Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Details • Dance • Titian • Guardi, Antonio • Paolo Giovio • Medici’s dynasty • Copying • Daniel Arasse • Museum • Aura • Gradenigo, Pietro • Museum Studies • Weimar Art Theory • Ottoman Sultans • Copyright law • Ephemerality • Open work • Paintings collecting • Re-enactment • Originals/Copies • Postmodern dance • Originality • Farsetti, Daniele • Score • Geometric dance • Copy/original • History of collecting • Eighteenth century • Muletti, Sebastiano • Photography • Theory of art • Performance • Alexander Dorner • Copy • Fake • Ovid’s Metamorphoses • Race • Visual semiotics • Reconstruction • Hamburger Faksimile-Streit • Contemporary dance • Painting • Collecting • Farsetti Collection • Rubens • Contemporary art • Art copies • Programmed art • Theory • Filippo Baldinucci • Italian art literature • Multiples • ‘Second original’ • Original • Seriality • Collective work • Punctum/studium • Letters • Venice • Portraits • Diana and Callisto

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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