Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Tiziano • Happening • Bacchanal • Found Footage • Zavattari • Illusion • Medieval Apulia • Museo Storico Navale • Torre Astura • Morganatic Marriage • Woodcut • Requiescat in Pace Corradinus • Edvard Munch • Angilbertus • 1972 • Stories of Theodelinda • Anonymity • 1968 • Andri • Inscription • Archive Footage • Byzantine epigraphy • Imperfect • Invention of the Artist • Lorenzo Veneziano • Romanesque (France) • Byzantine artist • Volvinus • Contemporary Art • Authorship • Iconology • Alighiero Boetti • Sanatorium • Woodblocks • Arnolfini • Signature • Samuel Beckett's Film • Gothic Venetian Painting • Artists’ names • Clinic • Genoa • Parma • Written culture • Cathedral at Monza • Permanence • Paggi • Art workshops • Annunciation • Duplication • Literacy • Memorial • Medieval Artist • Modern painting • Essay Film • Photography • Parapet • Galleria La Salita • Pino Pascali • Golden Altar • Medieval Epigraphy • Art history • Faciebat • Intellectual • Rebus • Devotion • Epigraphy • Jan van Eyck • Self-staging • Soliani • Toponym • Museum display

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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