Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Lope • La Gerusalemme liberata • Novelle • Coherence • Book of Job • Juan de Mariana • El piadoso veneciano • Italian • José Saramago • Translator • Perfecto predicador • Attributed authorship • Adventure books • Hernán Núñez • Bandello • Seven love letters • Stylistic development • Melchor Díaz de Toledo • Luís de Camões • History of Spanis language • Farsalia • Female reader • Alonso Remón • Philip IV • Letters • Siglo de Oro • El bautismo del príncipe de Marruecos • Bernardo de Sandoval y Rojas • Poetics • Spanish Court Poetry • Catalogue • Lovers • Comedy • Sonnet • Cándido María Trigueros • Shame • Quevedo • Phonetics • Hagiographic drama • Translation constraints • Carlo Goldoni • Moreto • Spanish Poetry • CABIGO • Miguel Torga • Experience • Anagilda • Diccionario de Autoridades • History of book • Castillo Solórzano • Saavedra Fajardo • Madmen • Anthroponomy • Eulogy • Queen Isabel de Borbón • Walter Raleigh • Intertextuality • Miguel de Cervantes • Golden Age • Jorge de Montemayor • La Maya • Paremiology • Imago • Díaz de Rivas • Spanish literature of the Golden Age • Sociology • Komenský • Enchantment of Dulcinea • Witticism • Castillejo • Travel narratives • Ineffable language • Tradition • El dómine Lucas • Portuguese poetry • Hernando de Acuña • Public-Private relation • New Spain • Bibliography • Juan Bautista Pederzano • Suspension • Renaissance books • Gypsies • Vázquez Siruela • Festive relation • Italian Renaissance • Baroque poetry • Proverbs • Comedia nueva • Fine taste • Quiñones de Benavente • Granada • Francisco de Quevedo • Open access • Corruption • Translators • Comedy of magic • Portugal • Margaret Theresa of Spain • Literature • Tesoro de la Lengua Castellana • Conquest of Peru • Language • Literary Forgery • Lope de Vega • Quijote • Expression • Booklets • Cut flower • interludes • Mystical symbols • Grotesque body • Journey • Jáuregui • Córdoba • Style • Short farce • Notes • Cáncer • Barbers • Nuns • Publisher • Butterfly • Sociability • Nadie fíe su secreto • Autobiography • Cristóbal de Morales • Tragic play • Quotations • Decameron • El maestro de danzar • San Juan de la Cruz • Literary censorship • Enríquez de Cabrera • Empire • Calderón de a Barca • Disgust • Morisco figures • Controversy • Auto • Love poetry • Rewriting • Nicolini da Sabbio • Calderón • Popular culture • Don Quixote • Madrid • Priest • Translation Studies • Ambiguity • Jewels • Mendeley • Pynchon • King Sebastian • Baroque • Christian preacher • Fear • Sacrament of penance • Francisco de Leefdael • Decorum • Republic of Letters • Empresas políticas • Satyre • Segmentation • Dalila • Golden Age Poetry • Literary styles • Financial crisis • Antonio de Zamora • Post-Tridentine Spain • Music • History of typography • Countess of Harrach • Spanish Golden Age Theatre • Textual bibliography • Labyrinth • Spanish Golden Age, History of Linguistics • Góngora • Renascence • Bible • Dramatic space • XVII century • Spiritual poetry • Honour • Álvar Núñez Cabeza de Vaca • Symbolism • Analysis • Literary authors • Rimas • Topos • Atonement • Venitian printing • Versification • Robbery • Antonio Sacchi • French Classical Theatre • Poetry about music • Explicitation • Descartes • Gongorism • José de Arroyo • Exemplary Novels • Justice • Girolamo Gigli • Affect • Timanthes • Adaptation Studies • Lady of Copacabana • Aminta • Truth • Early Music • Press • Satire • Libretto • Metre • Refranes • Dedicatees • Cervantes • Correction to editio princeps • Philosophical method • Epic and Drama • Twentieth century • Prior censorship • Oliveros de Castilla • Novelas ejemplares • Playing cards • Politics • Donkey • Painting • Mythification • Giacomo Franco • Venice • Unstable • José de la Concha • Baroque comedy • Dedications • Collaboration • Parody • Dynamism • Cea Tesa • Lope sources • Critical editions of literary Works • Asceticism • Spanish Golden Age theatre • Low Baroque • Affinities • Rojas Zorrilla • Cohesion • Caballero de Illescas • Comedias de pícaros • Kundera • Orthographiy • Spanish Golden Age • Metaphors • Gemstones • Fernando de Herrera • Uruguay • Spanish theatre • Helmet of Mambrino • Illustrated edition • resemantization • Novel • 17th century Theatre • Preacher • La noche de San Juan • 17th Century • Spain • Baroque theater • Modernity • Repentance • Luis Gálvez de Montalvo • Romances of chivalry • Anacreontics • Authors • Epic poetry • Iberism • Love • Facetia • Variety • Fernández de Lizardi • Translation • Homeric simile • Italophile • Sermons • String literature • Quixote • Literary criticism • Edition • Spanish Golden Age entremeses • Promujer • Italian translation • Theatre • Order of the Golden Fleece • Rosete Niño • Octosyllabic verse • Espada sagrada • Reception theory • Sermon • Mysticism • Barahona de Soto • Women writers • Luigi Groto • Spanish Novel • La Zucca del Doni en spañol • Notes in scholarly editions • Marginalization • Metaphor • Copper coin • Poetry • Court • Fraud • Picaresque novel • Mercadante • Theatre Translation • Chivalric romance • Philology • Alonso de Castillo Solórzano • Seville • Traitors • Critical edition • Francisco de La Torre • Theater • Poggio Bracciolini • Italian humanist short prose • Images • Tree • 17th century • Rhetoric • Censors • Golden Age minor theater • Francesco Portonari • Santa Teresa • Diálogo de la lengua • Jiménez Patón • Las dos doncellas • Sonnets • Dramatic formula • Ideology • Insane asylums • Seventeenth century • Orthography • Matos Fragoso • Carlo Gozzi • Eroticism • Juan de Valdés • Interpretation • Stage • Tametsi decree • Council of Castile • Metrics • Figurón comedy • Trees • Authorship • Anti-aulic satire • Jerónimo Corte-Real • Roberto el diablo • Italy • Preaching • Guzmán de Alfarache • Religious Poetry • Graphical changes • Literary sources • Pedro Sarmiento de Gamboa • Olivieri di Castiglia • Slang • The Book of Judges • Tridentin work

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.