Journal |
Venezia Arti
Journal issue | 30 | 2021
Original/Copy
open access | peer reviewedKeywords Museum Studies • Painting • Diana and Callisto • Hamburger Faksimile-Streit • Aura • Originality • Ottoman Sultans • Fake • Museum • Contemporary art • Collecting • Titian • Seriality • Reconstruction • Collective work • Medici’s dynasty • Copy • Eighteenth century • Italian art literature • Copying • Contemporary dance • Paolo Giovio • Punctum/studium • History of collecting • Photography • Portraits • Theory of art • Visual semiotics • Multiples • Original • Venice • Filippo Baldinucci • Muletti, Sebastiano • Farsetti Collection • Alexander Dorner • Gradenigo, Pietro • Dance • Letters • Daniel Arasse • Ovid’s Metamorphoses • Theory • Re-enactment • Performance • Score • Postmodern dance • Farsetti, Daniele • Geometric dance • Ephemerality • Open work • Originals/Copies • Programmed art • Details • Copy/original • Guardi, Antonio • ‘Second original’ • Rubens • Art copies • Weimar Art Theory • Race • Paintings collecting • Copyright law
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editorial
- Dec. 21, 2021
Medioevo e età moderna
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Titian and Callisto’s Double Metamorphosis
The punctum around which the Original Revolves - Dec. 21, 2021
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Antonio Guardi’s “copies-works of art”
Gradenigo’s Commission - Dec. 21, 2021
Contemporaneo
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Multiplied Works, Open Work
Seriality and Anonymity in the Cine-visual Research of the 1960s - Dec. 21, 2021
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The Original – ‘Again’
Historical and Contemporary Strategies for Writing and Re/Constructing Dance - Dec. 21, 2021
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From the Copy to the Fake to the ‘Second Original’
Slippage of Sense and Meaning between Material and Virtual - Dec. 21, 2021
Alia itinera
