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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Granada • Empresas políticas • Slang • Festive relation • Images • Italian translation • Díaz de Rivas • Tridentin work • Sonnet • Luigi Groto • Affect • El bautismo del príncipe de Marruecos • Painting • Translation Studies • Spanish theatre • Sermon • Hernán Núñez • 17th century • History of Spanis language • Music • Carlo Goldoni • Walter Raleigh • Nadie fíe su secreto • Iberism • El dómine Lucas • Italophile • Baroque poetry • Quotations • Satire • La Maya • Tradition • Portuguese poetry • Figurón comedy • Auto • Moreto • Analysis • Komenský • José de Arroyo • Metrics • Juan Bautista Pederzano • Comedy of magic • Siglo de Oro • Metaphor • Travel narratives • Francisco de Quevedo • Female reader • Countess of Harrach • Style • Baroque theater • Jerónimo Corte-Real • Rojas Zorrilla • History of book • Romances of chivalry • Jáuregui • Golden Age • Sermons • Fernández de Lizardi • Baroque • Espada sagrada • Edition • Picaresque novel • Spiritual poetry • Ambiguity • Translators • Decameron • Decorum • Notes in scholarly editions • Poggio Bracciolini • Madrid • Critical editions of literary Works • José de la Concha • Autobiography • Antonio de Zamora • Spanish Golden Age theatre • Modernity • Orthographiy • Notes • Authorship • Hernando de Acuña • Hagiographic drama • Christian preacher • Post-Tridentine Spain • Sacrament of penance • El maestro de danzar • Rewriting • Italian humanist short prose • Quiñones de Benavente • Textual bibliography • Descartes • Jiménez Patón • Spanish Golden Age entremeses • Francisco de Leefdael • Playing cards • San Juan de la Cruz • Fear • Correction to editio princeps • Gypsies • Asceticism • Quijote • Caballero de Illescas • Mendeley • Language • String literature • Italian Renaissance • Spanish Golden Age • Spanish Golden Age Theatre • Eulogy • Theatre • Lovers • Cervantes • Intertextuality • Lope sources • Priest • Morisco figures • Poetics • Tragic play • Jewels • Seven love letters • Ineffable language • Gongorism • Censors • Mercadante • Poetry • Epic poetry • Fraud • Disgust • Preacher • Anthroponomy • Dynamism • Symbolism • Novelle • Literature • Segmentation • Italy • Literary criticism • Prior censorship • Stage • Critical edition • Lope de Vega • Castillo Solórzano • Farsalia • Alonso Remón • Experience • Illustrated edition • Roberto el diablo • Cea Tesa • Trees • Nicolini da Sabbio • Juan de Valdés • XVII century • Literary censorship • Variety • Low Baroque • Spain • Court • Paremiology • Madmen • Santa Teresa • Mysticism • Letters • Las dos doncellas • Republic of Letters • Honour • Imago • Juan de Mariana • Dramatic formula • La Zucca del Doni en spañol • Translation • Copper coin • Helmet of Mambrino • Mythification • Timanthes • Baroque comedy • Popular culture • Calderón de a Barca • CABIGO • Labyrinth • Sociology • Góngora • Portugal • Journey • Girolamo Gigli • Translator • Order of the Golden Fleece • Explicitation • Attributed authorship • Exemplary Novels • Suspension • Refranes • Don Quixote • Satyre • Affinities • Dramatic space • Guzmán de Alfarache • Venitian printing • Corruption • Enríquez de Cabrera • Philip IV • Authors • Robbery • Bible • Traitors • Reception theory • Luís de Camões • Fernando de Herrera • Topos • Calderón • Bibliography • Poetry about music • Cohesion • Council of Castile • King Sebastian • Love poetry • Álvar Núñez Cabeza de Vaca • Parody • Donkey • Empire • Love • Proverbs • Bandello • Phonetics • Spanish Golden Age, History of Linguistics • Quevedo • Literary sources • Miguel de Cervantes • Octosyllabic verse • Publisher • Epic and Drama • Vázquez Siruela • Dedications • Barbers • Literary Forgery • Book of Job • Justice • French Classical Theatre • Comedy • Oliveros de Castilla • Literary styles • Comedias de pícaros • Collaboration • Fine taste • Venice • Controversy • Booklets • Orthography • Adventure books • Preaching • Spanish Novel • Antonio Sacchi • Public-Private relation • Stylistic development • New Spain • Diccionario de Autoridades • Giacomo Franco • Women writers • Short farce • Graphical changes • 17th century Theatre • Uruguay • Rimas • Seventeenth century • Seville • Grotesque body • Philology • Luis Gálvez de Montalvo • Twentieth century • Tametsi decree • Pynchon • Libretto • The Book of Judges • Córdoba • Renascence • Francisco de La Torre • Rosete Niño • Carlo Gozzi • Olivieri di Castiglia • Truth • Cáncer • El piadoso veneciano • Sonnets • Castillejo • Queen Isabel de Borbón • Atonement • Early Music • Dedicatees • Catalogue • Ideology • Philosophical method • Alonso de Castillo Solórzano • Perfecto predicador • Interpretation • Golden Age Poetry • Golden Age minor theater • Homeric simile • Chivalric romance • Facetia • Promujer • Marginalization • Jorge de Montemayor • Financial crisis • Theatre Translation • José Saramago • Witticism • Tesoro de la Lengua Castellana • History of typography • Conquest of Peru • Expression • Anagilda • Cut flower • Open access • Quixote • La Gerusalemme liberata • Cristóbal de Morales • Novelas ejemplares • Literary authors • Metaphors • Gemstones • Nuns • Diálogo de la lengua • Tree • Rhetoric • Margaret Theresa of Spain • Eroticism • Novel • Spanish Court Poetry • Coherence • Butterfly • Anti-aulic satire • interludes • Unstable • resemantization • Shame • Repentance • Spanish Poetry • Pedro Sarmiento de Gamboa • Adaptation Studies • Religious Poetry • Aminta • Renaissance books • Italian • Comedia nueva • 17th Century • Sociability • Theater • Barahona de Soto • Saavedra Fajardo • Matos Fragoso • Politics • Versification • Cándido María Trigueros • Melchor Díaz de Toledo • Kundera • Insane asylums • La noche de San Juan • Lope • Lady of Copacabana • Miguel Torga • Francesco Portonari • Mystical symbols • Enchantment of Dulcinea • Metre • Press • Anacreontics • Bernardo de Sandoval y Rojas • Translation constraints • Dalila • Spanish literature of the Golden Age

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.