Venezia Arti | 28 | 2019

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Journal monographic issue

The Body of Art



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Language: en, it

Published: Dec. 11, 2019

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Table of contents
Editorial
Silvia Burini    Giovanni Maria Fara   
Dec. 11, 2019
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Middle Ages and Modern Age
The Representation of Holiness Between Realism and Devotion in the Polyptych of Montefiore dell’Aso by Carlo Crivelli
Francesco De Carolis   
Dec. 11, 2019
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Re-visioning St. Sebastian: Nicoletto da Modena’s Reworked Engravings of St. Sebastian
Bryony Bartlett-Rawlings   
Dec. 11, 2019
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From Correggio to Pordenone
About a puer mingens of the Louvre
Caterina Furlan   
Dec. 11, 2019
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Circulation of Models: Casts from Michelangelo Between Emilia and Veneto, in the Second Half of the Sixteenth Century
Elisabetta Fadda   
Dec. 11, 2019
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Contemporary
The Electric Body
Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky
Nicoletta Misler   
Dec. 11, 2019
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Salvador Dalí, the Hybrid Portraits of the 1920s
Elide Pittarello   
Dec. 11, 2019
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The Second Skin
Maria Ida Biggi   
Dec. 11, 2019
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The Eclipses of a Star: Anna Moffo Between Opera, Cinema, Television
Paologiovanni Maione   
Dec. 11, 2019
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Remaking the Body Politic Anew through Mob and Gang
King Mob Echo and Up Against the Wall Motherfucker (1968-1970)
David A.J. Murrieta Flores   
Dec. 11, 2019
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The Female Body in the Artistic Research of the Late Twentieth Century
The Case of Vanessa Beecroft
Arianna Fantuzzi   
Dec. 11, 2019
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Biopolitical Horizons in the Performative Actions of Marina Abramović and Regina José Galindo
Matteo Valentini   
Dec. 11, 2019
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Alia itinera
Marcantonio Magno’s Emblem: New Considerations
Mino Gabriele   
Dec. 11, 2019
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