Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Daniel Arasse • Venice • Race • History of collecting • Originality • Geometric dance • Punctum/studium • Dance • Alexander Dorner • Aura • Programmed art • Diana and Callisto • Weimar Art Theory • ‘Second original’ • Farsetti Collection • Multiples • Muletti, Sebastiano • Paintings collecting • Fake • Italian art literature • Original • Theory • Theory of art • Letters • Re-enactment • Contemporary dance • Farsetti, Daniele • Collective work • Copying • Ephemerality • Museum Studies • Ottoman Sultans • Rubens • Postmodern dance • Collecting • Copy/original • Details • Museum • Portraits • Hamburger Faksimile-Streit • Titian • Seriality • Originals/Copies • Medici’s dynasty • Paolo Giovio • Contemporary art • Painting • Art copies • Reconstruction • Copy • Ovid’s Metamorphoses • Eighteenth century • Open work • Visual semiotics • Guardi, Antonio • Copyright law • Score • Filippo Baldinucci • Photography • Gradenigo, Pietro • Performance

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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