Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Michelangelo Cerquozzi • Francesco Noletti • Hybrid space • Cyborg • Gesture • Biographical Cameos • Scenography • Hybridisation • Linear perspective • Bologna, accademia dei Gelati • Anamorphosis • Poussin • Zaccolini • Art • Mutation • Russian Avant-garde • Mario dei Fiori • Busts • Paintings • Eighteenth century • Light and shadow • Pieter Boel • Italian Art Literature • Mikhail Larionov • Cornelis De Bie • Print Collecting • Tactical media • Science Treatises • Form • Science • Diagram • Renaissance • Scientific knowledge • New media art • Venice • Abstraction • Proportions • Ideography • Galleria Manfrin • Computer art • Electronic disobedience • Bologna, gentry (XVI-XVII cent • Flemish Sources • Pigments • Ornament • Neapolitan Collections • Planisphere • Medallions • Manfrin, Girolamo • Rayonism • Grechetto • Software • Alterity • Contemporary Art • Infection • Digital image • Mathematics • David De Coninck • Het Gulden Cabinet • Dance • Vitruvius • Security • Theriomorphism • Posthumanism • Drawing instruments • Movement • ) • Cryptography • Optics • Technology • Recipes • Still Life in Italy • Landscape • Book Collecting • Portraits • Writing • Seicento painting • Ownership marks • Architectural drawing • Anthropocene • Viral • Neoplatonism • Pastel practice

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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