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Vol. 25 | December 2016

edited by

Roberta Dreon    Università Ca’ Foscari Venezia, Italia    

Diego Mantoan    Università degli Studi di Palermo, Italia    

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Language: it, en

Published: Dec. 20, 2016

Copyright: © 2016 Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Table of contents

Opening Texts
Carmelo Alberti    Michela Agazzi   
Dec. 20, 2016
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Sergio Marinelli   
Dec. 20, 2016
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An Introductory Note
Roberta Dreon    Diego Mantoan   
Dec. 20, 2016
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The Pale and Gatekeepers of The Arts
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Una mappatura della sociologia pragmatica
Nathalie Heinich   
Dec. 20, 2016
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Monica Calcagno    Lisa Balzarin   
Dec. 20, 2016
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Daniele Goldoni   
Dec. 20, 2016
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Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan   
Dec. 20, 2016
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The Example of The Store by Claes Oldenburg
Michael Lüthy    Bernard Schieder   
Dec. 20, 2016
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Concepts, Objects and Material Culture
Giorgio Riello   
Dec. 20, 2016
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A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva   
Dec. 20, 2016
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Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli    Giulio Zavatta   
Dec. 20, 2016
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Early Triumphs of Photography in the Caucasus
Karina Solovyova    Inessa Kouteinikova   
Dec. 20, 2016
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Collectanea
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Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni   
Dec. 20, 2016
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Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim   
Dec. 20, 2016
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Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo   
Dec. 20, 2016
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