Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Perfecto predicador • Expression • Epic poetry • Jorge de Montemayor • Vázquez Siruela • Descartes • Style • Press • Republic of Letters • Roberto el diablo • Don Quixote • Quotations • Farsalia • 17th century Theatre • Collaboration • Helmet of Mambrino • Hernando de Acuña • Facetia • Nicolini da Sabbio • Baroque poetry • La Maya • Interpretation • Travel narratives • Attributed authorship • Philology • Poetry about music • Madrid • Suspension • Painting • Analysis • Ineffable language • Picaresque novel • New Spain • Cut flower • Novelas ejemplares • Figurón comedy • Spanish Golden Age theatre • Translation • Bibliography • Fernando de Herrera • Adventure books • Rosete Niño • Barahona de Soto • Anacreontics • Alonso Remón • Traitors • Lope • Exemplary Novels • Dedicatees • Paremiology • History of Spanis language • Calderón de a Barca • Anthroponomy • Literary styles • Cáncer • Decameron • Libretto • Tradition • Notes in scholarly editions • Cohesion • Robbery • Alonso de Castillo Solórzano • Italian translation • Authors • Metrics • Female reader • Melchor Díaz de Toledo • Cándido María Trigueros • Sonnets • Rimas • Philosophical method • Spanish Court Poetry • Córdoba • Decorum • Álvar Núñez Cabeza de Vaca • Luigi Groto • Images • Conquest of Peru • Illustrated edition • Affect • Spiritual poetry • Rojas Zorrilla • Mysticism • Theatre Translation • Baroque theater • Public-Private relation • XVII century • Adaptation Studies • Epic and Drama • King Sebastian • Metaphors • Asceticism • Romances of chivalry • Booklets • Early Music • Rhetoric • Quevedo • Gemstones • Espada sagrada • Marginalization • Renascence • Cristóbal de Morales • Homeric simile • Notes • Walter Raleigh • Translator • Donkey • Fraud • Italian Renaissance • Comedia nueva • Hagiographic drama • Slang • Post-Tridentine Spain • Versification • Fear • Italian • Ideology • Open access • Seville • Love poetry • Stylistic development • Symbolism • Music • resemantization • Graphical changes • Quiñones de Benavente • Calderón • Góngora • La Gerusalemme liberata • Spanish Golden Age • Golden Age Poetry • The Book of Judges • Italophile • Critical editions of literary Works • San Juan de la Cruz • Spanish Golden Age Theatre • interludes • Mendeley • Politics • Spanish Golden Age, History of Linguistics • Short farce • String literature • Venice • Tametsi decree • Christian preacher • Jerónimo Corte-Real • Hernán Núñez • Empresas políticas • Jáuregui • Popular culture • Antonio Sacchi • Tridentin work • Preacher • Antonio de Zamora • Spanish literature of the Golden Age • Satyre • Mercadante • Critical edition • Saavedra Fajardo • Sacrament of penance • Enchantment of Dulcinea • Cea Tesa • Novelle • Castillejo • José de la Concha • Rewriting • Spanish theatre • Unstable • Dalila • Priest • Gypsies • Miguel de Cervantes • Jiménez Patón • Women writers • Order of the Golden Fleece • Metaphor • Bandello • Religious Poetry • José Saramago • Refranes • Queen Isabel de Borbón • Jewels • Seven love letters • History of typography • Enríquez de Cabrera • El maestro de danzar • Sociability • Quijote • Twentieth century • Affinities • Pynchon • Literary sources • Portugal • Comedy of magic • Spanish Poetry • Authorship • José de Arroyo • Experience • Castillo Solórzano • Preaching • Court • Octosyllabic verse • Komenský • Nuns • Metre • History of book • Dynamism • Poggio Bracciolini • Stage • Orthographiy • Fernández de Lizardi • Theatre • Margaret Theresa of Spain • Promujer • Book of Job • Textual bibliography • Theater • Labyrinth • Proverbs • Shame • Translation Studies • Fine taste • Tree • Timanthes • Francisco de Quevedo • Lope sources • Luís de Camões • Sermons • Controversy • Diccionario de Autoridades • Council of Castile • La Zucca del Doni en spañol • Italy • Venitian printing • El piadoso veneciano • Lady of Copacabana • Anti-aulic satire • Francisco de La Torre • Translators • Luis Gálvez de Montalvo • Letters • Atonement • Carlo Gozzi • Morisco figures • Repentance • Oliveros de Castilla • Love • Topos • Mythification • Low Baroque • Francisco de Leefdael • Bible • Literary censorship • Satire • 17th century • Nadie fíe su secreto • Poetics • Literary Forgery • Guzmán de Alfarache • Truth • Mystical symbols • Catalogue • Italian humanist short prose • Prior censorship • Spanish Golden Age entremeses • Aminta • Edition • Autobiography • Bernardo de Sandoval y Rojas • Cervantes • Imago • Las dos doncellas • Empire • Eulogy • Lovers • Golden Age minor theater • Disgust • 17th Century • Dramatic space • Juan de Mariana • Barbers • Pedro Sarmiento de Gamboa • Siglo de Oro • Girolamo Gigli • Kundera • Publisher • Censors • Olivieri di Castiglia • Tragic play • Diálogo de la lengua • Poetry • Reception theory • Copper coin • Renaissance books • Granada • Literature • Literary criticism • Miguel Torga • El bautismo del príncipe de Marruecos • Golden Age • Baroque • Tesoro de la Lengua Castellana • Sonnet • Butterfly • Financial crisis • Madmen • Playing cards • Portuguese poetry • Matos Fragoso • Festive relation • Sermon • Literary authors • Translation constraints • Iberism • Correction to editio princeps • Comedias de pícaros • Sociology • Díaz de Rivas • Grotesque body • Explicitation • Moreto • Witticism • CABIGO • French Classical Theatre • Journey • Philip IV • Honour • Corruption • Segmentation • Eroticism • Coherence • Variety • Language • Quixote • Comedy • Baroque comedy • Spain • Insane asylums • Seventeenth century • Modernity • Justice • Auto • Giacomo Franco • Spanish Novel • Caballero de Illescas • Carlo Goldoni • El dómine Lucas • Phonetics • Trees • Dedications • Parody • Santa Teresa • Anagilda • Juan de Valdés • Gongorism • Novel • Countess of Harrach • Ambiguity • Dramatic formula • Orthography • La noche de San Juan • Chivalric romance • Intertextuality • Francesco Portonari • Uruguay • Juan Bautista Pederzano • Lope de Vega

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.