Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Vanessa Beecroft • Models • Revolutionary avant-garde • Pordenone • Galindo • Abramović • Theatre and performance • Biopolitic • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Film • Performance Art • Louvre • Printmaking • La Salpêtrière • Female • Padua • Performer • Casts • Saint Sebastian • 1960s radicalism • Stage • Drawing • Theatre • Nijinsky • Symbolism • Iconology • Gothic • Ornamentation • Cult • Iconography • Emilia, Veneto • Skin • Soprano • Avant-garde • Illusion • Costume • Device • Plague • Television • Performance • Opera • Franciscan saints • Body • Devotion • Puer mingens • Russian ballet • Anna Moffo • Aesthetics and politics • Agamben • Fruition • Andrea Mantegna • Marcantonio Magno • Prospero Clemente • Dance notations • Neo-avant-garde • Body movements • Dance • Nicoletto da Modena

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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