Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Eroticism • Edition • Ambiguity • Libretto • Spiritual poetry • Jorge de Montemayor • Francisco de La Torre • Carlo Goldoni • Popular culture • Italian Renaissance • Paremiology • Tree • Truth • History of typography • Hagiographic drama • Censors • Traitors • Sociology • Decameron • Novelas ejemplares • Travel narratives • Spanish Golden Age Theatre • Juan de Mariana • Notes • Madmen • Italian • El maestro de danzar • Literary styles • Imago • Queen Isabel de Borbón • Quotations • Literary criticism • Las dos doncellas • Coherence • Melchor Díaz de Toledo • Poggio Bracciolini • Priest • Rewriting • Dalila • Vázquez Siruela • Cándido María Trigueros • Tesoro de la Lengua Castellana • New Spain • Quixote • Renascence • Literature • Correction to editio princeps • Sociability • resemantization • Proverbs • Theater • Fine taste • Mercadante • Topos • Calderón de a Barca • Sermon • Jáuregui • Notes in scholarly editions • Descartes • Sonnet • Dedications • Philosophical method • Don Quixote • Politics • Segmentation • Novelle • Jerónimo Corte-Real • Facetia • Metrics • Calderón • String literature • Low Baroque • Translators • Court • Cea Tesa • Sacrament of penance • Uruguay • Tametsi decree • Promujer • Metre • Roberto el diablo • Tragic play • Book of Job • Rosete Niño • Renaissance books • Mendeley • Religious Poetry • Orthography • Baroque comedy • Exemplary Novels • Honour • Sonnets • Critical editions of literary Works • Symbolism • Baroque • Luigi Groto • Rhetoric • Adaptation Studies • José Saramago • La Zucca del Doni en spañol • Epic poetry • Díaz de Rivas • Nuns • Spanish Poetry • Post-Tridentine Spain • Quevedo • Espada sagrada • Conquest of Peru • XVII century • Interpretation • Trees • Philip IV • Lady of Copacabana • Auto • Granada • Italophile • The Book of Judges • Anti-aulic satire • Orthographiy • Italy • Tradition • Painting • Fear • Miguel Torga • 17th century • Metaphors • Translation constraints • Figurón comedy • Cohesion • Rojas Zorrilla • Antonio de Zamora • El bautismo del príncipe de Marruecos • Poetics • Tridentin work • Quijote • Countess of Harrach • Juan Bautista Pederzano • Novel • Reception theory • Dedicatees • Anthroponomy • Explicitation • Music • Ineffable language • Portuguese poetry • Women writers • Stylistic development • Critical edition • Preaching • Style • Spanish Golden Age • Dynamism • Translation Studies • Córdoba • San Juan de la Cruz • La noche de San Juan • Gongorism • Comedy of magic • Shame • Anagilda • Miguel de Cervantes • Council of Castile • History of Spanis language • Justice • Illustrated edition • Álvar Núñez Cabeza de Vaca • Controversy • Modernity • Spanish Court Poetry • Copper coin • Unstable • Refranes • Saavedra Fajardo • Dramatic space • 17th Century • Olivieri di Castiglia • Golden Age minor theater • Slang • Disgust • Grotesque body • El dómine Lucas • Adventure books • Antonio Sacchi • Experience • Aminta • Comedia nueva • Twentieth century • Helmet of Mambrino • Farsalia • Repentance • History of book • Gemstones • Catalogue • Caballero de Illescas • Cáncer • Labyrinth • Picaresque novel • Journey • Komenský • Robbery • Parody • Juan de Valdés • Spanish Golden Age, History of Linguistics • Homeric simile • Marginalization • Carlo Gozzi • Lope sources • Press • Golden Age Poetry • Morisco figures • Spanish Golden Age entremeses • Theatre Translation • Alonso Remón • Lope de Vega • Poetry • Madrid • Luís de Camões • King Sebastian • Venitian printing • Matos Fragoso • Italian humanist short prose • Anacreontics • Textual bibliography • Intertextuality • Góngora • José de Arroyo • Spanish literature of the Golden Age • Giacomo Franco • Fraud • Mythification • Empire • Translation • Butterfly • CABIGO • Prior censorship • Kundera • Oliveros de Castilla • Analysis • Francisco de Quevedo • Mysticism • Insane asylums • Castillejo • Satyre • Stage • Baroque theater • Cervantes • Golden Age • Perfecto predicador • Hernán Núñez • Sermons • Philology • Order of the Golden Fleece • Suspension • Italian translation • Guzmán de Alfarache • Female reader • Collaboration • Poetry about music • Cut flower • Luis Gálvez de Montalvo • Donkey • Francisco de Leefdael • Graphical changes • Jewels • Christian preacher • Walter Raleigh • Francesco Portonari • interludes • Booklets • Lope • Moreto • Atonement • Chivalric romance • Images • Authors • Nicolini da Sabbio • Diálogo de la lengua • Literary censorship • Literary Forgery • Short farce • Theatre • Hernando de Acuña • Diccionario de Autoridades • Love poetry • Publisher • Spanish theatre • Financial crisis • Bibliography • La Maya • Literary authors • 17th century Theatre • Spanish Golden Age theatre • Autobiography • French Classical Theatre • Dramatic formula • Corruption • Expression • Octosyllabic verse • Seville • Fernando de Herrera • Asceticism • Playing cards • Barahona de Soto • Witticism • Eulogy • Language • Attributed authorship • Enríquez de Cabrera • Santa Teresa • Alonso de Castillo Solórzano • Rimas • La Gerusalemme liberata • Enchantment of Dulcinea • Spanish Novel • Baroque poetry • Festive relation • Portugal • Comedy • Translator • José de la Concha • Spain • Pynchon • Romances of chivalry • Girolamo Gigli • Variety • Literary sources • Authorship • Barbers • Pedro Sarmiento de Gamboa • Affinities • Preacher • Timanthes • Comedias de pícaros • Lovers • Mystical symbols • Bible • Epic and Drama • Metaphor • Decorum • Nadie fíe su secreto • Cristóbal de Morales • Versification • Margaret Theresa of Spain • Seven love letters • Early Music • Jiménez Patón • Letters • Open access • Iberism • Love • Phonetics • Seventeenth century • Satire • Empresas políticas • Bernardo de Sandoval y Rojas • Fernández de Lizardi • El piadoso veneciano • Public-Private relation • Venice • Republic of Letters • Siglo de Oro • Bandello • Castillo Solórzano • Gypsies • Ideology • Quiñones de Benavente • Affect

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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