Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Invention of the Artist • Art history • Intellectual • Permanence • Woodblocks • Toponym • Duplication • Epigraphy • Self-staging • Devotion • Lorenzo Veneziano • Archive Footage • Medieval Artist • Pino Pascali • Stories of Theodelinda • Clinic • Cathedral at Monza • Memorial • Paggi • Iconology • Soliani • Medieval Epigraphy • Art workshops • Samuel Beckett's Film • Jan van Eyck • Gothic Venetian Painting • Alighiero Boetti • Medieval Apulia • Volvinus • Written culture • Bacchanal • Anonymity • Requiescat in Pace Corradinus • Annunciation • Literacy • Morganatic Marriage • Angilbertus • Edvard Munch • Byzantine epigraphy • Found Footage • Illusion • Zavattari • Parapet • Galleria La Salita • Museum display • Imperfect • Sanatorium • Essay Film • Inscription • Parma • Genoa • Torre Astura • Woodcut • Andri • Arnolfini • Artists’ names • Museo Storico Navale • Tiziano • Authorship • Contemporary Art • Golden Altar • Happening • Rebus • 1968 • 1972 • Modern painting • Signature • Faciebat • Byzantine artist • Photography • Romanesque (France)

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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