Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Keywords Neapolitan Collections • Proportions • Anamorphosis • Security • Galleria Manfrin • Science Treatises • Cryptography • Eighteenth century • Theriomorphism • Mutation • Scientific knowledge • Busts • Still Life in Italy • Pastel practice • Ownership marks • Ideography • Mario dei Fiori • Bologna, accademia dei Gelati • Francesco Noletti • Art • Posthumanism • Grechetto • Technology • Anthropocene • Writing • Movement • Flemish Sources • Zaccolini • Light and shadow • Rayonism • Venice • Biographical Cameos • Digital image • Dance • Medallions • Michelangelo Cerquozzi • Scenography • Mikhail Larionov • Science • Russian Avant-garde • Infection • Computer art • Optics • Cyborg • Book Collecting • Vitruvius • Portraits • Ornament • Drawing instruments • Planisphere • Form • Electronic disobedience • Viral • Alterity • Recipes • Tactical media • Landscape • Abstraction • Hybrid space • Diagram • Italian Art Literature • Renaissance • Paintings • Mathematics • Bologna, gentry (XVI-XVII cent • Cornelis De Bie • David De Coninck • Gesture • Pieter Boel • Contemporary Art • Linear perspective • Poussin • Software • New media art • Manfrin, Girolamo • Neoplatonism • Het Gulden Cabinet • Hybridisation • Print Collecting • Seicento painting • ) • Architectural drawing • Pigments
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Medioevo e età moderna
Contemporaneo
Alia itinera