Serenísima palabra
Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de julio de 2014)
a cura di
Florencio del Barrio de la Rosa
Università Ca’ Foscari Venezia, Italia
María del Valle Ojeda Calvo
Università Ca’ Foscari Venezia, Italia
abstract
Del 14 al 18 de julio de 2014 se dieron cita en Venecia más de doscientos estudiosos venidos de veintiún países, pertenecientes a ciento veintiséis universidades, centros e instituciones para celebrar el X Congreso Internacional de la Asociación Siglo de Oro, cuando la AISO cumplía 25 años. Estas páginas reflejan buena parte de lo escuchado allí, habiendo pasado un proceso de revisión por pares las comunicaciones recibidas para su publicación. El contenido se ha articulado en tres sesiones, recogiéndose en la primera de ellas las cinco conferencias plenarias, en la segunda el «Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO», y en la tercera las comunicaciones. Estas se han distribuido a su vez en cinco apartados («Poesía», «Teatro», «Prosa», «Lengua y traducción», y «Varia») que muestran el carácter multidisciplinar del encuentro, pues varios son los aspectos de la cultura e historia del mundo hispánico de los siglos XVI y XVII tratados en ellas, así como de su fortuna en la contemporaneidad.
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Keywords vpn_key keyboard_arrow_down
Early Music • Rhetoric • Translator • Exemplary Novels • Collaboration • Popular culture • Spanish Court Poetry • Literary sources • Novelas ejemplares • Love • Rosete Niño • Language • Guzmán de Alfarache • Spain • History of typography • Italy • Matos Fragoso • Journey • Renaissance books • Figurón comedy • Countess of Harrach • Jiménez Patón • Modernity • Illustrated edition • Álvar Núñez Cabeza de Vaca • Juan de Mariana • Dramatic formula • 17th Century • Baroque • Romances of chivalry • Cut flower • Post-Tridentine Spain • Cea Tesa • Philip IV • Fine taste • El piadoso veneciano • Kundera • Renascence • Controversy • Prior censorship • Seventeenth century • Butterfly • Literature • Travel narratives • Fear • Antonio de Zamora • Traitors • Priest • Spiritual poetry • Bibliography • Pynchon • 17th century • Lope de Vega • Juan de Valdés • Theater • Financial crisis • Phonetics • Theatre Translation • Adventure books • Sonnets • Aminta • Roberto el diablo • XVII century • Style • Calderón • Robbery • Helmet of Mambrino • Novel • Slang • Octosyllabic verse • Don Quixote • Fernández de Lizardi • Jerónimo Corte-Real • La Maya • Dedications • Comedy of magic • Cáncer • Mercadante • Chivalric romance • Sermons • Díaz de Rivas • Siglo de Oro • Juan Bautista Pederzano • Jorge de Montemayor • Low Baroque • Coherence • Caballero de Illescas • Melchor Díaz de Toledo • Eroticism • Córdoba • Booklets • Spanish Golden Age, History of Linguistics • Epic poetry • Baroque comedy • Edition • Quotations • Satyre • Enchantment of Dulcinea • Anacreontics • Dynamism • Baroque poetry • Intertextuality • El bautismo del príncipe de Marruecos • New Spain • Epic and Drama • Explicitation • Atonement • Carlo Goldoni • Italophile • Mendeley • Textual bibliography • Libretto • Spanish Poetry • Golden Age Poetry • Italian humanist short prose • Diálogo de la lengua • Corruption • Oliveros de Castilla • Love poetry • Diccionario de Autoridades • Calderón de a Barca • Olivieri di Castiglia • Proverbs • Venice • Gongorism • Copper coin • Cervantes • Perfecto predicador • The Book of Judges • Enríquez de Cabrera • Bandello • Miguel de Cervantes • Shame • Christian preacher • Literary Forgery • Homeric simile • Ineffable language • Francesco Portonari • Carlo Gozzi • Justice • Facetia • interludes • Italian translation • Seven love letters • Order of the Golden Fleece • Council of Castile • Women writers • Translation constraints • Repentance • Gypsies • Poetry • Conquest of Peru • Timanthes • Stylistic development • Lovers • Poggio Bracciolini • Tradition • Italian Renaissance • Decorum • Versification • Walter Raleigh • Vázquez Siruela • Lope sources • Politics • Donkey • Hernando de Acuña • History of book • Spanish theatre • Spanish Golden Age Theatre • Barahona de Soto • Novelle • Literary censorship • Correction to editio princeps • Open access • Jewels • Fraud • Quiñones de Benavente • Refranes • Analysis • Rojas Zorrilla • Festive relation • Comedias de pícaros • Stage • Anagilda • La noche de San Juan • Theatre • Morisco figures • Republic of Letters • Interpretation • Fernando de Herrera • Preacher • 17th century Theatre • Eulogy • Giacomo Franco • Nuns • Nadie fíe su secreto • Trees • Labyrinth • Castillo Solórzano • Pedro Sarmiento de Gamboa • Baroque theater • Comedy • Preaching • Castillejo • Critical editions of literary Works • Portuguese poetry • King Sebastian • Graphical changes • Decameron • Granada • Tesoro de la Lengua Castellana • Translators • Francisco de Leefdael • Alonso de Castillo Solórzano • Picaresque novel • Segmentation • José de Arroyo • Catalogue • Insane asylums • Notes in scholarly editions • Variety • Golden Age minor theater • San Juan de la Cruz • Music • Rewriting • Descartes • Auto • Spanish Novel • Orthography • Empresas políticas • Sociology • Imago • Margaret Theresa of Spain • Metrics • Truth • Promujer • resemantization • Symbolism • Disgust • Poetry about music • Literary styles • Affect • Francisco de Quevedo • Nicolini da Sabbio • Bible • Spanish literature of the Golden Age • Painting • Golden Age • Moreto • Mythification • Religious Poetry • Quijote • Portugal • Anti-aulic satire • Images • Cristóbal de Morales • Affinities • Spanish Golden Age • Experience • Tametsi decree • Cohesion • Book of Job • Critical edition • Tree • Queen Isabel de Borbón • Anthroponomy • Censors • Authors • Sacrament of penance • Literary authors • Dalila • Góngora • Hernán Núñez • Sonnet • Gemstones • Letters • Luís de Camões • Marginalization • Santa Teresa • Twentieth century • Metaphor • La Gerusalemme liberata • Ideology • Press • Philology • Public-Private relation • Court • Venitian printing • Lope • Honour • Reception theory • Jáuregui • Empire • Publisher • Witticism • Quixote • Satire • Orthographiy • Literary criticism • Autobiography • José Saramago • Luis Gálvez de Montalvo • Rimas • El dómine Lucas • Italian • Girolamo Gigli • José de la Concha • Authorship • Philosophical method • Attributed authorship • Saavedra Fajardo • Ambiguity • French Classical Theatre • Barbers • Paremiology • Metre • Madrid • Farsalia • Comedia nueva • Unstable • Asceticism • Luigi Groto • Notes • Spanish Golden Age entremeses • Translation Studies • Mystical symbols • Tragic play • Uruguay • La Zucca del Doni en spañol • Alonso Remón • Seville • Suspension • Adaptation Studies • Tridentin work • Female reader • Parody • Spanish Golden Age theatre • CABIGO • Dramatic space • Sociability • Poetics • Iberism • Bernardo de Sandoval y Rojas • Madmen • Las dos doncellas • Francisco de La Torre • History of Spanis language • Grotesque body • Komenský • Quevedo • Cándido María Trigueros • Miguel Torga • Translation • Short farce • Expression • Metaphors • Sermon • Topos • Espada sagrada • String literature • Hagiographic drama • Mysticism • El maestro de danzar • Playing cards • Antonio Sacchi • Dedicatees • Lady of Copacabana
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Sommario
Preámbulo
1 Conferencias plenarias
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2 Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO
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3.1 Comunicaciones: Poesía
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3.2 Comunicaciones: Teatro
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3.3 Comunicaciones: Prosa
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3.4 Comunicaciones: Lengua y traducción
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3.5 Comunicaciones: Varia
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