Journal |
Venezia Arti
Monographic journal issue | 28 | 2019
Keywords Casts • Costume • Symbolism • Vanessa Beecroft • Iconology • Agamben • Anna Moffo • Illusion • 1960s radicalism • Aesthetics and politics • Louvre • Plague • Theatre • Nicoletto da Modena • Stage • Franciscan saints • Prospero Clemente • Skin • Ornamentation • Devotion • Avant-garde • Printmaking • Puer mingens • Russian ballet • Drawing • Iconography • Galindo • Pordenone • Female • Dance • Gothic • Cult • Models • Device • Abramović • Neo-avant-garde • Performance • La Salpêtrière • Revolutionary avant-garde • Padua • Body movements • Fruition • Biopolitic • Performer • Emilia, Veneto • Television • Soprano • Opera • Performance Art • Dance notations • Andrea Mantegna • Body • Nijinsky • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Film • Saint Sebastian • Marcantonio Magno • Theatre and performance
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language en, it
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Middle Ages and Modern Age
Contemporary
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