Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Andri • Archive Footage • Edvard Munch • Inscription • Medieval Epigraphy • Volvinus • Gothic Venetian Painting • Modern painting • Stories of Theodelinda • Woodcut • Alighiero Boetti • Duplication • Faciebat • Museo Storico Navale • Devotion • Imperfect • Permanence • Samuel Beckett's Film • Parma • Requiescat in Pace Corradinus • Clinic • Tiziano • Self-staging • Pino Pascali • Lorenzo Veneziano • Iconology • Medieval Apulia • Bacchanal • Epigraphy • Angilbertus • 1968 • Annunciation • Artists’ names • Arnolfini • Anonymity • Authorship • Paggi • Soliani • Found Footage • Photography • Medieval Artist • Cathedral at Monza • Jan van Eyck • Museum display • Essay Film • Happening • Illusion • Byzantine epigraphy • Signature • Golden Altar • Art history • Genoa • Invention of the Artist • Romanesque (France) • Literacy • Parapet • Sanatorium • Woodblocks • Rebus • Zavattari • Torre Astura • Galleria La Salita • 1972 • Toponym • Memorial • Morganatic Marriage • Written culture • Contemporary Art • Byzantine artist • Intellectual • Art workshops

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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