Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Authorship • Santa Teresa • Enríquez de Cabrera • Satyre • Francisco de Leefdael • Hernán Núñez • Sacrament of penance • Francisco de Quevedo • Don Quixote • Renascence • Enchantment of Dulcinea • Translation Studies • Jiménez Patón • Interpretation • Refranes • Public-Private relation • El bautismo del príncipe de Marruecos • Golden Age • Playing cards • Chivalric romance • Morisco figures • Love • Book of Job • Rewriting • Variety • Expression • The Book of Judges • Disgust • Travel narratives • Álvar Núñez Cabeza de Vaca • Religious Poetry • Fear • Affect • Madrid • Unstable • Lady of Copacabana • Cáncer • Orthographiy • Pynchon • Priest • Novel • Cristóbal de Morales • Anacreontics • Picaresque novel • 17th century Theatre • Hernando de Acuña • Rimas • Nicolini da Sabbio • Philology • Carlo Goldoni • El maestro de danzar • Díaz de Rivas • Quotations • El piadoso veneciano • Granada • Literature • Helmet of Mambrino • Portugal • Italian • Versification • Butterfly • Stage • Quijote • Mythification • Spanish Court Poetry • Fraud • Booklets • La Zucca del Doni en spañol • Sonnets • Jorge de Montemayor • Illustrated edition • resemantization • Golden Age minor theater • Anti-aulic satire • Gypsies • Justice • Cohesion • Quixote • Dedicatees • Queen Isabel de Borbón • Critical editions of literary Works • Antonio de Zamora • Miguel Torga • Eulogy • Gongorism • Empresas políticas • Literary styles • Lope de Vega • Romances of chivalry • Olivieri di Castiglia • Gemstones • Traitors • Donkey • Spanish Golden Age entremeses • Espada sagrada • String literature • Fine taste • New Spain • Dynamism • Affinities • Christian preacher • Edition • Giacomo Franco • Post-Tridentine Spain • History of Spanis language • Spanish Golden Age, History of Linguistics • Anagilda • Portuguese poetry • Decameron • Correction to editio princeps • Cándido María Trigueros • Guzmán de Alfarache • Asceticism • Theatre • Diccionario de Autoridades • Girolamo Gigli • Atonement • Bandello • Journey • Authors • Literary authors • Explicitation • Bernardo de Sandoval y Rojas • Saavedra Fajardo • Comedy of magic • Castillejo • Comedias de pícaros • Homeric simile • Barbers • Truth • Metaphor • 17th Century • Witticism • Barahona de Soto • Critical edition • Open access • Baroque poetry • Mendeley • Margaret Theresa of Spain • Comedia nueva • Juan de Valdés • Imago • Republic of Letters • Spanish literature of the Golden Age • La Maya • Spanish Novel • Novelas ejemplares • Seventeenth century • Spanish Poetry • Luigi Groto • Lovers • Luis Gálvez de Montalvo • La noche de San Juan • José Saramago • Jáuregui • Dramatic space • Luís de Camões • Melchor Díaz de Toledo • Lope • Analysis • Metrics • Quevedo • Poetics • Perfecto predicador • Adaptation Studies • CABIGO • Seven love letters • Decorum • Baroque theater • Women writers • Jerónimo Corte-Real • Komenský • Octosyllabic verse • Spanish Golden Age Theatre • Politics • Graphical changes • Poggio Bracciolini • Metre • Baroque • Castillo Solórzano • French Classical Theatre • Literary censorship • Court • Cut flower • Farsalia • Reception theory • Stylistic development • Spanish Golden Age theatre • Marginalization • Experience • Translation • El dómine Lucas • Sociology • Poetry about music • Adventure books • Facetia • Francisco de La Torre • Bibliography • Early Music • Francesco Portonari • Translation constraints • Phonetics • Slang • Epic and Drama • Financial crisis • Anthroponomy • Tesoro de la Lengua Castellana • Promujer • Renaissance books • Empire • Tametsi decree • Novelle • Auto • Spanish theatre • Grotesque body • Proverbs • Tradition • Oliveros de Castilla • Figurón comedy • Mysticism • Shame • Eroticism • Suspension • Conquest of Peru • Repentance • Madmen • Sermon • Italian translation • Council of Castile • Ineffable language • Satire • Libretto • Philosophical method • Sonnet • Mercadante • Translators • Córdoba • San Juan de la Cruz • Parody • Countess of Harrach • Miguel de Cervantes • Venitian printing • Copper coin • Collaboration • Dedications • Notes • Topos • Diálogo de la lengua • Kundera • Rosete Niño • Literary sources • Corruption • José de la Concha • Modernity • Italian humanist short prose • Honour • Carlo Gozzi • Juan Bautista Pederzano • Preacher • Calderón • Insane asylums • Rojas Zorrilla • Mystical symbols • Las dos doncellas • Music • Tragic play • Cervantes • Coherence • Philip IV • Translator • Popular culture • Alonso de Castillo Solórzano • Autobiography • Jewels • Rhetoric • Theater • Dalila • XVII century • Metaphors • Góngora • Language • Short farce • Fernández de Lizardi • Preaching • Censors • Italian Renaissance • King Sebastian • Matos Fragoso • La Gerusalemme liberata • Attributed authorship • Exemplary Novels • Orthography • Female reader • Catalogue • Festive relation • Sermons • Nadie fíe su secreto • Cea Tesa • Comedy • Paremiology • Venice • Literary Forgery • Caballero de Illescas • Fernando de Herrera • Calderón de a Barca • Juan de Mariana • Lope sources • Aminta • Tridentin work • Ideology • Controversy • Quiñones de Benavente • Images • José de Arroyo • Descartes • Antonio Sacchi • Twentieth century • Poetry • Moreto • Publisher • Prior censorship • Spain • Literary criticism • Trees • Dramatic formula • Hagiographic drama • Nuns • Iberism • Notes in scholarly editions • 17th century • Tree • Pedro Sarmiento de Gamboa • Painting • History of typography • Theatre Translation • interludes • Press • Siglo de Oro • Spiritual poetry • Roberto el diablo • Intertextuality • Symbolism • Italy • Ambiguity • Golden Age Poetry • History of book • Baroque comedy • Bible • Labyrinth • Robbery • Seville • Uruguay • Spanish Golden Age • Epic poetry • Walter Raleigh • Letters • Alonso Remón • Italophile • Textual bibliography • Order of the Golden Fleece • Vázquez Siruela • Sociability • Low Baroque • Segmentation • Style • Love poetry • Timanthes

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.