Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Arsenale • Contemporary art • Grotesque • Claes Oldenburg • Visual arts • Federico Pendasio • Art worlds • Ulisse Aldrovandi • ‘The Store’ • Art • Guardi • Museum • Art field • Giuseppe Mazzotti • Academy • Damien Hirst • Identity formation • Photography • Venetian Veduta • Jewish cemetery • Caucasus • Gatekeeper • History of dress • Consumer culture • Ouverture • Individual • Restoration • Antiquarians • Osthoff • Sociology • Armstrong and Mitchell Cran • Michelangelo Muraro • Douglas Gordon • Realm of art • Howard Becker • Cultural policy • Industrial heritage • Opera • Objects • Venetian villas • Gabriele Paleotti • Antonio Morassi • Forgers • Pierre Bourdieu • Intermediaries • Steve McQueen • Keeper • Venice’s Lido • Arthur Danto • Early photography • Border crossing • Exhibition • Cultural heritage of Venezia Giulia and Istria • Mediations • Material culture • Production • Fashion studies • Philosophy of art • Philosophical disenfranchisement • Curator • Pragmatism • Entrepreneur • Venice • Archival photographs • Gatekeepers • Art market • Gesture • Nature • Fashion • Pirro Ligorio • History

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

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