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Orizzonti biopolitici nelle azioni performative di Marina Abramović e Regina José Galindo

Matteo Valentini    Università degli Studi di Genova, Italia    

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abstract

Through performative act the artist’s body encounters many typologies of boundaries: the esthetic one, crossed in several moments in Art History, e.g. by the artists involved in Wiener Aktionismus; the politic one, exemplarily undermined by Marina Abramović Rhythm 0; the biological one, analyzed both by Stelarc in his posthuman experiments and by Regina José Galindo in performances such as Exalatión. This essay aims to give answers to the following questions: how do these encounters take place? What do they bring with them? Which is their very purpose?

Pubblicato
11 Dicembre 2019
Accettato
21 Agosto 2019
Presentato
18 Luglio 2019
Lingua
IT

Keywords: AbramovićAgambenBiopoliticPerformance ArtGalindo

Copyright: © 2019 Matteo Valentini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.