Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Fine taste • Melchor Díaz de Toledo • Vázquez Siruela • Enchantment of Dulcinea • Catalogue • San Juan de la Cruz • Cándido María Trigueros • Cut flower • Baroque • Miguel Torga • Aminta • Christian preacher • Proverbs • Mendeley • Painting • Oliveros de Castilla • Witticism • Mythification • El dómine Lucas • Góngora • Orthographiy • CABIGO • Perfecto predicador • Girolamo Gigli • Theater • Miguel de Cervantes • Tametsi decree • Experience • Traitors • Francisco de Quevedo • Conquest of Peru • Jerónimo Corte-Real • Baroque poetry • Eroticism • Luis Gálvez de Montalvo • Press • Pynchon • Preacher • Booklets • Hernando de Acuña • Robbery • 17th century Theatre • History of book • Pedro Sarmiento de Gamboa • Financial crisis • Renaissance books • Spanish Golden Age Theatre • Saavedra Fajardo • Tree • Dedications • Kundera • Council of Castile • Tridentin work • Grotesque body • Suspension • Lope • Comedy • Cohesion • History of typography • José de Arroyo • Critical editions of literary Works • Auto • Granada • Open access • Metaphors • Phonetics • Quotations • Symbolism • Rewriting • XVII century • Juan de Mariana • Sacrament of penance • Queen Isabel de Borbón • Morisco figures • Republic of Letters • Madrid • Philip IV • Dramatic formula • Theatre Translation • Spanish Novel • Priest • Parody • Sermons • Spanish Golden Age theatre • Ideology • Repentance • Bibliography • Poetics • Italian translation • Siglo de Oro • Coherence • Carlo Gozzi • Comedias de pícaros • Juan de Valdés • Philosophical method • Nadie fíe su secreto • Book of Job • Córdoba • Bernardo de Sandoval y Rojas • José de la Concha • Spain • Calderón • El piadoso veneciano • Margaret Theresa of Spain • String literature • Lady of Copacabana • Atonement • Fernández de Lizardi • Quiñones de Benavente • Rimas • Cea Tesa • Imago • Novel • Order of the Golden Fleece • Komenský • Decameron • Caballero de Illescas • Luigi Groto • Variety • Correction to editio princeps • Anagilda • Francisco de Leefdael • Italian • Philology • 17th Century • Sonnets • Donkey • Las dos doncellas • Rosete Niño • Spanish Golden Age • Affinities • Quijote • Marginalization • Figurón comedy • Italophile • Graphical changes • Topos • Italy • Cristóbal de Morales • Lope sources • Venice • Facetia • Shame • Jiménez Patón • Moreto • 17th century • Copper coin • Golden Age • Descartes • Literary censorship • Walter Raleigh • La noche de San Juan • Illustrated edition • Notes in scholarly editions • Renascence • Romances of chivalry • Women writers • Language • Public-Private relation • Orthography • Edition • History of Spanis language • Quixote • Bandello • Trees • Attributed authorship • Barahona de Soto • Francesco Portonari • Farsalia • Early Music • Disgust • Tesoro de la Lengua Castellana • Libretto • Antonio de Zamora • Prior censorship • Metrics • Dynamism • Cervantes • Translation constraints • Espada sagrada • Comedy of magic • La Zucca del Doni en spañol • Spanish theatre • Alonso de Castillo Solórzano • Translation Studies • Post-Tridentine Spain • Hernán Núñez • Epic and Drama • Sonnet • Adaptation Studies • Francisco de La Torre • Anthroponomy • Autobiography • Gemstones • Ambiguity • Twentieth century • Comedia nueva • Reception theory • Helmet of Mambrino • Versification • Fear • Truth • Luís de Camões • Poetry about music • Santa Teresa • Nicolini da Sabbio • King Sebastian • resemantization • Fernando de Herrera • Adventure books • Barbers • Politics • Lope de Vega • Literary sources • Portugal • Jáuregui • La Maya • Analysis • Labyrinth • Love • Poggio Bracciolini • Interpretation • Mercadante • Chivalric romance • Castillo Solórzano • Antonio Sacchi • Butterfly • Dramatic space • The Book of Judges • Spanish Court Poetry • Music • Bible • Asceticism • Dedicatees • Anti-aulic satire • French Classical Theatre • Segmentation • Seville • Rojas Zorrilla • interludes • Religious Poetry • Jorge de Montemayor • Authorship • Epic poetry • Golden Age Poetry • Guzmán de Alfarache • Letters • Modernity • Playing cards • Literature • Satire • Quevedo • Court • Uruguay • Corruption • Literary criticism • Textual bibliography • Empresas políticas • Refranes • Picaresque novel • Countess of Harrach • Decorum • Enríquez de Cabrera • Baroque theater • Baroque comedy • Rhetoric • Spiritual poetry • Sermon • Gongorism • Don Quixote • Translator • Sociability • Spanish Golden Age, History of Linguistics • Portuguese poetry • Theatre • Gypsies • Love poetry • Unstable • Seven love letters • Stage • Olivieri di Castiglia • La Gerusalemme liberata • Nuns • Golden Age minor theater • Spanish Golden Age entremeses • Explicitation • Eulogy • Mystical symbols • Diccionario de Autoridades • Intertextuality • Empire • Journey • Satyre • Stylistic development • Affect • Díaz de Rivas • Paremiology • Mysticism • Cáncer • Controversy • Expression • Italian Renaissance • Alonso Remón • Censors • Juan Bautista Pederzano • Jewels • Metaphor • Popular culture • Anacreontics • Literary styles • Festive relation • Promujer • Lovers • Fraud • Madmen • Castillejo • Literary authors • Octosyllabic verse • Seventeenth century • Tradition • El maestro de danzar • Short farce • Travel narratives • Ineffable language • Timanthes • Diálogo de la lengua • Metre • Venitian printing • Authors • Sociology • Tragic play • Justice • Novelas ejemplares • Critical edition • Low Baroque • Hagiographic drama • Collaboration • Italian humanist short prose • Slang • New Spain • Homeric simile • Preaching • Iberism • Insane asylums • Literary Forgery • Female reader • Dalila • Exemplary Novels • Notes • Honour • El bautismo del príncipe de Marruecos • Translators • Carlo Goldoni • Calderón de a Barca • Images • Álvar Núñez Cabeza de Vaca • Spanish literature of the Golden Age • Giacomo Franco • Roberto el diablo • Poetry • Style • Publisher • José Saramago • Matos Fragoso • Novelle • Translation • Spanish Poetry

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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