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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: en, it

Published: Dec. 11, 2019

Keywords

Vanessa Beecroft • Skin • Emilia, Veneto • Andrea Mantegna • Performer • Nicoletto da Modena • Cult • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Body • Device • Neo-avant-garde • Prospero Clemente • Plague • Stage • Abramović • Fruition • Film • Biopolitic • Avant-garde • Female • 1960s radicalism • Iconography • La Salpêtrière • Models • Pordenone • Revolutionary avant-garde • Galindo • Symbolism • Performance • Theatre • Padua • Gothic • Iconology • Franciscan saints • Nijinsky • Body movements • Printmaking • Louvre • Aesthetics and politics • Performance Art • Saint Sebastian • Television • Dance • Anna Moffo • Illusion • Agamben • Russian ballet • Theatre and performance • Soprano • Devotion • Dance notations • Casts • Costume • Puer mingens • Drawing • Ornamentation • Opera • Marcantonio Magno

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.