Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

crossmark logo

open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Diálogo de la lengua • French Classical Theatre • Walter Raleigh • Post-Tridentine Spain • Italy • Sacrament of penance • Castillo Solórzano • Bible • Cristóbal de Morales • Barahona de Soto • Authors • Novelle • Renascence • Dynamism • Donkey • Translator • Espada sagrada • Graphical changes • Homeric simile • Fernández de Lizardi • Spanish literature of the Golden Age • Gypsies • Hernán Núñez • Repentance • Metaphor • Auto • Seven love letters • Rojas Zorrilla • Sermons • Caballero de Illescas • Decameron • Republic of Letters • Stage • interludes • Bernardo de Sandoval y Rojas • Timanthes • Queen Isabel de Borbón • Castillejo • Renaissance books • Saavedra Fajardo • 17th century Theatre • Granada • Translation Studies • Insane asylums • Lope de Vega • Autobiography • Spanish theatre • Language • Philosophical method • El piadoso veneciano • Córdoba • Guzmán de Alfarache • Lope • Nicolini da Sabbio • Christian preacher • Tradition • Quixote • Fernando de Herrera • Variety • Female reader • Exemplary Novels • Topos • Facetia • La Maya • Playing cards • Collaboration • Mythification • Alonso de Castillo Solórzano • Imago • Religious Poetry • Mysticism • Perfecto predicador • Kundera • Prior censorship • Images • Siglo de Oro • Golden Age minor theater • Hernando de Acuña • Giacomo Franco • Low Baroque • Witticism • Literary authors • Music • Symbolism • Letters • Spanish Golden Age theatre • Court • Poetry • Las dos doncellas • Uruguay • Roberto el diablo • Booklets • Orthographiy • Italophile • Metrics • Baroque • Epic poetry • Golden Age • Atonement • Marginalization • Octosyllabic verse • Translation • Quiñones de Benavente • Cervantes • Labyrinth • Novel • Francisco de La Torre • Attributed authorship • San Juan de la Cruz • Spiritual poetry • Publisher • Luigi Groto • Lovers • Nadie fíe su secreto • Spanish Golden Age Theatre • Mendeley • Don Quixote • Hagiographic drama • Juan de Mariana • Traitors • Notes • Olivieri di Castiglia • Expression • Italian humanist short prose • Press • Quijote • Comedy of magic • Epic and Drama • Explicitation • Stylistic development • Literary Forgery • New Spain • Politics • Book of Job • Portugal • Bandello • Copper coin • Phonetics • Jiménez Patón • La Gerusalemme liberata • Tragic play • Butterfly • Critical edition • History of Spanis language • Travel narratives • Descartes • Literary criticism • Comedias de pícaros • Jerónimo Corte-Real • Italian • Baroque comedy • Preacher • Alonso Remón • Cea Tesa • History of typography • Empresas políticas • Novelas ejemplares • Spanish Novel • Melchor Díaz de Toledo • Aminta • El maestro de danzar • Unstable • Truth • Calderón • Spanish Poetry • String literature • Díaz de Rivas • Farsalia • Sonnet • Helmet of Mambrino • Baroque poetry • Dramatic formula • Mercadante • Early Music • Enríquez de Cabrera • Tree • Venice • Jáuregui • Calderón de a Barca • Experience • Ineffable language • Comedia nueva • Mystical symbols • Style • Poggio Bracciolini • Short farce • Antonio de Zamora • El dómine Lucas • Decorum • Promujer • Adaptation Studies • Luis Gálvez de Montalvo • Public-Private relation • resemantization • Catalogue • Honour • Girolamo Gigli • Grotesque body • Barbers • Spanish Golden Age • Dramatic space • Spanish Golden Age entremeses • Justice • Anacreontics • Jorge de Montemayor • Textual bibliography • Proverbs • Theatre Translation • Libretto • Literary censorship • Translation constraints • Cándido María Trigueros • Festive relation • Anthroponomy • Francisco de Leefdael • Diccionario de Autoridades • Seventeenth century • CABIGO • Controversy • Rosete Niño • Tesoro de la Lengua Castellana • Italian translation • Figurón comedy • Eulogy • Countess of Harrach • Refranes • Conquest of Peru • Twentieth century • Góngora • XVII century • Gemstones • Juan Bautista Pederzano • Parody • Reception theory • Pynchon • Rewriting • Golden Age Poetry • Anagilda • José de Arroyo • Analysis • Sociability • Illustrated edition • Bibliography • Lope sources • History of book • Financial crisis • Affect • Empire • Miguel Torga • Robbery • La Zucca del Doni en spañol • Affinities • Notes in scholarly editions • Dedications • Santa Teresa • Suspension • Francesco Portonari • Philology • Trees • Oliveros de Castilla • Madrid • Philip IV • Metaphors • Theater • Romances of chivalry • Seville • Quotations • Carlo Goldoni • Literary styles • Women writers • Comedy • José de la Concha • Spanish Court Poetry • Ambiguity • Adventure books • Authorship • Literary sources • Luís de Camões • Segmentation • Critical editions of literary Works • Shame • Popular culture • Antonio Sacchi • Priest • Portuguese poetry • Picaresque novel • Love poetry • Poetry about music • Preaching • Fraud • Pedro Sarmiento de Gamboa • Italian Renaissance • Council of Castile • Juan de Valdés • Nuns • Interpretation • Corruption • Enchantment of Dulcinea • Miguel de Cervantes • Orthography • Disgust • Tametsi decree • Asceticism • Moreto • Margaret Theresa of Spain • Ideology • Matos Fragoso • Gongorism • Coherence • Morisco figures • Baroque theater • 17th Century • Literature • Translators • Dalila • King Sebastian • La noche de San Juan • Love • Sonnets • Komenský • Spanish Golden Age, History of Linguistics • Sermon • Censors • Lady of Copacabana • Rhetoric • Spain • Fine taste • Quevedo • Cut flower • Open access • Intertextuality • Sociology • Eroticism • Chivalric romance • Fear • Tridentin work • Dedicatees • Versification • Theatre • Modernity • Cáncer • Edition • 17th century • Paremiology • Satire • Álvar Núñez Cabeza de Vaca • Anti-aulic satire • Journey • Madmen • Slang • Carlo Gozzi • Order of the Golden Fleece • Cohesion • Metre • Iberism • Francisco de Quevedo • Poetics • The Book of Judges • Jewels • El bautismo del príncipe de Marruecos • Painting • Vázquez Siruela • Satyre • Venitian printing • Rimas • Correction to editio princeps • José Saramago

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.