Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Daniel Arasse • Venice • Original • Gradenigo, Pietro • Open work • Titian • Fake • Museum Studies • Ephemerality • Copying • Portraits • Diana and Callisto • Seriality • Filippo Baldinucci • Eighteenth century • Copy • Alexander Dorner • Originality • Punctum/studium • Aura • Collective work • Farsetti, Daniele • Programmed art • Muletti, Sebastiano • Rubens • ‘Second original’ • Theory of art • Italian art literature • Race • Theory • Weimar Art Theory • Contemporary dance • Contemporary art • Hamburger Faksimile-Streit • Medici’s dynasty • Performance • Copy/original • Paintings collecting • Dance • Guardi, Antonio • Details • Ovid’s Metamorphoses • Paolo Giovio • Originals/Copies • Geometric dance • Collecting • Visual semiotics • Multiples • Art copies • Painting • Re-enactment • Reconstruction • Museum • Farsetti Collection • Letters • Postmodern dance • Score • Copyright law • Ottoman Sultans • History of collecting • Photography

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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