Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Walter Raleigh • Phonetics • Intertextuality • La Zucca del Doni en spañol • Analysis • Unstable • Spanish Golden Age entremeses • Giacomo Franco • Granada • Orthographiy • Cohesion • Labyrinth • Love • Fine taste • Baroque theater • Theatre • Homeric simile • José de la Concha • Portugal • Textual bibliography • Dedicatees • Hernán Núñez • History of book • Helmet of Mambrino • Anthroponomy • Spanish Poetry • Decorum • El maestro de danzar • Miguel de Cervantes • Mysticism • Preacher • Gypsies • Cut flower • Christian preacher • Coherence • Italian translation • Spanish theatre • Attributed authorship • Espada sagrada • Chivalric romance • Spanish Novel • Pynchon • Early Music • Refranes • Juan Bautista Pederzano • Mystical symbols • Tragic play • Alonso Remón • Paremiology • Philip IV • Graphical changes • Comedias de pícaros • Nadie fíe su secreto • Novelas ejemplares • Bernardo de Sandoval y Rojas • Antonio Sacchi • Dramatic space • Philosophical method • Octosyllabic verse • Bible • Luigi Groto • Controversy • Suspension • Truth • Open access • Sociability • El dómine Lucas • Dalila • CABIGO • Venitian printing • History of typography • Spanish Golden Age, History of Linguistics • Seventeenth century • Golden Age minor theater • Jerónimo Corte-Real • Cáncer • Decameron • Figurón comedy • Picaresque novel • Renaissance books • Prior censorship • Traitors • Order of the Golden Fleece • Juan de Valdés • Francisco de Quevedo • Epic poetry • French Classical Theatre • Stage • Lovers • Spain • Comedia nueva • Comedy • Barahona de Soto • resemantization • Renascence • Versification • Countess of Harrach • Poetry about music • Castillo Solórzano • Poetry • Council of Castile • Translation constraints • Symbolism • interludes • Baroque poetry • Enríquez de Cabrera • Anagilda • Diálogo de la lengua • Critical editions of literary Works • La noche de San Juan • Repentance • Empresas políticas • Kundera • Sacrament of penance • Juan de Mariana • Asceticism • The Book of Judges • Aminta • Satire • Olivieri di Castiglia • Calderón • Sermon • Literary sources • Lady of Copacabana • Dedications • Female reader • 17th century • Antonio de Zamora • Ideology • Comedy of magic • Tametsi decree • Carlo Gozzi • Golden Age Poetry • Jewels • Literary styles • Proverbs • Seville • Catalogue • Córdoba • Rosete Niño • Collaboration • Diccionario de Autoridades • Literature • Hagiographic drama • Theater • Republic of Letters • Pedro Sarmiento de Gamboa • New Spain • Uruguay • Lope • Censors • Girolamo Gigli • Castillejo • Sonnets • Public-Private relation • Novelle • Adaptation Studies • Festive relation • José de Arroyo • Metrics • Luís de Camões • El bautismo del príncipe de Marruecos • Expression • Rojas Zorrilla • Correction to editio princeps • Women writers • Hernando de Acuña • Tradition • Bibliography • Painting • Díaz de Rivas • Metaphor • Moreto • Matos Fragoso • Margaret Theresa of Spain • Fernández de Lizardi • Lope de Vega • Spanish Golden Age Theatre • Siglo de Oro • Copper coin • Love poetry • Translator • Priest • Portuguese poetry • Santa Teresa • Madmen • Italy • Libretto • Letters • Literary Forgery • Exemplary Novels • Low Baroque • Novel • Epic and Drama • Press • Spanish Golden Age theatre • Fear • Quijote • Preaching • Modernity • Cándido María Trigueros • Rewriting • Golden Age • Affinities • Interpretation • Butterfly • Grotesque body • Facetia • Corruption • Timanthes • Gemstones • Baroque • Descartes • El piadoso veneciano • History of Spanis language • Popular culture • Promujer • Rhetoric • Enchantment of Dulcinea • Nuns • Conquest of Peru • Italian • Publisher • Illustrated edition • Lope sources • Cristóbal de Morales • Cea Tesa • Trees • Authors • Sociology • Spanish Golden Age • Satyre • La Gerusalemme liberata • Fernando de Herrera • Variety • Seven love letters • Theatre Translation • La Maya • Iberism • King Sebastian • Booklets • San Juan de la Cruz • Twentieth century • Honour • Notes in scholarly editions • Autobiography • Poetics • Tesoro de la Lengua Castellana • Guzmán de Alfarache • Italophile • Barbers • Quevedo • Journey • Authorship • Insane asylums • Mythification • Miguel Torga • Playing cards • Vázquez Siruela • Court • Financial crisis • Book of Job • Metaphors • Jáuregui • Justice • 17th century Theatre • String literature • Baroque comedy • Cervantes • Reception theory • Carlo Goldoni • Spiritual poetry • Auto • Romances of chivalry • Imago • Edition • Francisco de La Torre • Robbery • Eroticism • Perfecto predicador • Critical edition • Literary censorship • Caballero de Illescas • Quixote • Short farce • Anti-aulic satire • XVII century • Roberto el diablo • Translation Studies • Topos • Sermons • Donkey • Calderón de a Barca • Stylistic development • Tridentin work • Travel narratives • Spanish literature of the Golden Age • Komenský • Don Quixote • Adventure books • Francisco de Leefdael • Orthography • Anacreontics • Images • Translators • Politics • Eulogy • Madrid • Dramatic formula • Italian humanist short prose • Style • Experience • Witticism • Melchor Díaz de Toledo • Quiñones de Benavente • Tree • Religious Poetry • Translation • Ineffable language • Literary authors • Francesco Portonari • Post-Tridentine Spain • Poggio Bracciolini • Saavedra Fajardo • Nicolini da Sabbio • Disgust • Italian Renaissance • Marginalization • Sonnet • Spanish Court Poetry • Góngora • Mendeley • Mercadante • Alonso de Castillo Solórzano • Philology • Bandello • Jorge de Montemayor • Notes • Literary criticism • Dynamism • Farsalia • Las dos doncellas • Empire • Fraud • Music • Morisco figures • Affect • Language • Quotations • Explicitation • Ambiguity • Parody • Atonement • Jiménez Patón • Gongorism • Metre • Álvar Núñez Cabeza de Vaca • José Saramago • Rimas • 17th Century • Segmentation • Oliveros de Castilla • Venice • Luis Gálvez de Montalvo • Queen Isabel de Borbón • Shame • Slang

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.