Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Museum • Farsetti, Daniele • Painting • Art copies • Copy/original • Medici’s dynasty • Originals/Copies • Italian art literature • Originality • Paintings collecting • Venice • ‘Second original’ • Details • Visual semiotics • Paolo Giovio • Geometric dance • Postmodern dance • Rubens • Theory of art • Daniel Arasse • Programmed art • Seriality • Ephemerality • Aura • Letters • Punctum/studium • Titian • Race • Eighteenth century • Collecting • Copyright law • Contemporary art • Filippo Baldinucci • Weimar Art Theory • Museum Studies • Re-enactment • Ovid’s Metamorphoses • Photography • Hamburger Faksimile-Streit • Portraits • Multiples • Copy • Guardi, Antonio • Diana and Callisto • Original • Muletti, Sebastiano • Ottoman Sultans • Theory • Farsetti Collection • History of collecting • Alexander Dorner • Contemporary dance • Score • Performance • Reconstruction • Gradenigo, Pietro • Open work • Collective work • Fake • Dance • Copying

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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