Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Iconography • Agamben • Franciscan saints • Gothic • Biopolitic • Nicoletto da Modena • La Salpêtrière • Iconology • Louvre • Neo-avant-garde • Emilia, Veneto • Costume • Anna Moffo • Aesthetics and politics • Film • Stage • Galindo • Andrea Mantegna • Vanessa Beecroft • Body movements • Casts • Illusion • Revolutionary avant-garde • Pordenone • Russian ballet • Theatre and performance • Nijinsky • Soprano • Avant-garde • Performer • Plague • Puer mingens • Fruition • 1960s radicalism • Performance Art • Skin • Performance • Device • Models • Opera • Prospero Clemente • Theatre • Abramović • Padua • Dance • Devotion • Drawing • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Female • Dance notations • Saint Sebastian • Marcantonio Magno • Ornamentation • Symbolism • Printmaking • Television • Body • Cult

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

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