Collana | Biblioteca di Rassegna iberistica
Miscellanea | Serenísima palabra
Capitolo | La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo
Abstract
Franscisco de Quevedo’s relationship with the Italian literary tradition is a prolific research area. In some poems from Erato, the imitation of Groto’s works is evident, but Quevedo uses this source as a point of departure to completely recreate it according to Baroque and conceptista sensibilities. Through a comparison of the source with the reworked version, I intend to mark the improvements of Quevedo’s poetry in terms of versification, meaning and how the poet transforms Petrarchan imagery.
Presentato: 13 Luglio 2015 | Accettato: 29 Marzo 2016 | Lingua: it
Keywords Baroque poetry • Love poetry • Francisco de Quevedo • Luigi Groto
Copyright © 2017 Alessandra Ceribelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-163-8/RiB-5-13
Preámbulo
1 Conferencias plenarias
2 Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO
3.1 Comunicaciones: Poesía
3.2 Comunicaciones: Teatro
3.3 Comunicaciones: Prosa
3.4 Comunicaciones: Lengua y traducción
3.5 Comunicaciones: Varia
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_792 |
dc.contributor.author |
Ceribelli Alessandra |
dc.title |
La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Franscisco de Quevedo’s relationship with the Italian literary tradition is a prolific research area. In some poems from Erato, the imitation of Groto’s works is evident, but Quevedo uses this source as a point of departure to completely recreate it according to Baroque and conceptista sensibilities. Through a comparison of the source with the reworked version, I intend to mark the improvements of Quevedo’s poetry in terms of versification, meaning and how the poet transforms Petrarchan imagery. |
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.dateAccepted |
2016-03-29 |
dc.dateSubmitted |
2015-07-13 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/la-influencia-de-luigi-groto-en-la-poesia-amorosa/ |
dc.identifier.doi |
10.14277/6969-163-8/RiB-5-13 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Baroque poetry |
dc.subject |
Baroque poetry |
dc.subject |
Francisco de Quevedo |
dc.subject |
Francisco de Quevedo |
dc.subject |
Love poetry |
dc.subject |
Love poetry |
dc.subject |
Luigi Groto |
dc.subject |
Luigi Groto |
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