Edizioni Ca' Foscari

« previous issue | next issue »

937 views

1142 download

Journal issue
open access peer reviewed

Original/Copy

VIEW PDF DOWNLOAD PDF

Language: it, en

Published: Dec. 21, 2021

Keywords

Filippo Baldinucci • History of collecting • Details • Farsetti Collection • Originality • Theory • Score • Ephemerality • Theory of art • Fake • Reconstruction • Copyright law • Italian art literature • Copying • Painting • Weimar Art Theory • Copy • Performance • Rubens • Titian • Open work • Multiples • Programmed art • Original • Originals/Copies • Eighteenth century • Hamburger Faksimile-Streit • Paolo Giovio • Contemporary art • Re-enactment • Portraits • Contemporary dance • Race • Dance • Art copies • Punctum/studium • Collective work • Collecting • Museum Studies • Letters • Museum • Diana and Callisto • Farsetti, Daniele • Medici’s dynasty • Postmodern dance • Visual semiotics • Photography • Ovid’s Metamorphoses • ‘Second original’ • Gradenigo, Pietro • Alexander Dorner • Seriality • Guardi, Antonio • Ottoman Sultans • Copy/original • Daniel Arasse • Geometric dance • Venice • Muletti, Sebastiano • Paintings collecting • Aura

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

Copyright: © 2021 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.