Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Casts • Costume • Symbolism • Vanessa Beecroft • Iconology • Agamben • Anna Moffo • Illusion • 1960s radicalism • Aesthetics and politics • Louvre • Plague • Theatre • Nicoletto da Modena • Stage • Franciscan saints • Prospero Clemente • Skin • Ornamentation • Devotion • Avant-garde • Printmaking • Puer mingens • Russian ballet • Drawing • Iconography • Galindo • Pordenone • Female • Dance • Gothic • Cult • Models • Device • Abramović • Neo-avant-garde • Performance • La Salpêtrière • Revolutionary avant-garde • Padua • Body movements • Fruition • Biopolitic • Performer • Emilia, Veneto • Television • Soprano • Opera • Performance Art • Dance notations • Andrea Mantegna • Body • Nijinsky • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Film • Saint Sebastian • Marcantonio Magno • Theatre and performance

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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