Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Mikhail Larionov • Cyborg • Eighteenth century • Scientific knowledge • Pastel practice • Michelangelo Cerquozzi • Neoplatonism • Cryptography • Anamorphosis • Hybridisation • Architectural drawing • Ornament • Abstraction • Het Gulden Cabinet • Light and shadow • Scenography • Proportions • Infection • Paintings • Poussin • Biographical Cameos • Flemish Sources • Planisphere • Russian Avant-garde • Anthropocene • Galleria Manfrin • Writing • ) • Medallions • Digital image • Art • Viral • Seicento painting • Print Collecting • Electronic disobedience • Science • Landscape • Computer art • Manfrin, Girolamo • Technology • New media art • Hybrid space • Busts • Optics • Software • Ownership marks • Security • Diagram • Italian Art Literature • Rayonism • Zaccolini • David De Coninck • Tactical media • Linear perspective • Neapolitan Collections • Venice • Alterity • Drawing instruments • Pieter Boel • Cornelis De Bie • Francesco Noletti • Bologna, accademia dei Gelati • Ideography • Posthumanism • Science Treatises • Theriomorphism • Contemporary Art • Form • Movement • Recipes • Mathematics • Portraits • Bologna, gentry (XVI-XVII cent • Grechetto • Vitruvius • Pigments • Mutation • Dance • Book Collecting • Renaissance • Gesture • Still Life in Italy • Mario dei Fiori

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, en, it

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