Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Byzantine artist • Genoa • Volvinus • Woodcut • Gothic Venetian Painting • Essay Film • Memorial • Rebus • Intellectual • Art history • Duplication • Contemporary Art • Medieval Artist • Romanesque (France) • Signature • Stories of Theodelinda • Modern painting • Museum display • Requiescat in Pace Corradinus • Archive Footage • Written culture • Parma • Faciebat • Galleria La Salita • Bacchanal • Cathedral at Monza • Illusion • Lorenzo Veneziano • Jan van Eyck • Tiziano • Inscription • Soliani • Parapet • Zavattari • Andri • Clinic • Arnolfini • Annunciation • Happening • Morganatic Marriage • Photography • Samuel Beckett's Film • Toponym • Museo Storico Navale • Edvard Munch • Devotion • Golden Altar • Pino Pascali • Anonymity • Angilbertus • Torre Astura • Medieval Epigraphy • Authorship • Medieval Apulia • Iconology • Imperfect • Sanatorium • Literacy • Byzantine epigraphy • Artists’ names • Epigraphy • Art workshops • Paggi • Self-staging • Woodblocks • Found Footage • 1972 • Invention of the Artist • Alighiero Boetti • Permanence • 1968

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua it, en

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