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Border hacking: una conversione artistica dei confini nazionali nella società delle reti

Paolo Berti    Sapienza Università di Roma, Italia    



Through the category of ‘border hack’ (proposed by Rita Raley) and the analysis of three meaningful artworks (Transborder Immigrant Tool by Electronic Disturbance Theatre 2.0 and b.a.n.g. lab, BorderXing Guide by Heath Bunting and Shadows from Another Place by Paula Levine), the aim of this article is to investigate the aesthetic-political practices around the notion of transnational border. These are works of a performative nature and are linked to the networked environment of the Internet. They exemplify a brand-new season of New Media Art, in which the electromagnetic armamentarium of satellite positioning systems and mobile devices takes on a tactical dimension of confrontation with the equally technological governmental-military strategies of border surveillance and identity control.

Keywords: Tactical media. New media art. Hybrid space. Security. Electronic disobedience.

Lingua: it

Submitted: 20 Luglio 2020
Accepted: 09 Settembre 2020
Pubblicato: 11 Dicembre 2020

permalink: http://doi.org/10.30687/VA/2385-2720/2020/01/010

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License