Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords History of Spanis language • Trees • Images • Literary styles • Experience • Jewels • Tametsi decree • Gongorism • Renaissance books • Dynamism • Topos • Variety • Female reader • Popular culture • Díaz de Rivas • Francisco de Quevedo • Novel • Ineffable language • Priest • Komenský • Literary criticism • French Classical Theatre • Fine taste • Theatre Translation • 17th Century • Bandello • Italian translation • Seven love letters • Spanish Golden Age Theatre • Graphical changes • Tridentin work • Preacher • Spanish Poetry • Bernardo de Sandoval y Rojas • Pynchon • Translation constraints • Translators • Metaphor • José de la Concha • La noche de San Juan • Quotations • Homeric simile • Lady of Copacabana • Seville • Versification • Metaphors • Catalogue • Farsalia • Comedias de pícaros • El bautismo del príncipe de Marruecos • Guzmán de Alfarache • Book of Job • Italy • Autobiography • Orthographiy • Sermons • interludes • Oliveros de Castilla • Diccionario de Autoridades • Baroque comedy • Phonetics • Honour • Golden Age • Gemstones • Portugal • Donkey • Repentance • Portuguese poetry • Proverbs • Love poetry • Spanish Golden Age theatre • Epic and Drama • Sacrament of penance • Cándido María Trigueros • Venitian printing • Rosete Niño • Cáncer • Sociology • Authorship • Barbers • Helmet of Mambrino • Explicitation • Jáuregui • Poggio Bracciolini • Calderón • Twentieth century • Metre • Saavedra Fajardo • Girolamo Gigli • Luís de Camões • Court • Corruption • Metrics • 17th century Theatre • Early Music • Painting • Fernando de Herrera • Miguel Torga • Ideology • José de Arroyo • Mysticism • Literary authors • Golden Age minor theater • Politics • String literature • Authors • Quijote • Walter Raleigh • Preaching • Antonio Sacchi • Baroque poetry • Caballero de Illescas • Anti-aulic satire • Mythification • Las dos doncellas • Luigi Groto • Iberism • Christian preacher • Travel narratives • Spiritual poetry • La Maya • Lovers • resemantization • Theater • Seventeenth century • Philology • Collaboration • Dramatic space • Figurón comedy • Anthroponomy • Hagiographic drama • Tragic play • Venice • Cut flower • Granada • Comedy of magic • El dómine Lucas • Nicolini da Sabbio • El maestro de danzar • Olivieri di Castiglia • Council of Castile • Morisco figures • Segmentation • Spanish literature of the Golden Age • Music • Critical editions of literary Works • Spanish theatre • Spanish Golden Age entremeses • Libretto • King Sebastian • Dedications • Asceticism • Melchor Díaz de Toledo • Literary Forgery • Translator • Tradition • Censors • Roberto el diablo • Madmen • Low Baroque • Eulogy • Translation • Analysis • Rojas Zorrilla • Countess of Harrach • Mercadante • Reception theory • Anagilda • Luis Gálvez de Montalvo • Mendeley • Miguel de Cervantes • Quiñones de Benavente • Republic of Letters • Dramatic formula • Perfecto predicador • Nuns • Literary sources • Sociability • Castillejo • Eroticism • Insane asylums • Journey • Nadie fíe su secreto • Bible • Women writers • Juan Bautista Pederzano • Enchantment of Dulcinea • Robbery • Jiménez Patón • Italian humanist short prose • Margaret Theresa of Spain • Baroque • Spanish Golden Age, History of Linguistics • Order of the Golden Fleece • Cervantes • Intertextuality • Open access • Fernández de Lizardi • Picaresque novel • Paremiology • Mystical symbols • Critical edition • Juan de Mariana • Comedy • Modernity • Adventure books • Style • Epic poetry • Correction to editio princeps • Hernando de Acuña • Matos Fragoso • Dedicatees • Giacomo Franco • Short farce • Jorge de Montemayor • Literary censorship • Moreto • Italian • Edition • Disgust • Stylistic development • Facetia • Aminta • Cristóbal de Morales • Religious Poetry • Espada sagrada • Castillo Solórzano • Novelle • Imago • Spain • Comedia nueva • Uruguay • Grotesque body • Bibliography • Poetry • Coherence • Barahona de Soto • Francisco de La Torre • Notes in scholarly editions • Playing cards • Theatre • Francisco de Leefdael • Quixote • Gypsies • La Zucca del Doni en spañol • Spanish Court Poetry • Vázquez Siruela • Decorum • Notes • Spanish Novel • Affect • Dalila • José Saramago • Empire • Alonso Remón • Romances of chivalry • Fraud • Atonement • Lope sources • Lope • Philosophical method • Translation Studies • The Book of Judges • 17th century • Renascence • Sermon • Carlo Goldoni • Carlo Gozzi • Suspension • Exemplary Novels • CABIGO • Italophile • Córdoba • Madrid • Butterfly • Orthography • Slang • XVII century • Public-Private relation • Language • Parody • Alonso de Castillo Solórzano • Empresas políticas • Prior censorship • Sonnets • La Gerusalemme liberata • Enríquez de Cabrera • Cea Tesa • Calderón de a Barca • Love • History of typography • Expression • Góngora • Spanish Golden Age • Poetry about music • Unstable • Decameron • Lope de Vega • Post-Tridentine Spain • Kundera • Satyre • Refranes • Santa Teresa • Timanthes • Copper coin • Don Quixote • History of book • Rhetoric • Affinities • Antonio de Zamora • Baroque theater • Francesco Portonari • New Spain • Traitors • Queen Isabel de Borbón • Marginalization • Rewriting • Textual bibliography • Álvar Núñez Cabeza de Vaca • Siglo de Oro • Descartes • Financial crisis • Fear • Adaptation Studies • Rimas • Italian Renaissance • Letters • Publisher • Chivalric romance • El piadoso veneciano • Philip IV • Pedro Sarmiento de Gamboa • Festive relation • Novelas ejemplares • Literature • Witticism • Golden Age Poetry • Controversy • Diálogo de la lengua • Symbolism • Quevedo • Shame • Octosyllabic verse • Tesoro de la Lengua Castellana • Sonnet • Conquest of Peru • Labyrinth • Press • Tree • Hernán Núñez • Interpretation • Illustrated edition • Ambiguity • Attributed authorship • Cohesion • Truth • Jerónimo Corte-Real • Stage • Poetics • Juan de Valdés • Auto • Satire • Booklets • Justice • Anacreontics • San Juan de la Cruz • Promujer

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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