Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Komenský • Quixote • Translation constraints • Anthroponomy • Auto • Notes • Antonio de Zamora • Expression • Juan Bautista Pederzano • Trees • Hagiographic drama • Poetry • Mercadante • Court • Decameron • Literary criticism • Spanish Golden Age Theatre • Castillo Solórzano • Seville • Butterfly • Prior censorship • Translators • String literature • Modernity • Francisco de La Torre • Golden Age minor theater • Epic poetry • Guzmán de Alfarache • Baroque • Góngora • Bernardo de Sandoval y Rojas • Rimas • Literary authors • Spiritual poetry • Renascence • Eulogy • Spanish Court Poetry • Saavedra Fajardo • French Classical Theatre • Cándido María Trigueros • Hernán Núñez • Las dos doncellas • Lope sources • Rojas Zorrilla • Hernando de Acuña • Stage • Santa Teresa • Topos • Baroque comedy • Theater • Spanish Golden Age entremeses • Gongorism • Barbers • Fraud • Nuns • XVII century • Literary styles • Translator • Jerónimo Corte-Real • Reception theory • Miguel de Cervantes • Quijote • Variety • Cáncer • Roberto el diablo • Vázquez Siruela • Tree • Jáuregui • Priest • Catalogue • Espada sagrada • Copper coin • Women writers • Carlo Goldoni • Collaboration • Golden Age • Mystical symbols • Fear • 17th Century • Comedia nueva • Council of Castile • Novel • El piadoso veneciano • resemantization • Playing cards • Aminta • Coherence • Sermons • Sonnets • Attributed authorship • Facetia • Conquest of Peru • Luigi Groto • Bible • Helmet of Mambrino • Critical edition • Authors • Marginalization • Truth • Seven love letters • 17th century Theatre • Lope • José de Arroyo • Low Baroque • Moreto • Suspension • La Maya • Adaptation Studies • Orthography • Bibliography • Cut flower • Cohesion • Poetry about music • Love poetry • Poggio Bracciolini • Empresas políticas • Ineffable language • Spanish Golden Age • Juan de Mariana • Miguel Torga • Francisco de Quevedo • Quevedo • Journey • Walter Raleigh • Francisco de Leefdael • Nicolini da Sabbio • Timanthes • San Juan de la Cruz • Theatre Translation • Autobiography • Translation • Donkey • Travel narratives • Style • Eroticism • Fernández de Lizardi • Short farce • Golden Age Poetry • Italian translation • Sociability • Morisco figures • Politics • Labyrinth • Descartes • Pynchon • Preacher • Portugal • Christian preacher • Painting • Publisher • Honour • Post-Tridentine Spain • Italian Renaissance • Literary Forgery • Tametsi decree • Festive relation • Republic of Letters • Traitors • Seventeenth century • Critical editions of literary Works • Anagilda • Italian • Novelle • Ideology • Álvar Núñez Cabeza de Vaca • Romances of chivalry • Chivalric romance • Sonnet • Spanish Golden Age, History of Linguistics • Correction to editio princeps • Octosyllabic verse • Censors • Anacreontics • Unstable • Iberism • Fine taste • Gemstones • Quotations • Rhetoric • Dramatic formula • Explicitation • José Saramago • Popular culture • Granada • El bautismo del príncipe de Marruecos • Quiñones de Benavente • Analysis • Images • Tragic play • Cervantes • Bandello • Lovers • Italophile • Love • Antonio Sacchi • Stylistic development • Segmentation • Madrid • Rewriting • José de la Concha • Symbolism • Carlo Gozzi • Calderón de a Barca • Queen Isabel de Borbón • Authorship • Farsalia • Language • Caballero de Illescas • Female reader • Exemplary Novels • Homeric simile • Juan de Valdés • Satire • La noche de San Juan • Mythification • Religious Poetry • Paremiology • La Zucca del Doni en spañol • Figurón comedy • Dramatic space • Dynamism • CABIGO • Cea Tesa • Perfecto predicador • Siglo de Oro • Francesco Portonari • Sermon • Parody • Giacomo Franco • Open access • Tradition • Promujer • Robbery • Atonement • Girolamo Gigli • Justice • Sociology • Metrics • Jiménez Patón • Barahona de Soto • Calderón • Affect • Theatre • Refranes • Mendeley • Comedy • Libretto • Comedy of magic • Literature • Countess of Harrach • Baroque theater • Dedicatees • Early Music • Ambiguity • Notes in scholarly editions • Letters • Spanish theatre • Novelas ejemplares • 17th century • Alonso de Castillo Solórzano • Corruption • Spanish Poetry • Lope de Vega • Textual bibliography • Poetics • Book of Job • Venitian printing • interludes • Intertextuality • Cristóbal de Morales • Metre • Adventure books • Disgust • Versification • Philology • Enríquez de Cabrera • Witticism • Twentieth century • The Book of Judges • Metaphors • Melchor Díaz de Toledo • Rosete Niño • La Gerusalemme liberata • Mysticism • Phonetics • El dómine Lucas • Nadie fíe su secreto • Castillejo • Kundera • El maestro de danzar • Proverbs • Spanish Golden Age theatre • Luis Gálvez de Montalvo • Translation Studies • Tridentin work • Luís de Camões • Oliveros de Castilla • Portuguese poetry • Philip IV • Metaphor • Preaching • Press • Lady of Copacabana • Diccionario de Autoridades • Alonso Remón • Baroque poetry • Córdoba • Matos Fragoso • Literary sources • Uruguay • Renaissance books • Order of the Golden Fleece • Grotesque body • Don Quixote • Comedias de pícaros • Spanish Novel • Edition • Spain • Venice • Repentance • Jewels • Decorum • Graphical changes • Díaz de Rivas • Insane asylums • Diálogo de la lengua • Satyre • Picaresque novel • Empire • Imago • History of Spanis language • Shame • Sacrament of penance • Booklets • Music • Fernando de Herrera • Anti-aulic satire • New Spain • Orthographiy • Epic and Drama • History of typography • Italy • Slang • History of book • Literary censorship • King Sebastian • Gypsies • Interpretation • Philosophical method • Tesoro de la Lengua Castellana • Dalila • Financial crisis • Jorge de Montemayor • Olivieri di Castiglia • Experience • Illustrated edition • Enchantment of Dulcinea • Italian humanist short prose • Dedications • Public-Private relation • Controversy • Margaret Theresa of Spain • Madmen • Spanish literature of the Golden Age • Affinities • Pedro Sarmiento de Gamboa • Asceticism

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.