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Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Spanish Poetry • Olivieri di Castiglia • Italophile • Novelas ejemplares • Decorum • Espada sagrada • Poetics • Cándido María Trigueros • Spanish Golden Age • Alonso de Castillo Solórzano • Italy • José de la Concha • Quijote • Spanish Novel • El bautismo del príncipe de Marruecos • Republic of Letters • Roberto el diablo • Cristóbal de Morales • Vázquez Siruela • Jáuregui • Suspension • Variety • The Book of Judges • Díaz de Rivas • History of Spanis language • Don Quixote • Prior censorship • Lovers • Orthographiy • Carlo Gozzi • Sacrament of penance • San Juan de la Cruz • Literary censorship • Dalila • Cervantes • Mythification • Experience • Adventure books • Venice • Honour • Satire • Early Music • Quixote • Order of the Golden Fleece • Tridentin work • Lope de Vega • Critical editions of literary Works • Playing cards • Dedications • Authors • Female reader • Unstable • Epic and Drama • Chivalric romance • Gemstones • Literary authors • Golden Age Poetry • Juan de Valdés • Controversy • Rosete Niño • Luis Gálvez de Montalvo • Insane asylums • Italian Renaissance • Baroque poetry • Calderón de a Barca • Rimas • Sermons • Giacomo Franco • History of typography • Censors • Traitors • Anti-aulic satire • Festive relation • Gongorism • Authorship • Disgust • Autobiography • New Spain • Auto • Imago • Perfecto predicador • Francesco Portonari • Anthroponomy • Octosyllabic verse • Financial crisis • Dynamism • Modernity • Pedro Sarmiento de Gamboa • Lady of Copacabana • Luigi Groto • Decameron • Bible • Spanish theatre • Translation Studies • Analysis • Helmet of Mambrino • Hernán Núñez • Travel narratives • Renascence • Romances of chivalry • Post-Tridentine Spain • Bernardo de Sandoval y Rojas • Images • Interpretation • Antonio de Zamora • Witticism • Fraud • Christian preacher • Metaphors • Jerónimo Corte-Real • 17th century • Mystical symbols • El maestro de danzar • Explicitation • Siglo de Oro • Copper coin • Catalogue • 17th Century • Mysticism • Notes • History of book • Music • Topos • Sociology • Bandello • Jorge de Montemayor • Marginalization • Tradition • Spanish Golden Age entremeses • Affinities • Morisco figures • interludes • 17th century Theatre • Comedy • Córdoba • Bibliography • Portugal • Novel • Caballero de Illescas • Miguel Torga • Press • Illustrated edition • Translator • José de Arroyo • Girolamo Gigli • Trees • Truth • Tametsi decree • Golden Age • Tragic play • Collaboration • Repentance • Santa Teresa • Journey • Short farce • Baroque comedy • Castillejo • Enríquez de Cabrera • Tree • Literary criticism • Proverbs • Sonnets • Paremiology • Ideology • Nadie fíe su secreto • Parody • Dramatic formula • Letters • Spain • Publisher • Sonnet • Council of Castile • Segmentation • Stage • Granada • French Classical Theatre • Painting • Gypsies • Nuns • Stylistic development • Booklets • Theater • Spanish Golden Age Theatre • Intertextuality • Empire • XVII century • Dedicatees • Melchor Díaz de Toledo • Slang • Spanish Golden Age, History of Linguistics • Sociability • Hernando de Acuña • Atonement • Fernando de Herrera • Mercadante • Homeric simile • Correction to editio princeps • El piadoso veneciano • Madmen • Edition • Graphical changes • Spanish Golden Age theatre • Versification • Italian translation • Symbolism • Cáncer • Critical edition • Rewriting • Lope • resemantization • Translators • Philosophical method • Antonio Sacchi • Jewels • Theatre • King Sebastian • Golden Age minor theater • La noche de San Juan • Promujer • Facetia • Quevedo • Oliveros de Castilla • Metre • Timanthes • Ineffable language • Madrid • Book of Job • Butterfly • Attributed authorship • Corruption • Philology • Public-Private relation • Diccionario de Autoridades • Language • Italian humanist short prose • Notes in scholarly editions • Libretto • Iberism • Affect • Spanish literature of the Golden Age • Poetry • Metaphor • Queen Isabel de Borbón • Francisco de La Torre • Comedy of magic • Satyre • Popular culture • Literary styles • Low Baroque • Walter Raleigh • Komenský • Reception theory • Cut flower • Politics • Rhetoric • Seville • Picaresque novel • Luís de Camões • Fine taste • Renaissance books • Poetry about music • Venitian printing • Countess of Harrach • Saavedra Fajardo • Seven love letters • Rojas Zorrilla • El dómine Lucas • Twentieth century • Literature • Italian • Góngora • Matos Fragoso • Quiñones de Benavente • Portuguese poetry • Ambiguity • Kundera • Conquest of Peru • Francisco de Leefdael • Adaptation Studies • Moreto • La Zucca del Doni en spañol • Hagiographic drama • Asceticism • Open access • Pynchon • Castillo Solórzano • Literary sources • Women writers • Carlo Goldoni • Diálogo de la lengua • Priest • Orthography • Refranes • Comedia nueva • Tesoro de la Lengua Castellana • La Gerusalemme liberata • Margaret Theresa of Spain • Cea Tesa • Juan de Mariana • Seventeenth century • Empresas políticas • Spanish Court Poetry • Anagilda • Exemplary Novels • Court • Epic poetry • La Maya • Cohesion • Metrics • Religious Poetry • Labyrinth • Jiménez Patón • Philip IV • Alonso Remón • Dramatic space • Fernández de Lizardi • Las dos doncellas • Textual bibliography • Eulogy • Miguel de Cervantes • Mendeley • Spiritual poetry • Juan Bautista Pederzano • Sermon • Justice • Coherence • Poggio Bracciolini • Enchantment of Dulcinea • String literature • Robbery • Translation • Figurón comedy • Anacreontics • Calderón • Fear • Novelle • Grotesque body • Theatre Translation • Quotations • Donkey • CABIGO • Phonetics • Shame • Preacher • Guzmán de Alfarache • José Saramago • Uruguay • Comedias de pícaros • Francisco de Quevedo • Baroque theater • Expression • Barbers • Love poetry • Literary Forgery • Farsalia • Lope sources • Translation constraints • Descartes • Baroque • Preaching • Love • Aminta • Barahona de Soto • Nicolini da Sabbio • Style • Eroticism • Álvar Núñez Cabeza de Vaca

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.