Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Illusion • Byzantine epigraphy • Photography • Medieval Artist • Galleria La Salita • Golden Altar • Tiziano • Woodcut • Torre Astura • Faciebat • Permanence • Arnolfini • Parapet • Romanesque (France) • Bacchanal • Anonymity • Edvard Munch • Lorenzo Veneziano • Requiescat in Pace Corradinus • Sanatorium • Genoa • Toponym • Memorial • Found Footage • Morganatic Marriage • Parma • Paggi • Happening • Woodblocks • Cathedral at Monza • Contemporary Art • Intellectual • 1968 • Medieval Apulia • Museum display • 1972 • Museo Storico Navale • Jan van Eyck • Art workshops • Duplication • Andri • Clinic • Angilbertus • Essay Film • Stories of Theodelinda • Literacy • Gothic Venetian Painting • Authorship • Rebus • Alighiero Boetti • Samuel Beckett's Film • Signature • Art history • Devotion • Volvinus • Artists’ names • Epigraphy • Soliani • Iconology • Imperfect • Self-staging • Inscription • Annunciation • Invention of the Artist • Modern painting • Pino Pascali • Written culture • Archive Footage • Medieval Epigraphy • Byzantine artist • Zavattari

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.