Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Body of Art

open access | peer reviewed

Keywords Padua • Symbolism • Louvre • Andrea Mantegna • Galindo • Soprano • Drawing • Theatre and performance • Prospero Clemente • Avant-garde, Mask, Hybrid Identity, Abjection Embo • 1960s radicalism • Film • Casts • Ornamentation • Pordenone • La Salpêtrière • Avant-garde • Models • Opera • Fruition • Television • Puer mingens • Stage • Skin • Franciscan saints • Theatre • Dance • Agamben • Russian ballet • Body movements • Performance Art • Cult • Dance notations • Body • Iconography • Saint Sebastian • Devotion • Nijinsky • Plague • Abramović • Nicoletto da Modena • Printmaking • Vanessa Beecroft • Device • Biopolitic • Emilia, Veneto • Female • Illusion • Performer • Costume • Performance • Anna Moffo • Aesthetics and politics • Marcantonio Magno • Revolutionary avant-garde • Neo-avant-garde • Gothic • Iconology

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Published Dec. 11, 2019 | Language it, en

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