Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Literary authors • Facetia • Affinities • History of book • Notes in scholarly editions • 17th century • Theater • Paremiology • Octosyllabic verse • Lope sources • Open access • Tragic play • La noche de San Juan • Illustrated edition • Shame • Booklets • Comedias de pícaros • Conquest of Peru • Díaz de Rivas • Anacreontics • Italian translation • Jáuregui • Miguel Torga • José Saramago • Golden Age minor theater • Fernández de Lizardi • Portugal • Barbers • Correction to editio princeps • King Sebastian • New Spain • Exemplary Novels • Tridentin work • Order of the Golden Fleece • Honour • Critical edition • Spanish literature of the Golden Age • Dramatic space • Rojas Zorrilla • Adventure books • Pynchon • Jiménez Patón • Satire • Anthroponomy • José de la Concha • Córdoba • Promujer • Luis Gálvez de Montalvo • Siglo de Oro • Álvar Núñez Cabeza de Vaca • Jerónimo Corte-Real • Alonso de Castillo Solórzano • Santa Teresa • Spiritual poetry • La Maya • Baroque • Italian Renaissance • The Book of Judges • Caballero de Illescas • Uruguay • Dynamism • Expression • Carlo Goldoni • Playing cards • Post-Tridentine Spain • Translation Studies • Twentieth century • Renascence • Metrics • Bible • Early Music • Gypsies • Italian humanist short prose • Grotesque body • Italophile • El bautismo del príncipe de Marruecos • Cristóbal de Morales • Rewriting • Sociology • Figurón comedy • Italian • Cea Tesa • Spanish Golden Age entremeses • Seville • Moreto • Sermons • Girolamo Gigli • Eulogy • Intertextuality • Quijote • Marginalization • Donkey • Melchor Díaz de Toledo • interludes • Francisco de La Torre • Granada • Bandello • History of typography • resemantization • Homeric simile • Philology • Sonnet • Roberto el diablo • Painting • Morisco figures • Lope • Don Quixote • Sonnets • Juan de Mariana • Eroticism • Baroque comedy • Juan de Valdés • Calderón de a Barca • Hernando de Acuña • 17th Century • Stylistic development • Versification • Olivieri di Castiglia • Baroque poetry • Baroque theater • Lovers • Symbolism • Mythification • Vázquez Siruela • Book of Job • Satyre • Empresas políticas • San Juan de la Cruz • Mysticism • Pedro Sarmiento de Gamboa • String literature • Castillo Solórzano • Literary Forgery • Gongorism • Poetics • Diálogo de la lengua • Picaresque novel • Robbery • Segmentation • Anti-aulic satire • Chivalric romance • Republic of Letters • Decorum • Spanish Poetry • Bibliography • Fear • Luís de Camões • Christian preacher • Spain • Alonso Remón • Novelle • Italy • Spanish Golden Age, History of Linguistics • French Classical Theatre • Authorship • Epic and Drama • Giacomo Franco • Translation constraints • Antonio Sacchi • Mendeley • Mercadante • Perfecto predicador • Refranes • Seventeenth century • Novel • Labyrinth • Tree • Literary styles • Collaboration • Venice • Publisher • Festive relation • Autobiography • Carlo Gozzi • Dalila • Cut flower • Hagiographic drama • Authors • Guzmán de Alfarache • Sermon • Court • Golden Age • Attributed authorship • Spanish Court Poetry • Translator • Castillejo • Spanish Novel • Spanish theatre • Countess of Harrach • Antonio de Zamora • Translators • Orthographiy • Atonement • El piadoso veneciano • Cervantes • Style • Kundera • Decameron • Quixote • Topos • Dedicatees • Quotations • Seven love letters • CABIGO • Fraud • El dómine Lucas • Reception theory • Orthography • Notes • Insane asylums • Priest • La Gerusalemme liberata • Golden Age Poetry • Nuns • Ambiguity • Rhetoric • Trees • Sacrament of penance • Libretto • Controversy • Portuguese poetry • Venitian printing • Lady of Copacabana • Analysis • El maestro de danzar • Council of Castile • Language • Justice • Butterfly • Unstable • Iberism • Female reader • Literature • Queen Isabel de Borbón • La Zucca del Doni en spañol • Journey • Anagilda • Miguel de Cervantes • Cándido María Trigueros • Ideology • Variety • Cáncer • Repentance • Love poetry • Edition • Empire • Literary criticism • Rosete Niño • Textual bibliography • Las dos doncellas • Juan Bautista Pederzano • Critical editions of literary Works • Dramatic formula • Explicitation • History of Spanis language • Metre • Coherence • Rimas • Spanish Golden Age theatre • Graphical changes • Catalogue • Imago • Metaphors • Farsalia • Romances of chivalry • Francesco Portonari • Barahona de Soto • Spanish Golden Age Theatre • Tesoro de la Lengua Castellana • Novelas ejemplares • Nicolini da Sabbio • Copper coin • Renaissance books • Sociability • Spanish Golden Age • Phonetics • Dedications • Luigi Groto • Interpretation • 17th century Theatre • Stage • Witticism • Walter Raleigh • Philip IV • Preaching • José de Arroyo • Quiñones de Benavente • Affect • Translation • Jewels • Women writers • Theatre Translation • Epic poetry • Jorge de Montemayor • Music • Margaret Theresa of Spain • Love • Public-Private relation • Madrid • Traitors • Francisco de Quevedo • Helmet of Mambrino • Short farce • Theatre • Parody • Financial crisis • Literary sources • Matos Fragoso • Hernán Núñez • Censors • Experience • Preacher • Suspension • Philosophical method • Slang • Saavedra Fajardo • Low Baroque • Truth • Press • Comedy of magic • Literary censorship • Espada sagrada • Travel narratives • Politics • Fine taste • Nadie fíe su secreto • Comedy • Letters • Poggio Bracciolini • Descartes • Corruption • Prior censorship • Comedia nueva • Gemstones • Cohesion • Metaphor • Timanthes • Komenský • Madmen • Poetry • Adaptation Studies • Popular culture • Modernity • Diccionario de Autoridades • Disgust • Enchantment of Dulcinea • Góngora • Francisco de Leefdael • Images • Auto • Tametsi decree • Asceticism • XVII century • Religious Poetry • Quevedo • Poetry about music • Mystical symbols • Oliveros de Castilla • Ineffable language • Calderón • Tradition • Aminta • Proverbs • Lope de Vega • Enríquez de Cabrera • Fernando de Herrera • Bernardo de Sandoval y Rojas

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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