Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Il corpo dell’arte

open access | peer reviewed

Keywords Illusion • Stage • Body • Theatre and performance • Nicoletto da Modena • Andrea Mantegna • Film • Plague • Puer mingens • Performance • Cult • Drawing • Performance Art • 1960s radicalism • Female • Iconography • Saint Sebastian • Opera • Device • Agamben • Dance notations • Louvre • La Salpêtrière • Costume • Vanessa Beecroft • Gothic • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Fruition • Russian ballet • Aesthetics and politics • Printmaking • Neo-avant-garde • Emilia, Veneto • Dance • Body movements • Performer • Franciscan saints • Prospero Clemente • Soprano • Devotion • Skin • Symbolism • Models • Padua • Television • Galindo • Anna Moffo • Theatre • Iconology • Marcantonio Magno • Revolutionary avant-garde • Ornamentation • Pordenone • Biopolitic • Casts • Abramović • Avant-garde • Nijinsky

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

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