Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Gesture • Border crossing • Visual arts • Material culture • Ouverture • Pragmatism • Early photography • Production • Arsenale • Arthur Danto • Fashion studies • Museum • Grotesque • Forgers • Damien Hirst • Giuseppe Mazzotti • Claes Oldenburg • Michelangelo Muraro • Philosophical disenfranchisement • ‘The Store’ • Art • Fashion • Steve McQueen • Antiquarians • Ulisse Aldrovandi • Gabriele Paleotti • Curator • Douglas Gordon • Exhibition • Nature • Venice’s Lido • History • Contemporary art • Guardi • Entrepreneur • Individual • Sociology • Gatekeeper • Restoration • Industrial heritage • Armstrong and Mitchell Cran • Art field • History of dress • Opera • Cultural heritage of Venezia Giulia and Istria • Photography • Art market • Venetian villas • Consumer culture • Osthoff • Jewish cemetery • Academy • Howard Becker • Caucasus • Pierre Bourdieu • Realm of art • Venetian Veduta • Venice • Identity formation • Cultural policy • Gatekeepers • Pirro Ligorio • Objects • Art worlds • Archival photographs • Intermediaries • Mediations • Antonio Morassi • Keeper • Philosophy of art • Federico Pendasio

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.