Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Cult • Body movements • Casts • Revolutionary avant-garde • Avant-garde • Stage • Models • Fruition • Marcantonio Magno • Andrea Mantegna • Padua • Female • Pordenone • La Salpêtrière • Symbolism • Television • Film • Dance notations • Dance • Louvre • Neo-avant-garde • Theatre and performance • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Agamben • Illusion • Ornamentation • Aesthetics and politics • Vanessa Beecroft • Printmaking • Theatre • Performer • Russian ballet • Soprano • Abramović • Emilia, Veneto • Galindo • Puer mingens • Skin • Device • Devotion • Anna Moffo • Biopolitic • Franciscan saints • Nicoletto da Modena • 1960s radicalism • Drawing • Iconology • Prospero Clemente • Body • Nijinsky • Performance Art • Iconography • Costume • Gothic • Opera • Plague • Saint Sebastian • Performance

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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