Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Aesthetics and politics • Gothic • Performance • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Plague • Prospero Clemente • Saint Sebastian • Body movements • Dance • Devotion • Iconography • Dance notations • 1960s radicalism • Fruition • Galindo • Nijinsky • Emilia, Veneto • Performance Art • Stage • Television • Printmaking • Marcantonio Magno • Avant-garde • Neo-avant-garde • Iconology • Soprano • Skin • Symbolism • Body • Costume • Abramović • Casts • Ornamentation • Performer • Theatre and performance • Nicoletto da Modena • Female • Padua • Drawing • Franciscan saints • Louvre • Device • Agamben • Anna Moffo • Illusion • Models • Pordenone • Revolutionary avant-garde • Biopolitic • Puer mingens • Russian ballet • Film • La Salpêtrière • Theatre • Vanessa Beecroft • Andrea Mantegna • Opera • Cult

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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