Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Realm of art • Howard Becker • Antonio Morassi • Keeper • Damien Hirst • Michelangelo Muraro • Gatekeeper • Giuseppe Mazzotti • Museum • Osthoff • Individual • Fashion studies • Grotesque • Philosophy of art • Production • Art worlds • Curator • Armstrong and Mitchell Cran • Border crossing • Fashion • History of dress • Gesture • Sociology • Steve McQueen • Gabriele Paleotti • Pragmatism • Venetian villas • Archival photographs • Nature • Pirro Ligorio • Pierre Bourdieu • Restoration • Claes Oldenburg • Ulisse Aldrovandi • ‘The Store’ • Venetian Veduta • Contemporary art • Photography • Academy • Philosophical disenfranchisement • Antiquarians • Art market • Consumer culture • Identity formation • Federico Pendasio • Opera • History • Art • Forgers • Cultural policy • Cultural heritage of Venezia Giulia and Istria • Early photography • Jewish cemetery • Venice’s Lido • Entrepreneur • Guardi • Caucasus • Arsenale • Exhibition • Art field • Venice • Visual arts • Gatekeepers • Douglas Gordon • Objects • Intermediaries • Mediations • Industrial heritage • Material culture • Ouverture • Arthur Danto

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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