Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Museum • Pierre Bourdieu • Ulisse Aldrovandi • Gesture • Curator • Nature • Intermediaries • Photography • ‘The Store’ • Entrepreneur • Academy • Contemporary art • Douglas Gordon • Arsenale • Michelangelo Muraro • Grotesque • Individual • Pirro Ligorio • Gatekeepers • Border crossing • Venice • Fashion • Gatekeeper • Art worlds • Damien Hirst • Early photography • Gabriele Paleotti • Giuseppe Mazzotti • Opera • Guardi • Objects • Realm of art • Visual arts • Mediations • Federico Pendasio • Archival photographs • History • Restoration • Venetian villas • Forgers • Identity formation • Philosophy of art • Osthoff • Claes Oldenburg • Armstrong and Mitchell Cran • Art • Arthur Danto • Ouverture • Fashion studies • Philosophical disenfranchisement • Keeper • Production • Venetian Veduta • Sociology • Cultural heritage of Venezia Giulia and Istria • Antonio Morassi • Art market • Material culture • Exhibition • Caucasus • Art field • Consumer culture • Pragmatism • Cultural policy • Antiquarians • History of dress • Steve McQueen • Howard Becker • Jewish cemetery • Venice’s Lido • Industrial heritage

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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