Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Portraits • Michelangelo Cerquozzi • Seicento painting • Neoplatonism • Poussin • Het Gulden Cabinet • Electronic disobedience • New media art • Diagram • Software • Architectural drawing • Hybridisation • Print Collecting • Posthumanism • Galleria Manfrin • Cornelis De Bie • ) • Russian Avant-garde • Zaccolini • Abstraction • Art • Hybrid space • Science Treatises • Bologna, accademia dei Gelati • Theriomorphism • Proportions • Pieter Boel • Contemporary Art • Anthropocene • Biographical Cameos • Planisphere • Grechetto • Pastel practice • Optics • Italian Art Literature • Eighteenth century • Still Life in Italy • Renaissance • Manfrin, Girolamo • Neapolitan Collections • Rayonism • Venice • Scenography • Anamorphosis • Mikhail Larionov • Gesture • Vitruvius • Technology • Paintings • Ornament • Linear perspective • Cryptography • Landscape • Writing • Viral • Mathematics • Drawing instruments • Dance • Ideography • Movement • Light and shadow • David De Coninck • Mutation • Mario dei Fiori • Cyborg • Medallions • Busts • Computer art • Scientific knowledge • Form • Infection • Security • Pigments • Digital image • Ownership marks • Bologna, gentry (XVI-XVII cent • Flemish Sources • Tactical media • Alterity • Science • Book Collecting • Recipes • Francesco Noletti

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, en, fr

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