Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Photography • Armstrong and Mitchell Cran • Venice • Philosophical disenfranchisement • ‘The Store’ • Individual • Opera • Cultural heritage of Venezia Giulia and Istria • Cultural policy • Art • Pierre Bourdieu • Gatekeeper • Venetian Veduta • Arthur Danto • Entrepreneur • Contemporary art • Sociology • Early photography • Federico Pendasio • History of dress • Damien Hirst • Douglas Gordon • Restoration • Ulisse Aldrovandi • Antiquarians • Art worlds • Howard Becker • Caucasus • Fashion • Michelangelo Muraro • Archival photographs • Production • Venetian villas • Antonio Morassi • Ouverture • Gatekeepers • Realm of art • Gabriele Paleotti • Gesture • Exhibition • Curator • Guardi • Pirro Ligorio • Giuseppe Mazzotti • Academy • Jewish cemetery • Pragmatism • Art field • Border crossing • Grotesque • Claes Oldenburg • Identity formation • Art market • Keeper • Material culture • Consumer culture • Mediations • Philosophy of art • Visual arts • Fashion studies • Intermediaries • Venice’s Lido • Steve McQueen • Industrial heritage • Nature • Museum • Objects • Osthoff • History • Forgers • Arsenale

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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