Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Enríquez de Cabrera • Epic poetry • Mendeley • Jorge de Montemayor • Early Music • Autobiography • Love poetry • Francisco de Leefdael • Empresas políticas • Comedias de pícaros • Lope • Low Baroque • Asceticism • Sociology • Álvar Núñez Cabeza de Vaca • XVII century • History of book • Orthography • La noche de San Juan • Decorum • Romances of chivalry • Sacrament of penance • Madrid • resemantization • CABIGO • Countess of Harrach • Sociability • Spanish Novel • Barbers • Melchor Díaz de Toledo • Calderón • Sermons • Honour • Poetics • Christian preacher • El piadoso veneciano • Copper coin • Slang • Anti-aulic satire • Italian humanist short prose • Picaresque novel • Juan Bautista Pederzano • Popular culture • Santa Teresa • Walter Raleigh • Eulogy • Iberism • Francisco de La Torre • Spanish Golden Age entremeses • Komenský • Preacher • Repentance • Carlo Goldoni • Affect • Witticism • La Zucca del Doni en spañol • Music • Variety • Controversy • Metaphor • La Gerusalemme liberata • Illustrated edition • Ineffable language • Spanish Court Poetry • San Juan de la Cruz • Literary criticism • Giacomo Franco • Female reader • Spanish Golden Age • Modernity • Poggio Bracciolini • Quiñones de Benavente • Queen Isabel de Borbón • History of typography • Uruguay • Caballero de Illescas • Authors • Critical editions of literary Works • Notes in scholarly editions • Shame • Bibliography • Mythification • Díaz de Rivas • Short farce • Letters • Textual bibliography • Dedications • History of Spanis language • Tametsi decree • Labyrinth • Rimas • Public-Private relation • Metaphors • Cohesion • Auto • Empire • Playing cards • Cándido María Trigueros • Unstable • Golden Age minor theater • Grotesque body • Donkey • Octosyllabic verse • Adventure books • Spanish theatre • Metre • Religious Poetry • Castillejo • Comedy • Anacreontics • Chivalric romance • El maestro de danzar • Renascence • Edition • 17th Century • Cervantes • Morisco figures • Ideology • Margaret Theresa of Spain • Quixote • Nadie fíe su secreto • Reception theory • Versification • Bible • Literary styles • Quotations • Gemstones • Poetry about music • Coherence • Fernando de Herrera • Translator • Theater • Don Quixote • Bandello • Atonement • Tesoro de la Lengua Castellana • Castillo Solórzano • Italy • Venitian printing • Decameron • Translation Studies • Figurón comedy • Analysis • Refranes • Fine taste • Sonnet • Baroque • Correction to editio princeps • Perfecto predicador • Dalila • Timanthes • El bautismo del príncipe de Marruecos • Theatre • Painting • Hernando de Acuña • Facetia • Antonio Sacchi • Traitors • Order of the Golden Fleece • José de la Concha • Adaptation Studies • Moreto • Suspension • Promujer • Sonnets • Phonetics • Post-Tridentine Spain • Anagilda • Literary authors • Italian • Dynamism • Rewriting • Quijote • Rosete Niño • Republic of Letters • Orthographiy • Miguel de Cervantes • Translation • Mercadante • Fernández de Lizardi • Twentieth century • Literary Forgery • Symbolism • Images • Seville • Homeric simile • Literary sources • Philology • Translation constraints • Satire • Publisher • Travel narratives • Ambiguity • Satyre • José de Arroyo • Gypsies • Luigi Groto • Mysticism • Council of Castile • Cea Tesa • Kundera • Lope sources • Mystical symbols • Robbery • Francisco de Quevedo • Anthroponomy • Exemplary Novels • Jiménez Patón • King Sebastian • Comedy of magic • Hagiographic drama • Córdoba • Imago • Las dos doncellas • Helmet of Mambrino • Olivieri di Castiglia • Tridentin work • Rhetoric • Dramatic formula • Lovers • Open access • Segmentation • Jewels • Venice • Fraud • Intertextuality • Hernán Núñez • Book of Job • Descartes • Lady of Copacabana • Quevedo • Insane asylums • Aminta • Baroque comedy • Granada • Topos • Guzmán de Alfarache • Italophile • Juan de Valdés • Prior censorship • Press • Espada sagrada • Butterfly • Philosophical method • Roberto el diablo • French Classical Theatre • Matos Fragoso • String literature • Luís de Camões • Critical edition • Authorship • Proverbs • Spanish Golden Age theatre • Experience • Corruption • Spanish Golden Age Theatre • Diccionario de Autoridades • Alonso Remón • Baroque theater • 17th century Theatre • Catalogue • Portuguese poetry • Festive relation • Eroticism • Booklets • Fear • Miguel Torga • Justice • Novelle • Spanish Poetry • Vázquez Siruela • Calderón de a Barca • Conquest of Peru • Tragic play • Women writers • Pedro Sarmiento de Gamboa • Oliveros de Castilla • Spanish literature of the Golden Age • Madmen • Italian Renaissance • Epic and Drama • Bernardo de Sandoval y Rojas • José Saramago • Siglo de Oro • interludes • Novel • Cristóbal de Morales • Portugal • Affinities • Graphical changes • Parody • Attributed authorship • Love • Language • Jáuregui • Nicolini da Sabbio • Libretto • Literary censorship • Stylistic development • Saavedra Fajardo • Spiritual poetry • Francesco Portonari • Poetry • Interpretation • Translators • Journey • Dedicatees • Golden Age Poetry • Financial crisis • Priest • Philip IV • Expression • Girolamo Gigli • Farsalia • Court • Truth • Jerónimo Corte-Real • Seven love letters • New Spain • Preaching • Renaissance books • 17th century • Comedia nueva • Tradition • Carlo Gozzi • Alonso de Castillo Solórzano • Stage • Barahona de Soto • Golden Age • Marginalization • Rojas Zorrilla • Tree • Novelas ejemplares • Spanish Golden Age, History of Linguistics • Diálogo de la lengua • Notes • Cut flower • Gongorism • Juan de Mariana • Italian translation • Baroque poetry • Literature • Antonio de Zamora • Collaboration • Politics • El dómine Lucas • Metrics • Spain • Disgust • The Book of Judges • Theatre Translation • Censors • Sermon • Cáncer • Seventeenth century • Style • Paremiology • La Maya • Nuns • Enchantment of Dulcinea • Luis Gálvez de Montalvo • Trees • Lope de Vega • Explicitation • Pynchon • Dramatic space • Góngora

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.