Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Imperfect • Authorship • Annunciation • Artists’ names • Edvard Munch • Soliani • Paggi • Medieval Apulia • Rebus • Happening • Modern painting • Clinic • Andri • Galleria La Salita • Illusion • Literacy • Museo Storico Navale • Gothic Venetian Painting • Parapet • Parma • Inscription • Sanatorium • Memorial • 1972 • Lorenzo Veneziano • Photography • Woodcut • Epigraphy • Romanesque (France) • Cathedral at Monza • Art history • Pino Pascali • Archive Footage • Invention of the Artist • Essay Film • Byzantine epigraphy • Woodblocks • Museum display • Medieval Epigraphy • Torre Astura • Angilbertus • Duplication • Permanence • Stories of Theodelinda • Bacchanal • Faciebat • Morganatic Marriage • Toponym • Intellectual • Tiziano • Golden Altar • Self-staging • Genoa • Arnolfini • Devotion • Jan van Eyck • Volvinus • Written culture • Byzantine artist • Zavattari • Found Footage • Contemporary Art • Signature • Alighiero Boetti • Requiescat in Pace Corradinus • Medieval Artist • Art workshops • 1968 • Iconology • Anonymity • Samuel Beckett's Film

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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