Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 28 | 2019

The Body of Art

open access | peer reviewed

Keywords Anna Moffo • Costume • Russian ballet • Dance notations • Nicoletto da Modena • Theatre and performance • Devotion • Emilia, Veneto • Marcantonio Magno • Plague • Fruition • Franciscan saints • Galindo • Performance • Abramović • Printmaking • Soprano • Cult • Body movements • Drawing • Iconology • Theatre • Agamben • Body • Models • Nijinsky • Padua • Device • Performance Art • Symbolism • Biopolitic • Avant-garde • Neo-avant-garde • Female • Skin • Gothic • Performer • Louvre • Prospero Clemente • Andrea Mantegna • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Film • Stage • Illusion • Vanessa Beecroft • Puer mingens • Dance • Television • Revolutionary avant-garde • Saint Sebastian • 1960s radicalism • Casts • Iconography • Pordenone • Ornamentation • Opera • Aesthetics and politics • La Salpêtrière

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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