Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Museum • Individual • Material culture • Venice • Arsenale • Antonio Morassi • Pragmatism • Production • Exhibition • Forgers • Gabriele Paleotti • Philosophy of art • Realm of art • Ouverture • Visual arts • Pirro Ligorio • Mediations • Opera • History of dress • Restoration • Identity formation • Curator • Steve McQueen • Art worlds • Nature • Venetian Veduta • Antiquarians • Venetian villas • Claes Oldenburg • History • ‘The Store’ • Intermediaries • Giuseppe Mazzotti • Gesture • Philosophical disenfranchisement • Objects • Fashion • Federico Pendasio • Guardi • Consumer culture • Academy • Fashion studies • Arthur Danto • Early photography • Archival photographs • Osthoff • Art market • Gatekeeper • Photography • Howard Becker • Contemporary art • Pierre Bourdieu • Venice’s Lido • Keeper • Michelangelo Muraro • Armstrong and Mitchell Cran • Art • Border crossing • Sociology • Ulisse Aldrovandi • Entrepreneur • Caucasus • Grotesque • Cultural policy • Jewish cemetery • Art field • Cultural heritage of Venezia Giulia and Istria • Damien Hirst • Douglas Gordon • Industrial heritage • Gatekeepers

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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