Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: en, it

Published: Dec. 11, 2019

Keywords

Vanessa Beecroft • 1960s radicalism • Opera • Andrea Mantegna • Saint Sebastian • Emilia, Veneto • Performer • Dance notations • Iconology • Female • Iconography • Gothic • Casts • Drawing • Body movements • Aesthetics and politics • Biopolitic • Symbolism • Abramović • Performance • Russian ballet • Cult • Anna Moffo • Printmaking • Galindo • Fruition • Device • Skin • Soprano • La Salpêtrière • Marcantonio Magno • Television • Ornamentation • Body • Illusion • Devotion • Agamben • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Costume • Nicoletto da Modena • Padua • Neo-avant-garde • Pordenone • Plague • Avant-garde • Dance • Puer mingens • Franciscan saints • Nijinsky • Prospero Clemente • Film • Performance Art • Louvre • Revolutionary avant-garde • Stage • Theatre • Models • Theatre and performance

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.