Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords French Classical Theatre • Illustrated edition • La noche de San Juan • Spanish Golden Age theatre • Rojas Zorrilla • Dalila • Stage • Juan de Valdés • Graphical changes • Tradition • Traitors • Fernando de Herrera • Castillo Solórzano • Female reader • Playing cards • Lady of Copacabana • Booklets • El dómine Lucas • Carlo Goldoni • Hagiographic drama • Lope de Vega • 17th Century • Public-Private relation • Miguel Torga • Marginalization • Oliveros de Castilla • Metre • Orthographiy • Twentieth century • Cut flower • Homeric simile • Margaret Theresa of Spain • Sermons • Low Baroque • Translator • XVII century • Díaz de Rivas • Baroque • Unstable • Gongorism • Atonement • Adaptation Studies • La Zucca del Doni en spañol • Luis Gálvez de Montalvo • Granada • Chivalric romance • El bautismo del príncipe de Marruecos • Seventeenth century • Mysticism • King Sebastian • Fear • Francisco de Leefdael • Satire • Quotations • El piadoso veneciano • Novel • Grotesque body • Translation Studies • Mendeley • Travel narratives • Renaissance books • Nuns • Siglo de Oro • Moreto • Experience • Spiritual poetry • Prior censorship • Dramatic formula • Walter Raleigh • Notes • Coherence • Metaphors • History of Spanis language • Quijote • Octosyllabic verse • Italian translation • Topos • Insane asylums • Language • Popular culture • Quevedo • Castillejo • Donkey • Queen Isabel de Borbón • Comedias de pícaros • Painting • Dramatic space • Images • Madmen • Conquest of Peru • Quixote • Literary censorship • Witticism • Calderón de a Barca • Theatre • Spanish Court Poetry • Translators • Sociology • La Maya • Cristóbal de Morales • Cáncer • Tragic play • Uruguay • Repentance • Truth • Post-Tridentine Spain • Collaboration • Farsalia • Nadie fíe su secreto • Barbers • Shame • Honour • Fraud • Affect • Jorge de Montemayor • Asceticism • Philology • Anti-aulic satire • Giacomo Franco • Interpretation • Luigi Groto • Mystical symbols • Decameron • Poggio Bracciolini • Poetry • Style • Vázquez Siruela • Versification • Disgust • Espada sagrada • Calderón • Libretto • Suspension • Pynchon • Baroque poetry • New Spain • Mercadante • Girolamo Gigli • Book of Job • Christian preacher • Philip IV • Sociability • Theatre Translation • Spanish theatre • Cea Tesa • Italian • Women writers • Ambiguity • Spanish Novel • Spanish Golden Age entremeses • San Juan de la Cruz • Comedia nueva • Francisco de La Torre • Priest • Phonetics • Court • Venice • Trees • Iberism • Nicolini da Sabbio • Juan de Mariana • José de Arroyo • Critical edition • Gemstones • Dedications • Empresas políticas • Epic poetry • Republic of Letters • Quiñones de Benavente • Helmet of Mambrino • Dedicatees • Fine taste • Sonnet • Literary criticism • Golden Age minor theater • Critical editions of literary Works • La Gerusalemme liberata • Love poetry • Love • Festive relation • Corruption • Baroque comedy • Rimas • 17th century • Spanish Golden Age • Gypsies • Fernández de Lizardi • Preacher • Hernán Núñez • Romances of chivalry • Madrid • Modernity • Translation constraints • Descartes • Seven love letters • Spanish literature of the Golden Age • Jáuregui • Anacreontics • Luís de Camões • Seville • Italian Renaissance • Authorship • Álvar Núñez Cabeza de Vaca • Expression • Censors • Timanthes • Olivieri di Castiglia • Autobiography • Controversy • Parody • Lovers • Alonso Remón • The Book of Judges • Preaching • Comedy • Barahona de Soto • Pedro Sarmiento de Gamboa • Authors • Order of the Golden Fleece • Poetics • Perfecto predicador • Religious Poetry • String literature • Don Quixote • Baroque theater • Orthography • Alonso de Castillo Solórzano • Music • Adventure books • Stylistic development • Proverbs • Aminta • 17th century Theatre • Italian humanist short prose • Textual bibliography • Kundera • Intertextuality • Miguel de Cervantes • Labyrinth • Santa Teresa • Explicitation • Figurón comedy • Tridentin work • Translation • Politics • Golden Age • Tree • Edition • Eulogy • El maestro de danzar • Spanish Golden Age Theatre • Bibliography • Cándido María Trigueros • Bandello • Open access • Literature • Tametsi decree • CABIGO • Dynamism • Hernando de Acuña • Góngora • Literary authors • Lope • Italy • Jerónimo Corte-Real • Roberto el diablo • Paremiology • Bernardo de Sandoval y Rojas • Ideology • Portugal • Venitian printing • Novelas ejemplares • Journey • Spanish Poetry • José Saramago • Letters • Theater • Jewels • Countess of Harrach • Auto • Francesco Portonari • Butterfly • Publisher • Exemplary Novels • Guzmán de Alfarache • Literary sources • Slang • Robbery • Matos Fragoso • Antonio Sacchi • Epic and Drama • Facetia • Segmentation • Literary styles • Notes in scholarly editions • Saavedra Fajardo • Novelle • Poetry about music • Picaresque novel • Sermon • Francisco de Quevedo • Metaphor • Satyre • Promujer • Spain • Enchantment of Dulcinea • Refranes • Empire • Komenský • Cohesion • Eroticism • Caballero de Illescas • Cervantes • Comedy of magic • Antonio de Zamora • Mythification • Symbolism • Las dos doncellas • Anagilda • Bible • José de la Concha • Carlo Gozzi • History of book • Melchor Díaz de Toledo • Financial crisis • Decorum • Diálogo de la lengua • Copper coin • Literary Forgery • Italophile • Variety • Ineffable language • Lope sources • Anthroponomy • Attributed authorship • Sonnets • Rhetoric • Justice • Sacrament of penance • Spanish Golden Age, History of Linguistics • Golden Age Poetry • Enríquez de Cabrera • Rewriting • interludes • Juan Bautista Pederzano • Short farce • Córdoba • Jiménez Patón • Press • resemantization • Portuguese poetry • History of typography • Imago • Reception theory • Morisco figures • Affinities • Philosophical method • Metrics • Renascence • Analysis • Council of Castile • Catalogue • Early Music • Diccionario de Autoridades • Correction to editio princeps • Rosete Niño • Tesoro de la Lengua Castellana

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.