Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Diana and Callisto • Copying • Farsetti, Daniele • Ephemerality • Geometric dance • Italian art literature • Multiples • Copy • Museum Studies • Rubens • History of collecting • Collecting • Contemporary dance • Ottoman Sultans • Filippo Baldinucci • Visual semiotics • Score • Art copies • Ovid’s Metamorphoses • Originals/Copies • Original • Race • Reconstruction • Guardi, Antonio • Hamburger Faksimile-Streit • Titian • Daniel Arasse • Eighteenth century • Punctum/studium • ‘Second original’ • Gradenigo, Pietro • Portraits • Contemporary art • Muletti, Sebastiano • Postmodern dance • Dance • Details • Medici’s dynasty • Aura • Performance • Letters • Collective work • Fake • Seriality • Theory • Paolo Giovio • Theory of art • Open work • Originality • Programmed art • Venice • Museum • Copyright law • Paintings collecting • Weimar Art Theory • Alexander Dorner • Copy/original • Farsetti Collection • Photography • Painting • Re-enactment

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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