Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Poetics • Venitian printing • Walter Raleigh • Las dos doncellas • Textual bibliography • Repentance • Anacreontics • Novelas ejemplares • String literature • Dalila • Granada • Gypsies • Booklets • Twentieth century • Priest • Spanish Golden Age theatre • José Saramago • Lope sources • Calderón de a Barca • Baroque comedy • Literary authors • Spiritual poetry • Quotations • Miguel de Cervantes • Matos Fragoso • Corruption • Baroque • Metrics • Anthroponomy • History of Spanis language • Dedicatees • Stylistic development • Poetry about music • Sermons • Council of Castile • Cándido María Trigueros • Antonio de Zamora • Paremiology • Lovers • Jáuregui • Madmen • Francesco Portonari • Sociability • Literary criticism • Translator • Don Quixote • Girolamo Gigli • Quijote • Spanish theatre • Portuguese poetry • Spanish Golden Age Theatre • Góngora • Politics • Poetry • Moreto • El maestro de danzar • Decorum • Nicolini da Sabbio • Córdoba • Ineffable language • Proverbs • Tradition • XVII century • Descartes • Topos • 17th Century • Cáncer • Open access • Asceticism • interludes • Court • Autobiography • Translation Studies • Carlo Goldoni • Queen Isabel de Borbón • Poggio Bracciolini • Olivieri di Castiglia • Critical edition • Mendeley • Comedy of magic • Short farce • Diálogo de la lengua • Empresas políticas • Luigi Groto • Variety • Love poetry • Spanish literature of the Golden Age • Robbery • Saavedra Fajardo • Juan Bautista Pederzano • Helmet of Mambrino • Díaz de Rivas • Romances of chivalry • Painting • Correction to editio princeps • Iberism • Coherence • Luís de Camões • Melchor Díaz de Toledo • Comedia nueva • French Classical Theatre • Female reader • Tragic play • Morisco figures • Notes in scholarly editions • Theatre Translation • Rhetoric • Truth • Tametsi decree • Expression • Translators • Spanish Novel • Explicitation • Italian humanist short prose • Suspension • Justice • Prior censorship • Music • Lope • Disgust • Enchantment of Dulcinea • Spanish Poetry • Philip IV • Copper coin • Philosophical method • Symbolism • Italy • Bernardo de Sandoval y Rojas • Spain • Preaching • Empire • Margaret Theresa of Spain • Jerónimo Corte-Real • Censors • Golden Age minor theater • Uruguay • Homeric simile • Segmentation • Christian preacher • Festive relation • Literary censorship • Tesoro de la Lengua Castellana • Metaphor • Letters • King Sebastian • Jiménez Patón • Eulogy • Cohesion • Authorship • Espada sagrada • Pynchon • Journey • Affect • Caballero de Illescas • Promujer • Guzmán de Alfarache • New Spain • Baroque poetry • La Zucca del Doni en spañol • Francisco de Quevedo • Low Baroque • Playing cards • Fear • Barahona de Soto • Grotesque body • Renaissance books • Castillo Solórzano • Literary styles • Orthographiy • Santa Teresa • Adventure books • Bandello • Rewriting • Mysticism • Graphical changes • History of typography • Donkey • Mercadante • Authors • La Gerusalemme liberata • Interpretation • Translation • El piadoso veneciano • Exemplary Novels • Quiñones de Benavente • Early Music • Dynamism • Post-Tridentine Spain • Rojas Zorrilla • Hernando de Acuña • Traitors • Jewels • Countess of Harrach • Kundera • Calderón • The Book of Judges • Anti-aulic satire • Lope de Vega • Castillejo • Cristóbal de Morales • Libretto • Press • Diccionario de Autoridades • El dómine Lucas • Lady of Copacabana • Slang • Figurón comedy • Dedications • Analysis • Komenský • Auto • Gongorism • Álvar Núñez Cabeza de Vaca • Barbers • Portugal • Affinities • Francisco de La Torre • Mystical symbols • Atonement • Metaphors • Enríquez de Cabrera • Images • Ideology • Cea Tesa • José de Arroyo • Decameron • Nadie fíe su secreto • Collaboration • Comedy • El bautismo del príncipe de Marruecos • Theatre • Preacher • Conquest of Peru • Epic poetry • Seventeenth century • Carlo Gozzi • Dramatic formula • Italian translation • Nuns • Language • Shame • Honour • Translation constraints • Spanish Golden Age, History of Linguistics • San Juan de la Cruz • Jorge de Montemayor • Insane asylums • Cut flower • Fernández de Lizardi • Notes • Seville • Witticism • Sonnets • Epic and Drama • Parody • Comedias de pícaros • Picaresque novel • Spanish Golden Age entremeses • Italian Renaissance • Italophile • Dramatic space • Pedro Sarmiento de Gamboa • Juan de Mariana • Alonso de Castillo Solórzano • Aminta • Adaptation Studies • Literature • Publisher • resemantization • Financial crisis • Attributed authorship • Chivalric romance • Renascence • Literary sources • Republic of Letters • Sociology • Trees • Cervantes • Italian • Modernity • Satyre • Style • Tree • Sacrament of penance • Novel • Critical editions of literary Works • Public-Private relation • 17th century Theatre • Luis Gálvez de Montalvo • Perfecto predicador • Fraud • Fernando de Herrera • Vázquez Siruela • Anagilda • Facetia • Controversy • Gemstones • Book of Job • Miguel Torga • Theater • Stage • Religious Poetry • Ambiguity • Travel narratives • Alonso Remón • Golden Age Poetry • Golden Age • Farsalia • Imago • Phonetics • Versification • Unstable • Philology • Literary Forgery • Francisco de Leefdael • Juan de Valdés • José de la Concha • Popular culture • Spanish Court Poetry • 17th century • Eroticism • Spanish Golden Age • Rimas • La Maya • CABIGO • Women writers • Marginalization • Catalogue • Reception theory • Rosete Niño • Seven love letters • Mythification • Experience • Labyrinth • Quevedo • Bibliography • Intertextuality • Satire • Quixote • History of book • Oliveros de Castilla • Giacomo Franco • Sermon • Baroque theater • Metre • Orthography • Love • Edition • Antonio Sacchi • Timanthes • Venice • Hernán Núñez • Roberto el diablo • La noche de San Juan • Sonnet • Hagiographic drama • Fine taste • Bible • Illustrated edition • Madrid • Novelle • Butterfly • Octosyllabic verse • Siglo de Oro • Refranes • Order of the Golden Fleece • Tridentin work

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.