Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Software • New media art • Writing • Eighteenth century • Movement • Pigments • Optics • Mutation • Theriomorphism • Contemporary Art • Art • Renaissance • ) • Bologna, accademia dei Gelati • Francesco Noletti • Computer art • Still Life in Italy • Mikhail Larionov • Science • Medallions • Cornelis De Bie • Bologna, gentry (XVI-XVII cent • Michelangelo Cerquozzi • Rayonism • Digital image • Recipes • Alterity • Poussin • Seicento painting • Architectural drawing • Mario dei Fiori • Mathematics • Flemish Sources • Galleria Manfrin • Neoplatonism • Venice • Manfrin, Girolamo • Neapolitan Collections • Pastel practice • Drawing instruments • Paintings • Posthumanism • Anamorphosis • Grechetto • Gesture • Cryptography • Hybrid space • Russian Avant-garde • Het Gulden Cabinet • Hybridisation • Form • Diagram • Scenography • Busts • Abstraction • Portraits • Biographical Cameos • Technology • Linear perspective • Vitruvius • Proportions • Dance • Tactical media • Ideography • Zaccolini • Science Treatises • Anthropocene • Electronic disobedience • Italian Art Literature • Book Collecting • Ornament • David De Coninck • Viral • Cyborg • Landscape • Print Collecting • Pieter Boel • Planisphere • Security • Infection • Ownership marks • Light and shadow • Scientific knowledge

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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