Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Paintings • Pastel practice • Medallions • Bologna, gentry (XVI-XVII cent • Electronic disobedience • Proportions • Theriomorphism • Italian Art Literature • Mario dei Fiori • Alterity • Architectural drawing • Galleria Manfrin • Contemporary Art • Cornelis De Bie • Bologna, accademia dei Gelati • Scientific knowledge • Poussin • Renaissance • Infection • Cyborg • David De Coninck • Gesture • Michelangelo Cerquozzi • Neoplatonism • Ideography • Writing • Manfrin, Girolamo • Russian Avant-garde • Art • Francesco Noletti • Drawing instruments • Science Treatises • Pieter Boel • Light and shadow • Ornament • Security • Biographical Cameos • Pigments • Scenography • Still Life in Italy • Dance • Het Gulden Cabinet • Planisphere • Tactical media • Anamorphosis • Anthropocene • Vitruvius • Abstraction • Computer art • Flemish Sources • Mikhail Larionov • Movement • Eighteenth century • Posthumanism • Zaccolini • Landscape • Digital image • ) • Linear perspective • Cryptography • Mathematics • Mutation • Venice • Diagram • Book Collecting • Hybrid space • Recipes • Hybridisation • Grechetto • Seicento painting • New media art • Science • Busts • Neapolitan Collections • Technology • Print Collecting • Optics • Ownership marks • Form • Portraits • Rayonism • Viral • Software

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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