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Capitolo | Los gitanos como máscaras del teatro renacentista

Los gitanos como máscaras del teatro renacentista

Abstract

This is an analysis of the character of the gipsy in the old and Renaissance Iberian Peninsula plays. In Lope de Rueda’s Auto de la Huida a Egipto, Medora and Eufemia (1567) and in his paso La gitana ladrona; in Juan de Timoneda’s Turiana (1563) or in Gil Vicente’s plays, not leaving out other contemporary plays. We will start by showing how this characters are a highly codified projection, how are they gestated and how the same cliché serves sometimes to a humorous purpose while other times the gipsies are considered as heralds of misfortune. We will finally analyse some cases in which the playwrighters use these gipsies with a moral and satiric aim to condemn the vices and flaws of men and society.  


Open access | Peer reviewed

Presentato: 14 Luglio 2015 | Accettato: 03 Maggio 2016 | Lingua: it

Keywords Gypsies • Theater • Renascence • Satire

Copyright © 2017 Hélène Tropé. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-163-8/RiB-5-60


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