Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Opera • Fruition • Dance • Anna Moffo • Louvre • Performance Art • Symbolism • Iconology • Printmaking • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Device • Ornamentation • Vanessa Beecroft • Performer • Saint Sebastian • Skin • Body • Illusion • Marcantonio Magno • Devotion • Revolutionary avant-garde • Performance • Body movements • Costume • Cult • Dance notations • Soprano • Television • Franciscan saints • Casts • Puer mingens • Plague • Prospero Clemente • La Salpêtrière • Nicoletto da Modena • Drawing • Female • Iconography • Padua • Avant-garde • Theatre and performance • Andrea Mantegna • Gothic • Abramović • Models • Pordenone • Emilia, Veneto • Stage • Agamben • Film • Nijinsky • Galindo • Biopolitic • Aesthetics and politics • Neo-avant-garde • Russian ballet • Theatre • 1960s radicalism

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it

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