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Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Notes in scholarly editions • Open access • Renascence • Rojas Zorrilla • Promujer • Insane asylums • XVII century • Slang • Poggio Bracciolini • Rimas • Cáncer • Copper coin • Metrics • Theatre Translation • Pedro Sarmiento de Gamboa • El bautismo del príncipe de Marruecos • El piadoso veneciano • Las dos doncellas • Luis Gálvez de Montalvo • Morisco figures • Pynchon • Theatre • Press • Anagilda • Experience • Hernán Núñez • Rewriting • Philip IV • Spanish Golden Age entremeses • French Classical Theatre • Collaboration • Poetics • Lovers • Italian humanist short prose • Interpretation • Gypsies • Shame • Witticism • Corruption • Spanish Poetry • Imago • Booklets • Gemstones • La Maya • Truth • Juan de Mariana • Literary styles • Nicolini da Sabbio • Anti-aulic satire • Queen Isabel de Borbón • interludes • Decameron • Trees • Graphical changes • Music • Correction to editio princeps • Preaching • Santa Teresa • Carlo Gozzi • Variety • Quiñones de Benavente • Perfecto predicador • Sacrament of penance • Antonio de Zamora • Analysis • Court • Lope sources • Helmet of Mambrino • Translation • Festive relation • Spanish Golden Age, History of Linguistics • Censors • Alonso Remón • Antonio Sacchi • Auto • Baroque comedy • Authors • Affinities • History of book • Nuns • El dómine Lucas • Priest • Fernando de Herrera • Twentieth century • Spanish Golden Age Theatre • Hagiographic drama • Siglo de Oro • Adventure books • Descartes • La noche de San Juan • Golden Age • Quotations • Catalogue • Metre • Quevedo • Córdoba • Journey • Cervantes • Homeric simile • La Gerusalemme liberata • Early Music • Topos • Orthography • Order of the Golden Fleece • Portuguese poetry • Unstable • Explicitation • Fernández de Lizardi • Gongorism • Barbers • Symbolism • Díaz de Rivas • Language • Jerónimo Corte-Real • Moreto • Controversy • Komenský • Reception theory • Castillo Solórzano • Proverbs • Vázquez Siruela • Walter Raleigh • Jiménez Patón • Public-Private relation • Marginalization • Prior censorship • Diálogo de la lengua • Metaphors • Saavedra Fajardo • Spiritual poetry • Cohesion • Post-Tridentine Spain • Eulogy • Literary criticism • Novelas ejemplares • Sermons • Modernity • Matos Fragoso • Melchor Díaz de Toledo • Adaptation Studies • Bible • Epic and Drama • El maestro de danzar • Satyre • 17th century • Literature • Republic of Letters • Spanish Golden Age • Ideology • Comedy of magic • Decorum • Countess of Harrach • Letters • Seven love letters • Quixote • Disgust • Margaret Theresa of Spain • Preacher • Stylistic development • Jorge de Montemayor • Travel narratives • Enríquez de Cabrera • Religious Poetry • Comedias de pícaros • Bandello • Anacreontics • Painting • Translation Studies • Chivalric romance • José Saramago • Translator • Rosete Niño • Spanish Novel • Aminta • Spain • Expression • Publisher • Bernardo de Sandoval y Rojas • Love poetry • Paremiology • Spanish Court Poetry • Labyrinth • Fine taste • Venitian printing • Fear • Romances of chivalry • Mysticism • Octosyllabic verse • Dedications • Mendeley • Madmen • Venice • La Zucca del Doni en spañol • Sociability • Translators • Tametsi decree • Atonement • Segmentation • Renaissance books • Politics • Cándido María Trigueros • Sonnets • Tesoro de la Lengua Castellana • Baroque theater • Ambiguity • Edition • Granada • Literary authors • Style • Seventeenth century • Asceticism • Italian translation • Timanthes • Female reader • Low Baroque • Butterfly • Christian preacher • Castillejo • Autobiography • Playing cards • Donkey • Popular culture • Figurón comedy • Jáuregui • Francisco de Leefdael • Italian Renaissance • Novel • Robbery • Orthographiy • Góngora • CABIGO • Dramatic formula • Girolamo Gigli • Farsalia • Italian • Poetry about music • Calderón de a Barca • Anthroponomy • Mercadante • Baroque poetry • History of Spanis language • Miguel de Cervantes • Comedy • Conquest of Peru • Grotesque body • Libretto • Iberism • José de la Concha • Dramatic space • String literature • Francisco de Quevedo • Picaresque novel • Seville • Stage • History of typography • Oliveros de Castilla • Quijote • Jewels • Hernando de Acuña • Barahona de Soto • Uruguay • Satire • Spanish Golden Age theatre • José de Arroyo • Justice • Tragic play • Don Quixote • Kundera • Philosophical method • Giacomo Franco • Translation constraints • Love • Eroticism • Epic poetry • Council of Castile • Luís de Camões • Notes • Diccionario de Autoridades • Luigi Groto • Lady of Copacabana • Exemplary Novels • Baroque • Parody • Poetry • Francisco de La Torre • Lope de Vega • Literary Forgery • Italy • Philology • Theater • Financial crisis • Honour • Attributed authorship • Cut flower • Empresas políticas • Mythification • Dynamism • Facetia • Intertextuality • Calderón • Repentance • Juan Bautista Pederzano • Refranes • Guzmán de Alfarache • Sociology • Literary censorship • Dalila • Golden Age Poetry • Fraud • Images • Nadie fíe su secreto • Espada sagrada • Phonetics • Roberto el diablo • 17th century Theatre • King Sebastian • Spanish theatre • Madrid • Short farce • Coherence • Carlo Goldoni • Tradition • Álvar Núñez Cabeza de Vaca • Sermon • Empire • Miguel Torga • Francesco Portonari • Spanish literature of the Golden Age • Authorship • Mystical symbols • Italophile • Olivieri di Castiglia • Critical edition • Women writers • Rhetoric • Traitors • Bibliography • Literary sources • Ineffable language • Critical editions of literary Works • Versification • Juan de Valdés • Alonso de Castillo Solórzano • New Spain • Golden Age minor theater • San Juan de la Cruz • Lope • Book of Job • Cea Tesa • Affect • Textual bibliography • Sonnet • Cristóbal de Morales • Illustrated edition • The Book of Judges • Metaphor • Novelle • Comedia nueva • Tree • Suspension • Portugal • Tridentin work • 17th Century • Dedicatees • resemantization • Caballero de Illescas • Enchantment of Dulcinea

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.