Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Museum • Sociology • Guardi • Michelangelo Muraro • Cultural policy • Entrepreneur • Philosophical disenfranchisement • Pragmatism • Gatekeepers • Grotesque • Caucasus • Realm of art • Early photography • Damien Hirst • Industrial heritage • Production • Gesture • Ulisse Aldrovandi • Venetian villas • Visual arts • Jewish cemetery • Arthur Danto • Forgers • Art • Howard Becker • Pierre Bourdieu • Art worlds • Armstrong and Mitchell Cran • Douglas Gordon • Curator • Border crossing • Keeper • Osthoff • Consumer culture • Cultural heritage of Venezia Giulia and Istria • Fashion • Material culture • Antiquarians • Archival photographs • Opera • Restoration • Venetian Veduta • Art market • Art field • History of dress • Fashion studies • Intermediaries • Nature • Philosophy of art • Claes Oldenburg • Giuseppe Mazzotti • Gatekeeper • Ouverture • ‘The Store’ • Venice’s Lido • Individual • Objects • Contemporary art • Venice • Photography • Identity formation • Academy • Exhibition • Mediations • Antonio Morassi • Arsenale • Federico Pendasio • Pirro Ligorio • Steve McQueen • History • Gabriele Paleotti

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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