Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Hybrid space • Theriomorphism • Anthropocene • Galleria Manfrin • Movement • Anamorphosis • Optics • Gesture • Ownership marks • Venice • Science • Mario dei Fiori • Bologna, gentry (XVI-XVII cent • Scenography • Computer art • Architectural drawing • Vitruvius • Software • Technology • Bologna, accademia dei Gelati • David De Coninck • Planisphere • Flemish Sources • Alterity • Ornament • Still Life in Italy • Grechetto • Science Treatises • Hybridisation • Neoplatonism • Print Collecting • Paintings • Busts • Pigments • Poussin • Manfrin, Girolamo • Mathematics • Renaissance • Infection • Posthumanism • Francesco Noletti • Cornelis De Bie • Writing • Het Gulden Cabinet • Eighteenth century • Contemporary Art • Landscape • Art • Tactical media • Russian Avant-garde • Electronic disobedience • Viral • Pieter Boel • Neapolitan Collections • Cyborg • Diagram • Drawing instruments • Michelangelo Cerquozzi • Dance • Security • Digital image • Mutation • ) • Ideography • Scientific knowledge • Cryptography • Book Collecting • Light and shadow • New media art • Medallions • Zaccolini • Form • Biographical Cameos • Portraits • Proportions • Pastel practice • Abstraction • Rayonism • Linear perspective • Italian Art Literature • Recipes • Mikhail Larionov • Seicento painting

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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