Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Inscription • Iconology • Literacy • Faciebat • Edvard Munch • Found Footage • Galleria La Salita • Illusion • Jan van Eyck • Intellectual • Cathedral at Monza • Imperfect • Medieval Epigraphy • Andri • Art workshops • Byzantine epigraphy • Morganatic Marriage • 1968 • Byzantine artist • 1972 • Romanesque (France) • Samuel Beckett's Film • Parapet • Pino Pascali • Anonymity • Lorenzo Veneziano • Medieval Apulia • Bacchanal • Modern painting • Epigraphy • Alighiero Boetti • Volvinus • Paggi • Gothic Venetian Painting • Torre Astura • Sanatorium • Toponym • Annunciation • Museo Storico Navale • Archive Footage • Invention of the Artist • Contemporary Art • Genoa • Permanence • Medieval Artist • Angilbertus • Authorship • Clinic • Golden Altar • Memorial • Parma • Woodcut • Art history • Rebus • Self-staging • Zavattari • Arnolfini • Happening • Stories of Theodelinda • Written culture • Devotion • Duplication • Soliani • Woodblocks • Museum display • Signature • Essay Film • Tiziano • Artists’ names • Requiescat in Pace Corradinus • Photography

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

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