Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Flemish Sources • Form • Medallions • Theriomorphism • Diagram • ) • Ideography • Proportions • Linear perspective • Cyborg • Movement • Dance • Print Collecting • Science • Michelangelo Cerquozzi • Bologna, gentry (XVI-XVII cent • Hybrid space • Software • Pastel practice • Recipes • Science Treatises • Art • Anamorphosis • Architectural drawing • Manfrin, Girolamo • Technology • Ownership marks • Bologna, accademia dei Gelati • Grechetto • Biographical Cameos • Pieter Boel • Eighteenth century • Rayonism • Optics • Infection • Abstraction • Drawing instruments • Security • Seicento painting • Renaissance • Ornament • Neoplatonism • Galleria Manfrin • Portraits • Viral • New media art • Paintings • Writing • Mario dei Fiori • Venice • Het Gulden Cabinet • Pigments • Anthropocene • Mathematics • Alterity • Scenography • Vitruvius • Computer art • Posthumanism • Gesture • Tactical media • Light and shadow • Poussin • Russian Avant-garde • Digital image • Still Life in Italy • David De Coninck • Zaccolini • Contemporary Art • Landscape • Busts • Book Collecting • Cryptography • Mutation • Mikhail Larionov • Planisphere • Electronic disobedience • Hybridisation • Scientific knowledge • Francesco Noletti • Neapolitan Collections • Italian Art Literature • Cornelis De Bie

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, en, fr

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.