Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Gesture • Galleria Manfrin • Pieter Boel • Print Collecting • Writing • Seicento painting • Drawing instruments • Rayonism • Optics • Grechetto • Poussin • Diagram • Book Collecting • Landscape • Proportions • Security • Mikhail Larionov • Digital image • Ownership marks • Software • Posthumanism • Electronic disobedience • ) • Art • Bologna, accademia dei Gelati • Medallions • Cryptography • Eighteenth century • Zaccolini • Vitruvius • Cornelis De Bie • Pigments • Cyborg • Bologna, gentry (XVI-XVII cent • Infection • Busts • Michelangelo Cerquozzi • Technology • Hybridisation • Flemish Sources • Theriomorphism • New media art • Anthropocene • Renaissance • Planisphere • David De Coninck • Architectural drawing • Pastel practice • Paintings • Francesco Noletti • Scenography • Biographical Cameos • Form • Ideography • Movement • Contemporary Art • Tactical media • Neoplatonism • Hybrid space • Russian Avant-garde • Mario dei Fiori • Recipes • Science Treatises • Scientific knowledge • Venice • Portraits • Dance • Mathematics • Computer art • Het Gulden Cabinet • Light and shadow • Neapolitan Collections • Ornament • Still Life in Italy • Abstraction • Anamorphosis • Manfrin, Girolamo • Italian Art Literature • Alterity • Science • Viral • Linear perspective • Mutation

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, it, en

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