El Madrid de 1617 como espacio dramático

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DC Field	Value
dc.identifier	ECF_chapter_982
dc.contributor.author	Villarino Edith Marta
dc.title	El Madrid de 1617 como espacio dramático. Otra mirada a Lo que pasa en una tarde de Lope de Vega
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	I have proposed to conduct a review of critical studies and editions of Lo que pasa en una tarde of Lope de Vega, from which present another reading of the work that completes the previous. The analyzed axes are: a) the workspace configuration dramatic in relation to the Real sitio of the Casa de Campo as essential to make plausible the plot and b) the complex dramatic composition based on one of the most common metateatrales forms, according to which the tramoyera Lady and the gracioso created fictions to compel act other characters so end fits to their wishes.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-12-14
dc.dateSubmitted	2015-07-17
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/el-madrid-de-1617-como-espacio-dramatico/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-62
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Dramatic space
dc.subject	Dramatic space
dc.subject	Lope
dc.subject	Lope
dc.subject	Madrid
dc.subject	Madrid

Chapter
open access peer reviewed

El Madrid de 1617 como espacio dramático

Otra mirada a Lo que pasa en una tarde de Lope de Vega

Edith Marta Villarino Universidad Nacional de Mar del Plata, Argentina

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abstract

I have proposed to conduct a review of critical studies and editions of Lo que pasa en una tarde of Lope de Vega, from which present another reading of the work that completes the previous. The analyzed axes are: a) the workspace configuration dramatic in relation to the Real sitio of the Casa de Campo as essential to make plausible the plot and b) the complex dramatic composition based on one of the most common metateatrales forms, according to which the tramoyera Lady and the gracioso created fictions to compel act other characters so end fits to their wishes.

Accepted

Dec. 14, 2016

Submitted

July 17, 2015

Language

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Lope • Dramatic space • Madrid

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-62

Copyright: © 2017 Edith Marta Villarino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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