Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Art worlds • Michelangelo Muraro • History • Restoration • Philosophical disenfranchisement • Art • Sociology • Material culture • Ouverture • History of dress • Antiquarians • Howard Becker • Pierre Bourdieu • Giuseppe Mazzotti • Gatekeepers • Damien Hirst • Entrepreneur • Armstrong and Mitchell Cran • Academy • Consumer culture • Contemporary art • Museum • Venice’s Lido • Archival photographs • Caucasus • Border crossing • Early photography • Ulisse Aldrovandi • Cultural heritage of Venezia Giulia and Istria • Mediations • Gabriele Paleotti • Photography • Intermediaries • Pragmatism • Cultural policy • Philosophy of art • Visual arts • Production • Art field • Gesture • Identity formation • Venetian villas • Venice • Osthoff • Antonio Morassi • Arthur Danto • Individual • Gatekeeper • Industrial heritage • Venetian Veduta • Objects • Nature • Opera • Exhibition • Steve McQueen • Arsenale • Art market • Curator • Douglas Gordon • Jewish cemetery • Pirro Ligorio • ‘The Store’ • Forgers • Realm of art • Claes Oldenburg • Keeper • Guardi • Grotesque • Fashion studies • Federico Pendasio • Fashion

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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