Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Material culture • Visual arts • Photography • Border crossing • Forgers • Museum • Arthur Danto • Art market • Guardi • Cultural heritage of Venezia Giulia and Istria • Realm of art • Arsenale • Individual • Venetian villas • Steve McQueen • Art worlds • Contemporary art • Giuseppe Mazzotti • Art • Venice’s Lido • Exhibition • Fashion studies • Entrepreneur • Nature • Pierre Bourdieu • Philosophy of art • Early photography • Art field • Osthoff • Gabriele Paleotti • Fashion • Antonio Morassi • Consumer culture • Identity formation • Philosophical disenfranchisement • Restoration • Academy • Curator • Pirro Ligorio • History • Industrial heritage • Keeper • Mediations • Objects • Claes Oldenburg • Douglas Gordon • Grotesque • Venetian Veduta • Federico Pendasio • Michelangelo Muraro • Gatekeeper • Intermediaries • Howard Becker • Venice • Archival photographs • Damien Hirst • Ouverture • ‘The Store’ • History of dress • Production • Ulisse Aldrovandi • Gesture • Opera • Cultural policy • Gatekeepers • Armstrong and Mitchell Cran • Antiquarians • Caucasus • Jewish cemetery • Pragmatism • Sociology

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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