Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Daniel Arasse • Fake • ‘Second original’ • Filippo Baldinucci • History of collecting • Copyright law • Muletti, Sebastiano • Museum Studies • Alexander Dorner • Re-enactment • Reconstruction • Eighteenth century • Paolo Giovio • Original • Race • Farsetti, Daniele • Copying • Museum • Painting • Hamburger Faksimile-Streit • Guardi, Antonio • Originals/Copies • Punctum/studium • Collecting • Diana and Callisto • Portraits • Rubens • Copy • Postmodern dance • Seriality • Titian • Contemporary dance • Multiples • Gradenigo, Pietro • Ovid’s Metamorphoses • Programmed art • Score • Medici’s dynasty • Farsetti Collection • Photography • Aura • Ephemerality • Dance • Contemporary art • Copy/original • Originality • Details • Open work • Theory • Weimar Art Theory • Performance • Theory of art • Art copies • Letters • Italian art literature • Paintings collecting • Visual semiotics • Venice • Ottoman Sultans • Collective work • Geometric dance

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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