Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Adventure books • Seventeenth century • Dramatic formula • Graphical changes • Chivalric romance • Literary censorship • Segmentation • Philosophical method • Prior censorship • Low Baroque • Baroque theater • Oliveros de Castilla • Preacher • Fraud • Lady of Copacabana • Venitian printing • Priest • Carlo Goldoni • Mercadante • Seven love letters • Juan de Mariana • Novelle • Comedias de pícaros • Philip IV • Quixote • Aminta • Las dos doncellas • Christian preacher • Mythification • Proverbs • Antonio Sacchi • Auto • Affinities • Baroque • Lope • Butterfly • Conquest of Peru • Translation constraints • Miguel Torga • Calderón de a Barca • Controversy • Novel • Twentieth century • Sonnets • Decameron • Dedicatees • Comedy • Orthography • Press • Francesco Portonari • Barahona de Soto • Spanish Golden Age • Farsalia • Comedy of magic • Hernando de Acuña • Quevedo • Perfecto predicador • XVII century • Edition • Sonnet • Epic and Drama • Álvar Núñez Cabeza de Vaca • Dalila • Notes in scholarly editions • Paremiology • Madrid • Refranes • Enchantment of Dulcinea • Francisco de Leefdael • Book of Job • Order of the Golden Fleece • Juan de Valdés • Style • CABIGO • Stage • Unstable • Empresas políticas • Cea Tesa • Sacrament of penance • Metaphors • Metaphor • Italian translation • Anacreontics • Jiménez Patón • Literary styles • Quiñones de Benavente • El maestro de danzar • Diálogo de la lengua • Love poetry • Hernán Núñez • Calderón • Literary criticism • Lope de Vega • Kundera • Parody • Bandello • Copper coin • Tametsi decree • Dramatic space • Language • El piadoso veneciano • Justice • Anti-aulic satire • José de la Concha • Juan Bautista Pederzano • Descartes • Matos Fragoso • Gemstones • Translation • Jewels • El bautismo del príncipe de Marruecos • La Maya • Don Quixote • Promujer • Decorum • Alonso de Castillo Solórzano • Homeric simile • Marginalization • Seville • Poetics • Dynamism • Giacomo Franco • Octosyllabic verse • resemantization • Satyre • Facetia • Theater • Venice • Repentance • Female reader • Poetry about music • La noche de San Juan • Melchor Díaz de Toledo • Mendeley • Siglo de Oro • La Zucca del Doni en spañol • Moreto • Cohesion • Antonio de Zamora • Women writers • Jerónimo Corte-Real • Philology • Witticism • The Book of Judges • Fear • Popular culture • Robbery • Labyrinth • Correction to editio princeps • Picaresque novel • Autobiography • Italophile • Golden Age minor theater • Luís de Camões • Lope sources • Pedro Sarmiento de Gamboa • Spanish Court Poetry • La Gerusalemme liberata • Golden Age • Quotations • Renascence • Orthographiy • Analysis • Mystical symbols • Spanish Novel • Spanish Poetry • Early Music • Publisher • Poggio Bracciolini • Modernity • Politics • Anagilda • Intertextuality • Pynchon • Affect • King Sebastian • Tridentin work • Reception theory • Jáuregui • Honour • Cervantes • Guzmán de Alfarache • Spanish literature of the Golden Age • Nuns • Olivieri di Castiglia • Tree • Italy • Lovers • 17th century • Authors • Sermon • Walter Raleigh • Council of Castile • Tragic play • Cáncer • Symbolism • History of book • Experience • Topos • Luigi Groto • Preaching • Italian humanist short prose • Gypsies • Santa Teresa • Tradition • Díaz de Rivas • Jorge de Montemayor • Córdoba • Ambiguity • 17th Century • Censors • Literature • Timanthes • Adaptation Studies • Nadie fíe su secreto • Empire • Góngora • Cristóbal de Morales • Explicitation • Images • Public-Private relation • Attributed authorship • Corruption • Italian • Comedia nueva • Catalogue • Grotesque body • Iberism • Castillejo • Insane asylums • Rewriting • Literary Forgery • Journey • Stylistic development • Bernardo de Sandoval y Rojas • Critical edition • Renaissance books • Truth • Uruguay • Sociology • Francisco de La Torre • Coherence • Satire • Literary sources • Baroque comedy • Atonement • Cut flower • Letters • Sociability • Quijote • Bibliography • Granada • Rimas • Phonetics • Love • Luis Gálvez de Montalvo • Spanish theatre • Diccionario de Autoridades • History of Spanis language • Romances of chivalry • José de Arroyo • Carlo Gozzi • Caballero de Illescas • Hagiographic drama • Fine taste • Nicolini da Sabbio • Rojas Zorrilla • Dedications • Notes • Spiritual poetry • Baroque poetry • Bible • Ineffable language • New Spain • Fernando de Herrera • Variety • Queen Isabel de Borbón • Disgust • French Classical Theatre • Barbers • Spanish Golden Age entremeses • Booklets • Post-Tridentine Spain • Spanish Golden Age, History of Linguistics • Rhetoric • Alonso Remón • Tesoro de la Lengua Castellana • Religious Poetry • Authorship • Portugal • Slang • Rosete Niño • Fernández de Lizardi • Francisco de Quevedo • Ideology • Translator • Festive relation • Countess of Harrach • Illustrated edition • San Juan de la Cruz • Textual bibliography • interludes • Cándido María Trigueros • Imago • Open access • String literature • Trees • Spanish Golden Age Theatre • Interpretation • El dómine Lucas • Translators • Eroticism • Travel narratives • Painting • Traitors • Court • Epic poetry • Madmen • Espada sagrada • Spain • 17th century Theatre • Short farce • Girolamo Gigli • Gongorism • Playing cards • Saavedra Fajardo • Italian Renaissance • Castillo Solórzano • Asceticism • Republic of Letters • Mysticism • Theatre Translation • Expression • Collaboration • Eulogy • Spanish Golden Age theatre • Literary authors • Novelas ejemplares • Vázquez Siruela • Translation Studies • Miguel de Cervantes • Anthroponomy • Exemplary Novels • Helmet of Mambrino • Libretto • Golden Age Poetry • Poetry • Theatre • Music • Financial crisis • Margaret Theresa of Spain • Critical editions of literary Works • Portuguese poetry • Shame • José Saramago • Figurón comedy • Komenský • Roberto el diablo • Versification • Sermons • Donkey • Metrics • Suspension • Enríquez de Cabrera • Morisco figures • Metre • History of typography

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.