Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Anthropocene • Poussin • Theriomorphism • Rayonism • Manfrin, Girolamo • Tactical media • Scientific knowledge • Electronic disobedience • Het Gulden Cabinet • Computer art • Recipes • Print Collecting • Diagram • Digital image • Form • Grechetto • Francesco Noletti • Posthumanism • New media art • Pastel practice • Ideography • Technology • Writing • Mikhail Larionov • Cyborg • Linear perspective • Renaissance • Busts • Ownership marks • Contemporary Art • Hybrid space • Mario dei Fiori • Optics • Zaccolini • Abstraction • Cornelis De Bie • Alterity • Infection • Portraits • Movement • Galleria Manfrin • Security • Pigments • Planisphere • Italian Art Literature • David De Coninck • Landscape • Light and shadow • Scenography • Venice • Neoplatonism • Paintings • Mathematics • Neapolitan Collections • Ornament • Drawing instruments • Viral • Flemish Sources • Seicento painting • Eighteenth century • Mutation • Bologna, gentry (XVI-XVII cent • Biographical Cameos • Science • Software • Dance • Still Life in Italy • Science Treatises • Art • Michelangelo Cerquozzi • Pieter Boel • ) • Hybridisation • Cryptography • Proportions • Anamorphosis • Russian Avant-garde • Gesture • Bologna, accademia dei Gelati • Architectural drawing • Vitruvius • Medallions • Book Collecting

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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