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Bandello en el taller dramático de Lope

Guillermo Carrascón    Università degli Studi di Torino, Italia    

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abstract

The Italian novelle, particularly those of Boccaccio, Bandello, and Giraldi Cinzio, provide the narrative raw material for the plot of almost 10% of Lope’s theatrical production. Bandello stands out among these writers as a favorite ‘supplier’ for the playwright. The comparison between Si no vieran las mujeres and Carlos el perseguido by Lope and their respective Bandellian hypotexts allows scholars to examine the mechanisms and resources used by Lope in his intersemiotic translations. Furthermore, it constitutes a step in the description of the grammar of motives and functions we call ‘formula of the comedia nueva’, ultimately building toward, through a logical-semantic analysis, a formal model of Lope’s grammar.  

Accepted
April 13, 2016
Submitted
Aug. 1, 2015
Language
IT
ISBN (PRINT)
978-88-6969-164-5
ISBN (EBOOK)
978-88-6969-163-8

Keywords: Dramatic formulaNovelleComedia nuevaLope de VegaBandello

Copyright: © 2017 Guillermo Carrascón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.