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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Hernando de Acuña • Censors • El dómine Lucas • Comedy of magic • Novel • Francesco Portonari • Parody • Bernardo de Sandoval y Rojas • Italian • Poetry • Justice • Theatre • Literary Forgery • Baroque poetry • Lope de Vega • Anagilda • Figurón comedy • Juan de Valdés • Baroque • Alonso Remón • Painting • Spiritual poetry • Fine taste • Rosete Niño • Francisco de La Torre • Segmentation • El piadoso veneciano • Proverbs • Decameron • Edition • Castillo Solórzano • Díaz de Rivas • Granada • Miguel de Cervantes • History of Spanis language • Intertextuality • Spanish literature of the Golden Age • Stylistic development • Topos • Francisco de Leefdael • Las dos doncellas • Translator • Espada sagrada • El bautismo del príncipe de Marruecos • Philology • Textual bibliography • Nadie fíe su secreto • Iberism • Vázquez Siruela • History of book • Seven love letters • Music • Notes • Literary styles • Book of Job • King Sebastian • Cut flower • Portugal • Religious Poetry • Calderón de a Barca • Comedy • Italian humanist short prose • Italian translation • resemantization • Barbers • CABIGO • Saavedra Fajardo • Italy • Epic poetry • Images • Seventeenth century • Symbolism • Lady of Copacabana • Literary sources • La Gerusalemme liberata • String literature • Baroque comedy • Love • Preacher • Sonnets • Playing cards • Council of Castile • Luís de Camões • Female reader • Variety • Popular culture • Perfecto predicador • Phonetics • Barahona de Soto • Picaresque novel • Nicolini da Sabbio • Philosophical method • Farsalia • Traitors • Empire • Attributed authorship • Adventure books • Córdoba • Preaching • Guzmán de Alfarache • Short farce • Fernando de Herrera • Authorship • Analysis • Translation • Stage • History of typography • Translation Studies • Versification • Financial crisis • Truth • Love poetry • Facetia • Novelas ejemplares • Tradition • Matos Fragoso • Explicitation • Catalogue • Spanish theatre • Jiménez Patón • La Maya • Renaissance books • Roberto el diablo • Spanish Golden Age entremeses • Romances of chivalry • Italian Renaissance • Asceticism • El maestro de danzar • Marginalization • New Spain • Carlo Gozzi • Fear • Spanish Golden Age • Order of the Golden Fleece • Eroticism • Golden Age minor theater • Theatre Translation • Affect • Poetry about music • Paremiology • Publisher • Margaret Theresa of Spain • Miguel Torga • Anti-aulic satire • Sonnet • Pedro Sarmiento de Gamboa • Olivieri di Castiglia • Enchantment of Dulcinea • Disgust • Giacomo Franco • Critical edition • Spanish Golden Age Theatre • Caballero de Illescas • Literature • 17th century • Ineffable language • Countess of Harrach • Gemstones • Tragic play • Helmet of Mambrino • Coherence • Court • Octosyllabic verse • José de Arroyo • Rojas Zorrilla • Ambiguity • Uruguay • Bible • Imago • Dramatic formula • Comedias de pícaros • Twentieth century • Epic and Drama • Bandello • Interpretation • Jorge de Montemayor • Empresas políticas • Literary criticism • José de la Concha • Travel narratives • Authors • Sermons • Walter Raleigh • Cohesion • Mythification • Republic of Letters • Venitian printing • Alonso de Castillo Solórzano • interludes • Aminta • Promujer • Satyre • Sociology • Corruption • Homeric simile • José Saramago • Siglo de Oro • Decorum • Literary authors • Press • Diálogo de la lengua • Women writers • Orthographiy • Adaptation Studies • Open access • Spanish Novel • Conquest of Peru • Pynchon • Dramatic space • Poggio Bracciolini • Literary censorship • Modernity • Early Music • Expression • Jáuregui • Spanish Golden Age theatre • Madmen • Language • Oliveros de Castilla • Quevedo • Priest • Slang • Komenský • Lope sources • Donkey • Labyrinth • Lovers • Hernán Núñez • Spanish Poetry • Notes in scholarly editions • Jewels • Antonio Sacchi • Seville • Auto • Morisco figures • Reception theory • Exemplary Novels • Booklets • Santa Teresa • Honour • Cáncer • Quiñones de Benavente • Satire • The Book of Judges • Venice • Low Baroque • Juan Bautista Pederzano • Post-Tridentine Spain • Illustrated edition • Politics • Mercadante • Witticism • La noche de San Juan • Atonement • Eulogy • Queen Isabel de Borbón • Metre • Mysticism • Philip IV • Unstable • Butterfly • Spain • Refranes • Calderón • Álvar Núñez Cabeza de Vaca • Cristóbal de Morales • Descartes • Sacrament of penance • Quixote • Luigi Groto • Rhetoric • Insane asylums • Fernández de Lizardi • XVII century • Translation constraints • Spanish Court Poetry • Gongorism • Anthroponomy • Tridentin work • Libretto • Chivalric romance • Novelle • Castillejo • Experience • Dedications • Bibliography • Juan de Mariana • Cándido María Trigueros • Shame • San Juan de la Cruz • Dynamism • Diccionario de Autoridades • Copper coin • Golden Age Poetry • Cea Tesa • Nuns • Spanish Golden Age, History of Linguistics • 17th century Theatre • Italophile • Suspension • Christian preacher • Fraud • Controversy • Hagiographic drama • Trees • Cervantes • Rewriting • Letters • Renascence • Journey • Correction to editio princeps • Grotesque body • Graphical changes • Francisco de Quevedo • Theater • Lope • Moreto • Golden Age • Autobiography • Rimas • Kundera • Ideology • Collaboration • Timanthes • Enríquez de Cabrera • Tree • Don Quixote • Dedicatees • Luis Gálvez de Montalvo • Quijote • Baroque theater • Repentance • Style • Tesoro de la Lengua Castellana • Metrics • Sermon • 17th Century • Antonio de Zamora • Mendeley • Critical editions of literary Works • Girolamo Gigli • Madrid • Poetics • Prior censorship • Metaphors • Translators • Festive relation • Anacreontics • Mystical symbols • Góngora • Quotations • Dalila • Robbery • Orthography • Public-Private relation • Sociability • Affinities • Melchor Díaz de Toledo • Gypsies • Comedia nueva • Portuguese poetry • Metaphor • Carlo Goldoni • La Zucca del Doni en spañol • Jerónimo Corte-Real • Tametsi decree • French Classical Theatre

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.