Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Material culture • Philosophical disenfranchisement • Art field • Federico Pendasio • Michelangelo Muraro • Pirro Ligorio • Ouverture • Howard Becker • Giuseppe Mazzotti • Early photography • Keeper • Damien Hirst • Restoration • Art worlds • Mediations • Fashion • Guardi • Philosophy of art • Pragmatism • Caucasus • Industrial heritage • Arthur Danto • Gatekeeper • History • Art market • Forgers • Douglas Gordon • Jewish cemetery • Consumer culture • Cultural heritage of Venezia Giulia and Istria • Cultural policy • Osthoff • Venetian villas • Entrepreneur • Academy • Nature • Venice • Realm of art • Gatekeepers • Arsenale • Pierre Bourdieu • Venetian Veduta • Identity formation • Border crossing • Venice’s Lido • Art • Objects • Gesture • Exhibition • Individual • Contemporary art • Photography • Ulisse Aldrovandi • Visual arts • Antonio Morassi • ‘The Store’ • Archival photographs • Gabriele Paleotti • Intermediaries • Production • Claes Oldenburg • Grotesque • Antiquarians • Armstrong and Mitchell Cran • Curator • Museum • Opera • Sociology • Fashion studies • Steve McQueen • History of dress

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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