Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Bologna, gentry (XVI-XVII cent • Light and shadow • Biographical Cameos • Michelangelo Cerquozzi • Flemish Sources • Optics • Mathematics • Anthropocene • Contemporary Art • Cornelis De Bie • Mario dei Fiori • Tactical media • Proportions • Alterity • ) • Medallions • Scenography • Ornament • Landscape • Vitruvius • Print Collecting • Abstraction • Ownership marks • Anamorphosis • New media art • Busts • Italian Art Literature • Hybrid space • Zaccolini • Grechetto • Het Gulden Cabinet • Computer art • Manfrin, Girolamo • Electronic disobedience • Theriomorphism • Hybridisation • Bologna, accademia dei Gelati • Pieter Boel • Galleria Manfrin • Diagram • Russian Avant-garde • Cyborg • Science Treatises • Rayonism • Francesco Noletti • Digital image • Cryptography • Paintings • Architectural drawing • Seicento painting • Posthumanism • Movement • Viral • Writing • Renaissance • Infection • Science • David De Coninck • Mutation • Pigments • Gesture • Art • Poussin • Dance • Book Collecting • Ideography • Linear perspective • Venice • Form • Drawing instruments • Planisphere • Mikhail Larionov • Portraits • Technology • Eighteenth century • Neapolitan Collections • Recipes • Pastel practice • Security • Scientific knowledge • Neoplatonism • Software • Still Life in Italy

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, it, en

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