Edizioni Ca' Foscari

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Monographic journal issue
open access peer reviewed

The Body of Art

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Language: it, en

Published: Dec. 11, 2019

Keywords

Costume • Cult • Theatre and performance • Andrea Mantegna • Illusion • Iconology • Pordenone • Performance • Neo-avant-garde • Female • Abramović • Performer • Opera • Galindo • Nicoletto da Modena • La Salpêtrière • Plague • Symbolism • Dance • Body movements • Agamben • Theatre • Emilia, Veneto • Casts • Dance notations • Vanessa Beecroft • Device • Louvre • Soprano • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Iconography • Russian ballet • Performance Art • Devotion • 1960s radicalism • Nijinsky • Ornamentation • Saint Sebastian • Franciscan saints • Marcantonio Magno • Prospero Clemente • Television • Body • Models • Puer mingens • Film • Stage • Fruition • Biopolitic • Printmaking • Skin • Gothic • Revolutionary avant-garde • Drawing • Padua • Avant-garde • Anna Moffo • Aesthetics and politics

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.