Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 29 | 2020

Art and Science

open access | peer reviewed

Keywords Optics • Medallions • Light and shadow • Science • Italian Art Literature • Cryptography • Hybrid space • Biographical Cameos • Computer art • Movement • Het Gulden Cabinet • Technology • Ownership marks • Flemish Sources • Bologna, accademia dei Gelati • Rayonism • Dance • Mikhail Larionov • New media art • Landscape • Anamorphosis • Viral • Alterity • Cornelis De Bie • Neapolitan Collections • Theriomorphism • David De Coninck • Pieter Boel • Eighteenth century • Neoplatonism • Francesco Noletti • Tactical media • Writing • Manfrin, Girolamo • Print Collecting • Venice • Security • Science Treatises • Drawing instruments • Renaissance • Scenography • Abstraction • Poussin • Book Collecting • Anthropocene • Linear perspective • Form • Ideography • Diagram • Mario dei Fiori • Electronic disobedience • Infection • Vitruvius • Gesture • Software • Grechetto • Posthumanism • Portraits • Proportions • Hybridisation • Scientific knowledge • Digital image • Pigments • Paintings • Still Life in Italy • Pastel practice • ) • Seicento painting • Art • Busts • Bologna, gentry (XVI-XVII cent • Recipes • Galleria Manfrin • Mutation • Cyborg • Contemporary Art • Planisphere • Mathematics • Michelangelo Cerquozzi • Ornament • Architectural drawing • Zaccolini • Russian Avant-garde

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, it, fr

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