Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 29 | 2020

Arte e Scienza

open access | peer reviewed

Keywords Manfrin, Girolamo • Galleria Manfrin • Art • Print Collecting • Cyborg • Architectural drawing • Eighteenth century • Rayonism • ) • David De Coninck • Flemish Sources • Form • Computer art • Proportions • Bologna, gentry (XVI-XVII cent • Scientific knowledge • Electronic disobedience • Mario dei Fiori • Russian Avant-garde • Ornament • Scenography • Cryptography • Tactical media • Planisphere • Paintings • Cornelis De Bie • Mikhail Larionov • Optics • Mathematics • Ideography • Seicento painting • Book Collecting • Ownership marks • Italian Art Literature • Landscape • Neapolitan Collections • Hybridisation • Vitruvius • Drawing instruments • Hybrid space • Science • Anamorphosis • Security • Diagram • Movement • Portraits • Still Life in Italy • Venice • Software • Pigments • Dance • Neoplatonism • Writing • Contemporary Art • Light and shadow • Gesture • Posthumanism • Abstraction • Alterity • Medallions • Het Gulden Cabinet • Infection • Pastel practice • Recipes • Poussin • Digital image • Science Treatises • Pieter Boel • Renaissance • Theriomorphism • Technology • Grechetto • Linear perspective • New media art • Busts • Biographical Cameos • Mutation • Francesco Noletti • Bologna, accademia dei Gelati • Anthropocene • Zaccolini • Michelangelo Cerquozzi • Viral

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua it, fr, en

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