Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Edvard Munch • Epigraphy • Genoa • Bacchanal • Samuel Beckett's Film • Paggi • Byzantine artist • Parma • Literacy • Medieval Epigraphy • Jan van Eyck • Stories of Theodelinda • Essay Film • Gothic Venetian Painting • Signature • Arnolfini • Lorenzo Veneziano • Alighiero Boetti • Iconology • Parapet • Angilbertus • Romanesque (France) • Tiziano • Soliani • Artists’ names • Medieval Apulia • 1972 • Morganatic Marriage • Inscription • Intellectual • Woodblocks • Written culture • Andri • Byzantine epigraphy • Cathedral at Monza • Happening • Invention of the Artist • Art history • Galleria La Salita • Requiescat in Pace Corradinus • Sanatorium • Zavattari • Contemporary Art • Permanence • Photography • Medieval Artist • 1968 • Volvinus • Devotion • Pino Pascali • Annunciation • Woodcut • Art workshops • Rebus • Museum display • Found Footage • Authorship • Illusion • Modern painting • Archive Footage • Clinic • Golden Altar • Imperfect • Anonymity • Memorial • Torre Astura • Museo Storico Navale • Self-staging • Toponym • Duplication • Faciebat

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

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