Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Medieval Artist • Duplication • Found Footage • Andri • Angilbertus • Jan van Eyck • Museo Storico Navale • Rebus • Golden Altar • Torre Astura • Anonymity • Devotion • Requiescat in Pace Corradinus • Modern painting • Medieval Apulia • Intellectual • Artists’ names • Self-staging • Soliani • Parapet • Paggi • 1968 • Iconology • Art workshops • Galleria La Salita • Imperfect • Permanence • Edvard Munch • Lorenzo Veneziano • Morganatic Marriage • Volvinus • Medieval Epigraphy • Invention of the Artist • Tiziano • Clinic • Woodblocks • Contemporary Art • Museum display • Pino Pascali • Art history • Authorship • Byzantine artist • Essay Film • Samuel Beckett's Film • Sanatorium • Toponym • Bacchanal • Annunciation • Alighiero Boetti • Memorial • Archive Footage • 1972 • Genoa • Epigraphy • Gothic Venetian Painting • Inscription • Photography • Illusion • Signature • Romanesque (France) • Byzantine epigraphy • Stories of Theodelinda • Zavattari • Parma • Written culture • Literacy • Happening • Cathedral at Monza • Woodcut • Faciebat • Arnolfini

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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