Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Tactical media • Electronic disobedience • Grechetto • Italian Art Literature • Poussin • Pieter Boel • Cornelis De Bie • Architectural drawing • Seicento painting • Linear perspective • Contemporary Art • Ideography • Scientific knowledge • Optics • Technology • Pastel practice • Alterity • Pigments • Book Collecting • New media art • Mikhail Larionov • Zaccolini • Art • Form • Theriomorphism • Mutation • Ownership marks • Portraits • Infection • Still Life in Italy • Cryptography • Planisphere • Venice • Vitruvius • Bologna, gentry (XVI-XVII cent • Ornament • Anthropocene • Computer art • Light and shadow • Galleria Manfrin • Flemish Sources • Recipes • Het Gulden Cabinet • Proportions • Cyborg • Neapolitan Collections • Biographical Cameos • Movement • Mathematics • Renaissance • Francesco Noletti • Viral • Mario dei Fiori • Software • Busts • Hybridisation • Anamorphosis • Paintings • Hybrid space • Manfrin, Girolamo • David De Coninck • Gesture • Michelangelo Cerquozzi • Scenography • Russian Avant-garde • Digital image • Writing • Neoplatonism • Print Collecting • Rayonism • Science Treatises • Science • Posthumanism • Diagram • ) • Security • Dance • Eighteenth century • Bologna, accademia dei Gelati • Drawing instruments • Medallions • Landscape • Abstraction

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, fr, it

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