Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Octosyllabic verse • Book of Job • Press • Segmentation • Butterfly • Jorge de Montemayor • Grotesque body • Poetics • Homeric simile • Dramatic formula • Imago • La Zucca del Doni en spañol • Carlo Goldoni • Booklets • Poggio Bracciolini • Exemplary Novels • Golden Age Poetry • Translation Studies • Festive relation • Tesoro de la Lengua Castellana • Díaz de Rivas • Jewels • Adventure books • Female reader • Las dos doncellas • Nicolini da Sabbio • Shame • Santa Teresa • Auto • Metre • Controversy • Experience • Quixote • Luigi Groto • Italy • Italian Renaissance • Anagilda • Truth • Short farce • Comedy • Spanish Golden Age Theatre • Matos Fragoso • Parody • Seville • Order of the Golden Fleece • Spanish Golden Age, History of Linguistics • Comedia nueva • Empire • Censors • Spanish Novel • String literature • Olivieri di Castiglia • Literary sources • Granada • Lovers • Barbers • 17th century • Authors • Fine taste • La Gerusalemme liberata • Anti-aulic satire • Graphical changes • Sociability • Bandello • Madmen • Sermon • Girolamo Gigli • Kundera • Ineffable language • Priest • Calderón de a Barca • History of typography • Phonetics • Metrics • Paremiology • Mystical symbols • King Sebastian • Espada sagrada • Pedro Sarmiento de Gamboa • Countess of Harrach • Hernando de Acuña • Explicitation • Diálogo de la lengua • Eroticism • Gemstones • Reception theory • El bautismo del príncipe de Marruecos • Symbolism • Spiritual poetry • Francisco de Leefdael • Cea Tesa • Castillo Solórzano • El maestro de danzar • Translators • Carlo Gozzi • Madrid • Quijote • Luís de Camões • Authorship • Barahona de Soto • Iberism • Language • Variety • Nadie fíe su secreto • Preaching • Aminta • Stylistic development • Miguel de Cervantes • Travel narratives • Religious Poetry • Journey • Francisco de Quevedo • Modernity • Translator • Dramatic space • Traitors • Spanish literature of the Golden Age • Alonso Remón • Fraud • Timanthes • The Book of Judges • Spain • Labyrinth • Vázquez Siruela • Helmet of Mambrino • Donkey • Christian preacher • Affinities • Fear • Textual bibliography • Adaptation Studies • Caballero de Illescas • Spanish theatre • Corruption • Interpretation • Translation constraints • Figurón comedy • Cristóbal de Morales • Mercadante • Diccionario de Autoridades • Córdoba • Empresas políticas • Low Baroque • Dedicatees • Comedias de pícaros • resemantization • Enríquez de Cabrera • Italophile • Guzmán de Alfarache • Romances of chivalry • Novelas ejemplares • Translation • Juan de Mariana • Antonio Sacchi • Poetry about music • Suspension • Collaboration • Francisco de La Torre • Ideology • Council of Castile • Literary criticism • Lope sources • Literary authors • Literary Forgery • Epic poetry • Sonnets • 17th century Theatre • Satire • Notes in scholarly editions • Juan Bautista Pederzano • Cáncer • Tree • 17th Century • Seven love letters • Chivalric romance • Orthographiy • Marginalization • Catalogue • Picaresque novel • Politics • Style • Ambiguity • Twentieth century • Eulogy • El dómine Lucas • interludes • Komenský • Juan de Valdés • Saavedra Fajardo • Calderón • Rojas Zorrilla • Bernardo de Sandoval y Rojas • Stage • Images • Perfecto predicador • Refranes • Epic and Drama • Jáuregui • Francesco Portonari • Love poetry • Asceticism • Metaphors • Cohesion • Baroque poetry • Painting • CABIGO • Luis Gálvez de Montalvo • Open access • Venitian printing • Theatre Translation • Literary styles • Prior censorship • Autobiography • Tridentin work • Attributed authorship • José de la Concha • Antonio de Zamora • Proverbs • Queen Isabel de Borbón • Theater • Descartes • Góngora • Cervantes • Dedications • Insane asylums • Novelle • Publisher • Witticism • Portugal • Melchor Díaz de Toledo • Spanish Poetry • Italian translation • Rewriting • Spanish Golden Age theatre • Decorum • Literature • Mythification • Philology • Moreto • Dynamism • Fernando de Herrera • Love • New Spain • Honour • Unstable • Rhetoric • Cándido María Trigueros • Coherence • Baroque theater • Miguel Torga • Atonement • Giacomo Franco • Quiñones de Benavente • Siglo de Oro • Sacrament of penance • Versification • Sermons • El piadoso veneciano • Gypsies • Letters • Analysis • Repentance • Hernán Núñez • Enchantment of Dulcinea • Sonnet • Orthography • Pynchon • Gongorism • Facetia • Farsalia • Rimas • Italian humanist short prose • Don Quixote • Uruguay • Baroque comedy • Lope de Vega • Libretto • Portuguese poetry • Critical edition • Early Music • Preacher • Walter Raleigh • Satyre • Jiménez Patón • Mendeley • Jerónimo Corte-Real • Baroque • History of Spanis language • San Juan de la Cruz • Bibliography • Alonso de Castillo Solórzano • Conquest of Peru • Dalila • Women writers • Italian • Tradition • Fernández de Lizardi • Edition • Mysticism • Post-Tridentine Spain • Illustrated edition • Notes • Comedy of magic • José de Arroyo • Slang • Bible • Venice • Intertextuality • Promujer • Literary censorship • Affect • Public-Private relation • Quevedo • Renascence • Álvar Núñez Cabeza de Vaca • Novel • Robbery • Seventeenth century • Golden Age minor theater • Court • Spanish Court Poetry • Trees • Correction to editio princeps • Republic of Letters • Anacreontics • Lope • Music • Expression • Tametsi decree • History of book • Tragic play • Spanish Golden Age • Margaret Theresa of Spain • French Classical Theatre • Oliveros de Castilla • Spanish Golden Age entremeses • Critical editions of literary Works • Quotations • Anthroponomy • Hagiographic drama • Theatre • Decameron • Topos • Golden Age • Sociology • Lady of Copacabana • Renaissance books • La Maya • Cut flower • José Saramago • Metaphor • Castillejo • Popular culture • Financial crisis • Roberto el diablo • Poetry • Copper coin • Justice • Philosophical method • Nuns • Rosete Niño • Philip IV • Disgust • Playing cards • XVII century • La noche de San Juan • Morisco figures

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.