Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Daniel Arasse • Copying • Farsetti, Daniele • Originals/Copies • Programmed art • Hamburger Faksimile-Streit • Copy • Eighteenth century • Letters • Museum Studies • Portraits • Paintings collecting • Painting • Reconstruction • Race • Titian • Originality • Aura • Fake • Theory • Photography • Re-enactment • Dance • Contemporary dance • Art copies • Italian art literature • Open work • Postmodern dance • Theory of art • Details • Alexander Dorner • Ephemerality • Ottoman Sultans • Paolo Giovio • Guardi, Antonio • Rubens • Weimar Art Theory • Muletti, Sebastiano • Medici’s dynasty • Contemporary art • Venice • Museum • Farsetti Collection • Gradenigo, Pietro • ‘Second original’ • Multiples • Visual semiotics • Performance • Diana and Callisto • Copyright law • Collecting • Original • Ovid’s Metamorphoses • Score • Filippo Baldinucci • Geometric dance • Collective work • Seriality • History of collecting • Punctum/studium • Copy/original

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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