Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Hybridisation • Zaccolini • Russian Avant-garde • ) • Software • Mikhail Larionov • Rayonism • Ideography • Neapolitan Collections • Manfrin, Girolamo • Anamorphosis • Technology • Mario dei Fiori • Still Life in Italy • Landscape • Alterity • David De Coninck • Electronic disobedience • Scenography • Bologna, accademia dei Gelati • Biographical Cameos • Bologna, gentry (XVI-XVII cent • Mutation • Ownership marks • Diagram • Digital image • Writing • Linear perspective • Theriomorphism • Posthumanism • Abstraction • Renaissance • Seicento painting • Het Gulden Cabinet • Drawing instruments • Form • Neoplatonism • Architectural drawing • Galleria Manfrin • Movement • Pastel practice • Italian Art Literature • Book Collecting • Mathematics • Security • Portraits • Cornelis De Bie • Cyborg • Optics • Proportions • Francesco Noletti • Pigments • Poussin • Flemish Sources • Print Collecting • Paintings • Tactical media • Science Treatises • Planisphere • Vitruvius • Cryptography • Light and shadow • Gesture • Computer art • Dance • Michelangelo Cerquozzi • Anthropocene • Ornament • New media art • Viral • Recipes • Busts • Hybrid space • Art • Infection • Venice • Grechetto • Science • Contemporary Art • Pieter Boel • Medallions • Eighteenth century • Scientific knowledge

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.