Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Mythification • Álvar Núñez Cabeza de Vaca • Theatre Translation • Hernando de Acuña • Alonso de Castillo Solórzano • Jewels • Dalila • Corruption • History of book • Anthroponomy • Marginalization • Literary authors • Luigi Groto • Miguel de Cervantes • Novelas ejemplares • Textual bibliography • Lope sources • interludes • Italian Renaissance • Authorship • Modernity • Calderón • Novel • Italy • Seven love letters • Jáuregui • Alonso Remón • Love • Preacher • Spanish Golden Age entremeses • Adventure books • Portuguese poetry • Segmentation • Early Music • Donkey • CABIGO • Tragic play • Castillo Solórzano • Tesoro de la Lengua Castellana • Perfecto predicador • Sermon • Quiñones de Benavente • Analysis • Gemstones • Republic of Letters • Tree • Prior censorship • Translator • Roberto el diablo • Spain • Exemplary Novels • 17th Century • Literary censorship • Orthography • Public-Private relation • José Saramago • Translation • Helmet of Mambrino • El piadoso veneciano • Melchor Díaz de Toledo • Margaret Theresa of Spain • Tradition • Comedy of magic • Komenský • Quevedo • Romances of chivalry • Religious Poetry • Metaphor • Sociology • Baroque theater • Pynchon • Empresas políticas • Christian preacher • San Juan de la Cruz • Seventeenth century • Vázquez Siruela • Refranes • History of Spanis language • Barahona de Soto • Literary Forgery • Baroque comedy • Golden Age Poetry • Baroque • Parody • Timanthes • Giacomo Franco • Jerónimo Corte-Real • Spanish theatre • Festive relation • Mendeley • Eulogy • Order of the Golden Fleece • King Sebastian • Bibliography • Sacrament of penance • Book of Job • José de la Concha • XVII century • Playing cards • Espada sagrada • Priest • Francisco de Quevedo • Collaboration • Venice • Philosophical method • Translators • Bible • Pedro Sarmiento de Gamboa • Atonement • Walter Raleigh • Illustrated edition • Robbery • Sonnets • Truth • Conquest of Peru • Critical edition • Baroque poetry • Notes • Traitors • Rosete Niño • Francisco de La Torre • Satyre • Spanish Court Poetry • Farsalia • Press • Hernán Núñez • Disgust • Dramatic space • Twentieth century • Cut flower • Cohesion • Fernández de Lizardi • Picaresque novel • Orthographiy • Libretto • Promujer • Poggio Bracciolini • Italian translation • Epic poetry • Quotations • Renaissance books • Las dos doncellas • Matos Fragoso • Olivieri di Castiglia • French Classical Theatre • Explicitation • Censors • Countess of Harrach • Literature • Lope • Ambiguity • Literary sources • Cervantes • Journey • Carlo Goldoni • Theatre • Dynamism • Italian humanist short prose • Portugal • Lady of Copacabana • Travel narratives • Council of Castile • Language • Tametsi decree • Sociability • Edition • Octosyllabic verse • Oliveros de Castilla • Caballero de Illescas • Dramatic formula • Ideology • Juan de Mariana • Mercadante • Controversy • Francisco de Leefdael • Copper coin • Coherence • Jiménez Patón • Juan Bautista Pederzano • Interpretation • Correction to editio princeps • El dómine Lucas • Intertextuality • Fraud • Auto • Mystical symbols • Witticism • Literary criticism • Carlo Gozzi • Francesco Portonari • Preaching • Nadie fíe su secreto • Butterfly • Rhetoric • Enchantment of Dulcinea • Open access • Homeric simile • Fine taste • Graphical changes • Antonio de Zamora • Facetia • Stage • Satire • Cea Tesa • Versification • Don Quixote • Italian • Epic and Drama • Quijote • resemantization • Bandello • Attributed authorship • Spanish Novel • Gongorism • Spanish literature of the Golden Age • Metaphors • Antonio Sacchi • Fernando de Herrera • El bautismo del príncipe de Marruecos • José de Arroyo • Philology • Guzmán de Alfarache • Autobiography • Music • Góngora • Madmen • Poetry about music • Politics • Images • Quixote • Women writers • Short farce • Comedy • Booklets • Spanish Golden Age • Díaz de Rivas • Stylistic development • Spanish Golden Age Theatre • Shame • Asceticism • Literary styles • Phonetics • Cáncer • Barbers • Castillejo • Novelle • Calderón de a Barca • Cándido María Trigueros • Luís de Camões • Authors • Paremiology • Imago • Expression • Granada • Bernardo de Sandoval y Rojas • Spanish Golden Age, History of Linguistics • Labyrinth • Sonnet • Sermons • Tridentin work • Experience • Golden Age minor theater • Female reader • Descartes • Popular culture • Siglo de Oro • Diccionario de Autoridades • Girolamo Gigli • Saavedra Fajardo • Notes in scholarly editions • The Book of Judges • String literature • Affinities • Cristóbal de Morales • Madrid • Juan de Valdés • Affect • Dedications • Rewriting • Comedia nueva • Eroticism • Spiritual poetry • Figurón comedy • Diálogo de la lengua • Variety • Reception theory • Style • Ineffable language • Anti-aulic satire • Luis Gálvez de Montalvo • Lope de Vega • Rimas • Financial crisis • Gypsies • Golden Age • Mysticism • Queen Isabel de Borbón • Philip IV • Unstable • Insane asylums • Theater • Metre • Córdoba • Repentance • Grotesque body • Justice • Anagilda • Lovers • Nuns • Translation constraints • Spanish Golden Age theatre • Catalogue • 17th century Theatre • Spanish Poetry • Venitian printing • Trees • Translation Studies • Chivalric romance • Proverbs • Santa Teresa • Suspension • Love poetry • Uruguay • Decameron • La Gerusalemme liberata • Seville • Iberism • La Maya • Comedias de pícaros • Enríquez de Cabrera • New Spain • Topos • Rojas Zorrilla • Dedicatees • Honour • Anacreontics • History of typography • Miguel Torga • Empire • Aminta • Decorum • Slang • Court • 17th century • Moreto • Critical editions of literary Works • Low Baroque • Publisher • Renascence • El maestro de danzar • La Zucca del Doni en spañol • Symbolism • Post-Tridentine Spain • Jorge de Montemayor • Nicolini da Sabbio • La noche de San Juan • Hagiographic drama • Painting • Letters • Fear • Italophile • Poetry • Adaptation Studies • Kundera • Morisco figures • Metrics • Poetics

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.