Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Atonement • Lope • 17th century Theatre • Witticism • Novel • Conquest of Peru • Philology • Exemplary Novels • Calderón de a Barca • Segmentation • Intertextuality • Notes • Vázquez Siruela • Financial crisis • Stylistic development • Gypsies • Preacher • Quijote • Mythification • Francisco de La Torre • Oliveros de Castilla • Quotations • Dynamism • Traitors • Language • Lope sources • Baroque comedy • Figurón comedy • Kundera • San Juan de la Cruz • Cáncer • Golden Age minor theater • Bandello • interludes • Cándido María Trigueros • Grotesque body • Tametsi decree • Spanish Golden Age, History of Linguistics • History of book • Homeric simile • Republic of Letters • History of typography • Seventeenth century • Autobiography • Correction to editio princeps • Affinities • Tridentin work • Sonnets • Female reader • Venitian printing • Sermon • Rhetoric • Literary sources • Politics • Sermons • Spanish Court Poetry • New Spain • Poetry • Countess of Harrach • Ineffable language • Jewels • Venice • Las dos doncellas • Asceticism • Hernando de Acuña • Quixote • La noche de San Juan • Enchantment of Dulcinea • Mysticism • Barahona de Soto • Satyre • Cristóbal de Morales • Cea Tesa • resemantization • Anagilda • Italy • Metaphors • Critical edition • Chivalric romance • Twentieth century • Olivieri di Castiglia • Comedia nueva • Edition • Corruption • El dómine Lucas • Fraud • Cohesion • Carlo Goldoni • Notes in scholarly editions • Stage • Labyrinth • Catalogue • Farsalia • Álvar Núñez Cabeza de Vaca • Textual bibliography • Portugal • Moreto • French Classical Theatre • Paremiology • Epic poetry • Nicolini da Sabbio • String literature • Mendeley • Love • Caballero de Illescas • Decameron • Fernández de Lizardi • Francesco Portonari • Modernity • La Maya • Sonnet • Philosophical method • Translation • Insane asylums • Alonso de Castillo Solórzano • 17th Century • Italian humanist short prose • Tree • Baroque • Novelle • Seville • Queen Isabel de Borbón • Tradition • Rojas Zorrilla • Díaz de Rivas • Court • Translation constraints • Order of the Golden Fleece • Guzmán de Alfarache • Refranes • Luigi Groto • Perfecto predicador • Madmen • Enríquez de Cabrera • Unstable • Spain • Lope de Vega • Interpretation • Love poetry • Luís de Camões • Juan de Mariana • Affect • Eulogy • Alonso Remón • Quevedo • Hagiographic drama • Jorge de Montemayor • Translators • Analysis • Pedro Sarmiento de Gamboa • Picaresque novel • Epic and Drama • Bible • Donkey • Uruguay • Metre • Adventure books • Barbers • Fear • Shame • Decorum • Travel narratives • Public-Private relation • Juan de Valdés • Spanish Poetry • Ambiguity • Letters • Comedy of magic • CABIGO • Disgust • Jiménez Patón • Controversy • Metrics • Christian preacher • Literary criticism • La Zucca del Doni en spañol • Facetia • Literature • Fernando de Herrera • Booklets • Góngora • Topos • The Book of Judges • Robbery • Philip IV • José de la Concha • Low Baroque • Renaissance books • Nuns • Phonetics • Francisco de Quevedo • Literary styles • Explicitation • Women writers • Auto • Castillejo • History of Spanis language • Priest • XVII century • Dedicatees • Timanthes • Italophile • Comedy • Critical editions of literary Works • Jáuregui • Translation Studies • Collaboration • Butterfly • Preaching • Literary authors • Graphical changes • Literary Forgery • Golden Age • Italian • Spanish Novel • Spanish Golden Age theatre • Council of Castile • Rosete Niño • Novelas ejemplares • Roberto el diablo • Granada • Attributed authorship • Jerónimo Corte-Real • Walter Raleigh • Córdoba • Honour • Diccionario de Autoridades • Painting • Authors • Expression • Eroticism • Style • Renascence • Dalila • Hernán Núñez • Suspension • Journey • Gemstones • Seven love letters • Tesoro de la Lengua Castellana • Festive relation • Early Music • Coherence • Sacrament of penance • Portuguese poetry • Girolamo Gigli • Castillo Solórzano • Octosyllabic verse • Bernardo de Sandoval y Rojas • Truth • Dedications • Italian Renaissance • Antonio Sacchi • Religious Poetry • José de Arroyo • Tragic play • Poetry about music • Orthography • Margaret Theresa of Spain • Poggio Bracciolini • Nadie fíe su secreto • Post-Tridentine Spain • Copper coin • Theatre Translation • 17th century • Anacreontics • Spanish theatre • Don Quixote • Ideology • Comedias de pícaros • Madrid • Translator • Theater • Censors • Sociability • Rimas • Spanish Golden Age • Pynchon • Justice • Spanish Golden Age entremeses • Empresas políticas • Bibliography • Italian translation • Trees • Dramatic space • Empire • Calderón • Short farce • Popular culture • Lovers • Symbolism • Antonio de Zamora • Metaphor • Publisher • Gongorism • Anthroponomy • Proverbs • Repentance • Diálogo de la lengua • Reception theory • Golden Age Poetry • Morisco figures • Music • Spanish literature of the Golden Age • Experience • Romances of chivalry • Poetics • Book of Job • Melchor Díaz de Toledo • Dramatic formula • Aminta • Literary censorship • Theatre • El maestro de danzar • Variety • Open access • Adaptation Studies • Versification • Cervantes • Spiritual poetry • Miguel Torga • Authorship • Mystical symbols • Komenský • La Gerusalemme liberata • Fine taste • Baroque poetry • José Saramago • Francisco de Leefdael • Cut flower • Sociology • Siglo de Oro • Imago • Rewriting • Libretto • Juan Bautista Pederzano • Lady of Copacabana • King Sebastian • Espada sagrada • Illustrated edition • Carlo Gozzi • Quiñones de Benavente • Luis Gálvez de Montalvo • Press • Baroque theater • Spanish Golden Age Theatre • Slang • Marginalization • Miguel de Cervantes • Matos Fragoso • Images • Satire • Giacomo Franco • El piadoso veneciano • Mercadante • Santa Teresa • Orthographiy • Anti-aulic satire • Descartes • Helmet of Mambrino • El bautismo del príncipe de Marruecos • Saavedra Fajardo • Promujer • Iberism • Parody • Prior censorship • Playing cards

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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