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Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Góngora • Festive relation • Adventure books • Golden Age • Dedicatees • Luis Gálvez de Montalvo • Cut flower • Francisco de Leefdael • Mysticism • Portuguese poetry • Notes in scholarly editions • Jáuregui • Dramatic formula • Jewels • Spanish Golden Age • Francisco de Quevedo • Poetry • Affinities • Ambiguity • Bibliography • Barahona de Soto • Refranes • Cáncer • Castillejo • Madmen • Spanish Novel • Atonement • José Saramago • Dedications • Hagiographic drama • Language • Bernardo de Sandoval y Rojas • Córdoba • Juan Bautista Pederzano • Epic and Drama • Italian • Expression • Disgust • Farsalia • Libretto • Pedro Sarmiento de Gamboa • Rewriting • Public-Private relation • interludes • Topos • Poetics • Explicitation • Ineffable language • Suspension • Interpretation • Mendeley • Music • Sermon • Versification • Popular culture • Poggio Bracciolini • Tree • Diálogo de la lengua • Miguel de Cervantes • Comedia nueva • Segmentation • Poetry about music • Orthography • Octosyllabic verse • Álvar Núñez Cabeza de Vaca • Matos Fragoso • El dómine Lucas • Decorum • Fraud • Translation • Castillo Solórzano • Cea Tesa • Priest • Vázquez Siruela • Nadie fíe su secreto • Literary censorship • Walter Raleigh • Parody • Sonnet • Tametsi decree • Repentance • Cervantes • Authors • Empresas políticas • Press • Translation Studies • Juan de Valdés • Fernando de Herrera • Fear • Unstable • Rhetoric • Renaissance books • Justice • Attributed authorship • Truth • Literature • Quotations • Eulogy • Iberism • Controversy • Mercadante • Sociability • Eroticism • El bautismo del príncipe de Marruecos • Comedias de pícaros • Hernando de Acuña • Santa Teresa • Religious Poetry • Copper coin • XVII century • Gypsies • Anacreontics • Slang • Travel narratives • Collaboration • Witticism • Early Music • Las dos doncellas • Francesco Portonari • Auto • Comedy • Lovers • Quijote • Nicolini da Sabbio • Donkey • Exemplary Novels • Love poetry • Philosophical method • Quevedo • Antonio de Zamora • Chivalric romance • Granada • Spanish Golden Age entremeses • Sermons • Seven love letters • Siglo de Oro • Illustrated edition • Satire • Journey • Tragic play • Anagilda • Girolamo Gigli • String literature • Metaphors • Facetia • Labyrinth • resemantization • Lope de Vega • Stage • La Gerusalemme liberata • Orthographiy • Morisco figures • Jerónimo Corte-Real • Carlo Gozzi • Literary criticism • Translation constraints • Italophile • Christian preacher • Grotesque body • Italian humanist short prose • Portugal • Margaret Theresa of Spain • Spanish theatre • Romances of chivalry • Tradition • Tridentin work • Corruption • Antonio Sacchi • Experience • Council of Castile • Golden Age minor theater • Guzmán de Alfarache • Spanish Golden Age, History of Linguistics • Dalila • Ideology • Anti-aulic satire • Republic of Letters • Jiménez Patón • Queen Isabel de Borbón • Trees • Diccionario de Autoridades • Carlo Goldoni • Rosete Niño • Symbolism • Luigi Groto • Anthroponomy • Publisher • Homeric simile • Textual bibliography • Metre • Giacomo Franco • Critical edition • Lope • Spanish literature of the Golden Age • Uruguay • 17th century Theatre • CABIGO • Theater • Venitian printing • Open access • Marginalization • Melchor Díaz de Toledo • Lope sources • Madrid • Díaz de Rivas • Enchantment of Dulcinea • José de la Concha • Lady of Copacabana • Cándido María Trigueros • Honour • Enríquez de Cabrera • The Book of Judges • Don Quixote • Traitors • Theatre Translation • Asceticism • Literary authors • Fine taste • Renascence • King Sebastian • Figurón comedy • Juan de Mariana • Analysis • Mythification • Decameron • History of typography • Adaptation Studies • Miguel Torga • 17th Century • Spanish Golden Age theatre • Luís de Camões • Calderón • Rimas • Edition • Metaphor • Paremiology • Alonso de Castillo Solórzano • Short farce • Sonnets • Literary styles • Graphical changes • Catalogue • Theatre • Proverbs • Autobiography • Descartes • La Maya • Sacrament of penance • Dynamism • Novelle • Imago • Philology • Caballero de Illescas • Coherence • History of Spanis language • Modernity • Comedy of magic • Novel • Hernán Núñez • Phonetics • Style • Italy • Philip IV • Correction to editio princeps • Mystical symbols • Spanish Poetry • Quixote • Spain • Olivieri di Castiglia • Quiñones de Benavente • Sociology • Cohesion • Italian translation • Epic poetry • Helmet of Mambrino • Barbers • New Spain • Promujer • Tesoro de la Lengua Castellana • Notes • Timanthes • Metrics • Order of the Golden Fleece • Robbery • Affect • Shame • Booklets • Reception theory • Literary Forgery • Satyre • Gongorism • Aminta • Butterfly • Jorge de Montemayor • Letters • Fernández de Lizardi • Post-Tridentine Spain • Espada sagrada • Spiritual poetry • Bible • Court • El maestro de danzar • Rojas Zorrilla • Countess of Harrach • El piadoso veneciano • Financial crisis • Alonso Remón • Critical editions of literary Works • Stylistic development • Literary sources • Pynchon • Censors • History of book • 17th century • Low Baroque • Female reader • Playing cards • Baroque poetry • Cristóbal de Morales • Picaresque novel • Preacher • Bandello • Insane asylums • Love • La Zucca del Doni en spañol • San Juan de la Cruz • Translator • Variety • Translators • Baroque comedy • Women writers • Spanish Golden Age Theatre • La noche de San Juan • Conquest of Peru • Preaching • Nuns • Moreto • Baroque • Dramatic space • Oliveros de Castilla • Authorship • Politics • Perfecto predicador • Roberto el diablo • Spanish Court Poetry • Kundera • Komenský • Book of Job • Italian Renaissance • Seville • Calderón de a Barca • Novelas ejemplares • Empire • Intertextuality • Painting • Twentieth century • Venice • Seventeenth century • Gemstones • Baroque theater • French Classical Theatre • Golden Age Poetry • Images • Prior censorship • José de Arroyo • Francisco de La Torre • Saavedra Fajardo

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.