Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 26 | 2017

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Epigraphy • Authorship • Medieval Apulia • Medieval Artist • Soliani • Morganatic Marriage • 1972 • Artists’ names • Volvinus • Sanatorium • Signature • Intellectual • Zavattari • Parapet • Imperfect • Jan van Eyck • Archive Footage • Arnolfini • Art history • Faciebat • Romanesque (France) • Written culture • Photography • Samuel Beckett's Film • Contemporary Art • Galleria La Salita • Duplication • Bacchanal • Cathedral at Monza • Museum display • Permanence • Rebus • Anonymity • Parma • Byzantine epigraphy • Devotion • Edvard Munch • Golden Altar • Byzantine artist • Genoa • Andri • Found Footage • Happening • Paggi • Woodblocks • Woodcut • Tiziano • Lorenzo Veneziano • Iconology • Self-staging • Invention of the Artist • Requiescat in Pace Corradinus • Toponym • Gothic Venetian Painting • Essay Film • Inscription • Alighiero Boetti • Illusion • Annunciation • 1968 • Literacy • Modern painting • Memorial • Art workshops • Stories of Theodelinda • Medieval Epigraphy • Clinic • Torre Astura • Museo Storico Navale • Angilbertus • Pino Pascali

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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