Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Paolo Giovio • Paintings collecting • Museum • Ovid’s Metamorphoses • Muletti, Sebastiano • Gradenigo, Pietro • Italian art literature • Rubens • Ephemerality • Geometric dance • Letters • Score • Originals/Copies • Dance • Guardi, Antonio • Performance • Reconstruction • Daniel Arasse • Theory • Collective work • Fake • Diana and Callisto • Weimar Art Theory • Multiples • Collecting • Hamburger Faksimile-Streit • Contemporary dance • Originality • Contemporary art • Painting • Portraits • Art copies • Race • Filippo Baldinucci • Theory of art • Museum Studies • Venice • Aura • Copying • Medici’s dynasty • Seriality • Re-enactment • Visual semiotics • Copy/original • Copy • Alexander Dorner • Programmed art • ‘Second original’ • Copyright law • Original • Photography • Details • Ottoman Sultans • Titian • Postmodern dance • Farsetti Collection • Open work • Punctum/studium • Eighteenth century • Farsetti, Daniele • History of collecting

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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