Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Paintings collecting • Postmodern dance • Painting • Seriality • Museum • Portraits • Copyright law • Muletti, Sebastiano • Open work • Art copies • Contemporary dance • Photography • Fake • Multiples • Paolo Giovio • Contemporary art • Geometric dance • Programmed art • Ottoman Sultans • Details • Theory of art • Italian art literature • Collective work • Race • Ephemerality • ‘Second original’ • Diana and Callisto • Punctum/studium • Guardi, Antonio • Museum Studies • Daniel Arasse • Copy/original • Alexander Dorner • Hamburger Faksimile-Streit • Farsetti, Daniele • Rubens • Score • Venice • Original • Ovid’s Metamorphoses • Reconstruction • Collecting • Medici’s dynasty • Theory • Letters • Titian • Gradenigo, Pietro • Eighteenth century • Visual semiotics • Aura • Originals/Copies • Performance • Farsetti Collection • History of collecting • Originality • Copying • Re-enactment • Copy • Weimar Art Theory • Filippo Baldinucci • Dance

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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