Original/Copy
Language: it, en
Published: Dec. 21, 2021
Filippo Baldinucci • History of collecting • Details • Farsetti Collection • Originality • Theory • Score • Ephemerality • Theory of art • Fake • Reconstruction • Copyright law • Italian art literature • Copying • Painting • Weimar Art Theory • Copy • Performance • Rubens • Titian • Open work • Multiples • Programmed art • Original • Originals/Copies • Eighteenth century • Hamburger Faksimile-Streit • Paolo Giovio • Contemporary art • Re-enactment • Portraits • Contemporary dance • Race • Dance • Art copies • Punctum/studium • Collective work • Collecting • Museum Studies • Letters • Museum • Diana and Callisto • Farsetti, Daniele • Medici’s dynasty • Postmodern dance • Visual semiotics • Photography • Ovid’s Metamorphoses • ‘Second original’ • Gradenigo, Pietro • Alexander Dorner • Seriality • Guardi, Antonio • Ottoman Sultans • Copy/original • Daniel Arasse • Geometric dance • Venice • Muletti, Sebastiano • Paintings collecting • Aura