Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Fernández de Lizardi • Coherence • Juan Bautista Pederzano • Promujer • Ambiguity • Anacreontics • Philosophical method • Seventeenth century • Adaptation Studies • Lope • El piadoso veneciano • Helmet of Mambrino • Poetry • Cohesion • Francesco Portonari • Carlo Gozzi • Corruption • Jewels • Portuguese poetry • Bibliography • Christian preacher • Intertextuality • Komenský • Critical editions of literary Works • Textual bibliography • XVII century • Sacrament of penance • Roberto el diablo • Slang • Copper coin • Epic and Drama • Politics • Renaissance books • Traitors • Comedia nueva • Authors • Lope de Vega • Barahona de Soto • Octosyllabic verse • Trees • Anagilda • Baroque comedy • 17th Century • Picaresque novel • Suspension • Spanish Court Poetry • Alonso de Castillo Solórzano • Seville • Metaphors • Farsalia • Madrid • El maestro de danzar • Quixote • Translation • Cut flower • King Sebastian • Metrics • Sonnet • Unstable • History of Spanis language • Auto • Gongorism • History of typography • El bautismo del príncipe de Marruecos • Expression • Fraud • Playing cards • Illustrated edition • Cea Tesa • Dynamism • Notes in scholarly editions • La Zucca del Doni en spañol • Lovers • Grotesque body • Stylistic development • Booklets • Conquest of Peru • Francisco de Leefdael • La noche de San Juan • Comedy of magic • Segmentation • Philology • San Juan de la Cruz • Novelle • Giacomo Franco • Versification • Order of the Golden Fleece • Labyrinth • Diccionario de Autoridades • Nadie fíe su secreto • Theatre • Theatre Translation • Dramatic space • Interpretation • Music • Dedications • Sermon • Variety • Marginalization • Hagiographic drama • Nicolini da Sabbio • Pedro Sarmiento de Gamboa • Tesoro de la Lengua Castellana • Spiritual poetry • Sociology • The Book of Judges • Cáncer • Tradition • Cervantes • Góngora • Eroticism • Reception theory • Jerónimo Corte-Real • Journey • Honour • Mystical symbols • Baroque poetry • Calderón • Bandello • Vázquez Siruela • Refranes • Matos Fragoso • Female reader • Moreto • Alonso Remón • Cándido María Trigueros • Libretto • Language • Poetry about music • Censors • Comedias de pícaros • Controversy • Adventure books • Walter Raleigh • Financial crisis • Juan de Mariana • Siglo de Oro • Antonio Sacchi • Descartes • Anthroponomy • History of book • Baroque theater • Images • Court • 17th century Theatre • Literary styles • Antonio de Zamora • Venitian printing • Figurón comedy • Orthography • José de Arroyo • Las dos doncellas • Italy • Gypsies • Festive relation • Critical edition • Baroque • José de la Concha • Decorum • Republic of Letters • Literary authors • Francisco de Quevedo • Guzmán de Alfarache • La Maya • Translation constraints • Golden Age minor theater • Jáuregui • Luigi Groto • Truth • Theater • Spanish Golden Age Theatre • Dedicatees • Short farce • Barbers • Literary Forgery • Jorge de Montemayor • 17th century • Atonement • Granada • Girolamo Gigli • Translators • Translation Studies • Homeric simile • Enríquez de Cabrera • Portugal • Insane asylums • Rimas • Morisco figures • Sonnets • Modernity • Rhetoric • Dalila • Spanish Novel • Satire • Epic poetry • Caballero de Illescas • Madmen • Painting • Attributed authorship • Poetics • Literary censorship • Spanish Golden Age theatre • Symbolism • Mythification • Italian Renaissance • Prior censorship • Graphical changes • Queen Isabel de Borbón • Topos • Council of Castile • Repentance • Mendeley • Shame • Public-Private relation • Chivalric romance • Style • Decameron • Juan de Valdés • Paremiology • Luís de Camões • Butterfly • Publisher • Twentieth century • Asceticism • Autobiography • Cristóbal de Morales • Facetia • Disgust • Sociability • Rewriting • Explicitation • Analysis • Quotations • Quiñones de Benavente • Santa Teresa • Italian • Catalogue • Díaz de Rivas • Affect • Imago • Ideology • La Gerusalemme liberata • Ineffable language • Spanish Golden Age, History of Linguistics • Spanish Poetry • Translator • Witticism • Eulogy • Espada sagrada • Saavedra Fajardo • Italophile • Open access • Tree • Mysticism • Philip IV • Notes • Post-Tridentine Spain • Preacher • Lope sources • Book of Job • Hernando de Acuña • Castillejo • Sermons • Melchor Díaz de Toledo • Preaching • Diálogo de la lengua • Collaboration • Golden Age • Bernardo de Sandoval y Rojas • Metre • Golden Age Poetry • Spanish Golden Age • Novelas ejemplares • Oliveros de Castilla • Perfecto predicador • Religious Poetry • Stage • resemantization • Priest • Miguel de Cervantes • José Saramago • Mercadante • Fernando de Herrera • Love poetry • Comedy • Empire • Phonetics • Spanish literature of the Golden Age • Poggio Bracciolini • Margaret Theresa of Spain • Álvar Núñez Cabeza de Vaca • Spanish theatre • Spain • Dramatic formula • Early Music • Justice • Francisco de La Torre • Correction to editio princeps • Tridentin work • Lady of Copacabana • New Spain • Jiménez Patón • Tametsi decree • Countess of Harrach • Renascence • Spanish Golden Age entremeses • French Classical Theatre • Edition • Proverbs • Literary criticism • Tragic play • Kundera • Córdoba • Exemplary Novels • Robbery • Literature • Novel • Italian translation • Travel narratives • Press • Popular culture • Timanthes • Affinities • Carlo Goldoni • Love • Fear • interludes • Castillo Solórzano • Hernán Núñez • Calderón de a Barca • Fine taste • Quevedo • Romances of chivalry • Letters • CABIGO • Quijote • Pynchon • Miguel Torga • Olivieri di Castiglia • Anti-aulic satire • Iberism • Venice • Women writers • El dómine Lucas • Nuns • Gemstones • Orthographiy • Italian humanist short prose • String literature • Satyre • Rosete Niño • Don Quixote • Experience • Luis Gálvez de Montalvo • Uruguay • Seven love letters • Aminta • Enchantment of Dulcinea • Literary sources • Donkey • Parody • Low Baroque • Empresas políticas • Bible • Rojas Zorrilla • Authorship • Metaphor

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.