Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Fashion studies • Osthoff • Caucasus • Jewish cemetery • Academy • ‘The Store’ • Consumer culture • Intermediaries • Pragmatism • Museum • Ouverture • Ulisse Aldrovandi • Industrial heritage • Armstrong and Mitchell Cran • Realm of art • Gatekeeper • Grotesque • Sociology • Nature • Guardi • Howard Becker • Forgers • Keeper • Objects • Claes Oldenburg • Restoration • Steve McQueen • Michelangelo Muraro • Arsenale • Individual • Art market • Mediations • Philosophical disenfranchisement • Art • Photography • Archival photographs • Pierre Bourdieu • Art worlds • Pirro Ligorio • Art field • Antonio Morassi • Douglas Gordon • Federico Pendasio • History • Production • Venice’s Lido • Entrepreneur • Philosophy of art • Material culture • Early photography • Arthur Danto • Border crossing • Contemporary art • Gatekeepers • Venetian villas • Fashion • History of dress • Gesture • Venetian Veduta • Giuseppe Mazzotti • Damien Hirst • Visual arts • Cultural policy • Opera • Identity formation • Gabriele Paleotti • Exhibition • Antiquarians • Cultural heritage of Venezia Giulia and Istria • Venice • Curator

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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