Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Arnolfini • Morganatic Marriage • Samuel Beckett's Film • Angilbertus • Archive Footage • Authorship • Iconology • Parapet • 1972 • Pino Pascali • Sanatorium • Art history • Signature • Woodcut • Written culture • Illusion • Cathedral at Monza • Faciebat • Medieval Apulia • Annunciation • Requiescat in Pace Corradinus • 1968 • Gothic Venetian Painting • Essay Film • Modern painting • Permanence • Romanesque (France) • Jan van Eyck • Torre Astura • Soliani • Invention of the Artist • Paggi • Galleria La Salita • Museum display • Volvinus • Byzantine epigraphy • Museo Storico Navale • Lorenzo Veneziano • Imperfect • Found Footage • Parma • Toponym • Bacchanal • Artists’ names • Happening • Zavattari • Contemporary Art • Rebus • Devotion • Golden Altar • Genoa • Woodblocks • Memorial • Edvard Munch • Clinic • Photography • Literacy • Self-staging • Stories of Theodelinda • Art workshops • Byzantine artist • Duplication • Epigraphy • Medieval Artist • Medieval Epigraphy • Anonymity • Alighiero Boetti • Tiziano • Andri • Intellectual • Inscription

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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