Venezia Arti | 26 | 2017

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Journal monographic issue

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy



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Language: en, it

Published: Dec. 20, 2017

permalink http://doi.org/10.14277/2385-2720/VA-26-17

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Table of contents
Introduction
The ‘Signature’ in the Art
Authorship, Self-Awareness, Identity and Memory of Artists. Introduction
Stefano Riccioni    Giovanni Maria Fara    Nico Stringa   
Dec. 20, 2017
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Middle Ages
Artists in North-Central Puglia Between the 11th and 13th Centuries
Artistic Production Between Style, Identity and Self-Awareness
Marida Pierno   
Dec. 20, 2017
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The Artist's Signature, the Vasari Myths and Wolvinus magister phaber
Ivan Foletti   
Dec. 20, 2017
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The Artist's Signature in Romanesque France
Problems, Forms, Functions
Emilie Mineo   
Dec. 20, 2017
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For a Project on the Signed Paintings of Venice in the Gothic and Late Gothic Periods
Stefano Riccioni   
Dec. 20, 2017
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«De Zavatarijs hanc ornavere capellam»
Historical Details on the Epigraph in the Teodolinda Chapel in the Light of the Restoration Work
Roberta Delmoro    Anna Lucchini   
Dec. 20, 2017
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Manifestations of Authorship
Artists’ signatures in Byzantium
Maria Lidova   
Dec. 20, 2017
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Modern Age
Why Was Jan van Eyck here?
The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait
Benjamin Binstock   
Dec. 20, 2017
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Set in Stone
Signing Carlo Crivelli of Venice
Amanda Hilliam   
Dec. 20, 2017
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Correggio, Anselmi and Rondani
Artist Signatures in the Parma Scuola
Elisabetta Fadda   
Dec. 20, 2017
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Light on Titian's ‘Hidden’ Signature
Marco Tagliapietra   
Dec. 20, 2017
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Gio. Bapt. Paggius Genuensis F.
The Very Noble Science of Painting by Giovanni Battista Paggi
Valentina Frascarolo   
Dec. 20, 2017
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Signatures of Seventeenth-Century Woodcutters in the Wooden Matrices of the Galleria Estense in Modena
Chiara Travisonni   
Dec. 20, 2017
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The Twentieth Century
Edvard Munch’s Toponymic Codes
Patricia G. Berman   
Dec. 20, 2017
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Signing merci (Duchamp Against Himself)
Nico Stringa   
Dec. 20, 2017
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The Artist's Signature in the Context of the happening
Joseph Pascali fecit anno in Pino Pascali’s Requiescat in Pace Corradinus at the Subject Exhibition of the La Salita Gallery
Martina Rossi   
Dec. 20, 2017
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Alighiero & Boetti: About the Signature as Identity and Duplication
Stefania Portinari   
Dec. 20, 2017
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Collectanea
Memories of a Film
Ross Lipman’s Notfilm
Martina Zanco   
Dec. 20, 2017
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The Setting up of the Ancient Seat of the Naval History Museum of Venice
An Unpublished Photo Album
Silvia Peressutti   
Dec. 20, 2017
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