Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Golden Altar • Signature • Duplication • Byzantine artist • Self-staging • Woodblocks • Parapet • Modern painting • Memorial • Archive Footage • Invention of the Artist • Medieval Epigraphy • Tiziano • Written culture • Anonymity • Andri • Lorenzo Veneziano • Angilbertus • Essay Film • Genoa • Inscription • Requiescat in Pace Corradinus • Torre Astura • Toponym • 1972 • Edvard Munch • Illusion • Literacy • Medieval Artist • Sanatorium • Volvinus • Iconology • Medieval Apulia • Authorship • 1968 • Found Footage • Woodcut • Contemporary Art • Pino Pascali • Arnolfini • Alighiero Boetti • Annunciation • Byzantine epigraphy • Imperfect • Intellectual • Museo Storico Navale • Cathedral at Monza • Parma • Photography • Stories of Theodelinda • Rebus • Museum display • Bacchanal • Happening • Clinic • Zavattari • Galleria La Salita • Art workshops • Romanesque (France) • Gothic Venetian Painting • Samuel Beckett's Film • Jan van Eyck • Art history • Faciebat • Permanence • Paggi • Artists’ names • Soliani • Epigraphy • Morganatic Marriage • Devotion

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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