Venezia Arti

Topic
chevron_rightArts

Language
fr, en, it

Periodicity
annual

ISSN
chevron_right0394-4298

e-ISSN
chevron_right2385-2720

Online issues
chevron_right2014, 2016, 2017, 2018

chevron_rightIndexes

Head office
Università Ca’ Foscari Venezia | Dipartimento di Filosofia e Beni Culturali | Palazzo Malcanton Marcorà | Dorsoduro 3484/D, 30123 Venezia, Italia | venezia.arti@unive.it

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Venezia Arti is a journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice. VA was founded in 1987 by Wladimiro Dorigo and Giuseppe Mazzariol, a new series directed by Silvia Burini and Giovanni Maria Fara begins in 2019. The journal welcomes scholars of all disciplines focusing on the arts and encourages an interdisciplinary and international approach, capable of systematically and critically doing research on events and problems in the artistic culture. VA aims to become a sound reference point for medieval, modern and contemporary art, visual and performing arts, and all the main themes of the international methodological debate. The journal is annual and undergoes a double-blind peer review. It is recognized as a scientific journal for the fields 08 (Architecture) and 10 (Antiquities, Philology, Literary Studies, Art History). Since 2014, the journal is published both in a printed and in a digital (open access) edition by Edizioni Ca’ Foscari. It is characterised by thematic calls and a miscellaneous section in which contributions of young emerging scholars are very well accepted.




Topic
chevron_rightArts

Language
fr, en, it

Periodicity
annual

ISSN
chevron_right0394-4298

e-ISSN
chevron_right2385-2720

Online issues
chevron_right2014, 2016, 2017, 2018

chevron_rightIndici

Head office
Università Ca’ Foscari Venezia | Dipartimento di Filosofia e Beni Culturali | Palazzo Malcanton Marcorà | Dorsoduro 3484/D, 30123 Venezia, Italia | venezia.arti@unive.it

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Editors in chief – new series
Silvia Burini (sezione Contemporaneo), Università Ca’ Foscari Venezia, Italia    
Giovanni Maria Fara (sezione Medioevo e Età Moderna), Università Ca’ Foscari Venezia, Italia    

Advisory Board
Kosme de Barañano, Universidad Miguel Hernández, España    
John Bowlt, University of Southern California, USA    
David Freedberg, Columbia University, USA    
Boris Groys, Staatliche Hochschule für Gestaltung, Deutschland    
Yoko Hasegawa, Tama Art University, Tokyo, Japan    
Michel Hochmann, École Pratique des Hautes Études, Paris, France    
Philippe Morel, Université Paris 1 Panthéon-Sorbonne, Paris, France    
Silvia Naef, Université de Genève, Suisse    
Alina Payne, Harvard University, USA    
Sebastian Schütze, Universität Wien, Österreich    
Salvatore Settis, Scuola Normale Superiore di Pisa, Italia    
Victor Stoichita, Université de Fribourg, Suisse    
Chia-ling Yang, The University of Edimburgh, UK    
Alessandro Zuccari, Sapienza Università di Roma, Italia    

General Editor
Walter Cupperi, Università Ca’ Foscari Venezia, Italia    

Editorial Board (section Contemporary)
Cristina Baldacci, Università Ca’ Foscari Venezia, Italia    
Matteo Bertelè, Università Ca’ Foscari Venezia, Italia    
Alessia Cavallaro, Università Ca’ Foscari Venezia, Italia    
Marco Dalla Grassa, Università Ca’ Foscari Venezia, Italia    
Giovanni De Zorzi, Università Ca’ Foscari Venezia, Italia    
Susanne Franco, Università Ca’ Foscari Venezia, Italia    
Michele Girardi, Università Ca’ Foscari Venezia, Italia    
Flavio Gregori, Università Ca’ Foscari Venezia, Italia    
Sara Mondini, Università Ca’ Foscari Venezia, Italia    
Maria Roberta Novielli, Università Ca’ Foscari Venezia, Italia    
Stefania Portinari, Università Ca’ Foscari Venezia, Italia    
Sabina Rastelli, Università Ca’ Foscari Venezia, Italia    
Cecilia Rofena, Università Ca’ Foscari Venezia, Italia    
Silvia Vesco, Università Ca’ Foscari Venezia, Italia    

Editorial Board (section Middle Ages and Early Modern Period)
Pietro Conte, Università Ca’ Foscari Venezia, Italia    
Walter Cupperi, Università Ca’ Foscari Venezia, Italia    
Craig Edwin Martin, Università Ca’ Foscari Venezia, Italia    
Elisabetta Molteni, Università Ca’ Foscari Venezia, Italia    
Simone Piazza, Università Ca’ Foscari Venezia, Italia    
Valentina Sapienza, Università Ca’ Foscari Venezia, Italia    
Pier Mario Vescovo, Università Ca’ Foscari Venezia, Italia    
Giulio Zavatta, Università Ca’ Foscari Venezia, Italia    

To the General Editor

1. Message
2. Registration request as
3. Proposal submission
Attachment

To be published all manuscripts must comply with the following guidelines. In case of blatant violation of the guidelines, the editor (ECF) can suspend at any time the manuscript’s publication.

The instructions for the preparation of your manuscript, its abstract and its bibliography, are an integral part of the requirements for the manuscript submission. They are downloadable from the menu ‘Publish with us’ at the item: ‘Guidelines’.

  • Manuscript Preparation
  • Document Basic Structure
  • Document Composition
  • Source Citation System
  • General Bibliography


To find out more, please contact Edizioni Ca’ Foscari’s editorial staff at ecf@unive.it.

Ethical Code of Venezia Arti

Venezia Arti is a peer-reviewed scientific journal whose policy is inspired by the COPE (Committee on Publication Ethics) Ethical Code. See the Best Practice Guidelines for Journal Editors.

Publisher’s responsibilities  

The Publisher must provide the Journal with adequate resources and the guidance of experts, in order to carry out its role in the most professional way, aiming at the highest quality standard.

The Publisher must have a written agreement that defines the relationship with the owner of the Journal and/or the Editor-in-Chief. The agreement must comply with the Code of Behavior for Publishers of Scientific Journals, as established by COPE.

The relationship among the Editor-in-Chief, the Editorial Board and the Publisher is based on the principle of publishing independence. 

The Editor(s)-in-chief are nominated bt the Department Director. The Editor-in-chief promotes the shape of the Advisory Board and the Editorial Board and can integrate and/or vary the shape of the same.The boards remain in office for 6 years and are automatically renewed for another 6 in the absence of a difference of opinion within the Department Director.


Editors’ responsibilities 

The Editor-in-Chief and the Editorial Board of Venezia Arti alone are responsible for the decision to publish the articles submitted.

Submitted articles will be sent to at least two reviewers. Final acceptance presumes the implementation of possible amendments, as required by the reviewers and under the supervision of the Venezia Arti Editors.

The Venezia Arti Editors and Editorial Board must evaluate each submitted paper in compliance with the Journalʼs policy, i.e. exclusively on the basis of its scientific content, without discrimination of race, sex, gender, creed, ethnic origin, citizenship, or the scientific, academic and political position of the Authors. 

If the Venezia Arti Editors and Editorial Board notice (or receive notifications of) mistakes or inaccuracies, conflict of interest or plagiarism in a published article, they will immediately warn the Author and the Publisher and will undertake the necessary actions to resolve the issue. If necessary, they will withdraw the article or publish a recantation. 

Authors’ responsibilities

Stylesheet

Authors must follow the Guidelines for Authors to be downloaded from the Venezia Arti website. 

No multiple submissions

Authors must explicitly state that their work is original in all its parts and that the submitted paper has not been previously published, nor submitted to other journals, until the entire evaluation process is completed. Since no paper gets published without significant revision, earlier dissemination in conference proceedings or working papers does not preclude consideration for publication, but Authors are expected to fully disclose publication/dissemination of the material in other closely related publications, so that the overlap can be evaluated by the Venezia Arti Editors. 

Authorship

Authorship must be correctly attributed; all those who have given a substantial contribution to the design, organisation and accomplishment of the research the article is based on, must be indicated as Co-Authors. The respective roles of each Co-author should be described in a footnote. The statement that all authors have approved the final version should be included in the disclosure.

Conflicts of interest and financing

Authors, under their own responsibility, must avoid any conflict of interest affecting the results obtained or the interpretations suggested. The Venezia Arti Editors will give serious and careful consideration to suggestions of cases in which, due to possible conflict of interest, an Author’s work should not be reviewed by a specific scholar. Authors should indicate any financing agency or the project the article stems from. 

Quotations

Authors must see to it that all works consulted be properly quoted. If works or words of others are used, they have to be properly paraphrased or duly quoted. Citations between “double quotes” (or «angled quotation marks» if the text is written in a language other than English) must reproduce the exact wording of the source; under their own responsibility, Authors should carefully refrain from disguising a restyling of the source’s wording, as though it was the original formulation. 

Ethical Committee

Whenever required, the research protocols must be authorised in advance by the Ethical Committee of Ca’ Foscari University of Venice. 

Emendations

When Authors find a mistake or an inaccuracy in their own article, they must immediately warn the Venezia Arti Editors, providing all the information needed to make the due adjustments. 

Reviewers’ responsibilities

Goal

By means of the peer-review procedure, reviewers assist the Venezia Arti Editors and Editorial Board in taking decisions on the articles submitted. They are expected to offer the Authors suggestions as to possible adjustments aimed at improving their contribution submission. 

Timing and conflicts of interest

If a reviewer does not feel up to the task of doing a given review, or if she/he is unable to read the work within the agreed schedule, she/he should notify the Venezia Arti Editors. Reviewers must not accept articles for which there is a conflict of interest due to previous contributions or to a competition with a disclosed author (or with an author they believe to have identified). 

Confidentiality

The content of the reviewed work must be considered confidential and must not be used without explicit authorisation by the Author, who is to be contacted via the Editor-in-chief. Any confidential information obtained during the peer review process should not be used for other purposes.

Collaborative attitude

Reviewers should see themselves not as adversaries but as advocates for the field. Any comment must be done in a collaborative way and from an objective point of view. Reviewers should clearly motivate their comments and keep in mind the Golden Rule of Reviewing: “Review for others as you would have others review for you”. 

Plagiarism

Reviewers should report any similarity or overlapping of the work under analysis with other works known to them. 

Authors who publish with this Journal/Series agree to the following terms:

  1. Open Access publishing is at no cost. Therefore, the Publisher (ECF) charges a fee of 8€ (+VAT) per page (2000 characters, spaces included) for each article or monograph, after acceptance. This fee applies for Journals/Series or series affiliated with Institutions or Research entities not linked with Ca’ Foscari University of Venice.
  2. If the Journals/Series or series is affiliated to Ca’ Foscari University of Venice, publication fees are met by the single Departments on the basis of specific arrangements between the Departments and ECF.
  3. In any case, Authors’ institutions – and not individual Authors – will be charged.
In case of an article of monograph with particular features or complex content (non-western languages, non-standard graphic elaborations, etc.), Authors’ institutions may be charged with extra fees, to be determined by ECF.


To find out more, please contact Edizioni Ca’ Foscari’s editorial staff at ecf@unive.it

CALL FOR PAPERS – Venezia Arti, s. II, 1/XXVIII (2019)

Deadlines:

for the abstract: 12 May 2019

for the article: 15 July 2019

Venezia Arti | Journal of the Department of Philosophy and Cultural Heritage | Ca’ Foscari University of Venice

Venezia Arti is a journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice on the history of the arts. VA was founded in 1987 by Wladimiro Dorigo and Giuseppe Mazzariol, a new series directed by Silvia Burini and Giovanni Maria Fara begins in 2019. The journal welcomes scholars of all disciplines focusing on the arts and encourages an interdisciplinary and international approach, capable of systematically and critically doing research on events and problems in the artistic culture. Venezia Arti aims to become a sound reference point for medieval, modern and contemporary art, visual and performing arts, and all the main themes of the international methodological debate. The journal is annual and undergoes a double-blind peer review, which is carried out both for paper and digital (open access) editions by Edizioni Ca’ Foscari. It is characterised by thematic calls and a miscellaneous section in which contributions of young emerging scholars are very well accepted.

CALL FOR ARTICLES 2019 | Title: The Body of Art

Venezia Arti invites scholars to send article proposals on the topic of The Body of Art for the s. II, 1/XXVIII issue (2019). Below is a description of the topic, which should help scholars who wish to submit a proposal.

TOPIC AND ISSUES

The problem of the body and its representation has for some decades been considered one of the major themes in the history of culture and is a subject of an enquiry that is dealt with by various disciplines. Its centrality in the development of the scientific, artistic and historical thought of the medieval, modern and contemporary age, as well as in a historiographical and methodological reflection, and in the different approaches that define Western civilization in a non-unique way, will be the topic of the next issue of Venezia Arti. The various forms of body representation, its design, its visions, its deformations, and also the many forms of relationship that the body establishes inside the work of art itself – from the dynamics of creation to the engaging relationship with the viewer, to the experienced cognitive backgrounds – will be inquired, from the canon to the different post-human declinations.

ABSTRACT SUBMISSION | Guidelines and information

To submit a contribution, please send the tentative title and an abstract of max. 700 characters (spaces included) with a brief biographical note. The materials must be sent within 12 May 2019 to the editorial staff of the journal at venezia.arti@unive.it with object “VeneziaArti 2019 – Call for Articles”.

The final version of the articles must not exceed 40,000 characters (footnotes and spaces included) and will undergo a double-blind peer review. The accepted languages are Italian, English and French. Regardless of the text’s language, all articles must include an English abstract and at least five English keywords, and must comply with Edizioni Ca’ Foscari’s editorial guidelines (Editorial guidelines). Non-complying texts will not be accepted. Authors must provide by themselves for costs and reproduction rights of any images, which shall be provided in high definition.

The final deadline for the article submission is 15 July 2019.

For more details and information please contact the editorial office at venezia.arti@unive.it.

Every article published by ECF was accepted for publication by no less than two qualified reviewers as a result of a process of anonymous reviewing (double-blind peer review).

The reviewers are independent of the authors and not affiliated with the same institution.

The Journal’s/Series’ Scientific Director guarantees the proper execution of the peer review process for every article published in the Journal/Series. The evaluation is conducted in accordance with the following criteria:
Revision policies for the different sections:

  • Complete volume/issue: subject to peer review
  • Monographs/essays/articles: subject to peer review
  • Introductions, prefaces: no peer review
  • Reviews: no peer review
  • Editorials: no peer review
For a complete description of the process, please see: Scientific Certification of the Works Published by ECF

Issues

Issues

24 | 2014

15 Jun 2014

25 | 2016

20 Dec 2016

26 | 2017 | The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

20 Dec 2017

27 | 2018 | Discovering the Art of Medieval Caucasus (1801-1945)

13 Dec 2018