Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Planisphere • Movement • Mathematics • ) • Print Collecting • Manfrin, Girolamo • New media art • Contemporary Art • Paintings • Mikhail Larionov • Eighteenth century • Posthumanism • Ornament • Viral • Science • Flemish Sources • Hybridisation • Form • Cyborg • Anthropocene • Scenography • David De Coninck • Proportions • Rayonism • Neoplatonism • Neapolitan Collections • Bologna, gentry (XVI-XVII cent • Theriomorphism • Venice • Cornelis De Bie • Electronic disobedience • Cryptography • Book Collecting • Russian Avant-garde • Scientific knowledge • Recipes • Art • Anamorphosis • Dance • Security • Vitruvius • Hybrid space • Portraits • Optics • Busts • Zaccolini • Alterity • Diagram • Science Treatises • Gesture • Pieter Boel • Poussin • Linear perspective • Landscape • Computer art • Still Life in Italy • Mario dei Fiori • Technology • Writing • Mutation • Pigments • Medallions • Renaissance • Light and shadow • Michelangelo Cerquozzi • Bologna, accademia dei Gelati • Drawing instruments • Galleria Manfrin • Ideography • Biographical Cameos • Seicento painting • Architectural drawing • Het Gulden Cabinet • Ownership marks • Digital image • Abstraction • Francesco Noletti • Grechetto • Pastel practice • Infection • Software • Italian Art Literature • Tactical media

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, fr, it

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