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Notas para una edición crítica de Duendes son alcahuetes y el Espíritu Foleto (I parte, 1709) de Antonio de Zamora

Renata Londero    Università degli Studi di Udine, Italia    

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abstract

In this paper, Antonio de Zamora’s well-known comedy of magic Duendes son alcahuetes y el Espíritu Foleto (First part, 1709) is studied from a philological point of view. In fact, only a non-critical edition of this play exists, by F. Doménech Rico (2008). Before performing a brief analysis of the comedy regarding its language, metrics and possible staging, I will examine the six testimonies that transmit the text. These are two manuscripts kept in the Biblioteca Nacional de España (Ms. 15491; Ms. 16959) and four prints: the one contained in the Comedias de don Antonio de Zamora (Madrid, Joaquín Sánchez, 1744, II, pp. 95-152) and three eighteenth-century sueltas (two are anonymous: Sevilla, José Antonio de Hermosilla; Madrid, Antonio Sanz, 1731; while the third one is attributed to Zamora: Valencia, José y Tomás de Orga, 1782). After collating the testimonies and detecting their separative and conjunctive errors, a three-branched family tree is proposed in order to establish the critical text for its edition.  

Accepted
March 31, 2016
Submitted
July 13, 2015
Language
IT
ISBN (PRINT)
978-88-6969-164-5
ISBN (EBOOK)
978-88-6969-163-8

Keywords: Critical editionComedy of magicAntonio de ZamoraSpanish theatre17th century

Copyright: © 2017 Renata Londero. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.