Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Essay Film • Invention of the Artist • Arnolfini • Toponym • Romanesque (France) • Anonymity • Samuel Beckett's Film • Stories of Theodelinda • Zavattari • Inscription • Devotion • Self-staging • Permanence • Andri • Cathedral at Monza • Paggi • Duplication • Signature • Soliani • Gothic Venetian Painting • Happening • Galleria La Salita • Volvinus • Edvard Munch • Medieval Apulia • Pino Pascali • Byzantine epigraphy • Imperfect • Memorial • Modern painting • Requiescat in Pace Corradinus • Iconology • 1968 • Medieval Epigraphy • Archive Footage • Woodblocks • Parma • Medieval Artist • Museum display • Rebus • Parapet • Written culture • Torre Astura • Authorship • Faciebat • Epigraphy • Annunciation • Art history • Bacchanal • Artists’ names • Angilbertus • Morganatic Marriage • Clinic • Sanatorium • 1972 • Illusion • Found Footage • Photography • Lorenzo Veneziano • Contemporary Art • Alighiero Boetti • Byzantine artist • Tiziano • Literacy • Golden Altar • Art workshops • Intellectual • Genoa • Museo Storico Navale • Jan van Eyck • Woodcut

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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