Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Race • Portraits • Museum • Collective work • Ovid’s Metamorphoses • Score • Hamburger Faksimile-Streit • Venice • ‘Second original’ • Copyright law • Programmed art • Originals/Copies • Seriality • Farsetti Collection • Daniel Arasse • Theory • Paolo Giovio • Gradenigo, Pietro • Postmodern dance • Medici’s dynasty • Diana and Callisto • Open work • Copy • Guardi, Antonio • Copying • Italian art literature • Collecting • Copy/original • Contemporary dance • History of collecting • Photography • Multiples • Originality • Reconstruction • Alexander Dorner • Performance • Visual semiotics • Punctum/studium • Theory of art • Ephemerality • Paintings collecting • Aura • Titian • Original • Museum Studies • Fake • Art copies • Filippo Baldinucci • Re-enactment • Painting • Geometric dance • Weimar Art Theory • Muletti, Sebastiano • Eighteenth century • Contemporary art • Letters • Ottoman Sultans • Farsetti, Daniele • Rubens • Details • Dance

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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