Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Architectural drawing • Art • Infection • Cryptography • Biographical Cameos • Posthumanism • Movement • Pieter Boel • Cornelis De Bie • Seicento painting • Paintings • Flemish Sources • Anthropocene • Ownership marks • Landscape • Hybrid space • Scientific knowledge • Busts • Viral • Francesco Noletti • Computer art • Bologna, accademia dei Gelati • Dance • Form • Alterity • Optics • Print Collecting • Vitruvius • Drawing instruments • Grechetto • Contemporary Art • Light and shadow • Het Gulden Cabinet • Eighteenth century • Hybridisation • Tactical media • Mathematics • Science Treatises • Electronic disobedience • Manfrin, Girolamo • Diagram • Poussin • Mutation • Abstraction • Galleria Manfrin • Medallions • Proportions • Recipes • Pastel practice • Rayonism • Book Collecting • Ideography • Still Life in Italy • Venice • Cyborg • Security • Science • Italian Art Literature • Theriomorphism • New media art • Scenography • Portraits • Anamorphosis • Linear perspective • Mario dei Fiori • Technology • Planisphere • Digital image • Neapolitan Collections • Zaccolini • David De Coninck • Russian Avant-garde • Writing • Bologna, gentry (XVI-XVII cent • Pigments • Ornament • ) • Neoplatonism • Mikhail Larionov • Software • Renaissance • Gesture • Michelangelo Cerquozzi

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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