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Venezia Arti | 25 | 2016

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cover
cover
Journal issue

Vol. 25 | December 2016

edited by

Roberta Dreon    Università Ca’ Foscari Venezia, Italia    

Diego Mantoan    Università degli Studi di Palermo, Italia    

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Language: it, en

Published: Dec. 20, 2016

permalink http://doi.org/10.14277/2385-2720/VA-25-16

Copyright: © 2016 Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Table of contents

Opening Texts
Editorial
Carmelo Alberti    Michela Agazzi   
Dec. 20, 2016
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A Memory of Alberto Prandi Always Alive
Sergio Marinelli   
Dec. 20, 2016
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The Thresholds and Guardians of the Arts
An Introductory Note
Roberta Dreon    Diego Mantoan   
Dec. 20, 2016
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The Pale and Gatekeepers of The Arts
Arthur Danto and the Political Re-Enfranchisement of Art
Noël Carroll   
Dec. 20, 2016
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Gli intermediari nell’arte contemporanea
Una mappatura della sociologia pragmatica
Nathalie Heinich   
Dec. 20, 2016
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The Artist-entrepreneur Acting as a Gatekeeper in the Realm of Art
Monica Calcagno    Lisa Balzarin   
Dec. 20, 2016
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Art as a Gesture: Singular and Shared
Daniele Goldoni   
Dec. 20, 2016
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Borders and Border Crossing Between Art Worlds
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan   
Dec. 20, 2016
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Art and What Remains Out of It
The Example of The Store by Claes Oldenburg
Michael Lüthy    Bernard Schieder   
Dec. 20, 2016
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For a History of Fashion
Concepts, Objects and Material Culture
Giorgio Riello   
Dec. 20, 2016
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A Rusty Issue; or, the Strange Case of a Victorian Crane in Venice
Patrizia Pierazzo   
Dec. 20, 2016
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Custodians: From Curators to Guardians
A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva   
Dec. 20, 2016
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«Stupido Guardi!»
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli    Giulio Zavatta   
Dec. 20, 2016
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About the Edition of the Lettere sopra la pittura grottesca by Pirro Ligorio
Damiano Acciarino   
Dec. 20, 2016
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A Different Caucasus
Early Triumphs of Photography in the Caucasus
Karina Solovyova    Inessa Kouteinikova   
Dec. 20, 2016
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Collectanea
Reuse of Roman Steles in the Jewish Cemetery of the Lido of Venice
Licia Fabbiani   
Dec. 20, 2016
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The Fine Arts and Monuments Office of the Superintendency of Trieste (1920-1925)
Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni   
Dec. 20, 2016
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Photography, a Matrix for two Exhibitions
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim   
Dec. 20, 2016
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Opera Overture and Directorial Commentary: An (un)Happy Abuse?
Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo   
Dec. 20, 2016
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