Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

Arte e Scienza

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Lingua: it, fr, en

Pubblicato: 11 Dicembre 2020

Keywords

Venice • Theriomorphism • Eighteenth century • Electronic disobedience • Form • Medallions • Anthropocene • Architectural drawing • Art • Scientific knowledge • Writing • Hybrid space • Bologna, accademia dei Gelati • Software • Alterity • Ideography • Optics • ) • Busts • Italian Art Literature • Print Collecting • Mutation • Light and shadow • Science • Galleria Manfrin • Grechetto • Proportions • Scenography • Movement • Tactical media • Pastel practice • Recipes • Contemporary Art • Michelangelo Cerquozzi • New media art • Book Collecting • Viral • Technology • Linear perspective • Portraits • Mathematics • Dance • Manfrin, Girolamo • Drawing instruments • Paintings • Ownership marks • David De Coninck • Mikhail Larionov • Planisphere • Russian Avant-garde • Gesture • Neoplatonism • Science Treatises • Diagram • Het Gulden Cabinet • Zaccolini • Computer art • Infection • Landscape • Rayonism • Seicento painting • Cornelis De Bie • Security • Still Life in Italy • Bologna, gentry (XVI-XVII cent • Flemish Sources • Neapolitan Collections • Vitruvius • Anamorphosis • Hybridisation • Francesco Noletti • Poussin • Cryptography • Posthumanism • Digital image • Biographical Cameos • Mario dei Fiori • Ornament • Abstraction • Cyborg • Pigments • Pieter Boel • Renaissance

permalink http://doi.org/10.30687/VA/2385-2720/2020/06

Copyright: © 2020 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.