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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords José de Arroyo • Controversy • Miguel de Cervantes • XVII century • Empresas políticas • Fraud • Melchor Díaz de Toledo • Francisco de Leefdael • Luigi Groto • Book of Job • Court • Conquest of Peru • Suspension • Cristóbal de Morales • Sonnet • Orthography • Comedy of magic • Lovers • Novelas ejemplares • Imago • Satire • Italophile • Sociability • Dynamism • Twentieth century • Descartes • Spanish Court Poetry • Nuns • Post-Tridentine Spain • Girolamo Gigli • Anthroponomy • Libretto • Carlo Gozzi • Topos • El piadoso veneciano • Poetry • Tametsi decree • Authorship • Antonio Sacchi • Affect • Quiñones de Benavente • Critical edition • Letters • Philip IV • Translators • Mythification • Literary authors • Miguel Torga • Giacomo Franco • Diálogo de la lengua • Reception theory • Seville • Calderón • Jerónimo Corte-Real • Lope • Love poetry • Slang • Timanthes • Tree • Anti-aulic satire • Antonio de Zamora • Golden Age minor theater • Censors • Juan de Mariana • Open access • Atonement • Authors • Díaz de Rivas • History of typography • Quijote • Painting • Coherence • Góngora • Gongorism • Literary styles • Alonso de Castillo Solórzano • Chivalric romance • Copper coin • Bandello • Prior censorship • Travel narratives • Rojas Zorrilla • Álvar Núñez Cabeza de Vaca • Stylistic development • Music • Rosete Niño • Don Quixote • Caballero de Illescas • Phonetics • Publisher • Comedy • Santa Teresa • Epic poetry • Francisco de Quevedo • Council of Castile • Espada sagrada • Women writers • Press • Jiménez Patón • Bernardo de Sandoval y Rojas • Literature • Illustrated edition • Traitors • Preacher • Kundera • Parody • Italy • Francesco Portonari • Attributed authorship • Jewels • Tragic play • Decorum • Promujer • Alonso Remón • Castillejo • Early Music • Republic of Letters • Bibliography • String literature • Luis Gálvez de Montalvo • Guzmán de Alfarache • History of Spanis language • Poggio Bracciolini • Mercadante • 17th century • Order of the Golden Fleece • Córdoba • Translation Studies • Margaret Theresa of Spain • interludes • Juan Bautista Pederzano • Pynchon • Jáuregui • Christian preacher • Golden Age Poetry • Aminta • Hagiographic drama • Enchantment of Dulcinea • Vázquez Siruela • Iberism • Fernando de Herrera • Nadie fíe su secreto • Madrid • José Saramago • Literary Forgery • The Book of Judges • Spanish Golden Age theatre • Anacreontics • Dedicatees • Walter Raleigh • Expression • Festive relation • Helmet of Mambrino • Figurón comedy • Translator • Shame • Seventeenth century • Literary sources • Rhetoric • Unstable • Satyre • Adaptation Studies • Sacrament of penance • Tesoro de la Lengua Castellana • Autobiography • Poetics • Cáncer • Language • Labyrinth • Oliveros de Castilla • Religious Poetry • New Spain • Metrics • Baroque • Translation constraints • Lope sources • Symbolism • Booklets • Sermon • Moreto • Portugal • Style • Francisco de La Torre • Affinities • Enríquez de Cabrera • Literary criticism • Rimas • Short farce • Refranes • Calderón de a Barca • Carlo Goldoni • Uruguay • Segmentation • Comedia nueva • Catalogue • Komenský • Venitian printing • Eulogy • Ideology • Philology • Roberto el diablo • Marginalization • Spanish Golden Age • Translation • Paremiology • Empire • Baroque poetry • Poetry about music • Pedro Sarmiento de Gamboa • Farsalia • Ineffable language • Rewriting • La Zucca del Doni en spañol • La Gerusalemme liberata • Edition • Intertextuality • Spain • CABIGO • Spanish Golden Age Theatre • Trees • Italian • Nicolini da Sabbio • Theatre • Countess of Harrach • Octosyllabic verse • Playing cards • Renaissance books • Gemstones • Cohesion • Saavedra Fajardo • Luís de Camões • Morisco figures • San Juan de la Cruz • Cándido María Trigueros • Quotations • Metaphors • Robbery • Spanish Golden Age, History of Linguistics • Theater • Dedications • Diccionario de Autoridades • Dramatic space • Spanish theatre • Low Baroque • Decameron • Sociology • Orthographiy • Baroque comedy • Graphical changes • Juan de Valdés • Journey • Facetia • Witticism • El maestro de danzar • Honour • Love • Mysticism • Gypsies • Stage • Experience • Sonnets • El dómine Lucas • King Sebastian • Quevedo • 17th Century • Metre • Madmen • Anagilda • Hernando de Acuña • Politics • Baroque theater • Literary censorship • Spanish Golden Age entremeses • Adventure books • Jorge de Montemayor • Novelle • Perfecto predicador • Ambiguity • French Classical Theatre • Seven love letters • Spanish Novel • Novel • Priest • Asceticism • Fine taste • Interpretation • Barbers • Mendeley • Romances of chivalry • Metaphor • Queen Isabel de Borbón • resemantization • Spanish literature of the Golden Age • Female reader • Italian translation • Spanish Poetry • Picaresque novel • Philosophical method • Homeric simile • Olivieri di Castiglia • Analysis • Epic and Drama • Insane asylums • 17th century Theatre • Notes in scholarly editions • Fernández de Lizardi • Comedias de pícaros • Dramatic formula • Barahona de Soto • Popular culture • Donkey • Public-Private relation • Auto • Spiritual poetry • Proverbs • José de la Concha • Disgust • Exemplary Novels • Notes • Lope de Vega • Images • Bible • Butterfly • Cut flower • Tridentin work • Italian humanist short prose • Hernán Núñez • Modernity • Granada • El bautismo del príncipe de Marruecos • Truth • Versification • Italian Renaissance • Portuguese poetry • Castillo Solórzano • Renascence • Collaboration • Corruption • Fear • Financial crisis • Cervantes • Matos Fragoso • Repentance • Venice • Eroticism • Textual bibliography • Justice • La Maya • Siglo de Oro • Quixote • Golden Age • Mystical symbols • Explicitation • La noche de San Juan • Theatre Translation • Correction to editio princeps • Lady of Copacabana • Tradition • Grotesque body • Cea Tesa • Critical editions of literary Works • Las dos doncellas • History of book • Preaching • Sermons • Variety • Dalila

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.