Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Electronic disobedience • Ornament • Cornelis De Bie • Seicento painting • Book Collecting • Diagram • Mathematics • Mutation • Technology • Infection • Form • ) • Paintings • Abstraction • Planisphere • Galleria Manfrin • Russian Avant-garde • Portraits • Pieter Boel • Francesco Noletti • Het Gulden Cabinet • New media art • Pigments • Biographical Cameos • Proportions • Manfrin, Girolamo • Architectural drawing • Cyborg • Poussin • Contemporary Art • Pastel practice • Mikhail Larionov • Neapolitan Collections • Writing • Alterity • Digital image • Ownership marks • Art • Anamorphosis • Vitruvius • Drawing instruments • Eighteenth century • Movement • Rayonism • Gesture • Hybridisation • Bologna, gentry (XVI-XVII cent • Computer art • Science Treatises • Still Life in Italy • Science • Theriomorphism • David De Coninck • Cryptography • Recipes • Viral • Posthumanism • Anthropocene • Landscape • Security • Linear perspective • Print Collecting • Renaissance • Tactical media • Italian Art Literature • Light and shadow • Neoplatonism • Ideography • Michelangelo Cerquozzi • Hybrid space • Mario dei Fiori • Scenography • Scientific knowledge • Busts • Venice • Software • Medallions • Optics • Dance • Grechetto • Zaccolini • Flemish Sources • Bologna, accademia dei Gelati

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, it, en

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