Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Avant-garde • Theatre and performance • Skin • Russian ballet • Performer • Soprano • Device • Female • Printmaking • Andrea Mantegna • Louvre • Devotion • Theatre • Revolutionary avant-garde • Fruition • Gothic • Cult • Nicoletto da Modena • Aesthetics and politics • Dance notations • Dance • Iconology • Nijinsky • Pordenone • Stage • Vanessa Beecroft • Television • Neo-avant-garde • Prospero Clemente • Puer mingens • 1960s radicalism • Symbolism • Galindo • Casts • Body • Iconography • Marcantonio Magno • Biopolitic • La Salpêtrière • Film • Emilia, Veneto • Padua • Agamben • Plague • Ornamentation • Models • Costume • Illusion • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Anna Moffo • Abramović • Drawing • Performance • Opera • Saint Sebastian • Body movements • Franciscan saints • Performance Art

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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