Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Signature • Soliani • Bacchanal • Romanesque (France) • Paggi • Byzantine artist • Epigraphy • Jan van Eyck • Gothic Venetian Painting • Medieval Apulia • Volvinus • Invention of the Artist • Intellectual • Woodcut • 1968 • Essay Film • Arnolfini • Toponym • Art history • Illusion • Artists’ names • Edvard Munch • Samuel Beckett's Film • Torre Astura • Zavattari • Requiescat in Pace Corradinus • Angilbertus • Alighiero Boetti • Archive Footage • Byzantine epigraphy • Lorenzo Veneziano • Genoa • Sanatorium • Andri • 1972 • Iconology • Literacy • Modern painting • Parma • Stories of Theodelinda • Galleria La Salita • Medieval Artist • Medieval Epigraphy • Anonymity • Tiziano • Memorial • Faciebat • Annunciation • Morganatic Marriage • Inscription • Imperfect • Parapet • Art workshops • Woodblocks • Golden Altar • Museum display • Pino Pascali • Rebus • Written culture • Found Footage • Devotion • Cathedral at Monza • Duplication • Authorship • Museo Storico Navale • Happening • Permanence • Self-staging • Clinic • Photography • Contemporary Art

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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