Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Original • Details • Dance • Paintings collecting • Daniel Arasse • Hamburger Faksimile-Streit • History of collecting • Italian art literature • Farsetti, Daniele • Copy/original • Farsetti Collection • Gradenigo, Pietro • Portraits • Score • Venice • Contemporary art • Open work • Aura • Museum Studies • Visual semiotics • Contemporary dance • Eighteenth century • Copyright law • Guardi, Antonio • Collecting • Originals/Copies • Museum • Re-enactment • Rubens • ‘Second original’ • Painting • Copying • Programmed art • Reconstruction • Weimar Art Theory • Diana and Callisto • Muletti, Sebastiano • Performance • Punctum/studium • Letters • Copy • Ottoman Sultans • Seriality • Art copies • Geometric dance • Postmodern dance • Photography • Fake • Ovid’s Metamorphoses • Originality • Theory • Ephemerality • Theory of art • Alexander Dorner • Race • Collective work • Titian • Paolo Giovio • Filippo Baldinucci • Multiples • Medici’s dynasty

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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