La versificación en La aurora en Copacabana de Calderón
abstract
In the first part of this paper, I examine different views on the versification of the comedia. In the second part, I study the use of meters and stanzas in Calderón de la Barca’s La Aurora en Copacabana: romances, décimas, silvas, redondillas and heptasyllabic agudos.
Keywords: Spanish Golden Age theatre • Segmentation • Lady of Copacabana • Conquest of Peru • Metre
permalink: http://doi.org/10.14277/6969-163-8/RiB-5-48