Serenísima palabra
Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de julio de 2014)
a cura di
Florencio del Barrio de la Rosa
Università Ca’ Foscari Venezia, Italia
María del Valle Ojeda Calvo
Università Ca’ Foscari Venezia, Italia
abstract
Del 14 al 18 de julio de 2014 se dieron cita en Venecia más de doscientos estudiosos venidos de veintiún países, pertenecientes a ciento veintiséis universidades, centros e instituciones para celebrar el X Congreso Internacional de la Asociación Siglo de Oro, cuando la AISO cumplía 25 años. Estas páginas reflejan buena parte de lo escuchado allí, habiendo pasado un proceso de revisión por pares las comunicaciones recibidas para su publicación. El contenido se ha articulado en tres sesiones, recogiéndose en la primera de ellas las cinco conferencias plenarias, en la segunda el «Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO», y en la tercera las comunicaciones. Estas se han distribuido a su vez en cinco apartados («Poesía», «Teatro», «Prosa», «Lengua y traducción», y «Varia») que muestran el carácter multidisciplinar del encuentro, pues varios son los aspectos de la cultura e historia del mundo hispánico de los siglos XVI y XVII tratados en ellas, así como de su fortuna en la contemporaneidad.
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Keywords vpn_key keyboard_arrow_down
Venitian printing • Interpretation • Kundera • Censors • Spain • Promujer • Auto • Trees • El piadoso veneciano • Luis Gálvez de Montalvo • Spanish Poetry • Madrid • Painting • Nicolini da Sabbio • Lady of Copacabana • Publisher • Spanish Golden Age • Catalogue • Symbolism • Order of the Golden Fleece • Unstable • Critical edition • Miguel Torga • Translation • Juan de Mariana • Jorge de Montemayor • Facetia • Carlo Gozzi • Miguel de Cervantes • Textual bibliography • Jerónimo Corte-Real • Spanish Court Poetry • Libretto • Priest • José Saramago • Paremiology • Ambiguity • Lovers • Authors • Lope • Autobiography • Golden Age Poetry • Queen Isabel de Borbón • Financial crisis • Council of Castile • Translation Studies • Diccionario de Autoridades • Dedicatees • Lope de Vega • Public-Private relation • The Book of Judges • Fraud • 17th century • Variety • Cristóbal de Morales • Descartes • Literary criticism • Eulogy • interludes • Satire • Castillo Solórzano • Open access • Gongorism • Adaptation Studies • Bernardo de Sandoval y Rojas • Aminta • Margaret Theresa of Spain • Notes in scholarly editions • Orthographiy • Girolamo Gigli • Spanish literature of the Golden Age • Juan Bautista Pederzano • Decameron • Comedias de pícaros • Tradition • El dómine Lucas • Rimas • Gypsies • Guzmán de Alfarache • Tesoro de la Lengua Castellana • Epic and Drama • Court • Literature • José de la Concha • La Maya • Francesco Portonari • Italian • Empire • Low Baroque • Novelas ejemplares • French Classical Theatre • Nadie fíe su secreto • Álvar Núñez Cabeza de Vaca • Donkey • Countess of Harrach • Suspension • Translator • Mendeley • Dynamism • Góngora • Juan de Valdés • Language • Rosete Niño • Book of Job • Anacreontics • Coherence • Early Music • Graphical changes • Oliveros de Castilla • Italian translation • Ineffable language • Post-Tridentine Spain • Love poetry • Renaissance books • Romances of chivalry • Madmen • Topos • Sermon • Twentieth century • Sonnet • Farsalia • Witticism • XVII century • Experience • Figurón comedy • Portuguese poetry • Spiritual poetry • Picaresque novel • Octosyllabic verse • Affect • 17th Century • Short farce • Edition • Olivieri di Castiglia • Francisco de Leefdael • Female reader • Stage • Insane asylums • Literary authors • Cándido María Trigueros • Spanish Golden Age theatre • Hagiographic drama • Versification • La noche de San Juan • Quixote • Uruguay • Affinities • Theatre Translation • La Zucca del Doni en spañol • Alonso de Castillo Solórzano • Critical editions of literary Works • Philosophical method • Explicitation • Women writers • Metaphor • History of Spanis language • Love • Music • Correction to editio princeps • Italophile • Sonnets • Grotesque body • Parody • Antonio de Zamora • Style • Timanthes • Dramatic space • Asceticism • Nuns • Cervantes • Granada • Reception theory • El bautismo del príncipe de Marruecos • Venice • Komenský • Seventeenth century • Golden Age minor theater • Rojas Zorrilla • Preaching • José de Arroyo • Anagilda • Sociology • Luigi Groto • Analysis • Christian preacher • King Sebastian • Fear • Jiménez Patón • Bible • Pynchon • Robbery • Spanish Golden Age, History of Linguistics • Antonio Sacchi • Comedy • Intertextuality • Butterfly • Seven love letters • Dedications • Controversy • Italian humanist short prose • Literary sources • Baroque comedy • Jáuregui • Eroticism • Novelle • Poetics • Moreto • Traitors • Honour • Decorum • Caballero de Illescas • Siglo de Oro • Refranes • Metrics • Calderón • Philology • Exemplary Novels • Bibliography • Giacomo Franco • Stylistic development • Italy • Homeric simile • Baroque • Barbers • Novel • Chivalric romance • Literary styles • Enchantment of Dulcinea • Slang • Castillejo • Baroque theater • Copper coin • Calderón de a Barca • Metaphors • Diálogo de la lengua • Helmet of Mambrino • Vázquez Siruela • Metre • Modernity • Images • Espada sagrada • Attributed authorship • Theater • Tametsi decree • CABIGO • Mystical symbols • Quevedo • Seville • Barahona de Soto • Politics • Translation constraints • Popular culture • Sermons • Dramatic formula • Poggio Bracciolini • Notes • Comedia nueva • Santa Teresa • Mythification • Tragic play • Italian Renaissance • Philip IV • Disgust • Phonetics • Truth • Díaz de Rivas • Spanish Golden Age Theatre • Walter Raleigh • Empresas políticas • Justice • Playing cards • San Juan de la Cruz • Baroque poetry • Spanish Golden Age entremeses • Cohesion • Cáncer • Comedy of magic • Journey • Cea Tesa • Satyre • Corruption • Festive relation • Religious Poetry • Quijote • Don Quixote • Matos Fragoso • Booklets • Shame • Ideology • Preacher • Quiñones de Benavente • Literary Forgery • Alonso Remón • Repentance • Theatre • Fernando de Herrera • Hernán Núñez • Travel narratives • Atonement • Spanish Novel • Marginalization • Melchor Díaz de Toledo • Press • Córdoba • Rhetoric • Orthography • Mysticism • Lope sources • History of book • Segmentation • Francisco de La Torre • Golden Age • Collaboration • Las dos doncellas • Renascence • Enríquez de Cabrera • Roberto el diablo • Dalila • Expression • Portugal • Spanish theatre • Francisco de Quevedo • Poetry about music • Illustrated edition • Quotations • Literary censorship • Cut flower • Perfecto predicador • resemantization • Anthroponomy • Carlo Goldoni • Pedro Sarmiento de Gamboa • Conquest of Peru • Fine taste • Tree • Gemstones • Bandello • Jewels • Mercadante • Anti-aulic satire • Fernández de Lizardi • Hernando de Acuña • Letters • Epic poetry • Sacrament of penance • Authorship • Iberism • Morisco figures • 17th century Theatre • Translators • Luís de Camões • Sociability • El maestro de danzar • Saavedra Fajardo • Tridentin work • New Spain • Republic of Letters • Rewriting • Proverbs • String literature • Imago • Labyrinth • History of typography • Poetry • Prior censorship • Adventure books • La Gerusalemme liberata
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Sommario
Preámbulo
1 Conferencias plenarias
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2 Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO
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3.1 Comunicaciones: Poesía
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3.2 Comunicaciones: Teatro
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3.3 Comunicaciones: Prosa
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3.4 Comunicaciones: Lengua y traducción
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3.5 Comunicaciones: Varia
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