Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Neapolitan Collections • Technology • Science • Bologna, gentry (XVI-XVII cent • Anthropocene • New media art • Renaissance • Writing • Hybrid space • Optics • David De Coninck • Flemish Sources • Landscape • Computer art • Pastel practice • Linear perspective • ) • Cornelis De Bie • Ornament • Zaccolini • Dance • Planisphere • Busts • Cyborg • Electronic disobedience • Pigments • Pieter Boel • Tactical media • Form • Portraits • Still Life in Italy • Digital image • Alterity • Grechetto • Manfrin, Girolamo • Seicento painting • Book Collecting • Ownership marks • Diagram • Ideography • Recipes • Mathematics • Anamorphosis • Abstraction • Posthumanism • Security • Light and shadow • Russian Avant-garde • Paintings • Michelangelo Cerquozzi • Eighteenth century • Software • Venice • Architectural drawing • Hybridisation • Medallions • Neoplatonism • Vitruvius • Drawing instruments • Viral • Poussin • Proportions • Movement • Contemporary Art • Francesco Noletti • Biographical Cameos • Science Treatises • Print Collecting • Theriomorphism • Bologna, accademia dei Gelati • Galleria Manfrin • Italian Art Literature • Mikhail Larionov • Scientific knowledge • Scenography • Rayonism • Gesture • Het Gulden Cabinet • Infection • Mario dei Fiori • Cryptography • Mutation • Art

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, en, fr

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