Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords 1960s radicalism • Body movements • Vanessa Beecroft • Drawing • Agamben • Nicoletto da Modena • Russian ballet • Performer • Illusion • Plague • Prospero Clemente • Cult • Theatre • Revolutionary avant-garde • Dance • Louvre • Device • Abramović • Body • Iconography • Saint Sebastian • Gothic • Anna Moffo • Galindo • Padua • Neo-avant-garde • Female • Television • Costume • Theatre and performance • Aesthetics and politics • Stage • Emilia, Veneto • Marcantonio Magno • Skin • Franciscan saints • La Salpêtrière • Fruition • Soprano • Performance • Pordenone • Models • Nijinsky • Printmaking • Devotion • Puer mingens • Symbolism • Ornamentation • Biopolitic • Dance notations • Performance Art • Avant-garde • Casts • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Opera • Film • Iconology • Andrea Mantegna

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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