Series | Library of Rassegna iberistica
Edited book | Serenísima palabra
Chapter | Historia de una tachadura
Abstract
Through a study of the arrangement of characters lists in different editions of Jerónimo de Villaizán’s Ofender con la fineza, and also in the two Italian adaptations of the text, the first by Luigi Benedetti and Antonio Sacchi, and the second by Carlo Gozzi, this paper shows that Gozzi worked with Luigi Benedetti and Antonio Sacchi’s Italian version, and not with Villaizán’s original Spanish text. This leads to the hypothesis that the adaptations by Carlo Gozzi of works of the Spanish Golden Age are effectively works of collective authorship.
Submitted: July 13, 2015 | Accepted: March 29, 2016 | Language: it
Keywords Venice • Carlo Gozzi • Antonio Sacchi • Theater
Copyright © 2017 Javier Gutiérrez Carou. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-163-8/RiB-5-47
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_957 |
dc.contributor.author |
Gutiérrez Carou Javier |
dc.title |
Historia de una tachadura. Notas sobre la difusión del teatro del Siglo de Oro en Venecia: Carlo Gozzi, Jerónimo de Villaizán y los actores-dramaturgos de la compañía Sacchi |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
Through a study of the arrangement of characters lists in different editions of Jerónimo de Villaizán’s Ofender con la fineza, and also in the two Italian adaptations of the text, the first by Luigi Benedetti and Antonio Sacchi, and the second by Carlo Gozzi, this paper shows that Gozzi worked with Luigi Benedetti and Antonio Sacchi’s Italian version, and not with Villaizán’s original Spanish text. This leads to the hypothesis that the adaptations by Carlo Gozzi of works of the Spanish Golden Age are effectively works of collective authorship. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.dateAccepted |
2016-03-29 |
dc.dateSubmitted |
2015-07-13 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/historia-de-una-tachadura/ |
dc.identifier.doi |
10.14277/6969-163-8/RiB-5-47 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Antonio Sacchi |
dc.subject |
Antonio Sacchi |
dc.subject |
Carlo Gozzi |
dc.subject |
Carlo Gozzi |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Venice |
dc.subject |
Venice |
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