Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Quiñones de Benavente • Saavedra Fajardo • Góngora • Translators • Council of Castile • Prior censorship • Castillejo • Aminta • Travel narratives • Expression • Castillo Solórzano • Picaresque novel • Eulogy • Literary sources • Truth • Spanish Golden Age Theatre • Dedicatees • Poetry • Tragic play • Fernández de Lizardi • Jorge de Montemayor • Komenský • Conquest of Peru • Auto • Rewriting • Fernando de Herrera • 17th Century • Enríquez de Cabrera • Bandello • Notes in scholarly editions • Translation • String literature • Atonement • Philology • Margaret Theresa of Spain • El dómine Lucas • Granada • Helmet of Mambrino • History of Spanis language • Guzmán de Alfarache • Music • Uruguay • Adaptation Studies • Matos Fragoso • Sonnet • Trees • Philip IV • Melchor Díaz de Toledo • Novelas ejemplares • Affect • Experience • Spiritual poetry • Catalogue • Topos • Donkey • Luis Gálvez de Montalvo • Cea Tesa • Venitian printing • Variety • Cristóbal de Morales • Miguel de Cervantes • Coherence • La noche de San Juan • Facetia • Homeric simile • Baroque theater • Nuns • Pynchon • Preacher • Siglo de Oro • El piadoso veneciano • Renaissance books • Empire • Popular culture • Libretto • Rhetoric • Anti-aulic satire • Notes • Miguel Torga • Cut flower • Ineffable language • Tesoro de la Lengua Castellana • Butterfly • Francisco de Leefdael • Tree • Walter Raleigh • Theater • Traitors • Spanish Novel • Promujer • Seventeenth century • Hagiographic drama • Nadie fíe su secreto • Phonetics • Refranes • Asceticism • Dedications • Descartes • Book of Job • Comedy • Barahona de Soto • Spanish Golden Age, History of Linguistics • Autobiography • Textual bibliography • Press • Analysis • Dramatic space • Novel • Authorship • Spanish Golden Age theatre • Spanish theatre • Mystical symbols • Antonio de Zamora • Ideology • Literary authors • Explicitation • La Zucca del Doni en spañol • Censors • Cándido María Trigueros • Anacreontics • Venice • Cervantes • Letters • resemantization • Fine taste • Labyrinth • Fear • 17th century • Painting • Seven love letters • Witticism • Adventure books • Proverbs • Translator • Mythification • Critical editions of literary Works • Stylistic development • Open access • Baroque comedy • Italy • Timanthes • Preaching • Repentance • Portugal • Italian Renaissance • Literary criticism • Slang • Jerónimo Corte-Real • Pedro Sarmiento de Gamboa • Baroque poetry • CABIGO • Lope • Theatre Translation • Iberism • Córdoba • Parody • Empresas políticas • Carlo Gozzi • Metre • Countess of Harrach • Las dos doncellas • Christian preacher • Decameron • Edition • Graphical changes • Madmen • Fraud • Alonso Remón • Sermon • Decorum • Spanish Poetry • Journey • Literary Forgery • Segmentation • Luigi Groto • Seville • Queen Isabel de Borbón • Anthroponomy • Francesco Portonari • Marginalization • Short farce • Sonnets • Corruption • Nicolini da Sabbio • Farsalia • Exemplary Novels • Literature • Morisco figures • Dynamism • Cohesion • Tridentin work • Spain • Court • El bautismo del príncipe de Marruecos • Italophile • Diccionario de Autoridades • Tradition • Satire • Grotesque body • Religious Poetry • Metaphor • Modernity • Diálogo de la lengua • Festive relation • History of typography • Moreto • Golden Age minor theater • French Classical Theatre • Enchantment of Dulcinea • Theatre • Italian translation • Espada sagrada • Images • José de la Concha • Poggio Bracciolini • Santa Teresa • Order of the Golden Fleece • La Maya • Poetics • interludes • 17th century Theatre • Low Baroque • Cáncer • Metrics • Reception theory • Epic poetry • Satyre • History of book • King Sebastian • Perfecto predicador • Girolamo Gigli • Gemstones • Affinities • Style • Oliveros de Castilla • Poetry about music • Philosophical method • Antonio Sacchi • Suspension • Mendeley • Spanish Golden Age • Collaboration • Calderón de a Barca • Mysticism • Public-Private relation • Francisco de Quevedo • Metaphors • Playing cards • Romances of chivalry • Sociability • Dramatic formula • Republic of Letters • New Spain • The Book of Judges • Luís de Camões • Stage • Language • Authors • Álvar Núñez Cabeza de Vaca • Justice • Rimas • Olivieri di Castiglia • Publisher • San Juan de la Cruz • Juan Bautista Pederzano • Octosyllabic verse • XVII century • Italian • Critical edition • Lady of Copacabana • Roberto el diablo • Figurón comedy • Robbery • Golden Age Poetry • Dalila • Translation constraints • Politics • Copper coin • La Gerusalemme liberata • Comedia nueva • Quijote • Anagilda • Baroque • Bible • Imago • Twentieth century • Hernán Núñez • Comedy of magic • Love poetry • Honour • Jiménez Patón • Translation Studies • Sermons • Novelle • Correction to editio princeps • Booklets • Mercadante • Quevedo • Juan de Valdés • Insane asylums • José de Arroyo • Barbers • Intertextuality • Orthography • Jáuregui • Tametsi decree • Kundera • Portuguese poetry • José Saramago • Alonso de Castillo Solórzano • El maestro de danzar • Spanish Golden Age entremeses • Gongorism • Díaz de Rivas • Bernardo de Sandoval y Rojas • Calderón • Carlo Goldoni • Lope sources • Quixote • Versification • Financial crisis • Love • Sacrament of penance • Jewels • Gypsies • Post-Tridentine Spain • Female reader • Literary censorship • Illustrated edition • Hernando de Acuña • Shame • Spanish Court Poetry • Francisco de La Torre • Controversy • Early Music • Vázquez Siruela • Rosete Niño • Renascence • Women writers • Caballero de Illescas • Golden Age • Orthographiy • Chivalric romance • Eroticism • Attributed authorship • Lovers • Literary styles • Comedias de pícaros • Madrid • Disgust • Unstable • Giacomo Franco • Priest • Bibliography • Juan de Mariana • Ambiguity • Epic and Drama • Sociology • Italian humanist short prose • Spanish literature of the Golden Age • Interpretation • Symbolism • Lope de Vega • Quotations • Don Quixote • Paremiology • Rojas Zorrilla

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.