Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Genoa • Jan van Eyck • Tiziano • Signature • Anonymity • Medieval Epigraphy • Modern painting • Samuel Beckett's Film • Torre Astura • Cathedral at Monza • Andri • Literacy • Paggi • Toponym • Zavattari • Bacchanal • Photography • Angilbertus • Duplication • Parma • Illusion • Parapet • Devotion • Essay Film • Rebus • Found Footage • Woodcut • Stories of Theodelinda • Romanesque (France) • Woodblocks • Inscription • Clinic • Arnolfini • Requiescat in Pace Corradinus • Permanence • Iconology • Artists’ names • Medieval Apulia • Edvard Munch • Gothic Venetian Painting • Memorial • 1968 • 1972 • Sanatorium • Medieval Artist • Art workshops • Authorship • Morganatic Marriage • Archive Footage • Volvinus • Annunciation • Byzantine artist • Contemporary Art • Faciebat • Soliani • Intellectual • Epigraphy • Byzantine epigraphy • Imperfect • Written culture • Invention of the Artist • Art history • Alighiero Boetti • Golden Altar • Happening • Museo Storico Navale • Museum display • Lorenzo Veneziano • Self-staging • Pino Pascali • Galleria La Salita

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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