Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Printmaking • Pordenone • Fruition • Performance Art • Neo-avant-garde • Performer • Female • Ornamentation • Models • Louvre • Symbolism • Theatre and performance • Andrea Mantegna • Body • Dance • Franciscan saints • Costume • Iconography • Avant-garde • Film • Revolutionary avant-garde • Illusion • Iconology • Gothic • La Salpêtrière • Marcantonio Magno • Padua • Vanessa Beecroft • Agamben • Television • Performance • Aesthetics and politics • Cult • Soprano • 1960s radicalism • Anna Moffo • Nicoletto da Modena • Nijinsky • Dance notations • Device • Abramović • Skin • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Russian ballet • Stage • Biopolitic • Theatre • Body movements • Drawing • Puer mingens • Galindo • Plague • Saint Sebastian • Emilia, Veneto • Opera • Casts • Devotion • Prospero Clemente

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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