La influencia de Luigi Groto en la poesía amorosa de

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Campo DC	Valore
dc.identifier	ECF_chapter_792
dc.contributor.author	Ceribelli Alessandra
dc.title	La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Franscisco de Quevedo’s relationship with the Italian literary tradition is a prolific research area. In some poems from Erato, the imitation of Groto’s works is evident, but Quevedo uses this source as a point of departure to completely recreate it according to Baroque and conceptista sensibilities. Through a comparison of the source with the reworked version, I intend to mark the improvements of Quevedo’s poetry in terms of versification, meaning and how the poet transforms Petrarchan imagery.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-03-29
dc.dateSubmitted	2015-07-13
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/la-influencia-de-luigi-groto-en-la-poesia-amorosa/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-13
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Baroque poetry
dc.subject	Baroque poetry
dc.subject	Francisco de Quevedo
dc.subject	Francisco de Quevedo
dc.subject	Love poetry
dc.subject	Love poetry
dc.subject	Luigi Groto
dc.subject	Luigi Groto

Capitolo
open access peer reviewed

La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo

Alessandra Ceribelli Universidade de Santiago de Compostela, España

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abstract

Franscisco de Quevedo’s relationship with the Italian literary tradition is a prolific research area. In some poems from Erato, the imitation of Groto’s works is evident, but Quevedo uses this source as a point of departure to completely recreate it according to Baroque and conceptista sensibilities. Through a comparison of the source with the reworked version, I intend to mark the improvements of Quevedo’s poetry in terms of versification, meaning and how the poet transforms Petrarchan imagery.

Accettato

29 Marzo 2016

Presentato

13 Luglio 2015

Lingua

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Baroque poetry • Love poetry • Francisco de Quevedo • Luigi Groto

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-13

Copyright: © 2017 Alessandra Ceribelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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