Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Devotion • Body movements • Drawing • Iconography • Iconology • Gothic • Anna Moffo • Body • Television • Nijinsky • Printmaking • Casts • Illusion • Models • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Costume • Female • Pordenone • Device • Padua • La Salpêtrière • Stage • Prospero Clemente • Franciscan saints • Revolutionary avant-garde • Louvre • Performance • Puer mingens • Skin • Saint Sebastian • Theatre and performance • Cult • Film • Galindo • Ornamentation • Dance notations • Theatre • 1960s radicalism • Avant-garde • Biopolitic • Dance • Vanessa Beecroft • Opera • Fruition • Emilia, Veneto • Russian ballet • Performer • Nicoletto da Modena • Marcantonio Magno • Plague • Neo-avant-garde • Soprano • Andrea Mantegna • Abramović • Performance Art • Agamben • Aesthetics and politics • Symbolism

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 289
  • search 1052
  • format_quote 0