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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Critical editions of literary Works • Carlo Gozzi • Epic and Drama • Honour • Literary authors • Melchor Díaz de Toledo • Adaptation Studies • French Classical Theatre • Catalogue • Poggio Bracciolini • Republic of Letters • Caballero de Illescas • Dramatic space • Spanish literature of the Golden Age • Spanish Court Poetry • Mendeley • Dramatic formula • The Book of Judges • Anacreontics • Style • Conquest of Peru • Female reader • Iberism • Open access • Translation Studies • Coherence • Giacomo Franco • Parody • Francisco de Leefdael • Saavedra Fajardo • Poetics • Fernández de Lizardi • Ineffable language • Auto • Quiñones de Benavente • Painting • Notes in scholarly editions • Novel • El dómine Lucas • Preacher • El piadoso veneciano • Authorship • interludes • Translators • Pynchon • Rojas Zorrilla • Baroque • Traitors • Travel narratives • Love poetry • Luigi Groto • Baroque comedy • Controversy • Italophile • Explicitation • Politics • Barahona de Soto • Antonio de Zamora • La noche de San Juan • Jorge de Montemayor • Sermon • Italian humanist short prose • Corruption • Collaboration • Alonso de Castillo Solórzano • Imago • Dynamism • Francisco de Quevedo • Short farce • Novelas ejemplares • Chivalric romance • Correction to editio princeps • Financial crisis • Literary sources • Labyrinth • Cándido María Trigueros • Suspension • Disgust • Satyre • Women writers • 17th century Theatre • Letters • La Gerusalemme liberata • King Sebastian • History of Spanis language • Antonio Sacchi • Variety • Lady of Copacabana • Lope sources • Philosophical method • Rimas • Golden Age Poetry • Truth • Poetry about music • 17th century • Authors • Robbery • Spain • Grotesque body • Jiménez Patón • Mysticism • Matos Fragoso • Spanish Golden Age, History of Linguistics • Octosyllabic verse • Gemstones • Moreto • Decorum • Sacrament of penance • Justice • Venitian printing • Comedias de pícaros • Translation constraints • Versification • Translation • Insane asylums • Spanish Poetry • Don Quixote • Graphical changes • Countess of Harrach • Paremiology • Perfecto predicador • Facetia • Spanish Golden Age entremeses • Calderón • Picaresque novel • Enchantment of Dulcinea • Translator • Dalila • Baroque theater • Uruguay • Carlo Goldoni • Comedia nueva • Unstable • José Saramago • Mystical symbols • Donkey • resemantization • Fine taste • Nicolini da Sabbio • Satire • Council of Castile • Experience • Spanish Golden Age Theatre • Portuguese poetry • Playing cards • Francisco de La Torre • Literary censorship • Textual bibliography • Christian preacher • Press • Spanish Golden Age • Díaz de Rivas • Sermons • Philip IV • Morisco figures • Refranes • Theatre Translation • Rosete Niño • Sociology • Booklets • Seven love letters • Italian translation • Venice • Cohesion • Popular culture • Roberto el diablo • Analysis • Sociability • Repentance • Renascence • Santa Teresa • Rhetoric • Comedy • Shame • Jewels • Juan de Valdés • Ideology • Anthroponomy • Madmen • Tesoro de la Lengua Castellana • Espada sagrada • Golden Age minor theater • Francesco Portonari • Poetry • Castillo Solórzano • Metrics • Book of Job • Jerónimo Corte-Real • CABIGO • Komenský • Lope de Vega • Censors • Seventeenth century • Quixote • Copper coin • Golden Age • Stage • Fraud • Epic poetry • Libretto • Diálogo de la lengua • Reception theory • Prior censorship • Court • Tradition • Olivieri di Castiglia • Affinities • Marginalization • Exemplary Novels • Luis Gálvez de Montalvo • José de la Concha • Religious Poetry • La Maya • History of typography • Juan de Mariana • Priest • Post-Tridentine Spain • Literary styles • Descartes • Calderón de a Barca • Autobiography • Bandello • Juan Bautista Pederzano • Asceticism • Promujer • Queen Isabel de Borbón • Theater • 17th Century • Literary Forgery • Interpretation • Guzmán de Alfarache • Dedicatees • Segmentation • Siglo de Oro • Góngora • Proverbs • Symbolism • Expression • Gypsies • Álvar Núñez Cabeza de Vaca • Cáncer • Lovers • Anagilda • Jáuregui • String literature • Literary criticism • Spanish theatre • Empire • Illustrated edition • Las dos doncellas • Miguel de Cervantes • Enríquez de Cabrera • Quotations • Spanish Novel • Notes • Girolamo Gigli • Orthography • Topos • Phonetics • Renaissance books • Aminta • Kundera • Bibliography • Journey • Madrid • Oliveros de Castilla • Language • Festive relation • José de Arroyo • Orthographiy • Dedications • Diccionario de Autoridades • Margaret Theresa of Spain • Comedy of magic • Hernando de Acuña • Helmet of Mambrino • Stylistic development • Gongorism • Mercadante • Fernando de Herrera • El maestro de danzar • Decameron • Hagiographic drama • Tragic play • Italy • Eulogy • Romances of chivalry • Nadie fíe su secreto • Preaching • Granada • Witticism • Lope • Cervantes • Novelle • Trees • Metre • Castillejo • Pedro Sarmiento de Gamboa • Love • Edition • Hernán Núñez • Quevedo • Tridentin work • Twentieth century • Alonso Remón • Seville • Empresas políticas • San Juan de la Cruz • Tree • Philology • Cut flower • Intertextuality • Publisher • XVII century • Music • Images • Adventure books • Vázquez Siruela • Bernardo de Sandoval y Rojas • El bautismo del príncipe de Marruecos • Italian • Metaphor • Spanish Golden Age theatre • Miguel Torga • Butterfly • Cristóbal de Morales • Low Baroque • Figurón comedy • Portugal • Baroque poetry • Slang • Córdoba • Mythification • Quijote • Bible • Luís de Camões • Affect • Cea Tesa • Rewriting • History of book • Theatre • Farsalia • Modernity • Literature • Early Music • Eroticism • Nuns • Fear • Homeric simile • New Spain • Attributed authorship • Barbers • Atonement • Sonnet • Critical edition • Public-Private relation • La Zucca del Doni en spañol • Anti-aulic satire • Sonnets • Walter Raleigh • Spiritual poetry • Italian Renaissance • Order of the Golden Fleece • Tametsi decree • Timanthes • Metaphors • Ambiguity

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.