Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Theory of art • Photography • Hamburger Faksimile-Streit • Diana and Callisto • Multiples • Race • Portraits • Weimar Art Theory • Score • Contemporary dance • Guardi, Antonio • Performance • Ephemerality • Originality • Reconstruction • Letters • Ottoman Sultans • Geometric dance • Farsetti Collection • History of collecting • Programmed art • Details • Ovid’s Metamorphoses • Open work • Filippo Baldinucci • Daniel Arasse • Italian art literature • Theory • Seriality • Copy • Collective work • Gradenigo, Pietro • Museum Studies • Punctum/studium • Venice • Postmodern dance • Muletti, Sebastiano • Visual semiotics • ‘Second original’ • Collecting • Art copies • Paintings collecting • Original • Titian • Re-enactment • Eighteenth century • Dance • Fake • Contemporary art • Copying • Alexander Dorner • Medici’s dynasty • Farsetti, Daniele • Paolo Giovio • Aura • Copyright law • Originals/Copies • Painting • Rubens • Museum • Copy/original

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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