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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Hernán Núñez • Translation • Portuguese poetry • Margaret Theresa of Spain • Coherence • Miguel de Cervantes • Auto • Witticism • Book of Job • Censors • Enríquez de Cabrera • Orthographiy • Edition • Eroticism • Female reader • Playing cards • Philology • Versification • Castillo Solórzano • Early Music • Spanish Golden Age, History of Linguistics • Baroque poetry • Explicitation • Hernando de Acuña • Jerónimo Corte-Real • Fear • Spanish Court Poetry • Literary sources • Venitian printing • Venice • 17th century • Dedicatees • Espada sagrada • Jáuregui • Experience • Paremiology • Santa Teresa • Poetry about music • New Spain • French Classical Theatre • Textual bibliography • Spanish Poetry • Notes in scholarly editions • Francisco de La Torre • Notes • Stylistic development • Butterfly • Francisco de Quevedo • Orthography • Intertextuality • Interpretation • José Saramago • Traitors • Modernity • Díaz de Rivas • Quotations • Translation constraints • Timanthes • Critical edition • Morisco figures • Empire • Music • La Maya • Donkey • Promujer • Attributed authorship • Cut flower • Dalila • Vázquez Siruela • Baroque • Fraud • Financial crisis • Affinities • Walter Raleigh • Painting • Diccionario de Autoridades • Countess of Harrach • Gemstones • Spanish Novel • Carlo Goldoni • Alonso Remón • Perfecto predicador • Ambiguity • Translator • Rojas Zorrilla • Mysticism • Rimas • Madmen • Francisco de Leefdael • Reception theory • El piadoso veneciano • Lovers • Festive relation • Baroque comedy • Eulogy • Italian • Truth • Renaissance books • Góngora • Press • Disgust • Fernández de Lizardi • Miguel Torga • Sociology • Style • Pedro Sarmiento de Gamboa • Parody • Spanish Golden Age Theatre • Shame • Antonio de Zamora • Religious Poetry • Repentance • Autobiography • Satire • Carlo Gozzi • Low Baroque • Literary authors • Roberto el diablo • Córdoba • Public-Private relation • Nicolini da Sabbio • Imago • Bernardo de Sandoval y Rojas • Jiménez Patón • Cohesion • Italophile • Cervantes • Publisher • Cáncer • El dómine Lucas • Journey • History of typography • Catalogue • Literary Forgery • Juan de Valdés • Jewels • Insane asylums • Libretto • Tridentin work • Antonio Sacchi • Cándido María Trigueros • Controversy • Republic of Letters • Madrid • Labyrinth • Justice • Travel narratives • Ideology • Sacrament of penance • Sermon • Enchantment of Dulcinea • Castillejo • Anagilda • Affect • Homeric simile • Authors • Correction to editio princeps • Facetia • Atonement • Women writers • Saavedra Fajardo • Theatre Translation • Translation Studies • Spiritual poetry • Francesco Portonari • Novel • Spanish Golden Age • Literary censorship • Lope sources • Sermons • Nadie fíe su secreto • Baroque theater • Italy • Empresas políticas • Comedias de pícaros • Decorum • Dramatic formula • King Sebastian • Critical editions of literary Works • Literary styles • Sonnets • Spanish theatre • Authorship • Anacreontics • Metrics • Golden Age minor theater • Komenský • Farsalia • Bible • Luís de Camões • Marginalization • Moreto • Philosophical method • History of Spanis language • Figurón comedy • Symbolism • Mercadante • Love • Álvar Núñez Cabeza de Vaca • CABIGO • Metaphor • Nuns • Cristóbal de Morales • Siglo de Oro • Portugal • 17th Century • El bautismo del príncipe de Marruecos • Twentieth century • Popular culture • Queen Isabel de Borbón • Mendeley • Language • Italian humanist short prose • Spanish Golden Age theatre • La Zucca del Doni en spañol • Graphical changes • resemantization • Gongorism • Adaptation Studies • Barahona de Soto • Priest • Illustrated edition • Guzmán de Alfarache • Tametsi decree • interludes • Girolamo Gigli • Aminta • Conquest of Peru • Iberism • Juan Bautista Pederzano • Proverbs • Preaching • Helmet of Mambrino • Sonnet • Corruption • Renascence • Anthroponomy • Literature • Mythification • Comedy • Chivalric romance • Copper coin • Quevedo • Stage • Hagiographic drama • Anti-aulic satire • Analysis • Novelas ejemplares • Refranes • La noche de San Juan • Lope de Vega • Trees • Giacomo Franco • Caballero de Illescas • Satyre • Poggio Bracciolini • Calderón • Adventure books • Decameron • Spanish Golden Age entremeses • Preacher • 17th century Theatre • XVII century • Slang • Jorge de Montemayor • Italian Renaissance • Tesoro de la Lengua Castellana • Fine taste • Post-Tridentine Spain • Barbers • Italian translation • Juan de Mariana • Booklets • Metaphors • Oliveros de Castilla • Council of Castile • Lope • La Gerusalemme liberata • Grotesque body • Bibliography • Luigi Groto • Honour • Politics • Seville • Unstable • Fernando de Herrera • Phonetics • Segmentation • Golden Age • Luis Gálvez de Montalvo • Spanish literature of the Golden Age • Seven love letters • History of book • Pynchon • Ineffable language • Las dos doncellas • El maestro de danzar • Bandello • Matos Fragoso • Quixote • José de la Concha • Cea Tesa • Quijote • Granada • Theater • Prior censorship • Melchor Díaz de Toledo • Christian preacher • Robbery • Romances of chivalry • String literature • Don Quixote • José de Arroyo • Epic and Drama • Spain • Gypsies • Quiñones de Benavente • Alonso de Castillo Solórzano • Expression • Dedications • Tradition • Octosyllabic verse • Court • Open access • The Book of Judges • Tree • Olivieri di Castiglia • Calderón de a Barca • Poetry • Short farce • Picaresque novel • Sociability • Theatre • Collaboration • Lady of Copacabana • Rosete Niño • Tragic play • Asceticism • Dramatic space • Images • Descartes • Topos • Exemplary Novels • Golden Age Poetry • Translators • Variety • Kundera • Philip IV • Order of the Golden Fleece • Love poetry • Novelle • Diálogo de la lengua • Poetics • Literary criticism • Suspension • Seventeenth century • Comedia nueva • Rewriting • Epic poetry • Comedy of magic • Metre • Mystical symbols • Letters • Rhetoric • Uruguay • Dynamism • San Juan de la Cruz

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.