Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Electronic disobedience • Ornament • Cornelis De Bie • Seicento painting • Book Collecting • Diagram • Mathematics • Mutation • Technology • Infection • Form • ) • Paintings • Abstraction • Planisphere • Galleria Manfrin • Russian Avant-garde • Portraits • Pieter Boel • Francesco Noletti • Het Gulden Cabinet • New media art • Pigments • Biographical Cameos • Proportions • Manfrin, Girolamo • Architectural drawing • Cyborg • Poussin • Contemporary Art • Pastel practice • Mikhail Larionov • Neapolitan Collections • Writing • Alterity • Digital image • Ownership marks • Art • Anamorphosis • Vitruvius • Drawing instruments • Eighteenth century • Movement • Rayonism • Gesture • Hybridisation • Bologna, gentry (XVI-XVII cent • Computer art • Science Treatises • Still Life in Italy • Science • Theriomorphism • David De Coninck • Cryptography • Recipes • Viral • Posthumanism • Anthropocene • Landscape • Security • Linear perspective • Print Collecting • Renaissance • Tactical media • Italian Art Literature • Light and shadow • Neoplatonism • Ideography • Michelangelo Cerquozzi • Hybrid space • Mario dei Fiori • Scenography • Scientific knowledge • Busts • Venice • Software • Medallions • Optics • Dance • Grechetto • Zaccolini • Flemish Sources • Bologna, accademia dei Gelati

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.