El Madrid de 1617 como espacio dramático
Otra mirada a Lo que pasa en una tarde de Lope de Vega
abstract
I have proposed to conduct a review of critical studies and editions of Lo que pasa en una tarde of Lope de Vega, from which present another reading of the work that completes the previous. The analyzed axes are: a) the workspace configuration dramatic in relation to the Real sitio of the Casa de Campo as essential to make plausible the plot and b) the complex dramatic composition based on one of the most common metateatrales forms, according to which the tramoyera Lady and the gracioso created fictions to compel act other characters so end fits to their wishes.
Keywords: Dramatic space • Madrid • Lope
permalink: http://doi.org/10.14277/6969-163-8/RiB-5-62