Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Entrepreneur • Museum • Caucasus • Grotesque • Fashion • Identity formation • Ulisse Aldrovandi • Giuseppe Mazzotti • Nature • Douglas Gordon • Pirro Ligorio • Visual arts • Federico Pendasio • Gesture • Philosophy of art • Consumer culture • History • Venetian Veduta • Jewish cemetery • Individual • Realm of art • Art field • Archival photographs • Border crossing • History of dress • Art market • Ouverture • Exhibition • Guardi • ‘The Store’ • Gabriele Paleotti • Intermediaries • Michelangelo Muraro • Arthur Danto • Academy • Contemporary art • Fashion studies • Pierre Bourdieu • Keeper • Curator • Art • Howard Becker • Early photography • Antonio Morassi • Art worlds • Pragmatism • Antiquarians • Production • Restoration • Sociology • Gatekeeper • Armstrong and Mitchell Cran • Photography • Mediations • Osthoff • Venice’s Lido • Cultural heritage of Venezia Giulia and Istria • Steve McQueen • Cultural policy • Venice • Philosophical disenfranchisement • Material culture • Forgers • Industrial heritage • Claes Oldenburg • Gatekeepers • Arsenale • Objects • Opera • Venetian villas • Damien Hirst

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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