Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Critical edition • Poggio Bracciolini • Edition • Jáuregui • Gypsies • Madmen • Fine taste • resemantization • El dómine Lucas • Sonnet • Short farce • Female reader • Spanish Golden Age entremeses • Women writers • Controversy • Asceticism • Italian translation • Fraud • Comedias de pícaros • Queen Isabel de Borbón • Epic poetry • Marginalization • Anti-aulic satire • Spain • interludes • Hernando de Acuña • Barbers • Italian • Cáncer • Notes • Giacomo Franco • Spiritual poetry • XVII century • Dedications • Segmentation • Renascence • Pedro Sarmiento de Gamboa • Renaissance books • Illustrated edition • Twentieth century • Miguel de Cervantes • String literature • Helmet of Mambrino • Poetry about music • Textual bibliography • Post-Tridentine Spain • Parody • Tametsi decree • Spanish Golden Age Theatre • Córdoba • Priest • José de Arroyo • Sacrament of penance • Versification • Proverbs • Kundera • Las dos doncellas • Sermon • Robbery • Figurón comedy • Style • Autobiography • Anacreontics • Prior censorship • Booklets • Preacher • Iberism • Dramatic formula • Melchor Díaz de Toledo • Slang • Nicolini da Sabbio • Aminta • Golden Age Poetry • Suspension • Rimas • Modernity • Philip IV • Bible • Epic and Drama • Castillejo • Repentance • Poetics • Honour • Trees • Festive relation • Antonio de Zamora • Translators • Seville • Spanish Court Poetry • Theatre Translation • Adaptation Studies • Public-Private relation • Antonio Sacchi • Novelas ejemplares • Francisco de La Torre • Symbolism • Publisher • Francesco Portonari • Bernardo de Sandoval y Rojas • Bandello • Mercadante • Portugal • History of book • Golden Age • Mendeley • Juan Bautista Pederzano • Early Music • Tree • Lovers • Baroque • Comedy of magic • Juan de Valdés • Oliveros de Castilla • Roberto el diablo • Octosyllabic verse • Seventeenth century • Authors • Spanish Novel • Travel narratives • Sermons • Religious Poetry • Olivieri di Castiglia • History of typography • Truth • Analysis • Barahona de Soto • Metre • El maestro de danzar • Spanish Golden Age, History of Linguistics • Farsalia • Literary styles • Picaresque novel • Affinities • Rosete Niño • Graphical changes • Bibliography • Metrics • Philology • Spanish Poetry • San Juan de la Cruz • Cea Tesa • Translation • Love • Caballero de Illescas • Order of the Golden Fleece • Justice • Guzmán de Alfarache • Ambiguity • Butterfly • Playing cards • Carlo Goldoni • Variety • 17th Century • El piadoso veneciano • Metaphor • Catalogue • Metaphors • Images • Literary Forgery • Countess of Harrach • Tridentin work • French Classical Theatre • Authorship • José Saramago • Literature • Explicitation • La Maya • Lady of Copacabana • Rojas Zorrilla • The Book of Judges • Unstable • Financial crisis • Promujer • Anagilda • Decameron • Italian humanist short prose • Komenský • Empresas políticas • Morisco figures • Rhetoric • Walter Raleigh • Uruguay • Cervantes • Hagiographic drama • Sociability • Spanish literature of the Golden Age • Luis Gálvez de Montalvo • Perfecto predicador • Enríquez de Cabrera • Topos • Empire • Cohesion • Donkey • Correction to editio princeps • Court • Spanish Golden Age • Tradition • Madrid • Italy • Granada • Quevedo • Interpretation • Girolamo Gigli • Council of Castile • Libretto • Jorge de Montemayor • Ineffable language • Diálogo de la lengua • Labyrinth • Paremiology • Cándido María Trigueros • Eulogy • Saavedra Fajardo • Nuns • Dedicatees • Decorum • Álvar Núñez Cabeza de Vaca • Literary censorship • Mysticism • Chivalric romance • La Zucca del Doni en spañol • Vázquez Siruela • Francisco de Leefdael • Mystical symbols • Book of Job • Italophile • Quixote • Castillo Solórzano • Spanish Golden Age theatre • Hernán Núñez • Coherence • Orthographiy • Preaching • Literary criticism • Portuguese poetry • Auto • Philosophical method • Jewels • History of Spanis language • Exemplary Novels • Open access • Golden Age minor theater • Phonetics • Translation constraints • Calderón de a Barca • El bautismo del príncipe de Marruecos • Intertextuality • Calderón • Enchantment of Dulcinea • Censors • Popular culture • Attributed authorship • Díaz de Rivas • Descartes • Dynamism • Journey • Theater • Lope sources • Experience • Imago • José de la Concha • New Spain • Homeric simile • Reception theory • Comedy • Lope • Press • Adventure books • Shame • Rewriting • Fear • Seven love letters • King Sebastian • Luís de Camões • Quiñones de Benavente • Dalila • Affect • Ideology • Cristóbal de Morales • Critical editions of literary Works • Venice • Luigi Groto • Margaret Theresa of Spain • Painting • Traitors • Literary authors • Mythification • Baroque comedy • Baroque poetry • La noche de San Juan • Venitian printing • Pynchon • Góngora • Insane asylums • Cut flower • Tragic play • Baroque theater • Quijote • Expression • Corruption • Conquest of Peru • Anthroponomy • Low Baroque • Lope de Vega • Notes in scholarly editions • Quotations • Fernando de Herrera • Translator • Matos Fragoso • Alonso de Castillo Solórzano • Don Quixote • Music • Stage • Gemstones • Translation Studies • Satire • Santa Teresa • Nadie fíe su secreto • Novelle • Novel • Timanthes • Theatre • Comedia nueva • Republic of Letters • Satyre • Copper coin • Jerónimo Corte-Real • Collaboration • Fernández de Lizardi • Alonso Remón • Carlo Gozzi • 17th century • Orthography • Sonnets • Eroticism • Juan de Mariana • Letters • Poetry • Love poetry • Spanish theatre • Facetia • Siglo de Oro • Jiménez Patón • Stylistic development • Francisco de Quevedo • Italian Renaissance • Sociology • Dramatic space • Espada sagrada • Gongorism • Romances of chivalry • Witticism • Atonement • Moreto • Politics • Literary sources • Language • Diccionario de Autoridades • Miguel Torga • Christian preacher • Disgust • Refranes • CABIGO • 17th century Theatre • La Gerusalemme liberata • Grotesque body • Tesoro de la Lengua Castellana

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.