Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Venetian Veduta • Venice • Academy • Exhibition • Guardi • Fashion • Gabriele Paleotti • Osthoff • Forgers • Archival photographs • Gatekeeper • Mediations • Realm of art • Steve McQueen • Venetian villas • Opera • History of dress • Fashion studies • Damien Hirst • Douglas Gordon • Claes Oldenburg • Border crossing • Nature • Philosophical disenfranchisement • Art field • Venice’s Lido • Armstrong and Mitchell Cran • Michelangelo Muraro • Antiquarians • Arthur Danto • Jewish cemetery • ‘The Store’ • Intermediaries • Pierre Bourdieu • Giuseppe Mazzotti • Production • Consumer culture • Sociology • Photography • Contemporary art • Cultural heritage of Venezia Giulia and Istria • Grotesque • Ulisse Aldrovandi • Gesture • Curator • Art • Art worlds • Caucasus • Philosophy of art • Material culture • Visual arts • Gatekeepers • Arsenale • History • Identity formation • Restoration • Keeper • Early photography • Art market • Museum • Federico Pendasio • Objects • Ouverture • Antonio Morassi • Pirro Ligorio • Howard Becker • Cultural policy • Entrepreneur • Industrial heritage • Pragmatism • Individual

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

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