Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Timanthes • Seven love letters • Sermon • Gongorism • Women writers • Traitors • Paremiology • Fine taste • Collaboration • Prior censorship • Dramatic formula • Sociability • Aminta • Travel narratives • Chivalric romance • Lope • Castillejo • Saavedra Fajardo • Metre • Granada • Unstable • Early Music • Metrics • Anacreontics • Theatre Translation • Bandello • Stylistic development • Literary styles • Portuguese poetry • San Juan de la Cruz • Barahona de Soto • Quijote • Pedro Sarmiento de Gamboa • Jewels • Literature • Matos Fragoso • Music • Topos • Tridentin work • Baroque theater • Miguel de Cervantes • Copper coin • Poetics • Guzmán de Alfarache • Mysticism • Modernity • Italian translation • Analysis • Homeric simile • Epic and Drama • La Maya • Journey • Novel • Anagilda • Cohesion • Fernández de Lizardi • Melchor Díaz de Toledo • Open access • Spanish Novel • Cut flower • Affect • Olivieri di Castiglia • Spiritual poetry • Spanish literature of the Golden Age • Court • Dedications • Orthographiy • El maestro de danzar • Translation constraints • Jiménez Patón • El bautismo del príncipe de Marruecos • Espada sagrada • Farsalia • Gemstones • interludes • Authors • CABIGO • Spanish Golden Age, History of Linguistics • Literary sources • Refranes • Dramatic space • Tesoro de la Lengua Castellana • Calderón de a Barca • Atonement • Morisco figures • Fraud • Preaching • Trees • History of Spanis language • Suspension • Juan de Mariana • Tree • Hagiographic drama • Alonso de Castillo Solórzano • Mystical symbols • Figurón comedy • Francisco de Leefdael • Painting • Style • Italophile • Justice • Religious Poetry • Picaresque novel • Bibliography • Góngora • Don Quixote • Jáuregui • Festive relation • New Spain • Priest • Baroque comedy • Book of Job • Facetia • Enchantment of Dulcinea • Imago • José de la Concha • History of typography • Descartes • Spanish theatre • Autobiography • Censors • Girolamo Gigli • Francesco Portonari • Spanish Court Poetry • Popular culture • Ambiguity • 17th century • Asceticism • Philosophical method • Shame • Pynchon • Symbolism • Sonnet • Preacher • Álvar Núñez Cabeza de Vaca • Margaret Theresa of Spain • Romances of chivalry • Juan Bautista Pederzano • Rimas • José de Arroyo • Post-Tridentine Spain • Press • Comedy of magic • Seville • Slang • Disgust • Authorship • Spanish Golden Age Theatre • Nicolini da Sabbio • Octosyllabic verse • Komenský • Golden Age Poetry • The Book of Judges • Carlo Goldoni • Lovers • Love • Golden Age • Luís de Camões • Witticism • Spanish Poetry • Lady of Copacabana • Translation Studies • Sacrament of penance • Grotesque body • Tradition • Financial crisis • Marginalization • Sermons • Poetry • Carlo Gozzi • Iberism • Catalogue • Interpretation • Giacomo Franco • Satire • Vázquez Siruela • Twentieth century • Ideology • Labyrinth • Comedia nueva • Philology • Spanish Golden Age theatre • Promujer • Tragic play • Eulogy • Quixote • Coherence • Playing cards • Affinities • Metaphor • resemantization • Rojas Zorrilla • Variety • 17th Century • Diccionario de Autoridades • Anthroponomy • King Sebastian • Republic of Letters • Roberto el diablo • Images • Antonio Sacchi • Notes • Literary criticism • Luis Gálvez de Montalvo • Las dos doncellas • Córdoba • Literary Forgery • Anti-aulic satire • Illustrated edition • Edition • Dynamism • Philip IV • Butterfly • Baroque • Critical editions of literary Works • Love poetry • Literary authors • Notes in scholarly editions • Bible • Madrid • Cervantes • Poetry about music • Spain • Truth • Corruption • Jorge de Montemayor • Gypsies • Diálogo de la lengua • La noche de San Juan • José Saramago • Rosete Niño • Castillo Solórzano • Moreto • Sociology • Italian • Madmen • Explicitation • Uruguay • Cea Tesa • Nadie fíe su secreto • Kundera • Metaphors • Honour • Critical edition • Miguel Torga • Experience • Exemplary Novels • Dalila • Politics • Adaptation Studies • Caballero de Illescas • Italy • Insane asylums • XVII century • Francisco de Quevedo • Textual bibliography • Novelas ejemplares • Parody • Quotations • Calderón • Siglo de Oro • French Classical Theatre • Intertextuality • Venice • Versification • Epic poetry • Translation • Baroque poetry • Council of Castile • Adventure books • Novelle • History of book • Juan de Valdés • Booklets • Helmet of Mambrino • Theatre • Donkey • Antonio de Zamora • Comedy • Spanish Golden Age • Francisco de La Torre • Christian preacher • Alonso Remón • Translators • Expression • Mercadante • Ineffable language • El dómine Lucas • Hernando de Acuña • Jerónimo Corte-Real • Tametsi decree • Dedicatees • Empresas políticas • Rhetoric • Attributed authorship • Empire • Phonetics • Italian Renaissance • Cándido María Trigueros • Oliveros de Castilla • Theater • Fernando de Herrera • Order of the Golden Fleece • Poggio Bracciolini • Proverbs • Fear • Venitian printing • Hernán Núñez • Mendeley • Libretto • Short farce • Spanish Golden Age entremeses • Golden Age minor theater • Translator • Lope de Vega • Controversy • Segmentation • Female reader • Low Baroque • Public-Private relation • Seventeenth century • El piadoso veneciano • Decorum • Letters • String literature • Bernardo de Sandoval y Rojas • La Zucca del Doni en spañol • 17th century Theatre • Graphical changes • Cáncer • Nuns • Literary censorship • Decameron • Queen Isabel de Borbón • Barbers • Enríquez de Cabrera • Quiñones de Benavente • Rewriting • Renascence • Eroticism • Díaz de Rivas • Orthography • Santa Teresa • Comedias de pícaros • Repentance • Robbery • Conquest of Peru • Walter Raleigh • Countess of Harrach • Sonnets • Correction to editio princeps • Italian humanist short prose • Reception theory • Quevedo • Language • Satyre • La Gerusalemme liberata • Portugal • Renaissance books • Publisher • Perfecto predicador • Auto • Cristóbal de Morales • Stage • Mythification • Lope sources • Luigi Groto

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.