Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Segmentation • Experience • Don Quixote • Anacreontics • Castillejo • Cervantes • Italian translation • Twentieth century • Rewriting • Stage • Affect • Exemplary Novels • Parody • XVII century • Baroque theater • Juan de Mariana • Calderón de a Barca • Analysis • Espada sagrada • Letters • Tradition • Mendeley • interludes • Epic poetry • Spanish Golden Age theatre • Court • Playing cards • Spanish Golden Age entremeses • Seven love letters • Spain • 17th century Theatre • Spanish Novel • Repentance • Eroticism • Literary criticism • Italy • Libretto • Venitian printing • Decameron • Anti-aulic satire • Poetry • Authorship • 17th Century • Epic and Drama • Painting • Translator • Italian Renaissance • Critical edition • Sonnets • Marginalization • Roberto el diablo • Diccionario de Autoridades • Cut flower • Translators • La Zucca del Doni en spañol • Unstable • Picaresque novel • Slang • Jiménez Patón • History of Spanis language • Tridentin work • Cristóbal de Morales • Catalogue • Coherence • Morisco figures • Edition • Low Baroque • Comedy of magic • Carlo Gozzi • Christian preacher • King Sebastian • Olivieri di Castiglia • Atonement • Auto • José de la Concha • Castillo Solórzano • Komenský • Góngora • Luigi Groto • French Classical Theatre • Chivalric romance • Proverbs • Renaissance books • Comedy • Hernán Núñez • Religious Poetry • La Gerusalemme liberata • El maestro de danzar • CABIGO • Press • Dedicatees • Las dos doncellas • Sacrament of penance • Rimas • Theatre • Orthographiy • Antonio Sacchi • Asceticism • Pedro Sarmiento de Gamboa • Metrics • Witticism • José de Arroyo • Fear • Justice • Carlo Goldoni • Promujer • Cándido María Trigueros • Republic of Letters • Portuguese poetry • Portugal • Paremiology • Collaboration • Luis Gálvez de Montalvo • Controversy • Moreto • Love • Female reader • Traitors • Shame • Calderón • Images • Labyrinth • Versification • Jáuregui • Modernity • Textual bibliography • Travel narratives • Adaptation Studies • Queen Isabel de Borbón • Vázquez Siruela • Nicolini da Sabbio • Corruption • Early Music • Baroque poetry • Empire • Theater • Empresas políticas • Theatre Translation • Notes • Walter Raleigh • Rosete Niño • Golden Age • Affinities • Timanthes • Rojas Zorrilla • Novel • Symbolism • Disgust • History of book • Mercadante • Antonio de Zamora • Córdoba • Golden Age Poetry • Caballero de Illescas • Tree • Correction to editio princeps • Intertextuality • Explicitation • Poetics • Comedia nueva • Baroque comedy • Festive relation • Philip IV • San Juan de la Cruz • Order of the Golden Fleece • Romances of chivalry • Autobiography • Spanish Court Poetry • Santa Teresa • Sermon • Golden Age minor theater • Ineffable language • Italian • Bible • Lope • Farsalia • Miguel Torga • Miguel de Cervantes • Francisco de Leefdael • Matos Fragoso • Granada • Literary censorship • Publisher • Lady of Copacabana • Francisco de La Torre • Prior censorship • Censors • Perfecto predicador • Girolamo Gigli • Grotesque body • Madrid • Translation constraints • Seventeenth century • Lope de Vega • Jorge de Montemayor • Comedias de pícaros • Spanish literature of the Golden Age • El piadoso veneciano • Translation • Italophile • Interpretation • Countess of Harrach • Díaz de Rivas • Financial crisis • Barbers • Literary Forgery • Cáncer • Tragic play • Bibliography • Uruguay • Mystical symbols • Facetia • Spanish theatre • Madmen • Quixote • Iberism • Literary styles • Gypsies • Booklets • Sociology • Literary authors • Honour • resemantization • Gongorism • Juan Bautista Pederzano • Nadie fíe su secreto • Metre • Insane asylums • Metaphors • Stylistic development • Adventure books • Graphical changes • The Book of Judges • Post-Tridentine Spain • Language • La noche de San Juan • Fernando de Herrera • Variety • Ideology • Quijote • New Spain • Public-Private relation • Dramatic space • Popular culture • Siglo de Oro • Anagilda • Topos • Hernando de Acuña • Nuns • Truth • Phonetics • Luís de Camões • Quotations • Notes in scholarly editions • Dalila • Seville • Copper coin • Critical editions of literary Works • Robbery • Conquest of Peru • Giacomo Franco • Juan de Valdés • Reception theory • Mysticism • Francisco de Quevedo • Gemstones • Renascence • History of typography • Lope sources • String literature • Jerónimo Corte-Real • Ambiguity • Homeric simile • Italian humanist short prose • Metaphor • Anthroponomy • Cohesion • Translation Studies • Poetry about music • Diálogo de la lengua • Authors • Enchantment of Dulcinea • Preaching • Álvar Núñez Cabeza de Vaca • Baroque • Literary sources • Suspension • Sonnet • Fraud • Music • Spiritual poetry • Hagiographic drama • Priest • Philosophical method • Love poetry • Expression • Trees • Dramatic formula • Pynchon • Octosyllabic verse • Figurón comedy • Spanish Golden Age Theatre • Spanish Golden Age, History of Linguistics • Lovers • Novelas ejemplares • Poggio Bracciolini • Helmet of Mambrino • Saavedra Fajardo • La Maya • Barahona de Soto • José Saramago • Literature • Butterfly • Aminta • Eulogy • Francesco Portonari • Fernández de Lizardi • Council of Castile • Jewels • Alonso de Castillo Solórzano • Descartes • Tesoro de la Lengua Castellana • Sociability • Satyre • Politics • Spanish Poetry • Enríquez de Cabrera • Women writers • El dómine Lucas • Decorum • Quiñones de Benavente • Satire • Venice • Open access • Preacher • El bautismo del príncipe de Marruecos • Quevedo • Mythification • Imago • Book of Job • Fine taste • Refranes • Melchor Díaz de Toledo • Short farce • Attributed authorship • Kundera • Margaret Theresa of Spain • Style • Tametsi decree • Dedications • Alonso Remón • Philology • Sermons • Orthography • Guzmán de Alfarache • Novelle • Donkey • Spanish Golden Age • Dynamism • Illustrated edition • Oliveros de Castilla • Bernardo de Sandoval y Rojas • Rhetoric • 17th century • Cea Tesa • Journey • Bandello

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.