Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Consumer culture • Archival photographs • Venetian Veduta • Armstrong and Mitchell Cran • Pragmatism • Art worlds • Damien Hirst • Michelangelo Muraro • Art market • Philosophy of art • Entrepreneur • Exhibition • ‘The Store’ • Venice • Mediations • Photography • Contemporary art • History of dress • Guardi • Curator • Nature • Industrial heritage • Fashion • Restoration • Individual • Production • Venetian villas • Art field • Sociology • Giuseppe Mazzotti • Gesture • Keeper • Cultural heritage of Venezia Giulia and Istria • Gatekeepers • Howard Becker • Jewish cemetery • Arthur Danto • Identity formation • Objects • Osthoff • Ouverture • Pirro Ligorio • Academy • Forgers • Visual arts • Arsenale • Gatekeeper • Realm of art • Intermediaries • Ulisse Aldrovandi • History • Early photography • Museum • Steve McQueen • Material culture • Fashion studies • Antonio Morassi • Claes Oldenburg • Opera • Border crossing • Grotesque • Venice’s Lido • Gabriele Paleotti • Art • Douglas Gordon • Philosophical disenfranchisement • Federico Pendasio • Pierre Bourdieu • Antiquarians • Cultural policy • Caucasus

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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