Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Museum • Aura • Venice • Copy • Visual semiotics • Dance • Details • Programmed art • Contemporary art • Race • Ephemerality • Alexander Dorner • Multiples • Fake • Hamburger Faksimile-Streit • Original • History of collecting • Performance • Paintings collecting • Guardi, Antonio • Theory of art • Postmodern dance • Photography • Museum Studies • Filippo Baldinucci • Weimar Art Theory • Contemporary dance • Geometric dance • Punctum/studium • Theory • Seriality • Eighteenth century • Letters • Paolo Giovio • Rubens • Medici’s dynasty • Muletti, Sebastiano • Farsetti Collection • Originals/Copies • Copying • Reconstruction • Copy/original • Portraits • Originality • Farsetti, Daniele • Copyright law • Daniel Arasse • Collecting • Painting • Collective work • Art copies • ‘Second original’ • Italian art literature • Titian • Gradenigo, Pietro • Open work • Ottoman Sultans • Score • Ovid’s Metamorphoses • Re-enactment • Diana and Callisto

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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