Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Marcantonio Magno • Pordenone • Vanessa Beecroft • Cult • Drawing • Body movements • Nicoletto da Modena • Emilia, Veneto • Franciscan saints • Iconology • Biopolitic • Dance • Performance • Theatre • Andrea Mantegna • Film • Dance notations • Illusion • Ornamentation • Opera • Padua • Neo-avant-garde • Television • Soprano • Body • Puer mingens • Costume • Iconography • La Salpêtrière • 1960s radicalism • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Anna Moffo • Agamben • Nijinsky • Galindo • Female • Performer • Skin • Printmaking • Theatre and performance • Performance Art • Revolutionary avant-garde • Aesthetics and politics • Stage • Saint Sebastian • Avant-garde • Fruition • Devotion • Russian ballet • Prospero Clemente • Abramović • Device • Gothic • Louvre • Casts • Plague • Symbolism • Models

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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