Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Pastel practice • Portraits • Hybridisation • Architectural drawing • Computer art • Landscape • Medallions • Electronic disobedience • Seicento painting • Neapolitan Collections • Cyborg • Light and shadow • Het Gulden Cabinet • Grechetto • Software • Francesco Noletti • Cornelis De Bie • Pigments • Infection • Scientific knowledge • Italian Art Literature • Tactical media • Posthumanism • Optics • Pieter Boel • Gesture • Proportions • Ideography • Science Treatises • Bologna, accademia dei Gelati • Mario dei Fiori • Poussin • Ornament • Eighteenth century • Russian Avant-garde • ) • Renaissance • Technology • Vitruvius • Still Life in Italy • Alterity • Bologna, gentry (XVI-XVII cent • David De Coninck • Zaccolini • Michelangelo Cerquozzi • Busts • Drawing instruments • Scenography • Mathematics • Science • Venice • Mikhail Larionov • Security • New media art • Neoplatonism • Diagram • Hybrid space • Planisphere • Anamorphosis • Recipes • Biographical Cameos • Rayonism • Book Collecting • Digital image • Linear perspective • Abstraction • Dance • Form • Writing • Paintings • Ownership marks • Contemporary Art • Anthropocene • Movement • Theriomorphism • Flemish Sources • Print Collecting • Cryptography • Viral • Mutation • Galleria Manfrin • Manfrin, Girolamo • Art

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, it, en

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