Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Metrics • Decorum • Quijote • Topos • French Classical Theatre • Lady of Copacabana • Female reader • Díaz de Rivas • Short farce • Jerónimo Corte-Real • Quixote • Comedia nueva • Witticism • Renascence • Popular culture • Low Baroque • Metre • Repentance • Trees • Truth • Rewriting • Labyrinth • Satire • Spanish Golden Age entremeses • Fernández de Lizardi • Francisco de La Torre • Donkey • Sacrament of penance • Textual bibliography • Saavedra Fajardo • Dedicatees • The Book of Judges • Playing cards • Literary sources • Dynamism • Francisco de Leefdael • Authorship • Francisco de Quevedo • Picaresque novel • Theatre Translation • Metaphor • Portugal • Robbery • Epic and Drama • Octosyllabic verse • Romances of chivalry • Italy • Sociology • Uruguay • Women writers • Bandello • Preaching • Interpretation • Anti-aulic satire • Roberto el diablo • Variety • Theatre • Mysticism • Rimas • Anacreontics • Miguel de Cervantes • La noche de San Juan • Baroque theater • Quevedo • Hernán Núñez • Dramatic space • Tesoro de la Lengua Castellana • History of book • Las dos doncellas • Morisco figures • Mystical symbols • Alonso Remón • Guzmán de Alfarache • Love • Fear • Translator • Iberism • Epic poetry • Carlo Goldoni • Calderón • Atonement • Perfecto predicador • Caballero de Illescas • Literature • Enríquez de Cabrera • Anagilda • Honour • Rhetoric • Imago • Translators • Ideology • Traitors • Diálogo de la lengua • Edition • Renaissance books • Nicolini da Sabbio • Autobiography • Critical editions of literary Works • Eulogy • Antonio de Zamora • Literary censorship • Rosete Niño • Timanthes • Queen Isabel de Borbón • Hagiographic drama • Olivieri di Castiglia • Language • Public-Private relation • Modernity • Quotations • Ambiguity • Auto • Cohesion • Spanish Court Poetry • Poetry about music • Early Music • Fine taste • Collaboration • Dramatic formula • Bible • Post-Tridentine Spain • Venitian printing • Aminta • Satyre • Catalogue • Twentieth century • Descartes • Order of the Golden Fleece • Antonio Sacchi • Tragic play • Refranes • History of typography • Siglo de Oro • Sonnet • Castillo Solórzano • Marginalization • Experience • Spanish Golden Age, History of Linguistics • Philology • Giacomo Franco • Cándido María Trigueros • Tree • Justice • Italian humanist short prose • Álvar Núñez Cabeza de Vaca • El bautismo del príncipe de Marruecos • Images • CABIGO • Music • Butterfly • Castillejo • Poetry • Translation Studies • History of Spanis language • Luís de Camões • Copper coin • La Gerusalemme liberata • Proverbs • Golden Age • Moreto • Paremiology • Cáncer • Style • Novelas ejemplares • Literary authors • Comedy • Literary styles • 17th Century • Philosophical method • Francesco Portonari • Cristóbal de Morales • Golden Age Poetry • Adventure books • Book of Job • Notes in scholarly editions • Juan de Valdés • Metaphors • Gypsies • Jáuregui • Tridentin work • Explicitation • Córdoba • Italophile • Orthography • Granada • Jorge de Montemayor • Booklets • Politics • Jiménez Patón • Travel narratives • Portuguese poetry • Spiritual poetry • Coherence • Carlo Gozzi • Hernando de Acuña • Spanish Golden Age theatre • Facetia • Seven love letters • Anthroponomy • Intertextuality • Farsalia • Court • resemantization • Adaptation Studies • Nuns • Fernando de Herrera • La Maya • Italian Renaissance • Lope de Vega • Seventeenth century • Dedications • Notes • Girolamo Gigli • Stage • Juan Bautista Pederzano • Espada sagrada • Analysis • Attributed authorship • Conquest of Peru • Empire • Alonso de Castillo Solórzano • Slang • Grotesque body • Republic of Letters • Margaret Theresa of Spain • Theater • Orthographiy • Parody • Luigi Groto • Festive relation • Lope • Bernardo de Sandoval y Rojas • El piadoso veneciano • 17th century • Translation • Council of Castile • Comedy of magic • Madmen • Eroticism • Gemstones • Baroque • Cut flower • Authors • Illustrated edition • Phonetics • Literary Forgery • Poetics • Góngora • Enchantment of Dulcinea • Gongorism • Spanish Novel • Jewels • Golden Age minor theater • Decameron • Spanish Golden Age Theatre • Spanish Golden Age • Insane asylums • Figurón comedy • Preacher • Spain • Sociability • Lovers • Mercadante • Diccionario de Autoridades • Christian preacher • Shame • Controversy • Empresas políticas • Helmet of Mambrino • Stylistic development • Madrid • Pynchon • Kundera • Correction to editio princeps • Cervantes • Spanish theatre • Juan de Mariana • Journey • Literary criticism • Love poetry • Critical edition • Painting • Graphical changes • Disgust • Melchor Díaz de Toledo • Poggio Bracciolini • Sermons • Oliveros de Castilla • Novelle • Pedro Sarmiento de Gamboa • Versification • Komenský • Tametsi decree • Letters • Dalila • Symbolism • Financial crisis • Religious Poetry • José Saramago • King Sebastian • Reception theory • Libretto • Vázquez Siruela • New Spain • Comedias de pícaros • Venice • Seville • Fraud • Luis Gálvez de Montalvo • San Juan de la Cruz • Italian translation • Expression • Philip IV • Novel • Open access • Mendeley • Corruption • Censors • La Zucca del Doni en spañol • Walter Raleigh • Don Quixote • Spanish literature of the Golden Age • Baroque comedy • Asceticism • Baroque poetry • Translation constraints • Publisher • José de la Concha • interludes • Matos Fragoso • Prior censorship • Suspension • Press • Barahona de Soto • Priest • Affect • Homeric simile • Santa Teresa • Cea Tesa • XVII century • Ineffable language • String literature • El maestro de danzar • El dómine Lucas • Countess of Harrach • Mythification • Bibliography • Spanish Poetry • Miguel Torga • Promujer • Tradition • Exemplary Novels • Calderón de a Barca • Barbers • Chivalric romance • Rojas Zorrilla • Lope sources • Affinities • José de Arroyo • Nadie fíe su secreto • Sonnets • 17th century Theatre • Segmentation • Quiñones de Benavente • Unstable • Sermon • Italian

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.