Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Symbolism • Phonetics • Spanish Golden Age • Jiménez Patón • Novelas ejemplares • Unstable • Barbers • Oliveros de Castilla • Díaz de Rivas • Lovers • Proverbs • Disgust • Analysis • Philology • Authorship • Juan Bautista Pederzano • Cea Tesa • Comedia nueva • Order of the Golden Fleece • Translation constraints • Metaphors • Jorge de Montemayor • Juan de Mariana • Baroque comedy • Shame • Correction to editio princeps • Early Music • Autobiography • Venitian printing • Auto • Versification • Repentance • Granada • Modernity • French Classical Theatre • Justice • Facetia • Graphical changes • Publisher • Twentieth century • Luigi Groto • Comedy of magic • Tree • Variety • Dramatic space • Female reader • Ideology • Book of Job • Fernando de Herrera • Francisco de La Torre • Robbery • Mysticism • Notes • Expression • Theatre Translation • Insane asylums • Uruguay • Rojas Zorrilla • resemantization • Literary sources • Sonnet • Poetics • History of book • Slang • Adventure books • Honour • Metrics • 17th Century • Edition • Translators • Lope de Vega • Gemstones • Post-Tridentine Spain • Theater • Poggio Bracciolini • Literature • Dramatic formula • Calderón de a Barca • Segmentation • Anagilda • Renaissance books • New Spain • Philip IV • Religious Poetry • Travel narratives • Alonso de Castillo Solórzano • Rewriting • Spanish Golden Age Theatre • Kundera • Philosophical method • Marginalization • Tametsi decree • Preacher • Gypsies • Baroque poetry • Financial crisis • Chivalric romance • Promujer • Bible • Novelle • Spiritual poetry • Spanish Court Poetry • Experience • Lady of Copacabana • interludes • Girolamo Gigli • Prior censorship • Suspension • La noche de San Juan • Truth • Critical edition • Translator • La Maya • Preaching • Matos Fragoso • Paremiology • Quixote • 17th century • El dómine Lucas • Álvar Núñez Cabeza de Vaca • Women writers • Italian Renaissance • Francisco de Leefdael • Spanish Golden Age, History of Linguistics • Lope • Eulogy • Translation Studies • Court • Corruption • Barahona de Soto • Metaphor • Popular culture • King Sebastian • Witticism • Poetry about music • Renascence • Literary criticism • Calderón • Love poetry • Mendeley • Antonio Sacchi • Short farce • Playing cards • Ambiguity • Luis Gálvez de Montalvo • Interpretation • Dedicatees • Stylistic development • Enchantment of Dulcinea • Francesco Portonari • Spanish Golden Age entremeses • José de Arroyo • Conquest of Peru • Adaptation Studies • Iberism • Venice • Orthography • Italian translation • Spanish literature of the Golden Age • Imago • Fraud • Siglo de Oro • Pedro Sarmiento de Gamboa • Farsalia • Romances of chivalry • String literature • Comedy • Donkey • Walter Raleigh • Santa Teresa • Journey • Catalogue • Madrid • Cervantes • Espada sagrada • Enríquez de Cabrera • Timanthes • Olivieri di Castiglia • Tesoro de la Lengua Castellana • Intertextuality • Libretto • Language • Explicitation • Copper coin • Republic of Letters • Novel • Satire • Alonso Remón • Francisco de Quevedo • Coherence • Dedications • Hagiographic drama • Madmen • Bibliography • Orthographiy • Eroticism • Carlo Goldoni • Descartes • Baroque theater • Cándido María Trigueros • Melchor Díaz de Toledo • Rosete Niño • Diccionario de Autoridades • Helmet of Mambrino • Fine taste • Gongorism • Epic and Drama • Open access • Margaret Theresa of Spain • Spanish Golden Age theatre • Morisco figures • Painting • Music • Notes in scholarly editions • Anti-aulic satire • Public-Private relation • Empresas políticas • El piadoso veneciano • Council of Castile • Juan de Valdés • Letters • Spain • Cristóbal de Morales • Theatre • Saavedra Fajardo • Reception theory • Rhetoric • Nuns • Quevedo • Hernán Núñez • Sermons • Decameron • Italy • Collaboration • Labyrinth • Countess of Harrach • Figurón comedy • Comedias de pícaros • Tragic play • Jerónimo Corte-Real • Priest • Love • Epic poetry • Satyre • Mythification • XVII century • Diálogo de la lengua • José de la Concha • Baroque • Booklets • Golden Age Poetry • Jáuregui • Lope sources • Press • Pynchon • Castillejo • Italian humanist short prose • Bernardo de Sandoval y Rojas • Roberto el diablo • Authors • Spanish Poetry • Komenský • Córdoba • Carlo Gozzi • Las dos doncellas • Don Quixote • Critical editions of literary Works • Politics • Topos • La Zucca del Doni en spañol • Nicolini da Sabbio • Grotesque body • Anacreontics • Attributed authorship • Cáncer • Refranes • Sonnets • Poetry • History of typography • 17th century Theatre • Fear • Seven love letters • Empire • Dalila • La Gerusalemme liberata • Sermon • Censors • Quijote • Bandello • Picaresque novel • Portuguese poetry • Translation • Fernández de Lizardi • Rimas • Literary styles • Spanish theatre • Trees • Exemplary Novels • Mystical symbols • Tradition • Octosyllabic verse • Tridentin work • Sacrament of penance • Christian preacher • El maestro de danzar • Italian • Anthroponomy • The Book of Judges • Antonio de Zamora • Homeric simile • Literary censorship • Guzmán de Alfarache • José Saramago • Quotations • Giacomo Franco • Images • Luís de Camões • San Juan de la Cruz • Aminta • Jewels • Affinities • Vázquez Siruela • Seville • Controversy • Stage • Caballero de Illescas • Cohesion • Style • Atonement • Nadie fíe su secreto • Quiñones de Benavente • Decorum • Italophile • Miguel de Cervantes • History of Spanis language • Low Baroque • Butterfly • Metre • Golden Age • Hernando de Acuña • CABIGO • Spanish Novel • Cut flower • Perfecto predicador • Asceticism • Mercadante • Castillo Solórzano • Textual bibliography • Traitors • Portugal • El bautismo del príncipe de Marruecos • Seventeenth century • Ineffable language • Sociability • Literary authors • Moreto • Golden Age minor theater • Parody • Queen Isabel de Borbón • Illustrated edition • Literary Forgery • Góngora • Affect • Dynamism • Sociology • Festive relation • Miguel Torga

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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