Serenísima palabra

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dc.identifier	ECF_book_127
dc.creator	Bognolo Anna
dc.creator	del Barrio de la Rosa Florencio
dc.creator	Ojeda Calvo María del Valle
dc.creator	Pini Donatella
dc.creator	Zinato Andrea
dc.title	Serenísima palabra. Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
dc.type	Edited book
dc.language.iso	it
dc.description.abstract	From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
dc.relation.ispartof	Library of Rassegna iberistica
dc.identifier.doi	10.14277/978-88-6969-163-8
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-164-5/
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	17th century
dc.subject	17th century
dc.subject	17th century
dc.subject	17th century
dc.subject	17th Century
dc.subject	17th Century
dc.subject	17th century Theatre
dc.subject	17th century Theatre
dc.subject	Adaptation Studies
dc.subject	Adaptation Studies
dc.subject	Adventure books
dc.subject	Adventure books
dc.subject	Affect
dc.subject	Affect
dc.subject	Affinities
dc.subject	Affinities
dc.subject	Alonso de Castillo Solórzano
dc.subject	Alonso de Castillo Solórzano
dc.subject	Alonso Remón
dc.subject	Alonso Remón
dc.subject	Álvar Núñez Cabeza de Vaca
dc.subject	Álvar Núñez Cabeza de Vaca
dc.subject	Ambiguity
dc.subject	Ambiguity
dc.subject	Aminta
dc.subject	Aminta
dc.subject	Anacreontics
dc.subject	Anacreontics
dc.subject	Anagilda
dc.subject	Anagilda
dc.subject	Analysis
dc.subject	Analysis
dc.subject	Anthroponomy
dc.subject	Anthroponomy
dc.subject	Anti-aulic satire
dc.subject	Anti-aulic satire
dc.subject	Antonio de Zamora
dc.subject	Antonio de Zamora
dc.subject	Antonio Sacchi
dc.subject	Antonio Sacchi
dc.subject	Asceticism
dc.subject	Asceticism
dc.subject	Atonement
dc.subject	Atonement
dc.subject	Attributed authorship
dc.subject	Attributed authorship
dc.subject	Authors
dc.subject	Authors
dc.subject	Authorship
dc.subject	Authorship
dc.subject	Authorship
dc.subject	Authorship
dc.subject	Auto
dc.subject	Auto
dc.subject	Autobiography
dc.subject	Autobiography
dc.subject	Bandello
dc.subject	Bandello
dc.subject	Barahona de Soto
dc.subject	Barahona de Soto
dc.subject	Barbers
dc.subject	Barbers
dc.subject	Baroque
dc.subject	Baroque
dc.subject	Baroque comedy
dc.subject	Baroque comedy
dc.subject	Baroque poetry
dc.subject	Baroque poetry
dc.subject	Baroque theater
dc.subject	Baroque theater
dc.subject	Bernardo de Sandoval y Rojas
dc.subject	Bernardo de Sandoval y Rojas
dc.subject	Bible
dc.subject	Bible
dc.subject	Bibliography
dc.subject	Bibliography
dc.subject	Bibliography
dc.subject	Bibliography
dc.subject	Booklets
dc.subject	Booklets
dc.subject	Book of Job
dc.subject	Book of Job
dc.subject	Butterfly
dc.subject	Butterfly
dc.subject	Caballero de Illescas
dc.subject	Caballero de Illescas
dc.subject	CABIGO
dc.subject	CABIGO
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Calderón de a Barca
dc.subject	Calderón de a Barca
dc.subject	Cáncer
dc.subject	Cáncer
dc.subject	Cándido María Trigueros
dc.subject	Cándido María Trigueros
dc.subject	Carlo Goldoni
dc.subject	Carlo Goldoni
dc.subject	Carlo Gozzi
dc.subject	Carlo Gozzi
dc.subject	Castillejo
dc.subject	Castillejo
dc.subject	Castillo Solórzano
dc.subject	Castillo Solórzano
dc.subject	Catalogue
dc.subject	Catalogue
dc.subject	Cea Tesa
dc.subject	Cea Tesa
dc.subject	Censors
dc.subject	Censors
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Chivalric romance
dc.subject	Chivalric romance
dc.subject	Christian preacher
dc.subject	Christian preacher
dc.subject	Coherence
dc.subject	Coherence
dc.subject	Cohesion
dc.subject	Cohesion
dc.subject	Collaboration
dc.subject	Collaboration
dc.subject	Comedia nueva
dc.subject	Comedia nueva
dc.subject	Comedias de pícaros
dc.subject	Comedias de pícaros
dc.subject	Comedy
dc.subject	Comedy
dc.subject	Comedy
dc.subject	Comedy
dc.subject	Comedy of magic
dc.subject	Comedy of magic
dc.subject	Conquest of Peru
dc.subject	Conquest of Peru
dc.subject	Controversy
dc.subject	Controversy
dc.subject	Copper coin
dc.subject	Copper coin
dc.subject	Córdoba
dc.subject	Córdoba
dc.subject	Correction to editio princeps
dc.subject	Correction to editio princeps
dc.subject	Corruption
dc.subject	Corruption
dc.subject	Council of Castile
dc.subject	Council of Castile
dc.subject	Countess of Harrach
dc.subject	Countess of Harrach
dc.subject	Court
dc.subject	Court
dc.subject	Cristóbal de Morales
dc.subject	Cristóbal de Morales
dc.subject	Critical edition
dc.subject	Critical edition
dc.subject	Critical editions of literary Works
dc.subject	Critical editions of literary Works
dc.subject	Cut flower
dc.subject	Cut flower
dc.subject	Dalila
dc.subject	Dalila
dc.subject	Decameron
dc.subject	Decameron
dc.subject	Decorum
dc.subject	Decorum
dc.subject	Dedicatees
dc.subject	Dedicatees
dc.subject	Dedications
dc.subject	Dedications
dc.subject	Descartes
dc.subject	Descartes
dc.subject	Diálogo de la lengua
dc.subject	Diálogo de la lengua
dc.subject	Díaz de Rivas
dc.subject	Díaz de Rivas
dc.subject	Diccionario de Autoridades
dc.subject	Diccionario de Autoridades
dc.subject	Disgust
dc.subject	Disgust
dc.subject	Donkey
dc.subject	Donkey
dc.subject	Don Quixote
dc.subject	Don Quixote
dc.subject	Don Quixote
dc.subject	Don Quixote
dc.subject	Dramatic formula
dc.subject	Dramatic formula
dc.subject	Dramatic space
dc.subject	Dramatic space
dc.subject	Dynamism
dc.subject	Dynamism
dc.subject	Early Music
dc.subject	Early Music
dc.subject	Edition
dc.subject	Edition
dc.subject	Edition
dc.subject	Edition
dc.subject	El bautismo del príncipe de Marruecos
dc.subject	El bautismo del príncipe de Marruecos
dc.subject	El dómine Lucas
dc.subject	El dómine Lucas
dc.subject	El maestro de danzar
dc.subject	El maestro de danzar
dc.subject	El piadoso veneciano
dc.subject	El piadoso veneciano
dc.subject	Empire
dc.subject	Empire
dc.subject	Empresas políticas
dc.subject	Empresas políticas
dc.subject	Enchantment of Dulcinea
dc.subject	Enchantment of Dulcinea
dc.subject	Enríquez de Cabrera
dc.subject	Enríquez de Cabrera
dc.subject	Epic and Drama
dc.subject	Epic and Drama
dc.subject	Epic poetry
dc.subject	Epic poetry
dc.subject	Eroticism
dc.subject	Eroticism
dc.subject	Espada sagrada
dc.subject	Espada sagrada
dc.subject	Eulogy
dc.subject	Eulogy
dc.subject	Exemplary Novels
dc.subject	Exemplary Novels
dc.subject	Experience
dc.subject	Experience
dc.subject	Explicitation
dc.subject	Explicitation
dc.subject	Expression
dc.subject	Expression
dc.subject	Facetia
dc.subject	Facetia
dc.subject	Farsalia
dc.subject	Farsalia
dc.subject	Fear
dc.subject	Fear
dc.subject	Female reader
dc.subject	Female reader
dc.subject	Fernández de Lizardi
dc.subject	Fernández de Lizardi
dc.subject	Fernando de Herrera
dc.subject	Fernando de Herrera
dc.subject	Festive relation
dc.subject	Festive relation
dc.subject	Figurón comedy
dc.subject	Figurón comedy
dc.subject	Financial crisis
dc.subject	Financial crisis
dc.subject	Fine taste
dc.subject	Fine taste
dc.subject	Francesco Portonari
dc.subject	Francesco Portonari
dc.subject	Francisco de La Torre
dc.subject	Francisco de La Torre
dc.subject	Francisco de Leefdael
dc.subject	Francisco de Leefdael
dc.subject	Francisco de Quevedo
dc.subject	Francisco de Quevedo
dc.subject	Fraud
dc.subject	Fraud
dc.subject	French Classical Theatre
dc.subject	French Classical Theatre
dc.subject	Gemstones
dc.subject	Gemstones
dc.subject	Giacomo Franco
dc.subject	Giacomo Franco
dc.subject	Girolamo Gigli
dc.subject	Girolamo Gigli
dc.subject	Golden Age
dc.subject	Golden Age
dc.subject	Golden Age minor theater
dc.subject	Golden Age minor theater
dc.subject	Golden Age Poetry
dc.subject	Golden Age Poetry
dc.subject	Góngora
dc.subject	Góngora
dc.subject	Gongorism
dc.subject	Gongorism
dc.subject	Granada
dc.subject	Granada
dc.subject	Graphical changes
dc.subject	Graphical changes
dc.subject	Grotesque body
dc.subject	Grotesque body
dc.subject	Guzmán de Alfarache
dc.subject	Guzmán de Alfarache
dc.subject	Guzmán de Alfarache
dc.subject	Guzmán de Alfarache
dc.subject	Gypsies
dc.subject	Gypsies
dc.subject	Hagiographic drama
dc.subject	Hagiographic drama
dc.subject	Helmet of Mambrino
dc.subject	Helmet of Mambrino
dc.subject	Hernando de Acuña
dc.subject	Hernando de Acuña
dc.subject	Hernán Núñez
dc.subject	Hernán Núñez
dc.subject	History of book
dc.subject	History of book
dc.subject	History of Spanis language
dc.subject	History of Spanis language
dc.subject	History of typography
dc.subject	History of typography
dc.subject	Homeric simile
dc.subject	Homeric simile
dc.subject	Honour
dc.subject	Honour
dc.subject	Iberism
dc.subject	Iberism
dc.subject	Ideology
dc.subject	Ideology
dc.subject	Illustrated edition
dc.subject	Illustrated edition
dc.subject	Images
dc.subject	Images
dc.subject	Imago
dc.subject	Imago
dc.subject	Ineffable language
dc.subject	Ineffable language
dc.subject	Insane asylums
dc.subject	Insane asylums
dc.subject	interludes
dc.subject	interludes
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Intertextuality
dc.subject	Intertextuality
dc.subject	Intertextuality
dc.subject	Intertextuality
dc.subject	Intertextuality
dc.subject	Intertextuality
dc.subject	Italian
dc.subject	Italian
dc.subject	Italian humanist short prose
dc.subject	Italian humanist short prose
dc.subject	Italian Renaissance
dc.subject	Italian Renaissance
dc.subject	Italian translation
dc.subject	Italian translation
dc.subject	Italophile
dc.subject	Italophile
dc.subject	Italy
dc.subject	Italy
dc.subject	Italy
dc.subject	Italy
dc.subject	Jáuregui
dc.subject	Jáuregui
dc.subject	Jerónimo Corte-Real
dc.subject	Jerónimo Corte-Real
dc.subject	Jewels
dc.subject	Jewels
dc.subject	Jiménez Patón
dc.subject	Jiménez Patón
dc.subject	Jorge de Montemayor
dc.subject	Jorge de Montemayor
dc.subject	José de Arroyo
dc.subject	José de Arroyo
dc.subject	José de la Concha
dc.subject	José de la Concha
dc.subject	José Saramago
dc.subject	José Saramago
dc.subject	Journey
dc.subject	Journey
dc.subject	Juan Bautista Pederzano
dc.subject	Juan Bautista Pederzano
dc.subject	Juan de Mariana
dc.subject	Juan de Mariana
dc.subject	Juan de Valdés
dc.subject	Juan de Valdés
dc.subject	Justice
dc.subject	Justice
dc.subject	King Sebastian
dc.subject	King Sebastian
dc.subject	Komenský
dc.subject	Komenský
dc.subject	Kundera
dc.subject	Kundera
dc.subject	Labyrinth
dc.subject	Labyrinth
dc.subject	Lady of Copacabana
dc.subject	Lady of Copacabana
dc.subject	La Gerusalemme liberata
dc.subject	La Gerusalemme liberata
dc.subject	La Maya
dc.subject	La Maya
dc.subject	Language
dc.subject	Language
dc.subject	Language
dc.subject	Language
dc.subject	La noche de San Juan
dc.subject	La noche de San Juan
dc.subject	Las dos doncellas
dc.subject	Las dos doncellas
dc.subject	La Zucca del Doni en spañol
dc.subject	La Zucca del Doni en spañol
dc.subject	Letters
dc.subject	Letters
dc.subject	Libretto
dc.subject	Libretto
dc.subject	Literary authors
dc.subject	Literary authors
dc.subject	Literary censorship
dc.subject	Literary censorship
dc.subject	Literary criticism
dc.subject	Literary criticism
dc.subject	Literary Forgery
dc.subject	Literary Forgery
dc.subject	Literary sources
dc.subject	Literary sources
dc.subject	Literary styles
dc.subject	Literary styles
dc.subject	Literature
dc.subject	Literature
dc.subject	Lope
dc.subject	Lope
dc.subject	Lope
dc.subject	Lope
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope sources
dc.subject	Lope sources
dc.subject	Love
dc.subject	Love
dc.subject	Love
dc.subject	Love
dc.subject	Love
dc.subject	Love
dc.subject	Love
dc.subject	Love
dc.subject	Love poetry
dc.subject	Love poetry
dc.subject	Lovers
dc.subject	Lovers
dc.subject	Low Baroque
dc.subject	Low Baroque
dc.subject	Luigi Groto
dc.subject	Luigi Groto
dc.subject	Luís de Camões
dc.subject	Luís de Camões
dc.subject	Luis Gálvez de Montalvo
dc.subject	Luis Gálvez de Montalvo
dc.subject	Madmen
dc.subject	Madmen
dc.subject	Madrid
dc.subject	Madrid
dc.subject	Margaret Theresa of Spain
dc.subject	Margaret Theresa of Spain
dc.subject	Marginalization
dc.subject	Marginalization
dc.subject	Matos Fragoso
dc.subject	Matos Fragoso
dc.subject	Melchor Díaz de Toledo
dc.subject	Melchor Díaz de Toledo
dc.subject	Mendeley
dc.subject	Mendeley
dc.subject	Mercadante
dc.subject	Mercadante
dc.subject	Metaphor
dc.subject	Metaphor
dc.subject	Metaphors
dc.subject	Metaphors
dc.subject	Metre
dc.subject	Metre
dc.subject	Metrics
dc.subject	Metrics
dc.subject	Miguel de Cervantes
dc.subject	Miguel de Cervantes
dc.subject	Miguel Torga
dc.subject	Miguel Torga
dc.subject	Modernity
dc.subject	Modernity
dc.subject	Moreto
dc.subject	Moreto
dc.subject	Morisco figures
dc.subject	Morisco figures
dc.subject	Music
dc.subject	Music
dc.subject	Mystical symbols
dc.subject	Mystical symbols
dc.subject	Mysticism
dc.subject	Mysticism
dc.subject	Mysticism
dc.subject	Mysticism
dc.subject	Mythification
dc.subject	Mythification
dc.subject	Nadie fíe su secreto
dc.subject	Nadie fíe su secreto
dc.subject	New Spain
dc.subject	New Spain
dc.subject	Nicolini da Sabbio
dc.subject	Nicolini da Sabbio
dc.subject	Notes
dc.subject	Notes
dc.subject	Notes in scholarly editions
dc.subject	Notes in scholarly editions
dc.subject	Novel
dc.subject	Novel
dc.subject	Novelas ejemplares
dc.subject	Novelas ejemplares
dc.subject	Novelle
dc.subject	Novelle
dc.subject	Nuns
dc.subject	Nuns
dc.subject	Octosyllabic verse
dc.subject	Octosyllabic verse
dc.subject	Oliveros de Castilla
dc.subject	Oliveros de Castilla
dc.subject	Olivieri di Castiglia
dc.subject	Olivieri di Castiglia
dc.subject	Open access
dc.subject	Open access
dc.subject	Order of the Golden Fleece
dc.subject	Order of the Golden Fleece
dc.subject	Orthographiy
dc.subject	Orthographiy
dc.subject	Orthography
dc.subject	Orthography
dc.subject	Painting
dc.subject	Painting
dc.subject	Paremiology
dc.subject	Paremiology
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Parody
dc.subject	Pedro Sarmiento de Gamboa
dc.subject	Pedro Sarmiento de Gamboa
dc.subject	Perfecto predicador
dc.subject	Perfecto predicador
dc.subject	Philip IV
dc.subject	Philip IV
dc.subject	Philology
dc.subject	Philology
dc.subject	Philosophical method
dc.subject	Philosophical method
dc.subject	Phonetics
dc.subject	Phonetics
dc.subject	Picaresque novel
dc.subject	Picaresque novel
dc.subject	Playing cards
dc.subject	Playing cards
dc.subject	Poetics
dc.subject	Poetics
dc.subject	Poetry
dc.subject	Poetry
dc.subject	Poetry
dc.subject	Poetry
dc.subject	Poetry about music
dc.subject	Poetry about music
dc.subject	Poggio Bracciolini
dc.subject	Poggio Bracciolini
dc.subject	Politics
dc.subject	Politics
dc.subject	Popular culture
dc.subject	Popular culture
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Portuguese poetry
dc.subject	Portuguese poetry
dc.subject	Post-Tridentine Spain
dc.subject	Post-Tridentine Spain
dc.subject	Preacher
dc.subject	Preacher
dc.subject	Preaching
dc.subject	Preaching
dc.subject	Press
dc.subject	Press
dc.subject	Priest
dc.subject	Priest
dc.subject	Prior censorship
dc.subject	Prior censorship
dc.subject	Promujer
dc.subject	Promujer
dc.subject	Proverbs
dc.subject	Proverbs
dc.subject	Proverbs
dc.subject	Proverbs
dc.subject	Public-Private relation
dc.subject	Public-Private relation
dc.subject	Publisher
dc.subject	Publisher
dc.subject	Pynchon
dc.subject	Pynchon
dc.subject	Queen Isabel de Borbón
dc.subject	Queen Isabel de Borbón
dc.subject	Quevedo
dc.subject	Quevedo
dc.subject	Quevedo
dc.subject	Quevedo
dc.subject	Quijote
dc.subject	Quijote
dc.subject	Quijote
dc.subject	Quijote
dc.subject	Quijote
dc.subject	Quijote
dc.subject	Quiñones de Benavente
dc.subject	Quiñones de Benavente
dc.subject	Quixote
dc.subject	Quixote
dc.subject	Quotations
dc.subject	Quotations
dc.subject	Reception theory
dc.subject	Reception theory
dc.subject	Refranes
dc.subject	Refranes
dc.subject	Religious Poetry
dc.subject	Religious Poetry
dc.subject	Renaissance books
dc.subject	Renaissance books
dc.subject	Renascence
dc.subject	Renascence
dc.subject	Repentance
dc.subject	Repentance
dc.subject	Republic of Letters
dc.subject	Republic of Letters
dc.subject	resemantization
dc.subject	resemantization
dc.subject	Rewriting
dc.subject	Rewriting
dc.subject	Rewriting
dc.subject	Rewriting
dc.subject	Rhetoric
dc.subject	Rhetoric
dc.subject	Rhetoric
dc.subject	Rhetoric
dc.subject	Rimas
dc.subject	Rimas
dc.subject	Robbery
dc.subject	Robbery
dc.subject	Roberto el diablo
dc.subject	Roberto el diablo
dc.subject	Rojas Zorrilla
dc.subject	Rojas Zorrilla
dc.subject	Romances of chivalry
dc.subject	Romances of chivalry
dc.subject	Rosete Niño
dc.subject	Rosete Niño
dc.subject	Saavedra Fajardo
dc.subject	Saavedra Fajardo
dc.subject	Sacrament of penance
dc.subject	Sacrament of penance
dc.subject	San Juan de la Cruz
dc.subject	San Juan de la Cruz
dc.subject	Santa Teresa
dc.subject	Santa Teresa
dc.subject	Satire
dc.subject	Satire
dc.subject	Satire
dc.subject	Satire
dc.subject	Satyre
dc.subject	Satyre
dc.subject	Segmentation
dc.subject	Segmentation
dc.subject	Sermon
dc.subject	Sermon
dc.subject	Sermons
dc.subject	Sermons
dc.subject	Seven love letters
dc.subject	Seven love letters
dc.subject	Seventeenth century
dc.subject	Seventeenth century
dc.subject	Seville
dc.subject	Seville
dc.subject	Shame
dc.subject	Shame
dc.subject	Short farce
dc.subject	Short farce
dc.subject	Siglo de Oro
dc.subject	Siglo de Oro
dc.subject	Slang
dc.subject	Slang
dc.subject	Sociability
dc.subject	Sociability
dc.subject	Sociology
dc.subject	Sociology
dc.subject	Sonnet
dc.subject	Sonnet
dc.subject	Sonnets
dc.subject	Sonnets
dc.subject	Spain
dc.subject	Spain
dc.subject	Spanish Court Poetry
dc.subject	Spanish Court Poetry
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age entremeses
dc.subject	Spanish Golden Age entremeses
dc.subject	Spanish Golden Age, History of Linguistics
dc.subject	Spanish Golden Age, History of Linguistics
dc.subject	Spanish Golden Age theatre
dc.subject	Spanish Golden Age theatre
dc.subject	Spanish Golden Age theatre
dc.subject	Spanish Golden Age theatre
dc.subject	Spanish Golden Age Theatre
dc.subject	Spanish Golden Age Theatre
dc.subject	Spanish literature of the Golden Age
dc.subject	Spanish literature of the Golden Age
dc.subject	Spanish Novel
dc.subject	Spanish Novel
dc.subject	Spanish Poetry
dc.subject	Spanish Poetry
dc.subject	Spanish theatre
dc.subject	Spanish theatre
dc.subject	Spiritual poetry
dc.subject	Spiritual poetry
dc.subject	Stage
dc.subject	Stage
dc.subject	String literature
dc.subject	String literature
dc.subject	Style
dc.subject	Style
dc.subject	Stylistic development
dc.subject	Stylistic development
dc.subject	Suspension
dc.subject	Suspension
dc.subject	Symbolism
dc.subject	Symbolism
dc.subject	Tametsi decree
dc.subject	Tametsi decree
dc.subject	Tesoro de la Lengua Castellana
dc.subject	Tesoro de la Lengua Castellana
dc.subject	Textual bibliography
dc.subject	Textual bibliography
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theater
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre Translation
dc.subject	Theatre Translation
dc.subject	The Book of Judges
dc.subject	The Book of Judges
dc.subject	Timanthes
dc.subject	Timanthes
dc.subject	Topos
dc.subject	Topos
dc.subject	Tradition
dc.subject	Tradition
dc.subject	Tragic play
dc.subject	Tragic play
dc.subject	Traitors
dc.subject	Traitors
dc.subject	Translation
dc.subject	Translation
dc.subject	Translation
dc.subject	Translation
dc.subject	Translation
dc.subject	Translation
dc.subject	Translation constraints
dc.subject	Translation constraints
dc.subject	Translation Studies
dc.subject	Translation Studies
dc.subject	Translator
dc.subject	Translator
dc.subject	Translators
dc.subject	Translators
dc.subject	Travel narratives
dc.subject	Travel narratives
dc.subject	Tree
dc.subject	Tree
dc.subject	Trees
dc.subject	Trees
dc.subject	Tridentin work
dc.subject	Tridentin work
dc.subject	Truth
dc.subject	Truth
dc.subject	Twentieth century
dc.subject	Twentieth century
dc.subject	Unstable
dc.subject	Unstable
dc.subject	Uruguay
dc.subject	Uruguay
dc.subject	Variety
dc.subject	Variety
dc.subject	Vázquez Siruela
dc.subject	Vázquez Siruela
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venice
dc.subject	Venitian printing
dc.subject	Venitian printing
dc.subject	Versification
dc.subject	Versification
dc.subject	Walter Raleigh
dc.subject	Walter Raleigh
dc.subject	Witticism
dc.subject	Witticism
dc.subject	Women writers
dc.subject	Women writers
dc.subject	XVII century
dc.subject	XVII century

Edited book
open access peer reviewed

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

edited by

Anna Bognolo Università degli Studi Verona, Italia

Florencio del Barrio de la Rosa Università Ca’ Foscari Venezia, Italia

María del Valle Ojeda Calvo Università Ca’ Foscari Venezia, Italia

Donatella Pini Università degli Studi di Padova, Italia

Andrea Zinato Università degli Studi di Verona, Italia

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abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Published

July 3, 2017

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Number of pages

1108

Dimensions

16x23 cm

Keywords

Public-Private relation • El piadoso veneciano • Francisco de La Torre • Francesco Portonari • Truth • Poetry about music • Translation • Literary sources • Spanish Golden Age entremeses • Figurón comedy • Fine taste • Portugal • Cea Tesa • Espada sagrada • Renaissance books • Imago • Jiménez Patón • Don Quixote • Love • Las dos doncellas • Quijote • Antonio Sacchi • Satire • Metaphor • Exemplary Novels • XVII century • Miguel de Cervantes • Tree • Style • Analysis • Tragic play • Barahona de Soto • Madmen • Jáuregui • Satyre • Nuns • Journey • Cut flower • Novel • Open access • Witticism • Barbers • El dómine Lucas • Empire • Unstable • Sonnet • Literary styles • Philosophical method • Translation Studies • La Gerusalemme liberata • Theatre • Castillejo • Juan Bautista Pederzano • José de la Concha • Seville • Correction to editio princeps • Coherence • Notes • Dedicatees • History of typography • Francisco de Quevedo • Alonso Remón • Parody • Stage • 17th century • Lope • Carlo Goldoni • Metrics • Jewels • Granada • Golden Age minor theater • Bernardo de Sandoval y Rojas • Literature • Comedia nueva • Tradition • Painting • Attributed authorship • Critical editions of literary Works • Uruguay • Mysticism • Sociology • Edition • Hernando de Acuña • Metre • Female reader • Eulogy • Góngora • La Maya • Aminta • Comedias de pícaros • Francisco de Leefdael • Cáncer • Images • Corruption • Refranes • Copper coin • Venice • Octosyllabic verse • Poetics • New Spain • Díaz de Rivas • Court • Fernando de Herrera • Post-Tridentine Spain • Traitors • Rewriting • Diccionario de Autoridades • Italian humanist short prose • La Zucca del Doni en spañol • Tametsi decree • Affect • Tesoro de la Lengua Castellana • Tridentin work • Anacreontics • 17th Century • Diálogo de la lengua • Hernán Núñez • Marginalization • Preacher • Novelas ejemplares • Baroque theater • Robbery • Adventure books • Metaphors • Novelle • Translators • Priest • Butterfly • Walter Raleigh • Affinities • Mendeley • Repentance • Notes in scholarly editions • Adaptation Studies • Rosete Niño • Enchantment of Dulcinea • Melchor Díaz de Toledo • Antonio de Zamora • Orthographiy • Explicitation • Letters • Italian • Enríquez de Cabrera • Prior censorship • Jorge de Montemayor • Girolamo Gigli • Council of Castile • Alonso de Castillo Solórzano • Spanish Court Poetry • Collaboration • Twentieth century • interludes • Interpretation • Lope sources • Christian preacher • Giacomo Franco • Spanish Golden Age • Luis Gálvez de Montalvo • Golden Age • Italophile • Book of Job • Fernández de Lizardi • Reception theory • Cristóbal de Morales • Anti-aulic satire • Expression • Baroque poetry • Margaret Theresa of Spain • Spanish Golden Age, History of Linguistics • Literary authors • Graphical changes • Anagilda • Morisco figures • Ideology • Portuguese poetry • Controversy • Suspension • Cohesion • Lady of Copacabana • Eroticism • Olivieri di Castiglia • Politics • Mercadante • Dramatic space • Venitian printing • Lovers • Carlo Gozzi • Hagiographic drama • Asceticism • Poetry • La noche de San Juan • Critical edition • Jerónimo Corte-Real • Stylistic development • Cándido María Trigueros • Playing cards • Italian translation • Komenský • Luís de Camões • Anthroponomy • Fear • Roberto el diablo • Sermons • Low Baroque • Translation constraints • Shame • Quixote • French Classical Theatre • Matos Fragoso • Sacrament of penance • King Sebastian • Saavedra Fajardo • Phonetics • Rojas Zorrilla • Authors • Insane asylums • Dalila • Decorum • Labyrinth • Bibliography • Grotesque body • Nicolini da Sabbio • Sermon • Golden Age Poetry • Love poetry • Nadie fíe su secreto • Popular culture • Queen Isabel de Borbón • Baroque comedy • Ineffable language • Luigi Groto • Álvar Núñez Cabeza de Vaca • Mythification • Press • Miguel Torga • Juan de Valdés • Dynamism • String literature • Autobiography • Quiñones de Benavente • Versification • Oliveros de Castilla • Chivalric romance • Catalogue • Republic of Letters • Theatre Translation • Women writers • Publisher • Disgust • Symbolism • Rimas • Order of the Golden Fleece • Booklets • Romances of chivalry • Renascence • Religious Poetry • Spanish Poetry • Lope de Vega • Segmentation • Calderón • Donkey • Language • Vázquez Siruela • Italian Renaissance • Censors • Literary censorship • Santa Teresa • Sociability • Córdoba • Farsalia • Spanish Golden Age Theatre • Guzmán de Alfarache • Spanish theatre • Sonnets • Spanish Golden Age theatre • Epic and Drama • Caballero de Illescas • El maestro de danzar • Cervantes • Helmet of Mambrino • Gongorism • Authorship • Facetia • Paremiology • Music • Empresas políticas • Philology • Spanish Novel • Modernity • Seventeenth century • Slang • Honour • Illustrated edition • Quevedo • Italy • Gypsies • Rhetoric • Translator • Spiritual poetry • Orthography • Travel narratives • José de Arroyo • Conquest of Peru • Ambiguity • Topos • Intertextuality • Auto • Festive relation • Poggio Bracciolini • Bandello • Philip IV • 17th century Theatre • Fraud • Perfecto predicador • Variety • Dramatic formula • Proverbs • Literary Forgery • Comedy • Kundera • Seven love letters • History of Spanis language • Siglo de Oro • Libretto • Experience • Homeric simile • Dedications • CABIGO • Spanish literature of the Golden Age • Preaching • Justice • Short farce • Quotations • resemantization • Comedy of magic • Literary criticism • Financial crisis • Iberism • Bible • Early Music • Textual bibliography • Epic poetry • Pynchon • Countess of Harrach • Timanthes • San Juan de la Cruz • Trees • Mystical symbols • Promujer • El bautismo del príncipe de Marruecos • Picaresque novel • Theater • Atonement • Castillo Solórzano • Moreto • Decameron • Juan de Mariana • Madrid • History of book • The Book of Judges • Pedro Sarmiento de Gamboa • Gemstones • Baroque • Calderón de a Barca • Spain • Descartes • José Saramago

permalink http://doi.org/10.14277/978-88-6969-163-8

Copyright: © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Print edition

Preface

Preámbulo

María del Valle Ojeda Calvo Florencio del Barrio de la Rosa

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1 Plenary lectures

«He visto gustosamente divertido...»

La literatura ante la censura previa en el siglo XVII

Anne Cayuela

PDF | Abstract

201 view
11 download

Un pintor clásico en la poesía del Siglo de Oro

Timantes en Boscán, Garcilaso, Lope de Vega y Argensola

Frederick De Armas

PDF | Abstract

163 view
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Literatura e ideas en torno a don Bernardo de Sandoval y Rojas

Luis Gómez Canseco

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223 view
6 download

Defensa e ilustración de la Filología

Luis Iglesias Feijoo

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135 view

El Job de Quevedo y la indignación

Valentina Nider

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211 view
12 download

2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO

Palabras preliminares

Begoña López Bueno

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251 view

La AISO en sus 25 años

Trevor Dadson

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168 view

Isaías Lerner, el fiel escucha de la voz cervantina

Juan Diego Vila

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164 view

Isaías Lerner: de polianteas y silvas

Sagrario López Poza

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237 view
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Isaías Lerner y la lexicografía

Miguel Marañón Ripoll

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169 view

3.1 Contributions: Poetry

Análisis de un soneto de Luis Gálvez de Montalvo

Julián Arribas

March 31, 2016

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220 view
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La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo

Alessandra Ceribelli

March 29, 2016

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256 view
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San Juan de la Cruz ‘ilustrado’: Obras espirituales (Sevilla, Francisco de Leefdael, 1703)

Francisco Javier Escobar Borrego

June 6, 2016

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250 view
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Las cartas en verso octosilábico y las epístolas en endecasílabos en los cancioneros de Jorge de Montemayor

Lola Esteva de Llobet

March 31, 2016

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El rey Sebastián en las elegías de Fernando de Herrera y Barahona de Soto

Alberto Maffini

March 31, 2016

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302 view

La inversión paródica de la semplicetta farfalla y de otros motivos amorosos en el Aula de cortesanos (1547)

María del Rosario Martínez Navarro

March 31, 2016

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209 view

La invención de un poeta

Trigueros y Melchor Díaz de Toledo, poeta desconocido del siglo XVI

Juan Montero Delgado

April 24, 2016

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190 view
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Afectos penitenciales y sociabilidad literaria

Notas en torno a unos pliegos poéticos granadinos

Inmaculada Osuna

April 24, 2016

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162 view

«Como la blanca flor o roxo lirio»

Variaciones portuguesas sobre el símil épico de la flor cortada

Aude Plagnard

April 20, 2016

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Amantes como árboles en las Flores de baria poesía (núm. 131: «Con una aguda hacha derrocaba…»)

Fernando Rodríguez Mansilla

April 5, 2015

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189 view

El diseño de CABIGO (Catálogo Bibliográfico sobre Góngora)

Criterios, metodología y estadísticas

Antonio Rojas Castro Cèlia Nadal Pasqual Amanda Pedraza

March 31, 2016

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Fragmentos del ocio: edición y reescritura en el bajo barroco

Pedro Ruiz Pérez

June 3, 2016

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207 view
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Los poéticos álamos…

Una lectura de la poesía de Luis de Góngora a través de las representaciones de árboles

Elizabeth San Juan San Juan

Dec. 14, 2016

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206 view

«He de cantar afectos suspendidos»

El poder de la música en la poesía del Siglo de Oro

Lorena Uribe Bracho

May 2, 2016

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176 view

Díaz de Rivaz y Vázquez Siruela: sobre las afinidades en sus documentos

Saiko Yoshida

May 3, 2016

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218 view

3.2 Contributions: Theatre

Comedias en colaboración entre Moreto, Cáncer y Matos Fragoso: La adúltera penitente y ¿La fuerza del natural?

María Rosa Álvarez Sellers

April 25, 2016

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Algunos aspectos barrocos en la comedia de Lope de Vega El piadoso veneciano

Christian Andrès

June 14, 2016

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217 view

Reelaboración y reescritura de la Gerusalemme Liberata en La conquista de Jerusalén por Godofre de Bullón, atribuida a Cervantes

Fausta Antonucci

March 31, 2016

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200 view
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La presencia morisca en la romería de la Virgen de la Cabeza en la obra El bautismo del príncipe de Marruecos de Lope de Vega

Benedetta Belloni

March 31, 2016

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De sonetos calderonianos

María José Caamaño Rojo

June 15, 2016

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200 view

Monjas portuguesas entremesiles: desvíos a la norma

José Camões

June 15, 2016

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209 view
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Los Armengoles de Cristóbal de Morales: fuentes y fortuna literarias

Juan Manuel Carmona Tierno

March 31, 2016

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193 view

Bandello en el taller dramático de Lope

Guillermo Carrascón

April 13, 2016

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267 view
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Juegos y lenguajes de naipes en Nadie fíe su secreto de Calderón

Paula Casariego Castiñeira

May 24, 2016

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183 view
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Más sabe el loco en su casa que el cuerdo en la ajena y el natural vizcaíno

Del teatro de Goldoni a la comedia de Figurón de José de la Concha en el siglo XVIII

Karin Chirinos Bravo

May 30, 2016

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Lope de Vega y el alma del pecador

Arrepentimiento y expiación en Juan de Dios y Antón Martín

María del Pilar Chouza-Calo

April 13, 2016

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El dómine Lucas y El maestro de danzar: un caso de auto-reescritura en Lope de Vega

Daniel Fernández Rodríguez

March 31, 2016

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410 view
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Relación de sucesos, fiesta cortesana y representación teatral: en torno a La noche de San Juan de Lope de Vega

Graciela Fiadino

March 31, 2016

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La música en el auto de La Maya de Lope de Vega

María Asunción Flórez Asensio

Nov. 7, 2016

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257 view
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El arte del equívoco en Las damas del vellón de Quiñones de Benavente

Josée Gallego Chin

June 27, 2016

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177 view

Esto es hecho, entre Rojas Zorrilla y Rosete Niño: un caso más de autoría conflictiva

Rafael González Cañal

March 31, 2016

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180 view

Eco y Narciso de Calderón en el manuscrito de la condesa de Harrach: base para una nueva edición

Margaret Greer

March 31, 2016

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Historia de una tachadura

Notas sobre la difusión del teatro del Siglo de Oro en Venecia: Carlo Gozzi, Jerónimo de Villaizán y los actores-dramaturgos de la compañía Sacchi

Javier Gutiérrez Carou

March 29, 2016

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163 view

La versificación en La aurora en Copacabana de Calderón

José Elías Gutiérrez Meza

March 31, 2016

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235 view
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De los nombres de Calderón

Reflexiones acerca de la antroponimia calderoniana

Laura Hernández González

May 24, 2016

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192 view

Notas para una edición crítica de Duendes son alcahuetes y el Espíritu Foleto (I parte, 1709) de Antonio de Zamora

Renata Londero

March 31, 2016

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188 view
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Un teatro, quizá, demasiado ‘novelesco’

Algunas consideraciones acerca de la composición dramática de Cervantes

Giselle Macedo

Dec. 14, 2016

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159 view

La tradición de los libros de aventuras en el primer Lope de Vega

La construcción del personaje de Juan Tomás, El caballero de Illescas

Serena Magnaghi

March 31, 2016

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220 view

Una historia española para los escenarios italianos: L’Anagilda de Girolamo Gigli

Elena Marcello

May 3, 2016

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225 view

Vida privada e imagen pública

Isabel de Borbón y la corte literaria de Felipe IV

Carmela Mattza

April 7, 2016

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197 view
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Alonso de Castillo Solórzano, La castañera y el teatro breve en la generación postcervantista

Vicente Pérez de León

April 24, 2016

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De lo narrado a lo representado

Reflejos del Facetiarum liber de Bracciolini en el entremés áureo

Ilaria Resta

Dec. 14, 2016

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205 view

De locos fingidos a locos alegóricos (en Lope y Fernández de Lizardi)

Felipe Reyes Palacios

Dec. 14, 2016

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160 view

La mujer lectora en el teatro barroco

Ana Suárez Miramón

March 31, 2016

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275 view
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Lope en Francia entre adaptación y traducción

«Habiller à la française» en los siglos XVII, XVIII y XIX

Francesca Suppa

Dec. 14, 2016

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186 view

Los gitanos como máscaras del teatro renacentista

Hélène Tropé

May 3, 2016

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256 view
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El Madrid de 1617 como espacio dramático

Otra mirada a Lo que pasa en una tarde de Lope de Vega

Edith Marta Villarino

Dec. 14, 2016

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148 view

3.3 Contributions: Prose

Educación y aleccionamiento en las Empresas políticas de Saavedra Fajardo

Jaume Alavedra Regas

May 23, 2016

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204 view
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Entre Celestinas, novela sentimental y libros de caballerías

La empresa editorial de los Nicolini da Sabbio y Juan Bautista Pederzano en Venecia alrededor de 1530

Anna Bognolo

June 27, 2016

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313 view
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El maestro Jiménez Patón y la oratoria sagrada

Jaume Garau Marco Valisano

April 5, 2016

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248 view

La Espada sagrada de Alonso Remón

Método para enseñar a los nuevos predicadores

Rafael Massanet Rodríguez

Dec. 14, 2016

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254 view
7 download

Los conceptos de gusto y disgusto en Gracián con el ejemplo del cuerpo grotesco en El Criticón

Eduardo Muratta Bunsen

Nov. 21, 2016

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280 view
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La presencia de las piedras preciosas en los libros de caballerías a la luz del lapidario de Gaspar de Morales

Tomasa Pastrana Santamarta

April 6, 2016

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220 view
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Perder el rucio, recuperar las mulas... Asuntos sensibles en Cervantes

Donatella Pini

May 23, 2016

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177 view

El barbero como una figura de marginalización en Don Quijote

David Reher

June 6, 2016

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393 view
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«Medrar consiste en ventura»

La fortuna española del Decamerón X.1 en la España del Siglo de Oro

Maria Rosso

Feb. 11, 2016

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174 view

El caballero determinado de Hernando de Acuña: tradición textual y autoría

Marcial Rubio Árquez

June 15, 2016

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340 view
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El laberinto: símbolo y modelo de creación en Cervantes y Thomas Pynchon

Ana Rull Suárez

June 3, 2016

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241 view
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El loco Amaro Rodríguez ¿trasunto del obispillo de San Nicolás?

Luc Torres

Dec. 14, 2016

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169 view
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La ejemplaridad de Las dos doncellas

Juan Manuel Villanueva

Nov. 10, 2016

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195 view
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Una vez más sobre la italofilia cervantina

Italia y lo italiano en las Novelas ejemplares

Francisco Javier González Candela

March 31, 2016

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292 view

3.4 Contributions: Language and translation

Cambios gráficos y fónicos en las citas de varias obras áureas contenidas en el Diccionario de Autoridades

Belén Almeida Rocío Díaz Moreno

March 31, 2016

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216 view

Explicitud, coherencia y cohesión en la traducción italiana del Guzmán de Alfarache

Ignacio Arroyo Hernández

March 31, 2016

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284 view
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Los refranes de La Zucca del Doni en spañol

Daniela Capra

June 1, 2016

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277 view

Lenguaje y fraude comunicativo en Don Quijote de La Mancha

Guillermo Fernández Rodríguez-Escalona

July 11, 2016

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184 view
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Sobre el estilo de Juan de Valdés

Antonio Martínez González

Nov. 8, 2016

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190 view
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Hernán Núñez: paremiólogo y paremiógrafo del Siglo de Oro

Refranes o Proverbios en Romance (1555)

Luisa Allesita Messina Fajardo

March 31, 2016

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247 view
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Del Oliveros al Olivieri. La traducción

Stefano Neri

July 11, 2016

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237 view

Jáuregui traductor

Martha Elena Venier

May 2, 2016

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613 view

Acercamiento a la primera traducción italiana del Guzmán de Alfarache (Barezzi, Venecia, 1606 y 1615)

Edoardo Ventura

March 31, 2016

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249 view
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El lenguaje ascético-místico en el escrito hagiográfico sobre sor María de Jesús Tomellín (el ‘lirio de Puebla’)

Katerina Zatkajová

Dec. 14, 2016

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232 view
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3.5 Contributions: Miscellany

Cea Tesa: dinastía de impresores (1588-1703)

Una sociología de la edición

Carlos Collantes Sánchez

June 15, 2016

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202 view
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De Dalila y otras perversas traidoras en textos áureos de materia bíblica

Ruth Fine

April 24, 2016

PDF | Abstract

191 view

Valencias de la Edad de Oro

Mito ‘quijotesco’ en el Uruguay actual

María de los Ángeles González Briz

Nov. 17, 2016

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215 view
28 download

Justicia y corrupción en la Corte a mediados del siglo XVII

El caso escandaloso del Alcalde de Casa y Corte don Martín de Lanuza

Francisca Jiménez Guillén

May 14, 2016

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157 view

La reescritura en los pliegos y cuadernillos religiosos novohispanos (siglo XVII)

Anastasia Krutitskaya

May 27, 2016

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184 view

La poética del viaje en Pedro Sarmiento de Gamboa

Jaroslava Marešová

Nov. 17, 2016

PDF | Abstract

206 view

La huella del Quijote en poetas de lengua portuguesa del siglo XX: Miguel Torga y José Saramago

Cristina Miranda Menezes

June 15, 2016

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198 view

Teresa: escritora ma non troppo

Isabel Navas Ocaña

Dec. 14, 2016

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204 view
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Apostillas al libreto de Don Chisciotte alle nozze di Gamaccio de Saverio Mercadante

Maria Caterina Ruta

Nov. 10, 2016

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319 view
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‘Las letras compañeras del Imperio’

De dedicatorias, autores y traductores en Venecia en la segunda mitad del siglo XVI

Françoise Richer-Rossi

June 27, 2016

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183 view
4 download

Tres versiones de la modernidad: Descartes, Komenský y Cervantes

Juan Antonio Sánchez Fernández

March 31, 2016

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186 view
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References to this chapter

How to cite

Table of contents

Preface

1 Plenary lectures

2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO

3.1 Contributions: Poetry

3.2 Contributions: Theatre

3.3 Contributions: Prose

3.4 Contributions: Language and translation

3.5 Contributions: Miscellany