Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Letters • Republic of Letters • Fine taste • Collaboration • Rimas • Las dos doncellas • Lope sources • La Zucca del Doni en spañol • Journey • Cut flower • Female reader • Córdoba • Mystical symbols • Explicitation • Madrid • Novelas ejemplares • Seventeenth century • Dramatic space • Truth • Philosophical method • Censors • Quevedo • Graphical changes • Espada sagrada • Spiritual poetry • Góngora • Mercadante • Stylistic development • Short farce • Carlo Gozzi • Love poetry • Traitors • Ambiguity • Santa Teresa • Nadie fíe su secreto • Literary censorship • Olivieri di Castiglia • Spanish Golden Age, History of Linguistics • Picaresque novel • Spanish Golden Age theatre • Anacreontics • Cáncer • Illustrated edition • Tametsi decree • Suspension • Bernardo de Sandoval y Rojas • Comedias de pícaros • History of book • Language • Baroque poetry • Fraud • Portuguese poetry • Castillejo • Adventure books • Cervantes • Imago • Jerónimo Corte-Real • Cohesion • Controversy • Golden Age minor theater • Diálogo de la lengua • Orthography • Bandello • Carlo Goldoni • Metaphors • Calderón de a Barca • Countess of Harrach • Siglo de Oro • Twentieth century • Robbery • Oliveros de Castilla • Díaz de Rivas • José de la Concha • Witticism • Religious Poetry • Correction to editio princeps • Eroticism • Spanish literature of the Golden Age • Cristóbal de Morales • Francisco de Quevedo • Helmet of Mambrino • Edition • Politics • Tridentin work • Literary styles • Quijote • Queen Isabel de Borbón • Preacher • Critical editions of literary Works • Translators • Music • Book of Job • Bibliography • Honour • Prior censorship • Spanish Golden Age Theatre • Slang • Theatre Translation • New Spain • Moreto • Tesoro de la Lengua Castellana • Venitian printing • Preaching • Justice • Juan de Mariana • Caballero de Illescas • Lope • Italophile • Tradition • Translation Studies • Open access • Adaptation Studies • Corruption • Painting • Critical edition • Theatre • Descartes • Phonetics • Symbolism • Comedy • Fernández de Lizardi • Poggio Bracciolini • Tragic play • Notes • Lope de Vega • Aminta • Metaphor • Golden Age Poetry • Satire • San Juan de la Cruz • Homeric simile • Poetics • Textual bibliography • History of Spanis language • Alonso Remón • Dynamism • Quiñones de Benavente • Álvar Núñez Cabeza de Vaca • Mythification • Melchor Díaz de Toledo • Dalila • Rosete Niño • Labyrinth • Komenský • Jiménez Patón • Attributed authorship • Empire • La noche de San Juan • Auto • Authorship • Baroque comedy • Hernando de Acuña • Epic and Drama • Sonnet • Vázquez Siruela • Paremiology • Giacomo Franco • Hernán Núñez • Kundera • Octosyllabic verse • Grotesque body • Farsalia • Mendeley • Poetry • CABIGO • Perfecto predicador • Novel • Nuns • Luigi Groto • Festive relation • Shame • Council of Castile • Travel narratives • Images • Figurón comedy • Cándido María Trigueros • The Book of Judges • Baroque • Court • Philip IV • Conquest of Peru • resemantization • La Gerusalemme liberata • Interpretation • Financial crisis • Jorge de Montemayor • Libretto • Comedia nueva • Margaret Theresa of Spain • Fernando de Herrera • Italian humanist short prose • Reception theory • Francisco de La Torre • Variety • Spanish theatre • Love • Francisco de Leefdael • Juan de Valdés • Low Baroque • Repentance • Literature • Public-Private relation • Rojas Zorrilla • Literary sources • Spanish Golden Age • Jewels • 17th century • Jáuregui • Rhetoric • Proverbs • Luis Gálvez de Montalvo • Asceticism • Popular culture • Ineffable language • Translation constraints • Francesco Portonari • Empresas políticas • Exemplary Novels • Poetry about music • Priest • Disgust • Barbers • Girolamo Gigli • Spanish Golden Age entremeses • Roberto el diablo • Stage • Insane asylums • Parody • Affect • Antonio Sacchi • Luís de Camões • Pedro Sarmiento de Gamboa • Publisher • Madmen • Quixote • Comedy of magic • Baroque theater • Calderón • 17th century Theatre • Literary authors • Metre • Enchantment of Dulcinea • Atonement • Granada • Renaissance books • Walter Raleigh • Castillo Solórzano • Anagilda • Italian translation • Decameron • Women writers • Dedications • Antonio de Zamora • Sermons • Romances of chivalry • String literature • Translator • Sociology • Lady of Copacabana • Renascence • José de Arroyo • Gemstones • Topos • Translation • Dramatic formula • Portugal • King Sebastian • 17th Century • Intertextuality • Refranes • Butterfly • Catalogue • Sacrament of penance • Segmentation • Post-Tridentine Spain • Analysis • Enríquez de Cabrera • Guzmán de Alfarache • Novelle • Expression • Gongorism • Copper coin • La Maya • Unstable • Gypsies • Italy • Juan Bautista Pederzano • Press • Promujer • Early Music • Philology • Alonso de Castillo Solórzano • Seville • Lovers • Experience • Literary criticism • History of typography • Italian Renaissance • Trees • Sonnets • Tree • El bautismo del príncipe de Marruecos • Bible • Satyre • XVII century • Eulogy • Miguel de Cervantes • Order of the Golden Fleece • Sermon • Dedicatees • Chivalric romance • Modernity • El dómine Lucas • Literary Forgery • Metrics • Venice • Spanish Poetry • Ideology • Quotations • Don Quixote • El maestro de danzar • Affinities • Facetia • Rewriting • Timanthes • Authors • José Saramago • Uruguay • Barahona de Soto • Anti-aulic satire • Spain • French Classical Theatre • Saavedra Fajardo • Miguel Torga • Iberism • Booklets • Matos Fragoso • Cea Tesa • Spanish Court Poetry • Christian preacher • Notes in scholarly editions • Versification • Marginalization • Golden Age • Italian • Style • Coherence • Spanish Novel • Mysticism • Epic poetry • El piadoso veneciano • Playing cards • Nicolini da Sabbio • Pynchon • Fear • Hagiographic drama • Diccionario de Autoridades • Decorum • Donkey • Seven love letters • Orthographiy • Autobiography • Anthroponomy • Sociability • Theater • Morisco figures • interludes

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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