Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 26 | 2017

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Bacchanal • Golden Altar • 1972 • Cathedral at Monza • Inscription • Jan van Eyck • Art workshops • Duplication • Memorial • Requiescat in Pace Corradinus • Soliani • Modern painting • Intellectual • Annunciation • Sanatorium • Tiziano • Paggi • Samuel Beckett's Film • 1968 • Imperfect • Art history • Toponym • Parapet • Medieval Epigraphy • Museo Storico Navale • Archive Footage • Byzantine epigraphy • Anonymity • Medieval Artist • Permanence • Self-staging • Woodcut • Edvard Munch • Faciebat • Byzantine artist • Gothic Venetian Painting • Invention of the Artist • Photography • Angilbertus • Andri • Clinic • Artists’ names • Essay Film • Museum display • Signature • Torre Astura • Epigraphy • Volvinus • Found Footage • Literacy • Contemporary Art • Romanesque (France) • Zavattari • Arnolfini • Iconology • Devotion • Illusion • Rebus • Genoa • Morganatic Marriage • Woodblocks • Written culture • Alighiero Boetti • Parma • Galleria La Salita • Happening • Medieval Apulia • Authorship • Lorenzo Veneziano • Pino Pascali • Stories of Theodelinda

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language en, it

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