Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Art copies • Aura • Copy • Fake • Museum • Geometric dance • Ovid’s Metamorphoses • Reconstruction • Photography • Titian • Contemporary art • Details • Theory • Farsetti Collection • Collecting • Programmed art • Weimar Art Theory • Copy/original • Visual semiotics • Originals/Copies • Theory of art • Originality • Venice • ‘Second original’ • Medici’s dynasty • Score • Ephemerality • Guardi, Antonio • Punctum/studium • Contemporary dance • Italian art literature • Collective work • Letters • Race • Dance • Portraits • Filippo Baldinucci • Postmodern dance • Hamburger Faksimile-Streit • History of collecting • Paolo Giovio • Copying • Copyright law • Rubens • Museum Studies • Alexander Dorner • Re-enactment • Open work • Diana and Callisto • Original • Ottoman Sultans • Muletti, Sebastiano • Paintings collecting • Seriality • Eighteenth century • Performance • Painting • Farsetti, Daniele • Gradenigo, Pietro • Daniel Arasse • Multiples

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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