Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Italophile • Women writers • Autobiography • Rewriting • Repentance • Poggio Bracciolini • Spanish Poetry • Spanish theatre • Novel • Labyrinth • New Spain • Theatre Translation • History of book • Dedicatees • Mythification • Rimas • La noche de San Juan • Satire • La Maya • Music • History of Spanis language • Portuguese poetry • Venitian printing • Satyre • Cándido María Trigueros • Luís de Camões • Paremiology • Textual bibliography • Literary styles • Catalogue • XVII century • Antonio de Zamora • Seven love letters • Caballero de Illescas • Tradition • Disgust • Cohesion • Lovers • Quevedo • Intertextuality • Publisher • Comedia nueva • Adaptation Studies • Madrid • interludes • Mercadante • José de Arroyo • Translation constraints • Golden Age Poetry • Slang • Córdoba • 17th Century • Public-Private relation • Bibliography • Style • Rhetoric • Translation Studies • Corruption • Calderón • Censors • Margaret Theresa of Spain • Italy • Preacher • Golden Age minor theater • Variety • Fernando de Herrera • Dramatic formula • Epic and Drama • Stylistic development • Sacrament of penance • Kundera • Shame • Girolamo Gigli • Spanish Golden Age entremeses • Asceticism • Decameron • Nadie fíe su secreto • Promujer • Spiritual poetry • Prior censorship • Pynchon • Bernardo de Sandoval y Rojas • Unstable • Facetia • Modernity • Topos • Anagilda • Ambiguity • Female reader • Spanish Golden Age Theatre • Juan de Mariana • Philology • Giacomo Franco • Coherence • Translation • Parody • Dalila • Butterfly • Sermons • Critical editions of literary Works • Gypsies • Council of Castile • Siglo de Oro • Francesco Portonari • Trees • Cut flower • Preaching • Enríquez de Cabrera • Republic of Letters • Painting • Segmentation • Eulogy • Fraud • Spanish Court Poetry • Analysis • Orthography • Golden Age • Melchor Díaz de Toledo • String literature • Álvar Núñez Cabeza de Vaca • Cervantes • Calderón de a Barca • José de la Concha • Mysticism • Seventeenth century • Authors • Enchantment of Dulcinea • Traitors • Jáuregui • Miguel de Cervantes • Perfecto predicador • Quiñones de Benavente • Miguel Torga • Open access • Portugal • Images • Juan Bautista Pederzano • Metre • Court • Theater • Insane asylums • José Saramago • Metrics • Literary criticism • Short farce • Empire • Fernández de Lizardi • Jiménez Patón • Romances of chivalry • Interpretation • Pedro Sarmiento de Gamboa • Saavedra Fajardo • King Sebastian • Francisco de Quevedo • Twentieth century • Seville • Comedias de pícaros • Critical edition • Alonso Remón • Gemstones • Jewels • El maestro de danzar • Literary censorship • Renaissance books • Order of the Golden Fleece • Don Quixote • Philip IV • Jorge de Montemayor • Picaresque novel • Castillo Solórzano • Anacreontics • Suspension • El dómine Lucas • Poetics • Metaphors • Literature • San Juan de la Cruz • Cristóbal de Morales • Timanthes • Sonnet • Castillejo • Affinities • Italian translation • Sermon • El piadoso veneciano • Orthographiy • Espada sagrada • Quixote • Imago • Nuns • Bandello • Góngora • Marginalization • Politics • Hagiographic drama • Iberism • Literary sources • Quijote • Letters • Anti-aulic satire • El bautismo del príncipe de Marruecos • Poetry • Atonement • Diccionario de Autoridades • Tragic play • Baroque comedy • Octosyllabic verse • CABIGO • Hernán Núñez • Tridentin work • Experience • Edition • Festive relation • Farsalia • Spanish Golden Age theatre • Carlo Gozzi • Baroque theater • Moreto • Literary authors • The Book of Judges • Lady of Copacabana • Francisco de Leefdael • Mendeley • Theatre • Lope sources • Translator • Uruguay • Sociability • Adventure books • Comedy • Love poetry • Roberto el diablo • Love • Justice • Phonetics • Controversy • Priest • Gongorism • Metaphor • Sociology • Dedications • Luis Gálvez de Montalvo • Francisco de La Torre • Cáncer • Graphical changes • Jerónimo Corte-Real • Authorship • Vázquez Siruela • Collaboration • Italian humanist short prose • 17th century • Homeric simile • La Zucca del Doni en spañol • Post-Tridentine Spain • Language • Tametsi decree • Early Music • French Classical Theatre • Guzmán de Alfarache • Aminta • Olivieri di Castiglia • Alonso de Castillo Solórzano • Lope de Vega • Mystical symbols • Baroque • Juan de Valdés • Press • Dramatic space • Truth • Baroque poetry • Exemplary Novels • Symbolism • History of typography • Oliveros de Castilla • Book of Job • Conquest of Peru • Libretto • Nicolini da Sabbio • Philosophical method • Grotesque body • Attributed authorship • Anthroponomy • Donkey • Sonnets • Spanish Novel • Ineffable language • 17th century Theatre • Venice • Copper coin • Morisco figures • Refranes • Quotations • Fear • Luigi Groto • Walter Raleigh • Reception theory • resemantization • Playing cards • Novelas ejemplares • Decorum • Literary Forgery • Comedy of magic • Robbery • Bible • Honour • Queen Isabel de Borbón • Antonio Sacchi • Eroticism • Religious Poetry • Matos Fragoso • Lope • Descartes • Spanish Golden Age, History of Linguistics • Notes in scholarly editions • Notes • Chivalric romance • Expression • Correction to editio princeps • Translators • Díaz de Rivas • Witticism • Illustrated edition • Spain • Rosete Niño • Barahona de Soto • Figurón comedy • Madmen • Tree • Versification • Spanish Golden Age • Novelle • Barbers • Santa Teresa • Epic poetry • Fine taste • Cea Tesa • Low Baroque • Las dos doncellas • Italian • Countess of Harrach • Proverbs • Christian preacher • Empresas políticas • Tesoro de la Lengua Castellana • Poetry about music • Explicitation • Rojas Zorrilla • Carlo Goldoni • Diálogo de la lengua • Affect • Ideology • Journey • Komenský • Spanish literature of the Golden Age • Hernando de Acuña • La Gerusalemme liberata • Auto • Travel narratives • Dynamism • Helmet of Mambrino • Popular culture • Stage • Italian Renaissance • Financial crisis • Renascence • Granada • Booklets

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.