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Venezia Arti
Fascicolo monografico | 28 | 2019
Keywords Plague • Avant-garde • Stage • Dance • Performance • Printmaking • Television • Body • Nijinsky • Pordenone • Theatre and performance • Vanessa Beecroft • Performance Art • Louvre • Iconography • Device • Female • Film • Padua • Fruition • Skin • Soprano • La Salpêtrière • Abramović • Galindo • Cult • Gothic • Symbolism • Emilia, Veneto • Russian ballet • Aesthetics and politics • Illusion • Biopolitic • Performer • Dance notations • Saint Sebastian • Drawing • Body movements • Opera • Franciscan saints • 1960s radicalism • Models • Theatre • Casts • Neo-avant-garde • Iconology • Puer mingens • Revolutionary avant-garde • Costume • Marcantonio Magno • Devotion • Ornamentation • Agamben • Anna Moffo • Andrea Mantegna • Prospero Clemente • Nicoletto da Modena • Avant-garde, Mask, Hybrid Identity, Abjection Embo
Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it
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