Originale/Copia
Lingua: en, it
Pubblicato: 21 Dicembre 2021
Copying • Italian art literature • Daniel Arasse • Collective work • Painting • Visual semiotics • Copy • Aura • Portraits • Weimar Art Theory • Farsetti, Daniele • Race • Museum • Contemporary dance • Eighteenth century • Guardi, Antonio • Hamburger Faksimile-Streit • Letters • Postmodern dance • Fake • Gradenigo, Pietro • Titian • Art copies • Originals/Copies • Diana and Callisto • Contemporary art • Ottoman Sultans • Paintings collecting • Performance • Seriality • Muletti, Sebastiano • ‘Second original’ • Score • Original • Collecting • Museum Studies • Ephemerality • Details • History of collecting • Theory of art • Venice • Photography • Alexander Dorner • Ovid’s Metamorphoses • Medici’s dynasty • Programmed art • Rubens • Filippo Baldinucci • Copyright law • Multiples • Reconstruction • Dance • Paolo Giovio • Geometric dance • Copy/original • Farsetti Collection • Theory • Originality • Re-enactment • Open work • Punctum/studium