Rivista |
Venezia Arti
Fascicolo monografico | 29 | 2020
Keywords Flemish Sources • Anthropocene • Bologna, accademia dei Gelati • New media art • Digital image • Anamorphosis • Art • David De Coninck • Theriomorphism • Proportions • Architectural drawing • Drawing instruments • Grechetto • Alterity • Optics • Movement • Medallions • Neapolitan Collections • Ornament • Venice • Hybridisation • Planisphere • Print Collecting • Software • Hybrid space • Manfrin, Girolamo • Ownership marks • Computer art • Busts • Russian Avant-garde • Dance • Rayonism • Security • Infection • Posthumanism • Pastel practice • Diagram • Paintings • Science Treatises • Ideography • Mutation • Writing • Francesco Noletti • Science • Landscape • Book Collecting • Tactical media • Cyborg • Michelangelo Cerquozzi • Scientific knowledge • Mathematics • Still Life in Italy • Recipes • Eighteenth century • Scenography • Technology • Pieter Boel • ) • Gesture • Het Gulden Cabinet • Portraits • Neoplatonism • Linear perspective • Contemporary Art • Viral • Biographical Cameos • Electronic disobedience • Renaissance • Galleria Manfrin • Pigments • Mario dei Fiori • Form • Poussin • Zaccolini • Light and shadow • Cornelis De Bie • Abstraction • Mikhail Larionov • Vitruvius • Seicento painting • Bologna, gentry (XVI-XVII cent • Cryptography • Italian Art Literature
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Medioevo e età moderna
Contemporaneo
Alia itinera
DC Field | Value |
---|---|
dc.identifier |
ECF_issue_144 |
dc.title |
Vol. 29 | Dicembre 2020 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Fascicolo monografico |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2020/1/ |
dc.relation.ispartof |
Venezia Arti |
dc.issued |
2020-12-11 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-2720 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/VA/2385-2720/2020/06 |
dc.peer-review |
yes |
dc.subject |
) |
dc.subject |
) |
dc.subject |
Abstraction |
dc.subject |
Abstraction |
dc.subject |
Alterity |
dc.subject |
Alterity |
dc.subject |
Anamorphosis |
dc.subject |
Anamorphosis |
dc.subject |
Anthropocene |
dc.subject |
Anthropocene |
dc.subject |
Architectural drawing |
dc.subject |
Architectural drawing |
dc.subject |
Art |
dc.subject |
Art |
dc.subject |
Biographical Cameos |
dc.subject |
Biographical Cameos |
dc.subject |
Bologna, accademia dei Gelati |
dc.subject |
Bologna, accademia dei Gelati |
dc.subject |
Bologna, gentry (XVI-XVII cent |
dc.subject |
Bologna, gentry (XVI-XVII cent |
dc.subject |
Book Collecting |
dc.subject |
Book Collecting |
dc.subject |
Busts |
dc.subject |
Busts |
dc.subject |
Computer art |
dc.subject |
Computer art |
dc.subject |
Contemporary Art |
dc.subject |
Contemporary Art |
dc.subject |
Cornelis De Bie |
dc.subject |
Cornelis De Bie |
dc.subject |
Cryptography |
dc.subject |
Cryptography |
dc.subject |
Cyborg |
dc.subject |
Cyborg |
dc.subject |
Dance |
dc.subject |
Dance |
dc.subject |
David De Coninck |
dc.subject |
David De Coninck |
dc.subject |
Diagram |
dc.subject |
Diagram |
dc.subject |
Digital image |
dc.subject |
Digital image |
dc.subject |
Drawing instruments |
dc.subject |
Drawing instruments |
dc.subject |
Eighteenth century |
dc.subject |
Eighteenth century |
dc.subject |
Electronic disobedience |
dc.subject |
Electronic disobedience |
dc.subject |
Flemish Sources |
dc.subject |
Flemish Sources |
dc.subject |
Form |
dc.subject |
Form |
dc.subject |
Francesco Noletti |
dc.subject |
Francesco Noletti |
dc.subject |
Galleria Manfrin |
dc.subject |
Galleria Manfrin |
dc.subject |
Gesture |
dc.subject |
Gesture |
dc.subject |
Grechetto |
dc.subject |
Grechetto |
dc.subject |
Het Gulden Cabinet |
dc.subject |
Het Gulden Cabinet |
dc.subject |
Hybrid space |
dc.subject |
Hybrid space |
dc.subject |
Hybridisation |
dc.subject |
Hybridisation |
dc.subject |
Ideography |
dc.subject |
Ideography |
dc.subject |
Infection |
dc.subject |
Infection |
dc.subject |
Italian Art Literature |
dc.subject |
Italian Art Literature |
dc.subject |
Landscape |
dc.subject |
Landscape |
dc.subject |
Light and shadow |
dc.subject |
Light and shadow |
dc.subject |
Linear perspective |
dc.subject |
Linear perspective |
dc.subject |
Manfrin, Girolamo |
dc.subject |
Manfrin, Girolamo |
dc.subject |
Mario dei Fiori |
dc.subject |
Mario dei Fiori |
dc.subject |
Mathematics |
dc.subject |
Mathematics |
dc.subject |
Medallions |
dc.subject |
Medallions |
dc.subject |
Michelangelo Cerquozzi |
dc.subject |
Michelangelo Cerquozzi |
dc.subject |
Mikhail Larionov |
dc.subject |
Mikhail Larionov |
dc.subject |
Movement |
dc.subject |
Movement |
dc.subject |
Mutation |
dc.subject |
Mutation |
dc.subject |
Neapolitan Collections |
dc.subject |
Neapolitan Collections |
dc.subject |
Neoplatonism |
dc.subject |
Neoplatonism |
dc.subject |
New media art |
dc.subject |
New media art |
dc.subject |
Optics |
dc.subject |
Optics |
dc.subject |
Ornament |
dc.subject |
Ornament |
dc.subject |
Ownership marks |
dc.subject |
Ownership marks |
dc.subject |
Paintings |
dc.subject |
Paintings |
dc.subject |
Pastel practice |
dc.subject |
Pastel practice |
dc.subject |
Pieter Boel |
dc.subject |
Pieter Boel |
dc.subject |
Pigments |
dc.subject |
Pigments |
dc.subject |
Planisphere |
dc.subject |
Planisphere |
dc.subject |
Portraits |
dc.subject |
Portraits |
dc.subject |
Posthumanism |
dc.subject |
Posthumanism |
dc.subject |
Poussin |
dc.subject |
Poussin |
dc.subject |
Print Collecting |
dc.subject |
Print Collecting |
dc.subject |
Proportions |
dc.subject |
Proportions |
dc.subject |
Rayonism |
dc.subject |
Rayonism |
dc.subject |
Recipes |
dc.subject |
Recipes |
dc.subject |
Renaissance |
dc.subject |
Renaissance |
dc.subject |
Russian Avant-garde |
dc.subject |
Russian Avant-garde |
dc.subject |
Scenography |
dc.subject |
Scenography |
dc.subject |
Science |
dc.subject |
Science |
dc.subject |
Science Treatises |
dc.subject |
Science Treatises |
dc.subject |
Scientific knowledge |
dc.subject |
Scientific knowledge |
dc.subject |
Security |
dc.subject |
Security |
dc.subject |
Seicento painting |
dc.subject |
Seicento painting |
dc.subject |
Software |
dc.subject |
Software |
dc.subject |
Still Life in Italy |
dc.subject |
Still Life in Italy |
dc.subject |
Tactical media |
dc.subject |
Tactical media |
dc.subject |
Technology |
dc.subject |
Technology |
dc.subject |
Technology |
dc.subject |
Technology |
dc.subject |
Theriomorphism |
dc.subject |
Theriomorphism |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Viral |
dc.subject |
Viral |
dc.subject |
Vitruvius |
dc.subject |
Vitruvius |
dc.subject |
Writing |
dc.subject |
Writing |
dc.subject |
Zaccolini |
dc.subject |
Zaccolini |