Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Software • New media art • Writing • Eighteenth century • Movement • Pigments • Optics • Mutation • Theriomorphism • Contemporary Art • Art • Renaissance • ) • Bologna, accademia dei Gelati • Francesco Noletti • Computer art • Still Life in Italy • Mikhail Larionov • Science • Medallions • Cornelis De Bie • Bologna, gentry (XVI-XVII cent • Michelangelo Cerquozzi • Rayonism • Digital image • Recipes • Alterity • Poussin • Seicento painting • Architectural drawing • Mario dei Fiori • Mathematics • Flemish Sources • Galleria Manfrin • Neoplatonism • Venice • Manfrin, Girolamo • Neapolitan Collections • Pastel practice • Drawing instruments • Paintings • Posthumanism • Anamorphosis • Grechetto • Gesture • Cryptography • Hybrid space • Russian Avant-garde • Het Gulden Cabinet • Hybridisation • Form • Diagram • Scenography • Busts • Abstraction • Portraits • Biographical Cameos • Technology • Linear perspective • Vitruvius • Proportions • Dance • Tactical media • Ideography • Zaccolini • Science Treatises • Anthropocene • Electronic disobedience • Italian Art Literature • Book Collecting • Ornament • David De Coninck • Viral • Cyborg • Landscape • Print Collecting • Pieter Boel • Planisphere • Security • Infection • Ownership marks • Light and shadow • Scientific knowledge

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.