Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Fashion • Photography • Antonio Morassi • Archival photographs • Art worlds • Industrial heritage • Fashion studies • Antiquarians • Grotesque • Arthur Danto • Gabriele Paleotti • Pierre Bourdieu • Gatekeeper • Howard Becker • Cultural heritage of Venezia Giulia and Istria • Armstrong and Mitchell Cran • Art market • Pragmatism • Gatekeepers • Caucasus • Keeper • Individual • Ulisse Aldrovandi • Venice’s Lido • Nature • Curator • Border crossing • Art field • Identity formation • Opera • Douglas Gordon • Guardi • Visual arts • Art • Cultural policy • Gesture • Arsenale • Restoration • Giuseppe Mazzotti • Jewish cemetery • Michelangelo Muraro • Production • Objects • Realm of art • Venetian villas • Venice • Mediations • ‘The Store’ • Pirro Ligorio • Sociology • Ouverture • Philosophical disenfranchisement • Damien Hirst • Academy • Intermediaries • Contemporary art • Forgers • Osthoff • Early photography • Philosophy of art • Steve McQueen • Venetian Veduta • Consumer culture • Claes Oldenburg • Entrepreneur • History of dress • Exhibition • Federico Pendasio • History • Museum • Material culture

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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