Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Pedro Sarmiento de Gamboa • Santa Teresa • Order of the Golden Fleece • Symbolism • Graphical changes • José de Arroyo • Conquest of Peru • Topos • Novel • Female reader • Spanish Golden Age, History of Linguistics • Ineffable language • Slang • Diccionario de Autoridades • Aminta • 17th century Theatre • Modernity • Women writers • Seventeenth century • Baroque comedy • Imago • History of typography • Nadie fíe su secreto • Orthographiy • Romances of chivalry • Philip IV • Intertextuality • Authorship • Translation • Notes in scholarly editions • Jiménez Patón • Butterfly • Playing cards • José Saramago • Poetics • Theatre Translation • Sonnet • Quiñones de Benavente • Translation Studies • Post-Tridentine Spain • Rhetoric • Politics • Disgust • Suspension • Quixote • José de la Concha • Portuguese poetry • Edition • Letters • Luigi Groto • Cervantes • Eroticism • La Gerusalemme liberata • Anacreontics • Comedia nueva • Metre • 17th century • Literary Forgery • Experience • Lope sources • interludes • Baroque • Republic of Letters • Francisco de Leefdael • Interpretation • Cándido María Trigueros • Reception theory • Kundera • Priest • Juan de Valdés • Epic and Drama • Alonso Remón • Antonio Sacchi • Sermons • Cristóbal de Morales • Illustrated edition • Variety • Libretto • Phonetics • Authors • Komenský • Tree • Financial crisis • Theatre • Helmet of Mambrino • Countess of Harrach • Metaphors • Iberism • Press • Moreto • Dalila • Lope de Vega • Spain • Festive relation • Translators • Sacrament of penance • Philology • Decorum • Italian translation • Figurón comedy • Hagiographic drama • Empire • Seville • Theater • Music • Critical editions of literary Works • Oliveros de Castilla • Comedy • Tesoro de la Lengua Castellana • Literary authors • Expression • Spanish Golden Age • Italophile • Metaphor • Castillejo • Roberto el diablo • Calderón de a Barca • Insane asylums • Language • Rojas Zorrilla • Portugal • Lady of Copacabana • Tametsi decree • Ideology • Promujer • Spanish Golden Age Theatre • Gongorism • Italian humanist short prose • Córdoba • Epic poetry • Religious Poetry • Philosophical method • Dramatic space • Love • Tragic play • Justice • Bernardo de Sandoval y Rojas • Hernán Núñez • Literary criticism • Style • Las dos doncellas • Robbery • Carlo Gozzi • Perfecto predicador • History of Spanis language • King Sebastian • Quijote • Juan de Mariana • Sonnets • Italian Renaissance • Homeric simile • Literary censorship • Diálogo de la lengua • Textual bibliography • Chivalric romance • Metrics • Luís de Camões • Antonio de Zamora • Comedias de pícaros • Walter Raleigh • Atonement • Painting • Coherence • XVII century • Granada • Shame • Quotations • San Juan de la Cruz • Italy • Baroque poetry • Guzmán de Alfarache • Trees • Affinities • Madmen • Popular culture • Melchor Díaz de Toledo • Dedicatees • Calderón • Journey • Fernández de Lizardi • Adaptation Studies • Sociability • Sermon • Anthroponomy • History of book • Mysticism • Publisher • Decameron • Bandello • Fine taste • Gemstones • Francesco Portonari • Preacher • Short farce • Sociology • Spanish theatre • Don Quixote • El dómine Lucas • Satyre • La noche de San Juan • Golden Age • Cáncer • Spanish Novel • Espada sagrada • Barbers • Honour • Open access • Versification • Notes • Censors • Lope • Gypsies • Madrid • Novelle • Matos Fragoso • Translation constraints • Renascence • The Book of Judges • Farsalia • 17th Century • Anti-aulic satire • Francisco de Quevedo • Preaching • Low Baroque • Díaz de Rivas • Corruption • Eulogy • Pynchon • Literature • Francisco de La Torre • Vázquez Siruela • Spanish Poetry • Seven love letters • Comedy of magic • String literature • Cea Tesa • Rosete Niño • Affect • Spiritual poetry • Booklets • Mercadante • Alonso de Castillo Solórzano • Donkey • Jerónimo Corte-Real • Council of Castile • Mystical symbols • Christian preacher • Paremiology • Spanish Golden Age theatre • Literary styles • Mendeley • Nicolini da Sabbio • Jewels • Attributed authorship • Copper coin • Jorge de Montemayor • Baroque theater • Twentieth century • Auto • Jáuregui • Witticism • Picaresque novel • Explicitation • Labyrinth • La Zucca del Doni en spañol • Rewriting • Critical edition • Quevedo • Literary sources • Renaissance books • Repentance • resemantization • Unstable • Rimas • Luis Gálvez de Montalvo • Timanthes • Spanish literature of the Golden Age • La Maya • Cut flower • Facetia • Golden Age minor theater • Miguel Torga • Empresas políticas • Marginalization • Álvar Núñez Cabeza de Vaca • Segmentation • Stage • Fraud • Nuns • Collaboration • El bautismo del príncipe de Marruecos • Poggio Bracciolini • Miguel de Cervantes • El maestro de danzar • Poetry • Fernando de Herrera • Cohesion • Mythification • Caballero de Illescas • Siglo de Oro • Bibliography • Italian • Ambiguity • Dynamism • Octosyllabic verse • Tridentin work • Asceticism • Golden Age Poetry • Girolamo Gigli • Court • Translator • Catalogue • Grotesque body • Early Music • Tradition • Parody • Lovers • Novelas ejemplares • Venice • CABIGO • Barahona de Soto • Controversy • Bible • Fear • Descartes • Public-Private relation • Proverbs • Enríquez de Cabrera • Love poetry • Margaret Theresa of Spain • Truth • Poetry about music • Exemplary Novels • Orthography • Stylistic development • Refranes • Anagilda • Autobiography • Book of Job • Olivieri di Castiglia • El piadoso veneciano • Uruguay • Spanish Court Poetry • Morisco figures • Traitors • Images • Prior censorship • Saavedra Fajardo • Castillo Solórzano • Hernando de Acuña • Analysis • Adventure books • Dedications • French Classical Theatre • Dramatic formula • Correction to editio princeps • Carlo Goldoni • Queen Isabel de Borbón • Góngora • Spanish Golden Age entremeses • Enchantment of Dulcinea • Juan Bautista Pederzano • Satire • Travel narratives • Giacomo Franco • New Spain • Venitian printing

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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