Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Translators • Festive relation • Literary styles • Popular culture • Short farce • History of Spanis language • Barbers • History of typography • Cohesion • Slang • XVII century • Epic poetry • Priest • Empresas políticas • Mendeley • Translation constraints • Financial crisis • Butterfly • Juan de Mariana • Cáncer • Repentance • Expression • Morisco figures • Satyre • Stage • Díaz de Rivas • Post-Tridentine Spain • San Juan de la Cruz • Labyrinth • Satire • Lope • Trees • Góngora • Rewriting • Octosyllabic verse • Anagilda • Spanish Poetry • Metaphors • Atonement • Portugal • Philosophical method • Margaret Theresa of Spain • José de la Concha • Giacomo Franco • Córdoba • Fernández de Lizardi • Bibliography • Correction to editio princeps • Madmen • Poetry about music • Comedy of magic • Baroque • Rhetoric • Enchantment of Dulcinea • Truth • Italian humanist short prose • Seven love letters • Affect • La Maya • Translation Studies • Libretto • Variety • Segmentation • Donkey • Paremiology • Queen Isabel de Borbón • Controversy • Nadie fíe su secreto • Dynamism • Collaboration • Cervantes • Press • Bandello • Edition • Pedro Sarmiento de Gamboa • Phonetics • Dramatic formula • Christian preacher • Granada • Poggio Bracciolini • Olivieri di Castiglia • Prior censorship • Hagiographic drama • Literary Forgery • Attributed authorship • 17th century • Gypsies • Spanish theatre • Countess of Harrach • Walter Raleigh • Copper coin • Jewels • Analysis • Guzmán de Alfarache • Cándido María Trigueros • Diccionario de Autoridades • La Zucca del Doni en spañol • Painting • Order of the Golden Fleece • Reception theory • Eroticism • Seventeenth century • Descartes • Jerónimo Corte-Real • Open access • Ideology • Spiritual poetry • Spanish Golden Age entremeses • Spanish Novel • The Book of Judges • Francisco de Leefdael • Witticism • Symbolism • Tesoro de la Lengua Castellana • Modernity • Preaching • Stylistic development • French Classical Theatre • Authors • Luis Gálvez de Montalvo • Fraud • Critical editions of literary Works • Asceticism • Refranes • CABIGO • Oliveros de Castilla • Italian Renaissance • Disgust • Notes in scholarly editions • resemantization • Images • Cut flower • Tragic play • Theatre • Affinities • King Sebastian • Carlo Gozzi • José Saramago • Girolamo Gigli • Experience • El dómine Lucas • Quiñones de Benavente • Lovers • Early Music • Romances of chivalry • Adaptation Studies • Catalogue • Translation • Love • Baroque poetry • Diálogo de la lengua • Unstable • Anti-aulic satire • Decorum • Literary criticism • Council of Castile • Epic and Drama • Interpretation • Shame • Moreto • String literature • Roberto el diablo • Antonio de Zamora • Spanish Golden Age Theatre • Proverbs • Spanish literature of the Golden Age • Philip IV • Bernardo de Sandoval y Rojas • Jorge de Montemayor • Sacrament of penance • Tametsi decree • Quotations • Dedications • Figurón comedy • Nuns • Letters • Renascence • Uruguay • 17th Century • interludes • Italy • Tree • Women writers • Literature • Hernán Núñez • Facetia • Matos Fragoso • Picaresque novel • Insane asylums • Literary authors • Novel • Graphical changes • Mercadante • Intertextuality • Illustrated edition • Miguel Torga • Baroque theater • Francisco de Quevedo • Spanish Golden Age • Miguel de Cervantes • Castillo Solórzano • Spanish Court Poetry • Preacher • History of book • Decameron • Venitian printing • Poetry • Mythification • José de Arroyo • Comedias de pícaros • Lope de Vega • Fine taste • Lady of Copacabana • Exemplary Novels • Promujer • Vázquez Siruela • Luigi Groto • Kundera • La Gerusalemme liberata • Iberism • Fernando de Herrera • Alonso de Castillo Solórzano • Court • Theatre Translation • Marginalization • Literary censorship • Farsalia • Italian translation • Luís de Camões • Cea Tesa • Suspension • Melchor Díaz de Toledo • Francesco Portonari • Seville • Chivalric romance • Booklets • Homeric simile • Conquest of Peru • Sermons • Caballero de Illescas • Low Baroque • Comedy • Notes • Playing cards • Perfecto predicador • Venice • Anthroponomy • Francisco de La Torre • Rojas Zorrilla • Alonso Remón • Mystical symbols • Hernando de Acuña • Sermon • Justice • Literary sources • Baroque comedy • Textual bibliography • Sonnets • Topos • Saavedra Fajardo • Gemstones • Orthography • Dedicatees • Twentieth century • Italophile • Siglo de Oro • Portuguese poetry • Music • Book of Job • Theater • Lope sources • Corruption • Bible • El piadoso veneciano • Pynchon • Carlo Goldoni • Auto • Eulogy • Comedia nueva • Love poetry • Quevedo • Novelle • Timanthes • Álvar Núñez Cabeza de Vaca • 17th century Theatre • Explicitation • Calderón de a Barca • Publisher • Language • Castillejo • Helmet of Mambrino • Imago • New Spain • Rimas • Jáuregui • Renaissance books • El bautismo del príncipe de Marruecos • Autobiography • Golden Age • Golden Age Poetry • Sonnet • Santa Teresa • Jiménez Patón • Aminta • Sociology • Translator • Spanish Golden Age theatre • Rosete Niño • Dalila • Public-Private relation • Juan Bautista Pederzano • Madrid • Gongorism • Barahona de Soto • Metre • Komenský • Censors • Empire • Spain • Republic of Letters • Parody • Orthographiy • Sociability • Robbery • Religious Poetry • Ambiguity • Politics • Novelas ejemplares • Quijote • Versification • Enríquez de Cabrera • Quixote • Juan de Valdés • Metrics • Female reader • Calderón • Travel narratives • Cristóbal de Morales • Ineffable language • Nicolini da Sabbio • Tradition • Authorship • La noche de San Juan • Grotesque body • Style • El maestro de danzar • Critical edition • Journey • Don Quixote • Antonio Sacchi • Dramatic space • Mysticism • Traitors • Las dos doncellas • Poetics • Golden Age minor theater • Coherence • Metaphor • Tridentin work • Philology • Adventure books • Italian • Anacreontics • Fear • Espada sagrada • Honour • Spanish Golden Age, History of Linguistics

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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