Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Kundera • Love • Popular culture • Conquest of Peru • Comedy of magic • Uruguay • Giacomo Franco • Moreto • Sermons • Stage • Lady of Copacabana • Jorge de Montemayor • Financial crisis • Anthroponomy • Italian Renaissance • Twentieth century • Gypsies • King Sebastian • Interpretation • Baroque theater • Translation constraints • Tree • Philosophical method • Nadie fíe su secreto • Jáuregui • Countess of Harrach • Epic poetry • Coherence • Order of the Golden Fleece • Carlo Gozzi • History of book • Spanish Court Poetry • Anacreontics • Slang • Cervantes • Saavedra Fajardo • Seventeenth century • Travel narratives • Topos • Italy • Pedro Sarmiento de Gamboa • Censors • Rosete Niño • Grotesque body • Juan de Valdés • Asceticism • Melchor Díaz de Toledo • Cut flower • 17th century Theatre • Romances of chivalry • Roberto el diablo • Rhetoric • Dalila • Sonnet • Carlo Goldoni • Diálogo de la lengua • El maestro de danzar • Sacrament of penance • Timanthes • Álvar Núñez Cabeza de Vaca • Italian humanist short prose • Preacher • XVII century • Satyre • Satire • Women writers • Metaphor • Francisco de La Torre • Miguel de Cervantes • Affect • Eulogy • Catalogue • Experience • Portuguese poetry • Disgust • Promujer • Booklets • Italian • Lope de Vega • Cáncer • Eroticism • New Spain • Early Music • Insane asylums • Anagilda • Metaphors • Madrid • Decorum • Translation • Descartes • Chivalric romance • Poetry • Fernando de Herrera • French Classical Theatre • Renaissance books • Fraud • Hernando de Acuña • Sociability • Nicolini da Sabbio • Golden Age minor theater • Tametsi decree • Atonement • Segmentation • Olivieri di Castiglia • 17th century • Calderón • Córdoba • Council of Castile • Robbery • Spiritual poetry • Comedia nueva • Homeric simile • Francesco Portonari • Affinities • Critical editions of literary Works • Novelle • Pynchon • Matos Fragoso • Gemstones • Labyrinth • Repentance • Literary Forgery • Quixote • Golden Age • Góngora • Madmen • Textual bibliography • Press • Spanish Golden Age entremeses • Alonso Remón • Journey • Literary criticism • interludes • Poetry about music • Dramatic space • Rewriting • Images • Translator • Exemplary Novels • Suspension • Attributed authorship • Luigi Groto • Barbers • Butterfly • Mendeley • Helmet of Mambrino • Aminta • Metrics • Philology • Spanish Golden Age, History of Linguistics • Spanish Golden Age Theatre • Cohesion • Copper coin • Orthographiy • Shame • Golden Age Poetry • Jiménez Patón • Nuns • Italian translation • Margaret Theresa of Spain • Mysticism • Theater • Music • Spain • Facetia • Castillejo • Ineffable language • Love poetry • Religious Poetry • The Book of Judges • Alonso de Castillo Solórzano • Corruption • Witticism • Morisco figures • Proverbs • Venitian printing • Book of Job • Cristóbal de Morales • Spanish Golden Age theatre • Authorship • Painting • Ideology • Tragic play • Baroque • Luís de Camões • Literature • Barahona de Soto • Cea Tesa • Anti-aulic satire • Bibliography • Honour • Orthography • Díaz de Rivas • Adventure books • History of typography • Metre • Jerónimo Corte-Real • Enchantment of Dulcinea • Low Baroque • Critical edition • Truth • Figurón comedy • Juan Bautista Pederzano • La Zucca del Doni en spañol • Quiñones de Benavente • resemantization • CABIGO • Fine taste • Imago • Theatre Translation • Auto • Jewels • El piadoso veneciano • Correction to editio princeps • Perfecto predicador • Tradition • Unstable • Italophile • Bernardo de Sandoval y Rojas • History of Spanis language • Stylistic development • Expression • Spanish literature of the Golden Age • Lope • Luis Gálvez de Montalvo • Walter Raleigh • String literature • Gongorism • Philip IV • Politics • El bautismo del príncipe de Marruecos • Portugal • Iberism • Novelas ejemplares • Poggio Bracciolini • Autobiography • Dramatic formula • Theatre • Antonio de Zamora • Hagiographic drama • Octosyllabic verse • Translators • Quevedo • Post-Tridentine Spain • Tesoro de la Lengua Castellana • La Gerusalemme liberata • Marginalization • Decameron • Female reader • Sermon • Bandello • San Juan de la Cruz • Novel • Empire • Rimas • Parody • Farsalia • Enríquez de Cabrera • Vázquez Siruela • Short farce • Miguel Torga • Seville • Translation Studies • Fernández de Lizardi • Republic of Letters • Controversy • Juan de Mariana • Quotations • Fear • Mercadante • Edition • Court • Venice • Comedy • Spanish Novel • Diccionario de Autoridades • Phonetics • Seven love letters • Sonnets • La Maya • El dómine Lucas • Caballero de Illescas • Renascence • Traitors • Libretto • Paremiology • Priest • Mythification • Calderón de a Barca • Lope sources • Preaching • Prior censorship • Trees • Francisco de Quevedo • Christian preacher • Don Quixote • Queen Isabel de Borbón • Lovers • Letters • Style • Reception theory • Literary sources • Symbolism • Bible • Cándido María Trigueros • Spanish theatre • Literary styles • Girolamo Gigli • Analysis • Dynamism • Francisco de Leefdael • Refranes • Antonio Sacchi • Illustrated edition • Tridentin work • Ambiguity • Poetics • Baroque poetry • Language • Festive relation • Granada • Dedications • Mystical symbols • Graphical changes • Adaptation Studies • Collaboration • Comedias de pícaros • Quijote • Oliveros de Castilla • Versification • Picaresque novel • Hernán Núñez • Castillo Solórzano • Literary censorship • Sociology • Santa Teresa • José Saramago • Explicitation • Dedicatees • Notes • Authors • Modernity • La noche de San Juan • Notes in scholarly editions • Espada sagrada • José de la Concha • Playing cards • Spanish Poetry • Spanish Golden Age • Empresas políticas • Rojas Zorrilla • 17th Century • Donkey • José de Arroyo • Open access • Publisher • Literary authors • Variety • Justice • Epic and Drama • Las dos doncellas • Siglo de Oro • Komenský • Public-Private relation • Guzmán de Alfarache • Intertextuality • Baroque comedy

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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