Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

Il corpo dell’arte

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Lingua: it, en

Pubblicato: 11 Dicembre 2019

Keywords

Cult • Iconography • Vanessa Beecroft • Pordenone • Puer mingens • Ornamentation • Symbolism • Theatre and performance • Opera • Performance • Biopolitic • Illusion • Plague • Dance • Female • La Salpêtrière • Device • Iconology • Neo-avant-garde • Emilia, Veneto • Stage • Dance notations • Prospero Clemente • Andrea Mantegna • Marcantonio Magno • Padua • Devotion • Skin • 1960s radicalism • Avant-garde • Film • Television • Louvre • Theatre • Drawing • Russian ballet • Franciscan saints • Aesthetics and politics • Body • Gothic • Nicoletto da Modena • Performer • Revolutionary avant-garde • Printmaking • Agamben • Anna Moffo • Models • Costume • Casts • Nijinsky • Saint Sebastian • Soprano • Abramović • Body movements • Fruition • Performance Art • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Galindo

permalink http://doi.org/10.30687/VA/2385-2720/2019/05

Copyright: © 2019 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.