Venezia Arti | 25 | 2016

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cover

Table of contents
Opening Texts
Editorial
Carmelo Alberti    Michela Agazzi   
Dec. 20, 2016
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A Memory of Alberto Prandi Always Alive
Sergio Marinelli   
Dec. 20, 2016
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The Thresholds and Guardians of the Arts
An Introductory Note
Roberta Dreon    Diego Mantoan   
Dec. 20, 2016
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The Pale and Gatekeepers of The Arts
Arthur Danto and the Political Re-Enfranchisement of Art
Noël Carroll   
Dec. 20, 2016
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Gli intermediari nell’arte contemporanea
Una mappatura della sociologia pragmatica
Nathalie Heinich   
Dec. 20, 2016
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The Artist-entrepreneur Acting as a Gatekeeper in the Realm of Art
Monica Calcagno    Lisa Balzarin   
Dec. 20, 2016
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Art as a Gesture: Singular and Shared
Daniele Goldoni   
Dec. 20, 2016
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Borders and Border Crossing Between Art Worlds
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan   
Dec. 20, 2016
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Art and What Remains Out of It
The Example of The Store by Claes Oldenburg
Michael Lüthy    Bernard Schieder   
Dec. 20, 2016
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For a History of Fashion
Concepts, Objects and Material Culture
Giorgio Riello   
Dec. 20, 2016
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A Rusty Issue; or, the Strange Case of a Victorian Crane in Venice
Patrizia Pierazzo   
Dec. 20, 2016
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Custodians: From Curators to Guardians
A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva   
Dec. 20, 2016
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«Stupido Guardi!»
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli    Giulio Zavatta   
Dec. 20, 2016
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About the Edition of the Lettere sopra la pittura grottesca by Pirro Ligorio
Damiano Acciarino   
Dec. 20, 2016
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A Different Caucasus
Early Triumphs of Photography in the Caucasus
Karina Solovyova    Inessa Kouteinikova   
Dec. 20, 2016
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Collectanea
Reuse of Roman Steles in the Jewish Cemetery of the Lido of Venice
Licia Fabbiani   
Dec. 20, 2016
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The Fine Arts and Monuments Office of the Superintendency of Trieste (1920-1925)
Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni   
Dec. 20, 2016
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Photography, a Matrix for two Exhibitions
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim   
Dec. 20, 2016
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Opera Overture and Directorial Commentary: An (un)Happy Abuse?
Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo   
Dec. 20, 2016
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