Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Dance notations • Iconography • Casts • Padua • Symbolism • Theatre and performance • Neo-avant-garde • Models • Ornamentation • Television • Revolutionary avant-garde • Agamben • Illusion • Devotion • Skin • Vanessa Beecroft • Fruition • Andrea Mantegna • Franciscan saints • Anna Moffo • Nijinsky • Gothic • Nicoletto da Modena • Performance • Performance Art • Marcantonio Magno • Theatre • Iconology • 1960s radicalism • Body movements • Aesthetics and politics • Biopolitic • Puer mingens • Film • Printmaking • Galindo • Cult • Avant-garde • Drawing • La Salpêtrière • Dance • Performer • Pordenone • Soprano • Stage • Costume • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Plague • Body • Prospero Clemente • Emilia, Veneto • Russian ballet • Device • Female • Louvre • Abramović • Opera • Saint Sebastian

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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