Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Museum • Archival photographs • Venice • Venetian villas • Damien Hirst • Art market • Industrial heritage • Osthoff • Ouverture • Fashion studies • Antonio Morassi • Giuseppe Mazzotti • Jewish cemetery • Philosophy of art • Pierre Bourdieu • Arsenale • Pragmatism • Academy • Early photography • Michelangelo Muraro • Visual arts • Border crossing • Consumer culture • Douglas Gordon • Forgers • Grotesque • History • Entrepreneur • Objects • Antiquarians • Production • Intermediaries • Sociology • Material culture • Identity formation • Individual • Restoration • Photography • Guardi • Steve McQueen • Federico Pendasio • Cultural policy • Nature • Mediations • Opera • Art • Howard Becker • Venetian Veduta • ‘The Store’ • Caucasus • Pirro Ligorio • Claes Oldenburg • Gatekeeper • Ulisse Aldrovandi • Cultural heritage of Venezia Giulia and Istria • Fashion • Gesture • Art field • Realm of art • Exhibition • Art worlds • History of dress • Venice’s Lido • Contemporary art • Arthur Danto • Philosophical disenfranchisement • Curator • Keeper • Armstrong and Mitchell Cran • Gabriele Paleotti • Gatekeepers

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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