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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Satire • Theatre • Satyre • Seven love letters • Empresas políticas • Ambiguity • Ideology • Slang • Spanish Golden Age, History of Linguistics • French Classical Theatre • Bible • Antonio de Zamora • Barahona de Soto • Caballero de Illescas • Facetia • Walter Raleigh • Decameron • Jiménez Patón • Guzmán de Alfarache • Komenský • Booklets • Nuns • Kundera • Tree • Spanish Poetry • Autobiography • Theater • Translation Studies • Tragic play • Comedia nueva • Rewriting • Butterfly • Italy • Proverbs • Robbery • Jáuregui • Cervantes • Morisco figures • Carlo Gozzi • Coherence • Epic poetry • Labyrinth • Baroque poetry • Sermons • Republic of Letters • Philology • Post-Tridentine Spain • Cohesion • Rimas • Festive relation • Octosyllabic verse • Enchantment of Dulcinea • Antonio Sacchi • Melchor Díaz de Toledo • Truth • Luis Gálvez de Montalvo • Journey • Spanish Golden Age theatre • Madmen • Exemplary Novels • Disgust • El bautismo del príncipe de Marruecos • Jorge de Montemayor • Attributed authorship • Anti-aulic satire • Espada sagrada • Parody • Illustrated edition • Madrid • Golden Age • Portuguese poetry • Baroque comedy • Comedy of magic • Spanish theatre • Poetics • interludes • Graphical changes • New Spain • Suspension • Rojas Zorrilla • Libretto • Sonnet • Mythification • Music • Dedications • Nicolini da Sabbio • Bandello • Girolamo Gigli • Oliveros de Castilla • Poetry • Gypsies • Tesoro de la Lengua Castellana • Fear • Novel • Jewels • Castillo Solórzano • Miguel Torga • Italophile • CABIGO • Edition • Stage • Textual bibliography • Twentieth century • Spain • Order of the Golden Fleece • El dómine Lucas • Granada • Tradition • Countess of Harrach • Moreto • Adventure books • La Zucca del Doni en spañol • Santa Teresa • Decorum • Auto • Spiritual poetry • Anacreontics • Short farce • Honour • Anagilda • La noche de San Juan • Metrics • Spanish Novel • Farsalia • Copper coin • Alonso de Castillo Solórzano • Luigi Groto • Seventeenth century • Christian preacher • Pynchon • Renaissance books • Luís de Camões • Las dos doncellas • Picaresque novel • Quijote • Playing cards • Ineffable language • Metaphor • Literature • Comedy • Sonnets • Enríquez de Cabrera • Publisher • Segmentation • Financial crisis • Córdoba • Spanish Golden Age entremeses • Vázquez Siruela • El piadoso veneciano • Timanthes • Translation • Juan de Mariana • Álvar Núñez Cabeza de Vaca • 17th century Theatre • Cea Tesa • Expression • Romances of chivalry • La Gerusalemme liberata • Gemstones • Pedro Sarmiento de Gamboa • Lope sources • Promujer • Images • Francisco de Leefdael • Lovers • Preacher • String literature • Literary censorship • Catalogue • Insane asylums • Barbers • Experience • Censors • Novelle • Public-Private relation • Bibliography • Margaret Theresa of Spain • Italian Renaissance • Fraud • Iberism • Jerónimo Corte-Real • Quiñones de Benavente • Open access • Repentance • Baroque • Cut flower • Castillejo • Quevedo • Renascence • Sermon • Italian • Witticism • Hernán Núñez • Saavedra Fajardo • Correction to editio princeps • Analysis • Affect • Critical editions of literary Works • Aminta • Court • Diálogo de la lengua • Donkey • Love • Literary criticism • Metre • Female reader • Imago • History of typography • Francesco Portonari • Priest • Religious Poetry • Rhetoric • Topos • Dramatic formula • Góngora • Don Quixote • Figurón comedy • Poetry about music • Low Baroque • Uruguay • Alonso Remón • Mercadante • Miguel de Cervantes • Bernardo de Sandoval y Rojas • Venice • Translators • 17th Century • Francisco de La Torre • Collaboration • Love poetry • Early Music • Variety • Translator • Empire • Comedias de pícaros • The Book of Judges • José de Arroyo • Corruption • Matos Fragoso • Italian translation • Eulogy • Fernández de Lizardi • Literary styles • Giacomo Franco • Sociability • Quotations • Phonetics • XVII century • Philosophical method • Cándido María Trigueros • Perfecto predicador • Press • Adaptation Studies • Popular culture • Authorship • Lope • Intertextuality • Letters • Book of Job • Rosete Niño • Explicitation • Spanish literature of the Golden Age • Spanish Golden Age • Women writers • Roberto el diablo • Orthography • Quixote • Calderón de a Barca • Philip IV • Carlo Goldoni • Anthroponomy • Style • Preaching • Marginalization • Gongorism • Portugal • La Maya • Siglo de Oro • Hagiographic drama • Díaz de Rivas • Dedicatees • resemantization • Traitors • Painting • Asceticism • Tridentin work • Sociology • Sacrament of penance • Golden Age Poetry • Notes • Tametsi decree • Hernando de Acuña • Italian humanist short prose • Council of Castile • Juan Bautista Pederzano • Descartes • Dramatic space • Calderón • Atonement • Spanish Court Poetry • Symbolism • Dynamism • Refranes • Metaphors • Literary Forgery • Critical edition • Diccionario de Autoridades • Mysticism • Stylistic development • Affinities • Francisco de Quevedo • Baroque theater • Chivalric romance • 17th century • San Juan de la Cruz • Lady of Copacabana • Nadie fíe su secreto • Literary authors • Unstable • Controversy • Olivieri di Castiglia • King Sebastian • Spanish Golden Age Theatre • Orthographiy • Shame • Lope de Vega • Queen Isabel de Borbón • Paremiology • Homeric simile • Theatre Translation • Poggio Bracciolini • Cáncer • Notes in scholarly editions • Novelas ejemplares • Epic and Drama • Cristóbal de Morales • Eroticism • Interpretation • Juan de Valdés • Literary sources • Translation constraints • History of book • Prior censorship • Authors • Politics • History of Spanis language • Venitian printing • Fernando de Herrera • El maestro de danzar • Travel narratives • Trees • Conquest of Peru • Mystical symbols • Language • Grotesque body • Helmet of Mambrino • Versification • Justice • Seville • José de la Concha • Fine taste • Reception theory • Dalila • Mendeley • Golden Age minor theater • Modernity • José Saramago

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.