Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Still Life in Italy • Linear perspective • Electronic disobedience • David De Coninck • Vitruvius • Dance • Anamorphosis • Tactical media • Cornelis De Bie • Viral • Writing • Pigments • Architectural drawing • New media art • Book Collecting • Planisphere • Poussin • Optics • Mathematics • Print Collecting • Mikhail Larionov • Pieter Boel • Cryptography • Rayonism • Science • Zaccolini • Scientific knowledge • Abstraction • Diagram • Seicento painting • Paintings • Ideography • Digital image • Neapolitan Collections • Portraits • Bologna, accademia dei Gelati • Busts • Flemish Sources • Italian Art Literature • Proportions • Security • Art • ) • Contemporary Art • Form • Hybrid space • Biographical Cameos • Technology • Cyborg • Galleria Manfrin • Mutation • Michelangelo Cerquozzi • Light and shadow • Ornament • Science Treatises • Het Gulden Cabinet • Russian Avant-garde • Alterity • Drawing instruments • Pastel practice • Renaissance • Bologna, gentry (XVI-XVII cent • Recipes • Neoplatonism • Gesture • Ownership marks • Movement • Scenography • Software • Landscape • Grechetto • Infection • Eighteenth century • Manfrin, Girolamo • Mario dei Fiori • Computer art • Anthropocene • Hybridisation • Theriomorphism • Venice • Francesco Noletti • Posthumanism • Medallions

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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