Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Italian Art Literature • Print Collecting • Scenography • Tactical media • Form • Infection • Renaissance • Cornelis De Bie • ) • Art • Theriomorphism • Posthumanism • Rayonism • New media art • Pigments • Grechetto • Computer art • Science Treatises • Ownership marks • Mathematics • Drawing instruments • Bologna, gentry (XVI-XVII cent • Portraits • Flemish Sources • Biographical Cameos • Ideography • Contemporary Art • Gesture • Science • Neoplatonism • Scientific knowledge • Landscape • Hybridisation • Eighteenth century • Dance • Digital image • Proportions • Paintings • Mario dei Fiori • Francesco Noletti • Manfrin, Girolamo • Bologna, accademia dei Gelati • Cyborg • Technology • Ornament • Anthropocene • Software • Hybrid space • Vitruvius • Security • Book Collecting • Optics • Poussin • Seicento painting • Neapolitan Collections • Viral • Mikhail Larionov • Architectural drawing • Pieter Boel • Venice • Recipes • Light and shadow • Linear perspective • Anamorphosis • Abstraction • Diagram • Galleria Manfrin • Electronic disobedience • David De Coninck • Writing • Planisphere • Still Life in Italy • Mutation • Cryptography • Medallions • Busts • Pastel practice • Michelangelo Cerquozzi • Movement • Russian Avant-garde • Zaccolini • Het Gulden Cabinet • Alterity

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, fr, en

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