Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords History of dress • Fashion studies • Photography • Art • Mediations • Ouverture • Visual arts • Cultural policy • Venetian villas • Philosophy of art • Industrial heritage • Material culture • Guardi • Art field • Grotesque • Opera • Douglas Gordon • Individual • Arsenale • Antiquarians • Cultural heritage of Venezia Giulia and Istria • Nature • Damien Hirst • Jewish cemetery • Realm of art • Early photography • Gatekeepers • Forgers • Production • Gesture • ‘The Store’ • Arthur Danto • Exhibition • History • Osthoff • Caucasus • Museum • Curator • Pierre Bourdieu • Identity formation • Steve McQueen • Venice’s Lido • Border crossing • Art worlds • Contemporary art • Keeper • Gatekeeper • Michelangelo Muraro • Venetian Veduta • Venice • Antonio Morassi • Gabriele Paleotti • Philosophical disenfranchisement • Fashion • Pirro Ligorio • Consumer culture • Federico Pendasio • Pragmatism • Archival photographs • Howard Becker • Armstrong and Mitchell Cran • Claes Oldenburg • Ulisse Aldrovandi • Restoration • Art market • Giuseppe Mazzotti • Entrepreneur • Intermediaries • Objects • Academy • Sociology

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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