Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords ‘Second original’ • Theory of art • Visual semiotics • Fake • Italian art literature • Collective work • Portraits • Re-enactment • Filippo Baldinucci • Photography • Museum • Daniel Arasse • Postmodern dance • Diana and Callisto • Details • Farsetti Collection • Gradenigo, Pietro • Originals/Copies • Aura • Painting • Seriality • Hamburger Faksimile-Streit • Race • Weimar Art Theory • Muletti, Sebastiano • Open work • Theory • Contemporary art • Rubens • Copy/original • Alexander Dorner • Copying • Dance • Copy • Museum Studies • Geometric dance • History of collecting • Performance • Collecting • Reconstruction • Venice • Ottoman Sultans • Guardi, Antonio • Eighteenth century • Letters • Paintings collecting • Medici’s dynasty • Score • Programmed art • Contemporary dance • Originality • Original • Farsetti, Daniele • Punctum/studium • Copyright law • Ovid’s Metamorphoses • Multiples • Paolo Giovio • Art copies • Ephemerality • Titian

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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