Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 29 | 2020

Art and Science

open access | peer reviewed

Keywords Biographical Cameos • Book Collecting • Electronic disobedience • Seicento painting • Cyborg • Diagram • Anthropocene • Cryptography • ) • Bologna, gentry (XVI-XVII cent • Ideography • David De Coninck • Mathematics • Architectural drawing • Landscape • Planisphere • Zaccolini • Bologna, accademia dei Gelati • Technology • Manfrin, Girolamo • Anamorphosis • New media art • Movement • Venice • Tactical media • Drawing instruments • Italian Art Literature • Pastel practice • Print Collecting • Cornelis De Bie • Computer art • Scenography • Eighteenth century • Michelangelo Cerquozzi • Form • Hybridisation • Paintings • Hybrid space • Renaissance • Portraits • Ornament • Still Life in Italy • Science • Neoplatonism • Posthumanism • Vitruvius • Busts • Science Treatises • Digital image • Rayonism • Theriomorphism • Ownership marks • Abstraction • Viral • Mario dei Fiori • Medallions • Recipes • Security • Mutation • Francesco Noletti • Alterity • Pieter Boel • Light and shadow • Poussin • Het Gulden Cabinet • Dance • Software • Galleria Manfrin • Writing • Neapolitan Collections • Mikhail Larionov • Scientific knowledge • Optics • Proportions • Pigments • Grechetto • Flemish Sources • Linear perspective • Contemporary Art • Art • Infection • Russian Avant-garde • Gesture

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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