Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Daniel Arasse • Copying • Copy • Multiples • Fake • Theory of art • Paolo Giovio • Collecting • Portraits • Ottoman Sultans • Seriality • Medici’s dynasty • Museum Studies • Dance • Rubens • Farsetti, Daniele • Race • Art copies • Weimar Art Theory • Alexander Dorner • Contemporary art • Copyright law • Filippo Baldinucci • History of collecting • Farsetti Collection • Performance • Collective work • Hamburger Faksimile-Streit • Re-enactment • Programmed art • Punctum/studium • Muletti, Sebastiano • Open work • Painting • Diana and Callisto • Venice • Museum • ‘Second original’ • Score • Eighteenth century • Paintings collecting • Visual semiotics • Geometric dance • Originals/Copies • Titian • Gradenigo, Pietro • Letters • Aura • Postmodern dance • Guardi, Antonio • Ovid’s Metamorphoses • Originality • Theory • Contemporary dance • Original • Italian art literature • Details • Reconstruction • Copy/original • Ephemerality • Photography

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.