Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Originals/Copies • Contemporary dance • Details • Copying • Collecting • Museum • Eighteenth century • Painting • History of collecting • Medici’s dynasty • Theory of art • Reconstruction • ‘Second original’ • Museum Studies • Farsetti Collection • Postmodern dance • Italian art literature • Dance • Visual semiotics • Originality • Copy/original • Copy • Contemporary art • Photography • Punctum/studium • Race • Farsetti, Daniele • Performance • Art copies • Filippo Baldinucci • Theory • Daniel Arasse • Geometric dance • Guardi, Antonio • Portraits • Re-enactment • Alexander Dorner • Weimar Art Theory • Gradenigo, Pietro • Muletti, Sebastiano • Paintings collecting • Score • Rubens • Ottoman Sultans • Paolo Giovio • Programmed art • Collective work • Copyright law • Hamburger Faksimile-Streit • Ephemerality • Open work • Diana and Callisto • Fake • Multiples • Seriality • Venice • Original • Titian • Letters • Aura • Ovid’s Metamorphoses

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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