Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Art field • Identity formation • ‘The Store’ • Jewish cemetery • Art worlds • Consumer culture • Federico Pendasio • Giuseppe Mazzotti • Sociology • Guardi • Production • Venice • History • Douglas Gordon • Michelangelo Muraro • Objects • Archival photographs • Academy • Industrial heritage • Nature • Venetian Veduta • Fashion studies • Antonio Morassi • Claes Oldenburg • Cultural policy • Arthur Danto • Museum • Pragmatism • Arsenale • Early photography • Armstrong and Mitchell Cran • Art market • Keeper • Opera • Venetian villas • Gatekeepers • Visual arts • Grotesque • Photography • Ulisse Aldrovandi • Philosophy of art • Fashion • Intermediaries • Caucasus • Forgers • Gabriele Paleotti • Damien Hirst • Contemporary art • History of dress • Entrepreneur • Gatekeeper • Curator • Ouverture • Cultural heritage of Venezia Giulia and Istria • Steve McQueen • Mediations • Material culture • Pierre Bourdieu • Border crossing • Realm of art • Philosophical disenfranchisement • Howard Becker • Osthoff • Exhibition • Individual • Art • Restoration • Venice’s Lido • Antiquarians • Pirro Ligorio • Gesture

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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