Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Border crossing • Restoration • Armstrong and Mitchell Cran • Art market • Gatekeepers • Gatekeeper • Keeper • Nature • Giuseppe Mazzotti • Objects • Philosophy of art • Fashion studies • Pierre Bourdieu • Jewish cemetery • Opera • Museum • Howard Becker • Photography • Arthur Danto • History of dress • Production • Intermediaries • Venice • Art • History • Visual arts • Academy • Contemporary art • Antonio Morassi • Ouverture • Pirro Ligorio • Forgers • Curator • Art field • Osthoff • Early photography • Douglas Gordon • Art worlds • Individual • Philosophical disenfranchisement • Damien Hirst • Antiquarians • Realm of art • Archival photographs • ‘The Store’ • Venetian Veduta • Sociology • Fashion • Venice’s Lido • Pragmatism • Gesture • Industrial heritage • Exhibition • Cultural policy • Claes Oldenburg • Michelangelo Muraro • Mediations • Cultural heritage of Venezia Giulia and Istria • Federico Pendasio • Identity formation • Entrepreneur • Steve McQueen • Grotesque • Arsenale • Guardi • Consumer culture • Venetian villas • Gabriele Paleotti • Caucasus • Ulisse Aldrovandi • Material culture

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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