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Capitolo | Bandello en el taller dramático de Lope

Bandello en el taller dramático de Lope

Abstract

The Italian novelle, particularly those of Boccaccio, Bandello, and Giraldi Cinzio, provide the narrative raw material for the plot of almost 10% of Lope’s theatrical production. Bandello stands out among these writers as a favorite ‘supplier’ for the playwright. The comparison between Si no vieran las mujeres and Carlos el perseguido by Lope and their respective Bandellian hypotexts allows scholars to examine the mechanisms and resources used by Lope in his intersemiotic translations. Furthermore, it constitutes a step in the description of the grammar of motives and functions we call ‘formula of the comedia nueva’, ultimately building toward, through a logical-semantic analysis, a formal model of Lope’s grammar.  


Open access | Peer reviewed

Presentato: 01 Agosto 2015 | Accettato: 13 Aprile 2016 | Lingua: it

Keywords Comedia nueva • Dramatic formula • Bandello • Novelle • Lope de Vega

Copyright © 2017 Guillermo Carrascón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-163-8/RiB-5-35


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