Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Illusion • Andrea Mantegna • Film • Dance • Female • Marcantonio Magno • Drawing • Pordenone • Prospero Clemente • Iconology • Revolutionary avant-garde • Costume • Devotion • Puer mingens • Emilia, Veneto • Neo-avant-garde • Performer • Body movements • Skin • Stage • Symbolism • Galindo • Models • Performance Art • Aesthetics and politics • Padua • Printmaking • Performance • Nicoletto da Modena • La Salpêtrière • Franciscan saints • Gothic • Plague • Television • Nijinsky • Cult • Theatre • Louvre • Opera • Fruition • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Iconography • Theatre and performance • Anna Moffo • Soprano • Avant-garde • Body • Agamben • 1960s radicalism • Biopolitic • Device • Ornamentation • Vanessa Beecroft • Saint Sebastian • Dance notations • Abramović • Russian ballet • Casts

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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