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Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Spain • La Zucca del Doni en spañol • Spanish literature of the Golden Age • Labyrinth • Nadie fíe su secreto • Symbolism • La noche de San Juan • interludes • Matos Fragoso • Pynchon • Helmet of Mambrino • El bautismo del príncipe de Marruecos • Cohesion • Dedications • Gongorism • Melchor Díaz de Toledo • Post-Tridentine Spain • Iberism • José de la Concha • Correction to editio princeps • Bibliography • Oliveros de Castilla • Love poetry • Chivalric romance • Journey • Libretto • José de Arroyo • Roberto el diablo • Golden Age minor theater • Notes • Diccionario de Autoridades • Empresas políticas • Anagilda • Spanish theatre • Witticism • Phonetics • Figurón comedy • Stage • Sonnets • Quixote • Metrics • Comedy • Juan Bautista Pederzano • 17th century Theatre • Jorge de Montemayor • Spanish Poetry • Morisco figures • Spanish Golden Age • Portugal • Metre • Copper coin • Mendeley • CABIGO • Quevedo • Publisher • Anacreontics • Guzmán de Alfarache • History of typography • Festive relation • Italy • Fraud • Illustrated edition • La Gerusalemme liberata • Sacrament of penance • Open access • Repentance • Order of the Golden Fleece • Descartes • Edition • Castillo Solórzano • Translator • Enchantment of Dulcinea • Cándido María Trigueros • Comedias de pícaros • Fear • Góngora • Early Music • Baroque poetry • Mystical symbols • Insane asylums • Metaphor • Paremiology • Versification • Priest • Madrid • Book of Job • Sermon • Graphical changes • Gemstones • Eroticism • Rhetoric • Literary authors • Jewels • Siglo de Oro • Calderón de a Barca • Authors • Italian translation • Refranes • Donkey • Walter Raleigh • Asceticism • Bandello • Adventure books • Francisco de Quevedo • New Spain • Espada sagrada • 17th century • Lope de Vega • Seville • Textual bibliography • Ambiguity • El dómine Lucas • Renaissance books • Spanish Novel • Spanish Golden Age Theatre • Francisco de Leefdael • Poetry • Controversy • Press • Seventeenth century • Adaptation Studies • Carlo Goldoni • Dramatic space • Court • Theatre Translation • Autobiography • Literature • Notes in scholarly editions • Dalila • Truth • Philology • Timanthes • Baroque comedy • Tree • Preaching • Corruption • Bernardo de Sandoval y Rojas • Intertextuality • Affect • Letters • Catalogue • Critical edition • Luigi Groto • Saavedra Fajardo • Decameron • Censors • Baroque • Grotesque body • Madmen • Italian • Booklets • Alonso de Castillo Solórzano • 17th Century • Satyre • Juan de Mariana • Carlo Gozzi • Spanish Golden Age, History of Linguistics • Honour • Topos • Uruguay • Images • Cut flower • Moreto • Sermons • Rimas • Women writers • Painting • Atonement • Affinities • Lovers • History of book • Golden Age Poetry • Explicitation • Mythification • Translation • Nicolini da Sabbio • Interpretation • Picaresque novel • Translation Studies • Antonio de Zamora • Caballero de Illescas • Short farce • Poetics • Cervantes • Cristóbal de Morales • Jáuregui • Ideology • Trees • Prior censorship • Theater • Language • Francisco de La Torre • Marginalization • Anthroponomy • Christian preacher • Orthography • Venice • Kundera • History of Spanis language • Metaphors • Cea Tesa • Barahona de Soto • Countess of Harrach • Disgust • La Maya • Analysis • Tesoro de la Lengua Castellana • Low Baroque • Authorship • Lope • Don Quixote • Travel narratives • Córdoba • Politics • Pedro Sarmiento de Gamboa • Tragic play • Seven love letters • Barbers • Margaret Theresa of Spain • Spanish Golden Age entremeses • Popular culture • Philosophical method • Homeric simile • El piadoso veneciano • Álvar Núñez Cabeza de Vaca • Orthographiy • Promujer • Lady of Copacabana • Facetia • Translators • Reception theory • Imago • Auto • Nuns • Rewriting • Francesco Portonari • Hernando de Acuña • French Classical Theatre • Literary styles • Las dos doncellas • Dedicatees • Juan de Valdés • Robbery • Giacomo Franco • Literary censorship • Tradition • Dynamism • Council of Castile • Italian Renaissance • Shame • Justice • XVII century • Traitors • Rosete Niño • Unstable • Novelas ejemplares • El maestro de danzar • resemantization • King Sebastian • Republic of Letters • Attributed authorship • San Juan de la Cruz • The Book of Judges • Proverbs • Enríquez de Cabrera • Coherence • Satire • Love • Jiménez Patón • Variety • Novel • Lope sources • Portuguese poetry • Castillejo • Perfecto predicador • Mercadante • Slang • Diálogo de la lengua • Comedy of magic • Granada • Dramatic formula • Fernández de Lizardi • Gypsies • Theatre • Literary criticism • Suspension • Bible • Romances of chivalry • Vázquez Siruela • Spanish Golden Age theatre • Baroque theater • Music • Miguel de Cervantes • Quiñones de Benavente • Novelle • Playing cards • Poggio Bracciolini • Spiritual poetry • Luis Gálvez de Montalvo • Renascence • Philip IV • Santa Teresa • Empire • Critical editions of literary Works • Translation constraints • Golden Age • Octosyllabic verse • Girolamo Gigli • Epic and Drama • Eulogy • Rojas Zorrilla • Sociology • Stylistic development • Hernán Núñez • Jerónimo Corte-Real • Tridentin work • Ineffable language • Religious Poetry • Aminta • Quotations • Literary Forgery • Decorum • Italophile • Calderón • Twentieth century • Anti-aulic satire • Collaboration • Queen Isabel de Borbón • Butterfly • Literary sources • Antonio Sacchi • Poetry about music • Cáncer • Female reader • Style • Epic poetry • Spanish Court Poetry • Segmentation • Exemplary Novels • Experience • Conquest of Peru • Financial crisis • Fernando de Herrera • String literature • Hagiographic drama • Expression • Public-Private relation • Tametsi decree • Sociability • Farsalia • Alonso Remón • Modernity • Sonnet • Olivieri di Castiglia • Komenský • Preacher • José Saramago • Italian humanist short prose • Miguel Torga • Luís de Camões • Comedia nueva • Díaz de Rivas • Mysticism • Venitian printing • Fine taste • Parody • Quijote

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.