Notas para una edición crítica de Duendes son alcahuetes y

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DC Field	Value
dc.identifier	ECF_chapter_791
dc.contributor.author	Londero Renata
dc.title	Notas para una edición crítica de Duendes son alcahuetes y el Espíritu Foleto (I parte, 1709) de Antonio de Zamora
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	In this paper, Antonio de Zamora’s well-known comedy of magic Duendes son alcahuetes y el Espíritu Foleto (First part, 1709) is studied from a philological point of view. In fact, only a non-critical edition of this play exists, by F. Doménech Rico (2008). Before performing a brief analysis of the comedy regarding its language, metrics and possible staging, I will examine the six testimonies that transmit the text. These are two manuscripts kept in the Biblioteca Nacional de España (Ms. 15491; Ms. 16959) and four prints: the one contained in the Comedias de don Antonio de Zamora (Madrid, Joaquín Sánchez, 1744, II, pp. 95-152) and three eighteenth-century sueltas (two are anonymous: Sevilla, José Antonio de Hermosilla; Madrid, Antonio Sanz, 1731; while the third one is attributed to Zamora: Valencia, José y Tomás de Orga, 1782). After collating the testimonies and detecting their separative and conjunctive errors, a three-branched family tree is proposed in order to establish the critical text for its edition.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-03-31
dc.dateSubmitted	2015-07-13
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-164-5/notas-para-una-edicion-critica-de-duendes-son-alca/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-50
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	17th century
dc.subject	17th century
dc.subject	Antonio de Zamora
dc.subject	Antonio de Zamora
dc.subject	Comedy of magic
dc.subject	Comedy of magic
dc.subject	Critical edition
dc.subject	Critical edition
dc.subject	Spanish theatre
dc.subject	Spanish theatre

Chapter
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Notas para una edición crítica de Duendes son alcahuetes y el Espíritu Foleto (I parte, 1709) de Antonio de Zamora

Renata Londero Università degli Studi di Udine, Italia

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abstract

In this paper, Antonio de Zamora’s well-known comedy of magic Duendes son alcahuetes y el Espíritu Foleto (First part, 1709) is studied from a philological point of view. In fact, only a non-critical edition of this play exists, by F. Doménech Rico (2008). Before performing a brief analysis of the comedy regarding its language, metrics and possible staging, I will examine the six testimonies that transmit the text. These are two manuscripts kept in the Biblioteca Nacional de España (Ms. 15491; Ms. 16959) and four prints: the one contained in the Comedias de don Antonio de Zamora (Madrid, Joaquín Sánchez, 1744, II, pp. 95-152) and three eighteenth-century sueltas (two are anonymous: Sevilla, José Antonio de Hermosilla; Madrid, Antonio Sanz, 1731; while the third one is attributed to Zamora: Valencia, José y Tomás de Orga, 1782). After collating the testimonies and detecting their separative and conjunctive errors, a three-branched family tree is proposed in order to establish the critical text for its edition.

Accepted

March 31, 2016

Submitted

July 13, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Critical edition • Antonio de Zamora • 17th century • Comedy of magic • Spanish theatre

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-50

Copyright: © 2017 Renata Londero. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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