Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Don Quixote • Baroque comedy • Jiménez Patón • Textual bibliography • Traitors • Octosyllabic verse • Sociology • Guzmán de Alfarache • Philology • Granada • Decameron • La Maya • Cohesion • Iberism • Coherence • Women writers • Shame • Fernando de Herrera • Interpretation • Sacrament of penance • Fraud • Satire • Miguel de Cervantes • Metaphor • Gongorism • Segmentation • Italian • King Sebastian • Lope • Luís de Camões • Cut flower • Satyre • Spanish Golden Age, History of Linguistics • Venice • José de Arroyo • Spanish Golden Age • Trees • Matos Fragoso • Quixote • Authors • Ideology • Antonio Sacchi • Literary Forgery • Renascence • Perfecto predicador • Short farce • Topos • Prior censorship • Literature • Francesco Portonari • Jerónimo Corte-Real • Council of Castile • Authorship • Romances of chivalry • Letters • Empresas políticas • Decorum • Comedy • El dómine Lucas • Siglo de Oro • Theatre Translation • Autobiography • String literature • Tesoro de la Lengua Castellana • Bible • Gypsies • Orthography • Nuns • Censors • Dramatic space • Cristóbal de Morales • Italian humanist short prose • Mendeley • Unstable • Quiñones de Benavente • Spanish Court Poetry • Golden Age Poetry • Refranes • French Classical Theatre • Publisher • Baroque • Girolamo Gigli • Festive relation • Hernán Núñez • Giacomo Franco • Epic poetry • Music • Dedications • Juan de Valdés • Lovers • Spanish Novel • Empire • Financial crisis • Golden Age • Novelas ejemplares • Literary criticism • Santa Teresa • Epic and Drama • Jáuregui • Farsalia • Comedias de pícaros • Female reader • Affinities • Lope de Vega • Enchantment of Dulcinea • Disgust • Luis Gálvez de Montalvo • Seville • Edition • Picaresque novel • Comedy of magic • Graphical changes • Spanish Golden Age theatre • Poetics • Court • Versification • Quevedo • José de la Concha • La Zucca del Doni en spañol • Morisco figures • Public-Private relation • Carlo Goldoni • Metre • Vázquez Siruela • Espada sagrada • Phonetics • Sonnet • Rimas • Catalogue • Press • Booklets • Christian preacher • Translation Studies • Popular culture • Cervantes • Modernity • Donkey • Nadie fíe su secreto • Literary censorship • Kundera • Calderón de a Barca • Literary authors • Labyrinth • Mysticism • Madmen • Seven love letters • Pynchon • Stage • Asceticism • Affect • XVII century • History of Spanis language • Caballero de Illescas • El maestro de danzar • Marginalization • Insane asylums • Low Baroque • Reception theory • Slang • Repentance • 17th century Theatre • Renaissance books • Tradition • Translators • Barbers • The Book of Judges • Truth • interludes • Exemplary Novels • Comedia nueva • Suspension • Literary styles • Quotations • Stylistic development • Translation • Carlo Gozzi • Descartes • Venitian printing • Melchor Díaz de Toledo • Lady of Copacabana • Auto • Álvar Núñez Cabeza de Vaca • Priest • Komenský • Oliveros de Castilla • Novel • Symbolism • Enríquez de Cabrera • Conquest of Peru • Córdoba • Barahona de Soto • La noche de San Juan • Saavedra Fajardo • Italian Renaissance • Hernando de Acuña • New Spain • Tree • Diccionario de Autoridades • Castillejo • Order of the Golden Fleece • Politics • Luigi Groto • Paremiology • La Gerusalemme liberata • Nicolini da Sabbio • Open access • Playing cards • Tametsi decree • Juan de Mariana • Philosophical method • Rojas Zorrilla • Walter Raleigh • resemantization • Poetry • Religious Poetry • Italophile • Spanish Poetry • Preacher • Alonso Remón • Experience • Republic of Letters • Spanish Golden Age Theatre • El bautismo del príncipe de Marruecos • Aminta • Francisco de Quevedo • Uruguay • Rhetoric • Spanish literature of the Golden Age • Notes • Olivieri di Castiglia • Honour • Novelle • Poggio Bracciolini • Mercadante • Fernández de Lizardi • Antonio de Zamora • Gemstones • Castillo Solórzano • Fear • Dalila • Seventeenth century • Attributed authorship • 17th Century • Notes in scholarly editions • Cáncer • Mythification • Love • Dramatic formula • Preaching • Díaz de Rivas • Moreto • Sociability • Juan Bautista Pederzano • Francisco de Leefdael • Dedicatees • Parody • Illustrated edition • Spiritual poetry • Eroticism • Baroque poetry • Cándido María Trigueros • Golden Age minor theater • Translator • Early Music • Spain • Analysis • Fine taste • Tridentin work • Book of Job • Orthographiy • Rosete Niño • Lope sources • Madrid • History of typography • Alonso de Castillo Solórzano • Ambiguity • Dynamism • Poetry about music • Facetia • San Juan de la Cruz • Chivalric romance • Butterfly • José Saramago • Bandello • Las dos doncellas • Promujer • Variety • Bernardo de Sandoval y Rojas • Bibliography • Portuguese poetry • Anti-aulic satire • Jewels • Spanish theatre • Countess of Harrach • Theatre • CABIGO • Critical editions of literary Works • Proverbs • Translation constraints • Eulogy • Francisco de La Torre • Correction to editio princeps • Copper coin • Witticism • Atonement • Anagilda • Mystical symbols • Images • Miguel Torga • Corruption • Robbery • Roberto el diablo • Libretto • Anthroponomy • Collaboration • Theater • Diálogo de la lengua • Grotesque body • Critical edition • Post-Tridentine Spain • Portugal • Intertextuality • Painting • Jorge de Montemayor • Controversy • Style • Pedro Sarmiento de Gamboa • Sermon • Anacreontics • Quijote • Sonnets • Rewriting • Italian translation • Adaptation Studies • Figurón comedy • Margaret Theresa of Spain • Adventure books • Hagiographic drama • Journey • Language • Expression • Imago • Travel narratives • El piadoso veneciano • Literary sources • Philip IV • 17th century • Twentieth century • Góngora • Metaphors • Baroque theater • Italy • Helmet of Mambrino • Metrics • Tragic play • History of book • Cea Tesa • Queen Isabel de Borbón • Calderón • Sermons • Ineffable language • Explicitation • Love poetry • Timanthes • Homeric simile • Justice • Spanish Golden Age entremeses

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

Print edition shopping_bag
48.00 €

Table of contents

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter