Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Avant-garde, Mask, Hybrid Identity, Abjection Embo • Device • Marcantonio Magno • Theatre and performance • Body • Saint Sebastian • Franciscan saints • Pordenone • Drawing • Symbolism • Russian ballet • Padua • Opera • Fruition • Printmaking • Iconology • Nicoletto da Modena • Skin • Female • Performance Art • Soprano • Biopolitic • Stage • Puer mingens • Film • Casts • Anna Moffo • Performer • Avant-garde • Agamben • Costume • Performance • La Salpêtrière • Nijinsky • Louvre • Devotion • Dance • Abramović • Galindo • Andrea Mantegna • Illusion • Aesthetics and politics • Plague • Theatre • Prospero Clemente • Ornamentation • Cult • Models • Iconography • 1960s radicalism • Neo-avant-garde • Television • Gothic • Dance notations • Body movements • Vanessa Beecroft • Emilia, Veneto • Revolutionary avant-garde

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.