Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Museum • Ovid’s Metamorphoses • Museum Studies • Copying • Collecting • Eighteenth century • History of collecting • Paolo Giovio • Punctum/studium • Seriality • Theory • Originality • Dance • Medici’s dynasty • Fake • Geometric dance • Daniel Arasse • Italian art literature • Guardi, Antonio • Originals/Copies • Details • Paintings collecting • Ottoman Sultans • Collective work • Contemporary dance • Programmed art • Contemporary art • Reconstruction • Titian • Diana and Callisto • Copy/original • Performance • Letters • Original • Art copies • Re-enactment • Multiples • Hamburger Faksimile-Streit • Rubens • Alexander Dorner • Visual semiotics • Copy • Theory of art • Open work • Race • Copyright law • Venice • Postmodern dance • Gradenigo, Pietro • Filippo Baldinucci • Aura • Painting • Portraits • Farsetti Collection • Farsetti, Daniele • ‘Second original’ • Ephemerality • Muletti, Sebastiano • Weimar Art Theory • Score • Photography

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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