Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Cathedral at Monza • Pino Pascali • Edvard Munch • Memorial • Museo Storico Navale • Anonymity • Photography • Rebus • Museum display • Epigraphy • Parapet • Genoa • Morganatic Marriage • Stories of Theodelinda • Romanesque (France) • Imperfect • Andri • Artists’ names • Faciebat • Samuel Beckett's Film • Toponym • Modern painting • Zavattari • Contemporary Art • Essay Film • Golden Altar • Literacy • Requiescat in Pace Corradinus • Soliani • Bacchanal • Volvinus • Signature • Art workshops • 1968 • Lorenzo Veneziano • Archive Footage • Sanatorium • Invention of the Artist • Woodblocks • Woodcut • Arnolfini • Annunciation • Clinic • Gothic Venetian Painting • Parma • Galleria La Salita • Jan van Eyck • Authorship • Permanence • Torre Astura • Art history • Tiziano • Devotion • 1972 • Self-staging • Duplication • Intellectual • Alighiero Boetti • Illusion • Medieval Apulia • Paggi • Happening • Medieval Artist • Written culture • Found Footage • Medieval Epigraphy • Byzantine epigraphy • Byzantine artist • Angilbertus • Inscription • Iconology

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

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