Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Skin • Casts • Dance notations • Aesthetics and politics • Film • Iconography • Performer • Revolutionary avant-garde • Galindo • Illusion • Dance • Saint Sebastian • Louvre • Biopolitic • Stage • Fruition • Performance • Plague • 1960s radicalism • Andrea Mantegna • Device • La Salpêtrière • Theatre and performance • Body • Performance Art • Emilia, Veneto • Female • Printmaking • Padua • Drawing • Abramović • Marcantonio Magno • Television • Soprano • Gothic • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Vanessa Beecroft • Pordenone • Russian ballet • Franciscan saints • Models • Costume • Anna Moffo • Iconology • Theatre • Opera • Avant-garde • Prospero Clemente • Cult • Body movements • Puer mingens • Agamben • Nijinsky • Devotion • Neo-avant-garde • Ornamentation • Symbolism • Nicoletto da Modena

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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