Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Byzantine epigraphy • Edvard Munch • Epigraphy • Galleria La Salita • Sanatorium • Stories of Theodelinda • Arnolfini • Self-staging • Genoa • Torre Astura • Written culture • Modern painting • Alighiero Boetti • Museo Storico Navale • Cathedral at Monza • Authorship • Bacchanal • Iconology • Medieval Artist • Essay Film • Duplication • Literacy • Morganatic Marriage • Paggi • Invention of the Artist • 1968 • Tiziano • Medieval Epigraphy • Archive Footage • Andri • Illusion • Jan van Eyck • Lorenzo Veneziano • Angilbertus • Volvinus • Medieval Apulia • Pino Pascali • Signature • Art history • Imperfect • Faciebat • Happening • Rebus • Artists’ names • Woodcut • Gothic Venetian Painting • Romanesque (France) • Contemporary Art • Photography • Parma • Requiescat in Pace Corradinus • Samuel Beckett's Film • Soliani • 1972 • Golden Altar • Permanence • Devotion • Intellectual • Zavattari • Woodblocks • Memorial • Toponym • Byzantine artist • Anonymity • Parapet • Clinic • Inscription • Annunciation • Museum display • Found Footage • Art workshops

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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