Edizioni Ca' Foscari

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Originale/Copia

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Lingua: it, en

Pubblicato: 21 Dicembre 2021

Keywords

Aura • Original • Copy • Guardi, Antonio • Paolo Giovio • Re-enactment • Filippo Baldinucci • History of collecting • Contemporary art • Muletti, Sebastiano • Museum • Contemporary dance • Performance • Ottoman Sultans • Ephemerality • Art copies • Collecting • Punctum/studium • Museum Studies • Diana and Callisto • Paintings collecting • Ovid’s Metamorphoses • Weimar Art Theory • Copy/original • Geometric dance • Dance • Italian art literature • Portraits • Reconstruction • Seriality • Postmodern dance • Titian • Painting • Eighteenth century • Race • Details • Multiples • Visual semiotics • Farsetti, Daniele • Collective work • Photography • Theory • Originality • Rubens • Gradenigo, Pietro • Medici’s dynasty • ‘Second original’ • Venice • Letters • Alexander Dorner • Farsetti Collection • Hamburger Faksimile-Streit • Copying • Fake • Programmed art • Copyright law • Open work • Daniel Arasse • Originals/Copies • Theory of art • Score

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

Copyright: © 2021 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.