Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords ‘Second original’ • Open work • Contemporary art • Copy • Copy/original • Original • Programmed art • Originals/Copies • Details • Paolo Giovio • Collective work • Filippo Baldinucci • Museum • Originality • Photography • Postmodern dance • Rubens • Weimar Art Theory • Aura • Guardi, Antonio • Medici’s dynasty • Eighteenth century • Alexander Dorner • Diana and Callisto • History of collecting • Multiples • Ovid’s Metamorphoses • Museum Studies • Visual semiotics • Farsetti, Daniele • Performance • Italian art literature • Farsetti Collection • Seriality • Score • Letters • Reconstruction • Theory of art • Art copies • Daniel Arasse • Contemporary dance • Muletti, Sebastiano • Punctum/studium • Re-enactment • Copying • Ephemerality • Geometric dance • Dance • Gradenigo, Pietro • Ottoman Sultans • Collecting • Paintings collecting • Venice • Portraits • Theory • Race • Copyright law • Fake • Painting • Hamburger Faksimile-Streit • Titian

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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