Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Grotesque • Gabriele Paleotti • Claes Oldenburg • Sociology • Pirro Ligorio • Pragmatism • Cultural policy • Objects • Caucasus • Early photography • Keeper • Gesture • Pierre Bourdieu • Venice’s Lido • Douglas Gordon • Art worlds • Gatekeeper • Forgers • Art field • Gatekeepers • Arsenale • Antonio Morassi • Contemporary art • History • Cultural heritage of Venezia Giulia and Istria • Howard Becker • Industrial heritage • Consumer culture • Giuseppe Mazzotti • Philosophical disenfranchisement • Production • Restoration • Steve McQueen • Venetian villas • ‘The Store’ • Mediations • Opera • Intermediaries • Border crossing • Armstrong and Mitchell Cran • Venetian Veduta • Fashion studies • Osthoff • Art • Fashion • History of dress • Guardi • Venice • Academy • Museum • Visual arts • Curator • Michelangelo Muraro • Philosophy of art • Art market • Archival photographs • Exhibition • Federico Pendasio • Arthur Danto • Damien Hirst • Individual • Entrepreneur • Jewish cemetery • Material culture • Ouverture • Nature • Photography • Realm of art • Ulisse Aldrovandi • Identity formation • Antiquarians

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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