Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Entrepreneur • Venice • Art market • Antonio Morassi • Philosophy of art • Venice’s Lido • Jewish cemetery • Pirro Ligorio • Cultural heritage of Venezia Giulia and Istria • Venetian Veduta • Visual arts • Pragmatism • Osthoff • Armstrong and Mitchell Cran • Gesture • Philosophical disenfranchisement • Cultural policy • Border crossing • Individual • Arthur Danto • Objects • Archival photographs • Arsenale • Curator • History • Keeper • Academy • Guardi • Howard Becker • Pierre Bourdieu • Michelangelo Muraro • Giuseppe Mazzotti • Ulisse Aldrovandi • Mediations • Art • Caucasus • Federico Pendasio • Fashion studies • Museum • Identity formation • Restoration • Fashion • Damien Hirst • Forgers • Art worlds • Consumer culture • Ouverture • Antiquarians • Early photography • Opera • ‘The Store’ • Contemporary art • Art field • Gatekeeper • Nature • Sociology • Exhibition • Venetian villas • Claes Oldenburg • Industrial heritage • Gatekeepers • Gabriele Paleotti • Grotesque • Intermediaries • Steve McQueen • Material culture • History of dress • Realm of art • Photography • Douglas Gordon • Production

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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