Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Research Article | Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck
- Luca Fiorentino - Istituto Olandese di Storia dell’Arte, Firenze, Italia - email
Abstract
This article spotlights the lives of Italian still life painters in one of the most important seventeenth-century Flemish source texts: Het Gulden Cabinet van de edel vry schilder-const by Cornelius De Bie (1662). This essay offers the first Italian translations of texts dedicated to these painters and examines the intrinsic motivations that led De Bie to choose them as the subject of his panegyrics. The writing underscores the connections De Bie must have had with information brought home by his father (who lived in Rome for years), with Gaspar Roomer and his collections, and with Italian art literature, to which he owed a debt as for information obtained and source documents. In addition, the article discusses the life of Pieter Boel, who spent many years in Italy, and of one of his best pupils, David De Coninck.
Submitted: Sept. 3, 2020 | Accepted: Oct. 7, 2020 | Published Dec. 11, 2020 | Language: it
Keywords Paintings • Biographical Cameos • Grechetto • Cornelis De Bie • Neapolitan Collections • Pieter Boel • Flemish Sources • Het Gulden Cabinet • Science Treatises • Still Life in Italy • Italian Art Literature • Michelangelo Cerquozzi • Mario dei Fiori • David De Coninck • Francesco Noletti
Copyright © 2020 Luca Fiorentino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06/004
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Fiorentino, Luca. ‘Cornelis De Bie, Il Gulden Cabinet e La Pittura Di Natura Morta e Di Genere in It...
Fiorentino, Luca. ‘Cornelis De Bie, Il Gulden Cabinet e La Pittura Di Natura Morta e Di Genere in It...
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_3621 |
|
dc.title |
Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy. The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck |
|
dc.contributor.author |
Fiorentino Luca |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2020/1/cornelis-de-bie-il-gulden-cabinet-e-la-pittura-di/ |
|
dc.description.abstract |
This article spotlights the lives of Italian still life painters in one of the most important seventeenth-century Flemish source texts: Het Gulden Cabinet van de edel vry schilder-const by Cornelius De Bie (1662). This essay offers the first Italian translations of texts dedicated to these painters and examines the intrinsic motivations that led De Bie to choose them as the subject of his panegyrics. The writing underscores the connections De Bie must have had with information brought home by his father (who lived in Rome for years), with Gaspar Roomer and his collections, and with Italian art literature, to which he owed a debt as for information obtained and source documents. In addition, the article discusses the life of Pieter Boel, who spent many years in Italy, and of one of his best pupils, David De Coninck. |
|
dc.relation.ispartof |
Venezia Arti |
|
dc.relation.ispartof |
Vol. 29 | December 2020 |
|
dc.issued |
2020-12-11 |
|
dc.dateAccepted |
2020-10-07 |
|
dc.dateSubmitted |
2020-09-03 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-2720 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/VA/2385-2720/2020/06/004 |
|
dc.peer-review |
yes |
|
dc.subject |
Biographical Cameos |
|
dc.subject |
Biographical Cameos |
|
dc.subject |
Cornelis De Bie |
|
dc.subject |
Cornelis De Bie |
|
dc.subject |
David De Coninck |
|
dc.subject |
David De Coninck |
|
dc.subject |
Flemish Sources |
|
dc.subject |
Flemish Sources |
|
dc.subject |
Francesco Noletti |
|
dc.subject |
Francesco Noletti |
|
dc.subject |
Grechetto |
|
dc.subject |
Grechetto |
|
dc.subject |
Het Gulden Cabinet |
|
dc.subject |
Het Gulden Cabinet |
|
dc.subject |
Italian Art Literature |
|
dc.subject |
Italian Art Literature |
|
dc.subject |
Mario dei Fiori |
|
dc.subject |
Mario dei Fiori |
|
dc.subject |
Michelangelo Cerquozzi |
|
dc.subject |
Michelangelo Cerquozzi |
|
dc.subject |
Neapolitan Collections |
|
dc.subject |
Neapolitan Collections |
|
dc.subject |
Paintings |
|
dc.subject |
Paintings |
|
dc.subject |
Pieter Boel |
|
dc.subject |
Pieter Boel |
|
dc.subject |
Science Treatises |
|
dc.subject |
Science Treatises |
|
dc.subject |
Still Life in Italy |
|
dc.subject |
Still Life in Italy |
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