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Gli intermediari nell’arte contemporanea

Una mappatura della sociologia pragmatica

Nathalie Heinich    École des Hautes Études en Sciences Sociales, Paris, France    

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abstract

The role and number of intermediaries involved in the process of artistic mediation tend to be all the more important as the art world becomes more autonomous, ruled by specific values, words and actions. This is particularly obvious in the case of contemporary visual arts, as this paper demonstrates. The example of a French member of the Nouveaux Réalistes movement helps to map the various categories of persons, institutions, gestures, objects owing to which a piece of scrap may be offered the career of an authentic work of art. The paper eventually provides a historical explanation of the growing role of intermediaries in modern and contemporary art, and an insight on the French present time cultural policy concerning intermediaries in the visual arts.

Pubblicato
20 Dicembre 2016
Lingua
IT

Keywords: Contemporary artVisual artsCultural policyMediationsIntermediariesArtPragmatismSociology

Copyright: © 2016 Nathalie Heinich. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.