |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Chivalric romance |
dc.subject |
Chivalric romance |
dc.subject |
Christian preacher |
dc.subject |
Christian preacher |
dc.subject |
Coherence |
dc.subject |
Coherence |
dc.subject |
Cohesion |
dc.subject |
Cohesion |
dc.subject |
Collaboration |
dc.subject |
Collaboration |
dc.subject |
Comedia nueva |
dc.subject |
Comedia nueva |
dc.subject |
Comedias de pícaros |
dc.subject |
Comedias de pícaros |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Comedy of magic |
dc.subject |
Comedy of magic |
dc.subject |
Conquest of Peru |
dc.subject |
Conquest of Peru |
dc.subject |
Controversy |
dc.subject |
Controversy |
dc.subject |
Copper coin |
dc.subject |
Copper coin |
dc.subject |
Correction to editio princeps |
dc.subject |
Correction to editio princeps |
dc.subject |
Corruption |
dc.subject |
Corruption |
dc.subject |
Council of Castile |
dc.subject |
Council of Castile |
dc.subject |
Countess of Harrach |
dc.subject |
Countess of Harrach |
dc.subject |
Court |
dc.subject |
Court |
dc.subject |
Cristóbal de Morales |
dc.subject |
Cristóbal de Morales |
dc.subject |
Critical edition |
dc.subject |
Critical edition |
dc.subject |
Critical editions of literary Works |
dc.subject |
Critical editions of literary Works |
dc.subject |
Cut flower |
dc.subject |
Cut flower |
dc.subject |
Cáncer |
dc.subject |
Cáncer |
dc.subject |
Cándido María Trigueros |
dc.subject |
Cándido María Trigueros |
dc.subject |
Córdoba |
dc.subject |
Córdoba |
dc.subject |
Dalila |
dc.subject |
Dalila |
dc.subject |
Decameron |
dc.subject |
Decameron |
dc.subject |
Decorum |
dc.subject |
Decorum |
dc.subject |
Dedicatees |
dc.subject |
Dedicatees |
dc.subject |
Dedications |
dc.subject |
Dedications |
dc.subject |
Descartes |
dc.subject |
Descartes |
dc.subject |
Diccionario de Autoridades |
dc.subject |
Diccionario de Autoridades |
dc.subject |
Disgust |
dc.subject |
Disgust |
dc.subject |
Diálogo de la lengua |
dc.subject |
Diálogo de la lengua |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Donkey |
dc.subject |
Donkey |
dc.subject |
Dramatic formula |
dc.subject |
Dramatic formula |
dc.subject |
Dramatic space |
dc.subject |
Dramatic space |
dc.subject |
Dynamism |
dc.subject |
Dynamism |
dc.subject |
Díaz de Rivas |
dc.subject |
Díaz de Rivas |
dc.subject |
Early Music |
dc.subject |
Early Music |
dc.subject |
Edition |
dc.subject |
Edition |
dc.subject |
Edition |
dc.subject |
Edition |
dc.subject |
El bautismo del príncipe de Marruecos |
dc.subject |
El bautismo del príncipe de Marruecos |
dc.subject |
El dómine Lucas |
dc.subject |
El dómine Lucas |
dc.subject |
El maestro de danzar |
dc.subject |
El maestro de danzar |
dc.subject |
El piadoso veneciano |
dc.subject |
El piadoso veneciano |
dc.subject |
Empire |
dc.subject |
Empire |
dc.subject |
Empresas políticas |
dc.subject |
Empresas políticas |
dc.subject |
Enchantment of Dulcinea |
dc.subject |
Enchantment of Dulcinea |
dc.subject |
Enríquez de Cabrera |
dc.subject |
Enríquez de Cabrera |
dc.subject |
Epic and Drama |
dc.subject |
Epic and Drama |
dc.subject |
Epic poetry |
dc.subject |
Epic poetry |
dc.subject |
Eroticism |
dc.subject |
Eroticism |
dc.subject |
Espada sagrada |
dc.subject |
Espada sagrada |
dc.subject |
Eulogy |
dc.subject |
Eulogy |
dc.subject |
Exemplary Novels |
dc.subject |
Exemplary Novels |
dc.subject |
Experience |
dc.subject |
Experience |
dc.subject |
Explicitation |
dc.subject |
Explicitation |
dc.subject |
Expression |
dc.subject |
Expression |
dc.subject |
Facetia |
dc.subject |
Facetia |
dc.subject |
Farsalia |
dc.subject |
Farsalia |
dc.subject |
Fear |
dc.subject |
Fear |
dc.subject |
Female reader |
dc.subject |
Female reader |
dc.subject |
Fernando de Herrera |
dc.subject |
Fernando de Herrera |
dc.subject |
Fernández de Lizardi |
dc.subject |
Fernández de Lizardi |
dc.subject |
Festive relation |
dc.subject |
Festive relation |
dc.subject |
Figurón comedy |
dc.subject |
Figurón comedy |
dc.subject |
Financial crisis |
dc.subject |
Financial crisis |
dc.subject |
Fine taste |
dc.subject |
Fine taste |
dc.subject |
Francesco Portonari |
dc.subject |
Francesco Portonari |
dc.subject |
Francisco de La Torre |
dc.subject |
Francisco de La Torre |
dc.subject |
Francisco de Leefdael |
dc.subject |
Francisco de Leefdael |
dc.subject |
Francisco de Quevedo |
dc.subject |
Francisco de Quevedo |
dc.subject |
Fraud |
dc.subject |
Fraud |
dc.subject |
French Classical Theatre |
dc.subject |
French Classical Theatre |
dc.subject |
Gemstones |
dc.subject |
Gemstones |
dc.subject |
Giacomo Franco |
dc.subject |
Giacomo Franco |
dc.subject |
Girolamo Gigli |
dc.subject |
Girolamo Gigli |
dc.subject |
Golden Age |
dc.subject |
Golden Age |
dc.subject |
Golden Age Poetry |
dc.subject |
Golden Age Poetry |
dc.subject |
Golden Age minor theater |
dc.subject |
Golden Age minor theater |
dc.subject |
Gongorism |
dc.subject |
Gongorism |
dc.subject |
Granada |
dc.subject |
Granada |
dc.subject |
Graphical changes |
dc.subject |
Graphical changes |
dc.subject |
Grotesque body |
dc.subject |
Grotesque body |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Gypsies |
dc.subject |
Gypsies |
dc.subject |
Góngora |
dc.subject |
Góngora |
dc.subject |
Hagiographic drama |
dc.subject |
Hagiographic drama |
dc.subject |
Helmet of Mambrino |
dc.subject |
Helmet of Mambrino |
dc.subject |
Hernando de Acuña |
dc.subject |
Hernando de Acuña |
dc.subject |
Hernán Núñez |
dc.subject |
Hernán Núñez |
dc.subject |
History of Spanis language |
dc.subject |
History of Spanis language |
dc.subject |
History of book |
dc.subject |
History of book |
dc.subject |
History of typography |
dc.subject |
History of typography |
dc.subject |
Homeric simile |
dc.subject |
Homeric simile |
dc.subject |
Honour |
dc.subject |
Honour |
dc.subject |
Iberism |
dc.subject |
Iberism |
dc.subject |
Ideology |
dc.subject |
Ideology |
dc.subject |
Illustrated edition |
dc.subject |
Illustrated edition |
dc.subject |
Images |
dc.subject |
Images |
dc.subject |
Imago |
dc.subject |
Imago |
dc.subject |
Ineffable language |
dc.subject |
Ineffable language |
dc.subject |
Insane asylums |
dc.subject |
Insane asylums |
dc.subject |
Interpretation |
dc.subject |
Interpretation |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Italian |
dc.subject |
Italian |
dc.subject |
Italian Renaissance |
dc.subject |
Italian Renaissance |
dc.subject |
Italian humanist short prose |
dc.subject |
Italian humanist short prose |
dc.subject |
Italian translation |
dc.subject |
Italian translation |
dc.subject |
Italophile |
dc.subject |
Italophile |
dc.subject |
Italy |
dc.subject |
Italy |
dc.subject |
Italy |
dc.subject |
Italy |
dc.subject |
Jerónimo Corte-Real |
dc.subject |
Jerónimo Corte-Real |
dc.subject |
Jewels |
dc.subject |
Jewels |
dc.subject |
Jiménez Patón |
dc.subject |
Jiménez Patón |
dc.subject |
Jorge de Montemayor |
dc.subject |
Jorge de Montemayor |
dc.subject |
José Saramago |
dc.subject |
José Saramago |
dc.subject |
José de Arroyo |
dc.subject |
José de Arroyo |
dc.subject |
José de la Concha |
dc.subject |
José de la Concha |
dc.subject |
Journey |
dc.subject |
Journey |
dc.subject |
Juan Bautista Pederzano |
dc.subject |
Juan Bautista Pederzano |
dc.subject |
Juan de Mariana |
dc.subject |
Juan de Mariana |
dc.subject |
Juan de Valdés |
dc.subject |
Juan de Valdés |
dc.subject |
Justice |
dc.subject |
Justice |
dc.subject |
Jáuregui |
dc.subject |
Jáuregui |
dc.subject |
King Sebastian |
dc.subject |
King Sebastian |
dc.subject |
Komenský |
dc.subject |
Komenský |
dc.subject |
Kundera |
dc.subject |
Kundera |
dc.subject |
La Gerusalemme liberata |
dc.subject |
La Gerusalemme liberata |
dc.subject |
La Maya |
dc.subject |
La Maya |
dc.subject |
La Zucca del Doni en spañol |
dc.subject |
La Zucca del Doni en spañol |
dc.subject |
La noche de San Juan |
dc.subject |
La noche de San Juan |
dc.subject |
Labyrinth |
dc.subject |
Labyrinth |
dc.subject |
Lady of Copacabana |
dc.subject |
Lady of Copacabana |
dc.subject |
Language |
dc.subject |
Language |
dc.subject |
Language |
dc.subject |
Language |
dc.subject |
Las dos doncellas |
dc.subject |
Las dos doncellas |
dc.subject |
Letters |
dc.subject |
Letters |
dc.subject |
Libretto |
dc.subject |
Libretto |
dc.subject |
Literary Forgery |
dc.subject |
Literary Forgery |
dc.subject |
Literary authors |
dc.subject |
Literary authors |
dc.subject |
Literary censorship |
dc.subject |
Literary censorship |
dc.subject |
Literary criticism |
dc.subject |
Literary criticism |
dc.subject |
Literary sources |
dc.subject |
Literary sources |
dc.subject |
Literary styles |
dc.subject |
Literary styles |
dc.subject |
Literature |
dc.subject |
Literature |
dc.subject |
Lope |
dc.subject |
Lope |
dc.subject |
Lope |
dc.subject |
Lope |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope sources |
dc.subject |
Lope sources |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love poetry |
dc.subject |
Love poetry |
dc.subject |
Lovers |
dc.subject |
Lovers |
dc.subject |
Low Baroque |
dc.subject |
Low Baroque |
dc.subject |
Luigi Groto |
dc.subject |
Luigi Groto |
dc.subject |
Luis Gálvez de Montalvo |
dc.subject |
Luis Gálvez de Montalvo |
dc.subject |
Luís de Camões |
dc.subject |
Luís de Camões |
dc.subject |
Madmen |
dc.subject |
Madmen |
dc.subject |
Madrid |
dc.subject |
Madrid |
dc.subject |
Margaret Theresa of Spain |
dc.subject |
Margaret Theresa of Spain |
dc.subject |
Marginalization |
dc.subject |
Marginalization |
dc.subject |
Matos Fragoso |
dc.subject |
Matos Fragoso |
dc.subject |
Melchor Díaz de Toledo |
dc.subject |
Melchor Díaz de Toledo |
dc.subject |
Mendeley |
dc.subject |
Mendeley |
dc.subject |
Mercadante |
dc.subject |
Mercadante |
dc.subject |
Metaphor |
dc.subject |
Metaphor |
dc.subject |
Metaphors |
dc.subject |
Metaphors |
dc.subject |
Metre |
dc.subject |
Metre |
dc.subject |
Metrics |
dc.subject |
Metrics |
dc.subject |
Miguel Torga |
dc.subject |
Miguel Torga |
dc.subject |
Miguel de Cervantes |
dc.subject |
Miguel de Cervantes |
dc.subject |
Modernity |
dc.subject |
Modernity |
dc.subject |
Moreto |
dc.subject |
Moreto |
dc.subject |
Morisco figures |
dc.subject |
Morisco figures |
dc.subject |
Music |
dc.subject |
Music |
dc.subject |
Mystical symbols |
dc.subject |
Mystical symbols |
dc.subject |
Mysticism |
dc.subject |
Mysticism |
dc.subject |
Mysticism |
dc.subject |
Mysticism |
dc.subject |
Mythification |
dc.subject |
Mythification |
dc.subject |
Nadie fíe su secreto |
dc.subject |
Nadie fíe su secreto |
dc.subject |
New Spain |
dc.subject |
New Spain |
dc.subject |
Nicolini da Sabbio |
dc.subject |
Nicolini da Sabbio |
dc.subject |
Notes |
dc.subject |
Notes |
dc.subject |
Notes in scholarly editions |
dc.subject |
Notes in scholarly editions |
dc.subject |
Novel |
dc.subject |
Novel |
dc.subject |
Novelas ejemplares |
dc.subject |
Novelas ejemplares |
dc.subject |
Novelle |
dc.subject |
Novelle |
dc.subject |
Nuns |
dc.subject |
Nuns |
dc.subject |
Octosyllabic verse |
dc.subject |
Octosyllabic verse |
dc.subject |
Oliveros de Castilla |
dc.subject |
Oliveros de Castilla |
dc.subject |
Olivieri di Castiglia |
dc.subject |
Olivieri di Castiglia |
dc.subject |
Open access |
dc.subject |
Open access |
dc.subject |
Order of the Golden Fleece |
dc.subject |
Order of the Golden Fleece |
dc.subject |
Orthographiy |
dc.subject |
Orthographiy |
dc.subject |
Orthography |
dc.subject |
Orthography |
dc.subject |
Painting |
dc.subject |
Painting |
dc.subject |
Paremiology |
dc.subject |
Paremiology |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Pedro Sarmiento de Gamboa |
dc.subject |
Pedro Sarmiento de Gamboa |
dc.subject |
Perfecto predicador |
dc.subject |
Perfecto predicador |
dc.subject |
Philip IV |
dc.subject |
Philip IV |
dc.subject |
Philology |
dc.subject |
Philology |
dc.subject |
Philosophical method |
dc.subject |
Philosophical method |
dc.subject |
Phonetics |
dc.subject |
Phonetics |
dc.subject |
Picaresque novel |
dc.subject |
Picaresque novel |
dc.subject |
Playing cards |
dc.subject |
Playing cards |
dc.subject |
Poetics |
dc.subject |
Poetics |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry about music |
dc.subject |
Poetry about music |
dc.subject |
Poggio Bracciolini |
dc.subject |
Poggio Bracciolini |
dc.subject |
Politics |
dc.subject |
Politics |
dc.subject |
Popular culture |
dc.subject |
Popular culture |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portuguese poetry |
dc.subject |
Portuguese poetry |
dc.subject |
Post-Tridentine Spain |
dc.subject |
Post-Tridentine Spain |
dc.subject |
Preacher |
dc.subject |
Preacher |
dc.subject |
Preaching |
dc.subject |
Preaching |
dc.subject |
Press |
dc.subject |
Press |
dc.subject |
Priest |
dc.subject |
Priest |
dc.subject |
Prior censorship |
dc.subject |
Prior censorship |
dc.subject |
Promujer |
dc.subject |
Promujer |
dc.subject |
Proverbs |
dc.subject |
Proverbs |
dc.subject |
Proverbs |
dc.subject |
Proverbs |
dc.subject |
Public-Private relation |
dc.subject |
Public-Private relation |
dc.subject |
Publisher |
dc.subject |
Publisher |
dc.subject |
Pynchon |
dc.subject |
Pynchon |
dc.subject |
Queen Isabel de Borbón |
dc.subject |
Queen Isabel de Borbón |
dc.subject |
Quevedo |
dc.subject |
Quevedo |
dc.subject |
Quevedo |
dc.subject |
Quevedo |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quixote |
dc.subject |
Quixote |
dc.subject |
Quiñones de Benavente |
dc.subject |
Quiñones de Benavente |
dc.subject |
Quotations |
dc.subject |
Quotations |
dc.subject |
Reception theory |
dc.subject |
Reception theory |
dc.subject |
Refranes |
dc.subject |
Refranes |
dc.subject |
Religious Poetry |
dc.subject |
Religious Poetry |
dc.subject |
Renaissance books |
dc.subject |
Renaissance books |
dc.subject |
Renascence |
dc.subject |
Renascence |
dc.subject |
Repentance |
dc.subject |
Repentance |
dc.subject |
Republic of Letters |
dc.subject |
Republic of Letters |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Rhetoric |
dc.subject |
Rhetoric |
dc.subject |
Rhetoric |
dc.subject |
Rhetoric |
dc.subject |
Rimas |
dc.subject |
Rimas |
dc.subject |
Robbery |
dc.subject |
Robbery |
dc.subject |
Roberto el diablo |
dc.subject |
Roberto el diablo |
dc.subject |
Rojas Zorrilla |
dc.subject |
Rojas Zorrilla |
dc.subject |
Romances of chivalry |
dc.subject |
Romances of chivalry |
dc.subject |
Rosete Niño |
dc.subject |
Rosete Niño |
dc.subject |
Saavedra Fajardo |
dc.subject |
Saavedra Fajardo |
dc.subject |
Sacrament of penance |
dc.subject |
Sacrament of penance |
dc.subject |
San Juan de la Cruz |
dc.subject |
San Juan de la Cruz |
dc.subject |
Santa Teresa |
dc.subject |
Santa Teresa |
dc.subject |
Satire |
dc.subject |
Satire |
dc.subject |
Satire |
dc.subject |
Satire |
dc.subject |
Satyre |
dc.subject |
Satyre |
dc.subject |
Segmentation |
dc.subject |
Segmentation |
dc.subject |
Sermon |
dc.subject |
Sermon |
dc.subject |
Sermons |
dc.subject |
Sermons |
dc.subject |
Seven love letters |
dc.subject |
Seven love letters |
dc.subject |
Seventeenth century |
dc.subject |
Seventeenth century |
dc.subject |
Seville |
dc.subject |
Seville |
dc.subject |
Shame |
dc.subject |
Shame |
dc.subject |
Short farce |
dc.subject |
Short farce |
dc.subject |
Siglo de Oro |
dc.subject |
Siglo de Oro |
dc.subject |
Slang |
dc.subject |
Slang |
dc.subject |
Sociability |
dc.subject |
Sociability |
dc.subject |
Sociology |
dc.subject |
Sociology |
dc.subject |
Sonnet |
dc.subject |
Sonnet |
dc.subject |
Sonnets |
dc.subject |
Sonnets |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spanish Court Poetry |
dc.subject |
Spanish Court Poetry |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age Theatre |
dc.subject |
Spanish Golden Age Theatre |
dc.subject |
Spanish Golden Age entremeses |
dc.subject |
Spanish Golden Age entremeses |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age, History of Linguistics |
dc.subject |
Spanish Golden Age, History of Linguistics |
dc.subject |
Spanish Novel |
dc.subject |
Spanish Novel |
dc.subject |
Spanish Poetry |
dc.subject |
Spanish Poetry |
dc.subject |
Spanish literature of the Golden Age |
dc.subject |
Spanish literature of the Golden Age |
dc.subject |
Spanish theatre |
dc.subject |
Spanish theatre |
dc.subject |
Spiritual poetry |
dc.subject |
Spiritual poetry |
dc.subject |
Stage |
dc.subject |
Stage |
dc.subject |
String literature |
dc.subject |
String literature |
dc.subject |
Style |
dc.subject |
Style |
dc.subject |
Stylistic development |
dc.subject |
Stylistic development |
dc.subject |
Suspension |
dc.subject |
Suspension |
dc.subject |
Symbolism |
dc.subject |
Symbolism |
dc.subject |
Tametsi decree |
dc.subject |
Tametsi decree |
dc.subject |
Tesoro de la Lengua Castellana |
dc.subject |
Tesoro de la Lengua Castellana |
dc.subject |
Textual bibliography |
dc.subject |
Textual bibliography |
dc.subject |
The Book of Judges |
dc.subject |
The Book of Judges |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre Translation |
dc.subject |
Theatre Translation |
dc.subject |
Timanthes |
dc.subject |
Timanthes |
dc.subject |
Topos |
dc.subject |
Topos |
dc.subject |
Tradition |
dc.subject |
Tradition |
dc.subject |
Tragic play |
dc.subject |
Tragic play |
dc.subject |
Traitors |
dc.subject |
Traitors |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation Studies |
dc.subject |
Translation Studies |
dc.subject |
Translation constraints |
dc.subject |
Translation constraints |
dc.subject |
Translator |
dc.subject |
Translator |
dc.subject |
Translators |
dc.subject |
Translators |
dc.subject |
Travel narratives |
dc.subject |
Travel narratives |
dc.subject |
Tree |
dc.subject |
Tree |
dc.subject |
Trees |
dc.subject |
Trees |
dc.subject |
Tridentin work |
dc.subject |
Tridentin work |
dc.subject |
Truth |
dc.subject |
Truth |
dc.subject |
Twentieth century |
dc.subject |
Twentieth century |
dc.subject |
Unstable |
dc.subject |
Unstable |
dc.subject |
Uruguay |
dc.subject |
Uruguay |
dc.subject |
Variety |
dc.subject |
Variety |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venitian printing |
dc.subject |
Venitian printing |
dc.subject |
Versification |
dc.subject |
Versification |
dc.subject |
Vázquez Siruela |
dc.subject |
Vázquez Siruela |
dc.subject |
Walter Raleigh |
dc.subject |
Walter Raleigh |
dc.subject |
Witticism |
dc.subject |
Witticism |
dc.subject |
Women writers |
dc.subject |
Women writers |
dc.subject |
XVII century |
dc.subject |
XVII century |
dc.subject |
interludes |
dc.subject |
interludes |
dc.subject |
resemantization |
dc.subject |
resemantization |
dc.subject |
Álvar Núñez Cabeza de Vaca |
dc.subject |
Álvar Núñez Cabeza de Vaca |
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