Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Venetian villas • Archival photographs • Gatekeepers • Objects • Keeper • Douglas Gordon • Art market • Ouverture • Art worlds • Arthur Danto • Production • Art field • Osthoff • Material culture • Identity formation • Michelangelo Muraro • Restoration • Antiquarians • Pirro Ligorio • Industrial heritage • Gabriele Paleotti • Nature • Realm of art • Photography • Steve McQueen • Consumer culture • Intermediaries • Philosophy of art • Cultural policy • History • Cultural heritage of Venezia Giulia and Istria • Jewish cemetery • Pragmatism • Philosophical disenfranchisement • History of dress • Contemporary art • Venice • Museum • Armstrong and Mitchell Cran • Academy • Arsenale • Art • Forgers • Gatekeeper • Guardi • Howard Becker • Ulisse Aldrovandi • Federico Pendasio • Damien Hirst • Exhibition • Giuseppe Mazzotti • Mediations • Venice’s Lido • Border crossing • Early photography • Pierre Bourdieu • Visual arts • Fashion studies • Gesture • Antonio Morassi • Curator • Fashion • Individual • Opera • Venetian Veduta • ‘The Store’ • Sociology • Entrepreneur • Caucasus • Grotesque • Claes Oldenburg

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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