Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Neapolitan Collections • Ideography • Mario dei Fiori • Viral • Anthropocene • Technology • Linear perspective • Poussin • Bologna, gentry (XVI-XVII cent • Digital image • Diagram • Computer art • Pigments • Biographical Cameos • Electronic disobedience • Paintings • Medallions • Busts • Security • Cyborg • Mathematics • Infection • Neoplatonism • Recipes • Seicento painting • Zaccolini • Planisphere • Book Collecting • Drawing instruments • Theriomorphism • Architectural drawing • Hybridisation • New media art • Manfrin, Girolamo • Ornament • Tactical media • Optics • Venice • Renaissance • Movement • Vitruvius • Rayonism • Still Life in Italy • Cornelis De Bie • Proportions • Scenography • Portraits • Software • Writing • Anamorphosis • Abstraction • Contemporary Art • Scientific knowledge • Ownership marks • Het Gulden Cabinet • Francesco Noletti • Science • Posthumanism • Science Treatises • Pastel practice • Flemish Sources • Russian Avant-garde • Pieter Boel • Bologna, accademia dei Gelati • Gesture • Landscape • Art • Italian Art Literature • Print Collecting • Michelangelo Cerquozzi • Form • Alterity • Hybrid space • Mutation • Grechetto • David De Coninck • Cryptography • Galleria Manfrin • Eighteenth century • Mikhail Larionov • ) • Light and shadow • Dance

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, fr, en

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