Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Seriality • Originality • Weimar Art Theory • Postmodern dance • Collective work • Venice • Contemporary dance • Hamburger Faksimile-Streit • Copy • Originals/Copies • Ovid’s Metamorphoses • Open work • Alexander Dorner • Copy/original • Aura • Theory • Original • Programmed art • Filippo Baldinucci • Punctum/studium • Letters • Paintings collecting • Muletti, Sebastiano • Painting • Re-enactment • Details • Medici’s dynasty • Daniel Arasse • Race • Diana and Callisto • Geometric dance • Ephemerality • Guardi, Antonio • History of collecting • ‘Second original’ • Copying • Eighteenth century • Performance • Italian art literature • Photography • Rubens • Contemporary art • Portraits • Titian • Visual semiotics • Collecting • Reconstruction • Copyright law • Farsetti Collection • Paolo Giovio • Dance • Multiples • Ottoman Sultans • Score • Gradenigo, Pietro • Theory of art • Farsetti, Daniele • Art copies • Museum • Fake • Museum Studies

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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