Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Keywords Biographical Cameos • Book Collecting • Electronic disobedience • Seicento painting • Cyborg • Diagram • Anthropocene • Cryptography • ) • Bologna, gentry (XVI-XVII cent • Ideography • David De Coninck • Mathematics • Architectural drawing • Landscape • Planisphere • Zaccolini • Bologna, accademia dei Gelati • Technology • Manfrin, Girolamo • Anamorphosis • New media art • Movement • Venice • Tactical media • Drawing instruments • Italian Art Literature • Pastel practice • Print Collecting • Cornelis De Bie • Computer art • Scenography • Eighteenth century • Michelangelo Cerquozzi • Form • Hybridisation • Paintings • Hybrid space • Renaissance • Portraits • Ornament • Still Life in Italy • Science • Neoplatonism • Posthumanism • Vitruvius • Busts • Science Treatises • Digital image • Rayonism • Theriomorphism • Ownership marks • Abstraction • Viral • Mario dei Fiori • Medallions • Recipes • Security • Mutation • Francesco Noletti • Alterity • Pieter Boel • Light and shadow • Poussin • Het Gulden Cabinet • Dance • Software • Galleria Manfrin • Writing • Neapolitan Collections • Mikhail Larionov • Scientific knowledge • Optics • Proportions • Pigments • Grechetto • Flemish Sources • Linear perspective • Contemporary Art • Art • Infection • Russian Avant-garde • Gesture
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Medioevo e età moderna
Contemporaneo
Alia itinera
DC Field | Value |
---|---|
dc.identifier |
ECF_issue_144 |
dc.title |
Vol. 29 | December 2020 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Monographic journal issue |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2020/1/ |
dc.relation.ispartof |
Venezia Arti |
dc.issued |
2020-12-11 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-2720 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/VA/2385-2720/2020/06 |
dc.peer-review |
yes |
dc.subject |
) |
dc.subject |
) |
dc.subject |
Abstraction |
dc.subject |
Abstraction |
dc.subject |
Alterity |
dc.subject |
Alterity |
dc.subject |
Anamorphosis |
dc.subject |
Anamorphosis |
dc.subject |
Anthropocene |
dc.subject |
Anthropocene |
dc.subject |
Architectural drawing |
dc.subject |
Architectural drawing |
dc.subject |
Art |
dc.subject |
Art |
dc.subject |
Biographical Cameos |
dc.subject |
Biographical Cameos |
dc.subject |
Bologna, accademia dei Gelati |
dc.subject |
Bologna, accademia dei Gelati |
dc.subject |
Bologna, gentry (XVI-XVII cent |
dc.subject |
Bologna, gentry (XVI-XVII cent |
dc.subject |
Book Collecting |
dc.subject |
Book Collecting |
dc.subject |
Busts |
dc.subject |
Busts |
dc.subject |
Computer art |
dc.subject |
Computer art |
dc.subject |
Contemporary Art |
dc.subject |
Contemporary Art |
dc.subject |
Cornelis De Bie |
dc.subject |
Cornelis De Bie |
dc.subject |
Cryptography |
dc.subject |
Cryptography |
dc.subject |
Cyborg |
dc.subject |
Cyborg |
dc.subject |
Dance |
dc.subject |
Dance |
dc.subject |
David De Coninck |
dc.subject |
David De Coninck |
dc.subject |
Diagram |
dc.subject |
Diagram |
dc.subject |
Digital image |
dc.subject |
Digital image |
dc.subject |
Drawing instruments |
dc.subject |
Drawing instruments |
dc.subject |
Eighteenth century |
dc.subject |
Eighteenth century |
dc.subject |
Electronic disobedience |
dc.subject |
Electronic disobedience |
dc.subject |
Flemish Sources |
dc.subject |
Flemish Sources |
dc.subject |
Form |
dc.subject |
Form |
dc.subject |
Francesco Noletti |
dc.subject |
Francesco Noletti |
dc.subject |
Galleria Manfrin |
dc.subject |
Galleria Manfrin |
dc.subject |
Gesture |
dc.subject |
Gesture |
dc.subject |
Grechetto |
dc.subject |
Grechetto |
dc.subject |
Het Gulden Cabinet |
dc.subject |
Het Gulden Cabinet |
dc.subject |
Hybrid space |
dc.subject |
Hybrid space |
dc.subject |
Hybridisation |
dc.subject |
Hybridisation |
dc.subject |
Ideography |
dc.subject |
Ideography |
dc.subject |
Infection |
dc.subject |
Infection |
dc.subject |
Italian Art Literature |
dc.subject |
Italian Art Literature |
dc.subject |
Landscape |
dc.subject |
Landscape |
dc.subject |
Light and shadow |
dc.subject |
Light and shadow |
dc.subject |
Linear perspective |
dc.subject |
Linear perspective |
dc.subject |
Manfrin, Girolamo |
dc.subject |
Manfrin, Girolamo |
dc.subject |
Mario dei Fiori |
dc.subject |
Mario dei Fiori |
dc.subject |
Mathematics |
dc.subject |
Mathematics |
dc.subject |
Medallions |
dc.subject |
Medallions |
dc.subject |
Michelangelo Cerquozzi |
dc.subject |
Michelangelo Cerquozzi |
dc.subject |
Mikhail Larionov |
dc.subject |
Mikhail Larionov |
dc.subject |
Movement |
dc.subject |
Movement |
dc.subject |
Mutation |
dc.subject |
Mutation |
dc.subject |
Neapolitan Collections |
dc.subject |
Neapolitan Collections |
dc.subject |
Neoplatonism |
dc.subject |
Neoplatonism |
dc.subject |
New media art |
dc.subject |
New media art |
dc.subject |
Optics |
dc.subject |
Optics |
dc.subject |
Ornament |
dc.subject |
Ornament |
dc.subject |
Ownership marks |
dc.subject |
Ownership marks |
dc.subject |
Paintings |
dc.subject |
Paintings |
dc.subject |
Pastel practice |
dc.subject |
Pastel practice |
dc.subject |
Pieter Boel |
dc.subject |
Pieter Boel |
dc.subject |
Pigments |
dc.subject |
Pigments |
dc.subject |
Planisphere |
dc.subject |
Planisphere |
dc.subject |
Portraits |
dc.subject |
Portraits |
dc.subject |
Posthumanism |
dc.subject |
Posthumanism |
dc.subject |
Poussin |
dc.subject |
Poussin |
dc.subject |
Print Collecting |
dc.subject |
Print Collecting |
dc.subject |
Proportions |
dc.subject |
Proportions |
dc.subject |
Rayonism |
dc.subject |
Rayonism |
dc.subject |
Recipes |
dc.subject |
Recipes |
dc.subject |
Renaissance |
dc.subject |
Renaissance |
dc.subject |
Russian Avant-garde |
dc.subject |
Russian Avant-garde |
dc.subject |
Scenography |
dc.subject |
Scenography |
dc.subject |
Science |
dc.subject |
Science |
dc.subject |
Science Treatises |
dc.subject |
Science Treatises |
dc.subject |
Scientific knowledge |
dc.subject |
Scientific knowledge |
dc.subject |
Security |
dc.subject |
Security |
dc.subject |
Seicento painting |
dc.subject |
Seicento painting |
dc.subject |
Software |
dc.subject |
Software |
dc.subject |
Still Life in Italy |
dc.subject |
Still Life in Italy |
dc.subject |
Tactical media |
dc.subject |
Tactical media |
dc.subject |
Technology |
dc.subject |
Technology |
dc.subject |
Technology |
dc.subject |
Technology |
dc.subject |
Theriomorphism |
dc.subject |
Theriomorphism |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Viral |
dc.subject |
Viral |
dc.subject |
Vitruvius |
dc.subject |
Vitruvius |
dc.subject |
Writing |
dc.subject |
Writing |
dc.subject |
Zaccolini |
dc.subject |
Zaccolini |
Edizioni Ca’ Foscari
Dorsoduro 3246
30123 Venezia
ecf@unive.it
T +39 041 234 8250