Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Art copies • Rubens • Performance • Letters • Photography • Muletti, Sebastiano • Collecting • Re-enactment • Theory • Programmed art • Originality • Visual semiotics • Dance • Farsetti, Daniele • Copyright law • Diana and Callisto • Score • Gradenigo, Pietro • Copy • Ovid’s Metamorphoses • Weimar Art Theory • Contemporary art • Ottoman Sultans • Punctum/studium • Details • Eighteenth century • Race • Alexander Dorner • Aura • Copying • Theory of art • Multiples • Fake • Seriality • Collective work • Portraits • Titian • Guardi, Antonio • Farsetti Collection • Originals/Copies • Painting • Museum Studies • Original • Filippo Baldinucci • Venice • Ephemerality • Geometric dance • ‘Second original’ • Contemporary dance • Paolo Giovio • Reconstruction • Postmodern dance • History of collecting • Paintings collecting • Hamburger Faksimile-Streit • Museum • Open work • Copy/original • Daniel Arasse • Italian art literature • Medici’s dynasty

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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