Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 26 | 2017

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Galleria La Salita • Modern painting • Morganatic Marriage • Art workshops • Happening • Gothic Venetian Painting • Inscription • Alighiero Boetti • Written culture • Clinic • Museo Storico Navale • Byzantine epigraphy • Found Footage • Museum display • 1968 • Memorial • Iconology • Cathedral at Monza • Samuel Beckett's Film • Woodcut • Authorship • Contemporary Art • Archive Footage • Essay Film • Self-staging • Torre Astura • Golden Altar • Bacchanal • Annunciation • Volvinus • Epigraphy • Invention of the Artist • Woodblocks • Parma • Literacy • Rebus • Medieval Epigraphy • Soliani • Zavattari • Lorenzo Veneziano • Medieval Artist • Requiescat in Pace Corradinus • Arnolfini • Genoa • Paggi • Signature • Parapet • Artists’ names • Edvard Munch • Faciebat • Pino Pascali • Tiziano • Byzantine artist • Permanence • Andri • Sanatorium • Intellectual • Angilbertus • Imperfect • Photography • Stories of Theodelinda • Medieval Apulia • Anonymity • Illusion • Devotion • Jan van Eyck • Romanesque (France) • Duplication • Toponym • 1972 • Art history

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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