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Originals and copies in the Letter of Filippo Baldinucci to Vincenzo Capponi

Elena Fumagalli    Università degli Studi di Modena e Reggio Emilia, Italia    

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abstract

This contribution aims to analyse Filippo Baldinucci’s Letter to Vincenzo Capponi (Rome, 1681) in all its aspects, particularly its concept of original and copy, taking into account Baldinucci’s position in the Accademia del Disegno and in the Roman cultural milieu. Through some examples, the essay also intends to assess the Letter vis-à-vis the correspondence between the Medici agents in Venice and the court, in order to emphasise the relation between the artistic literature on copies and the practical experience of the individuals who had to secure paintings for demanding collectors such as prince Leopoldo de’ Medici.

Published
Dec. 21, 2021
Accepted
July 28, 2021
Submitted
June 23, 2021
Language
IT

Keywords: CopyHistory of collectingOriginalMedici’s dynastyFilippo Baldinucci

Copyright: © 2021 Elena Fumagalli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.