Edizioni Ca' Foscari

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Journal issue
open access peer reviewed

Original/Copy

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Language: it, en

Published: Dec. 21, 2021

Keywords

Reconstruction • Originals/Copies • Race • Seriality • Re-enactment • Collecting • Letters • Museum • Art copies • Hamburger Faksimile-Streit • Painting • Performance • Venice • History of collecting • Collective work • Museum Studies • Alexander Dorner • Farsetti, Daniele • Postmodern dance • Gradenigo, Pietro • Ottoman Sultans • Guardi, Antonio • Contemporary art • Paintings collecting • Weimar Art Theory • Programmed art • Theory of art • Originality • Dance • Medici’s dynasty • Original • Aura • Muletti, Sebastiano • Titian • Geometric dance • Theory • Visual semiotics • ‘Second original’ • Details • Diana and Callisto • Photography • Copy • Open work • Multiples • Rubens • Daniel Arasse • Punctum/studium • Farsetti Collection • Copying • Italian art literature • Ovid’s Metamorphoses • Fake • Portraits • Contemporary dance • Filippo Baldinucci • Copyright law • Score • Copy/original • Ephemerality • Paolo Giovio • Eighteenth century

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

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