Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Comedy • Ambiguity • Golden Age minor theater • Italian humanist short prose • Council of Castile • Explicitation • Italophile • Nadie fíe su secreto • Affect • Enchantment of Dulcinea • Journey • Tradition • Decameron • Poetics • Theatre • Catalogue • Sociability • Diccionario de Autoridades • Empresas políticas • Chivalric romance • Figurón comedy • San Juan de la Cruz • Lady of Copacabana • Walter Raleigh • Vázquez Siruela • Textual bibliography • Language • Love • Juan Bautista Pederzano • Intertextuality • Dalila • Translator • 17th century Theatre • Morisco figures • Financial crisis • Controversy • Dramatic formula • Witticism • Pedro Sarmiento de Gamboa • Matos Fragoso • Enríquez de Cabrera • Adventure books • Correction to editio princeps • Adaptation Studies • Playing cards • Spanish theatre • Seville • Spanish Golden Age • Critical edition • Insane asylums • Translation constraints • Homeric simile • Tesoro de la Lengua Castellana • Translation • Bernardo de Sandoval y Rojas • Dedications • Dramatic space • Mercadante • Suspension • Segmentation • Disgust • Orthographiy • Golden Age Poetry • Stylistic development • Mystical symbols • Dedicatees • Madmen • Fraud • Antonio Sacchi • Girolamo Gigli • Portugal • Anagilda • Las dos doncellas • Juan de Mariana • Spanish Novel • Attributed authorship • Lovers • Shame • Decorum • Literature • Alonso de Castillo Solórzano • Golden Age • History of typography • Renaissance books • Exemplary Novels • Alonso Remón • Anacreontics • Carlo Goldoni • Ineffable language • Jiménez Patón • Phonetics • Guzmán de Alfarache • Butterfly • La Gerusalemme liberata • Open access • Topos • Jerónimo Corte-Real • Bandello • Facetia • Miguel de Cervantes • Timanthes • Gypsies • Tametsi decree • Rhetoric • Cervantes • Collaboration • Refranes • Satire • Espada sagrada • Spanish Golden Age theatre • Jewels • Notes • Nuns • Spanish Golden Age, History of Linguistics • Mythification • Luís de Camões • Novelle • El piadoso veneciano • Order of the Golden Fleece • Cáncer • Moreto • Short farce • Barbers • Symbolism • CABIGO • Córdoba • Sonnets • Sacrament of penance • Analysis • El dómine Lucas • Metaphors • Queen Isabel de Borbón • Madrid • Baroque theater • Robbery • Venitian printing • Giacomo Franco • XVII century • History of Spanis language • Jorge de Montemayor • Labyrinth • Metaphor • Romances of chivalry • Spanish literature of the Golden Age • Authorship • Caballero de Illescas • Travel narratives • Cándido María Trigueros • Unstable • Lope de Vega • Asceticism • Sonnet • Jáuregui • Calderón • Juan de Valdés • Mendeley • Poetry • History of book • Post-Tridentine Spain • Countess of Harrach • Music • Low Baroque • Kundera • Literary styles • Roberto el diablo • 17th century • Literary sources • Theater • Justice • Rojas Zorrilla • La noche de San Juan • Female reader • Aminta • Experience • Fernando de Herrera • Carlo Gozzi • Parody • Copper coin • Spanish Poetry • Francisco de Quevedo • Barahona de Soto • Comedy of magic • Empire • Politics • Graphical changes • Quixote • Novelas ejemplares • Public-Private relation • Tridentin work • Cristóbal de Morales • Epic poetry • Eroticism • Donkey • Versification • Translators • Díaz de Rivas • 17th Century • Spanish Golden Age Theatre • Lope sources • King Sebastian • Popular culture • Reception theory • Quotations • Antonio de Zamora • Autobiography • Farsalia • Lope • Quijote • Traitors • Italian Renaissance • Republic of Letters • Francisco de La Torre • Oliveros de Castilla • Saavedra Fajardo • Castillo Solórzano • Eulogy • Philology • Cohesion • Hagiographic drama • Festive relation • Luis Gálvez de Montalvo • Francisco de Leefdael • Philosophical method • La Zucca del Doni en spañol • Poggio Bracciolini • Bibliography • José Saramago • Authors • Quevedo • Atonement • Sermons • Sociology • Modernity • Notes in scholarly editions • Libretto • Literary authors • Tragic play • Descartes • Santa Teresa • Tree • Don Quixote • Seventeenth century • Censors • Priest • Granada • Nicolini da Sabbio • Satyre • Theatre Translation • Stage • New Spain • Epic and Drama • Religious Poetry • Prior censorship • Corruption • interludes • Anti-aulic satire • Gemstones • Rewriting • Siglo de Oro • The Book of Judges • Comedia nueva • Women writers • Diálogo de la lengua • Booklets • Bible • Court • Quiñones de Benavente • Truth • Picaresque novel • Miguel Torga • Novel • Mysticism • Painting • Twentieth century • Comedias de pícaros • Baroque • Anthroponomy • Christian preacher • Expression • El maestro de danzar • Dynamism • Edition • Metre • French Classical Theatre • Spanish Golden Age entremeses • Translation Studies • Perfecto predicador • Variety • Press • Affinities • String literature • Álvar Núñez Cabeza de Vaca • Sermon • Castillejo • Literary criticism • Fine taste • Renascence • Slang • Spanish Court Poetry • Letters • Publisher • Fear • Seven love letters • Pynchon • Auto • Uruguay • Proverbs • Orthography • Grotesque body • Spain • Paremiology • Book of Job • Spiritual poetry • José de Arroyo • Italy • Francesco Portonari • Interpretation • Poetry about music • Calderón de a Barca • Hernán Núñez • Margaret Theresa of Spain • Venice • Fernández de Lizardi • Critical editions of literary Works • Italian translation • Coherence • Style • Literary Forgery • Preaching • Portuguese poetry • Luigi Groto • Gongorism • Helmet of Mambrino • Ideology • Repentance • Baroque comedy • Images • Baroque poetry • Italian • resemantization • Metrics • Melchor Díaz de Toledo • Imago • El bautismo del príncipe de Marruecos • Octosyllabic verse • Conquest of Peru • Love poetry • La Maya • Honour • Rimas • Hernando de Acuña • Cut flower • Rosete Niño • Preacher • Olivieri di Castiglia • Illustrated edition • Literary censorship • Philip IV • Komenský • Marginalization • Promujer • Iberism • Early Music • Cea Tesa • José de la Concha • Trees • Góngora

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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