Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Original • Reconstruction • Seriality • Multiples • Score • Copyright law • Italian art literature • Contemporary dance • Filippo Baldinucci • Museum • Open work • Letters • Paintings collecting • Farsetti Collection • Race • Medici’s dynasty • Originals/Copies • Ephemerality • Museum Studies • Postmodern dance • Art copies • Contemporary art • Guardi, Antonio • Portraits • Weimar Art Theory • Programmed art • Farsetti, Daniele • Hamburger Faksimile-Streit • Performance • Titian • Theory • Muletti, Sebastiano • Paolo Giovio • Aura • Photography • ‘Second original’ • Ottoman Sultans • Theory of art • Diana and Callisto • Painting • History of collecting • Punctum/studium • Dance • Eighteenth century • Venice • Collective work • Collecting • Copy • Re-enactment • Ovid’s Metamorphoses • Rubens • Details • Daniel Arasse • Fake • Gradenigo, Pietro • Copy/original • Geometric dance • Copying • Originality • Visual semiotics • Alexander Dorner

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.