Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

La ‘firma’ nell’arte. Autorialità, autocoscienza, identità e memoria degli artisti

open access | peer reviewed
Abstract

Keywords Alighiero Boetti • Samuel Beckett's Film • Devotion • Genoa • Medieval Artist • Angilbertus • Self-staging • Invention of the Artist • Written culture • Bacchanal • Faciebat • Gothic Venetian Painting • Intellectual • Lorenzo Veneziano • Modern painting • Paggi • Clinic • Authorship • Essay Film • Archive Footage • Iconology • 1972 • Soliani • Byzantine epigraphy • Woodblocks • Zavattari • Jan van Eyck • Anonymity • Stories of Theodelinda • Artists’ names • Golden Altar • Permanence • Arnolfini • Byzantine artist • Sanatorium • Duplication • Literacy • Andri • Imperfect • Parma • Requiescat in Pace Corradinus • Art history • 1968 • Annunciation • Morganatic Marriage • Contemporary Art • Romanesque (France) • Found Footage • Happening • Inscription • Photography • Pino Pascali • Rebus • Medieval Epigraphy • Museo Storico Navale • Parapet • Art workshops • Woodcut • Tiziano • Museum display • Edvard Munch • Torre Astura • Illusion • Toponym • Signature • Volvinus • Memorial • Galleria La Salita • Medieval Apulia • Cathedral at Monza • Epigraphy

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Pubblicato 20 Dicembre 2017 | Lingua en, it

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