Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Fashion studies • Guardi • History of dress • Venetian villas • Curator • Grotesque • Caucasus • Philosophical disenfranchisement • Arthur Danto • Pirro Ligorio • Restoration • Academy • Art worlds • Art • Claes Oldenburg • Individual • Cultural heritage of Venezia Giulia and Istria • Arsenale • Armstrong and Mitchell Cran • Border crossing • Mediations • Osthoff • Art field • Ouverture • Nature • Museum • Objects • Federico Pendasio • Ulisse Aldrovandi • Antonio Morassi • Steve McQueen • Industrial heritage • Giuseppe Mazzotti • Entrepreneur • Jewish cemetery • Opera • Contemporary art • Gabriele Paleotti • Production • Fashion • Antiquarians • Venetian Veduta • Gesture • Realm of art • Venice’s Lido • Howard Becker • Visual arts • Sociology • Gatekeepers • ‘The Store’ • Cultural policy • Gatekeeper • Archival photographs • History • Forgers • Keeper • Art market • Material culture • Pragmatism • Photography • Damien Hirst • Douglas Gordon • Consumer culture • Venice • Identity formation • Pierre Bourdieu • Exhibition • Intermediaries • Philosophy of art • Michelangelo Muraro • Early photography

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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