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Why Was Jan van Eyck here?

The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait

Benjamin Binstock    Cooper Union for the Advancement of Science and Art, New York City, USA    



Jan van Eyck’s Arnolfini Marriage Portrait of 1434 still poses fundamental questions. An overlooked account explained the groom’s left hand holding his bride’s right hand as a secular, legal morganatic marriage with a bride of lower social rank and wealth. That would explain Van Eyck’s presence as witness in the mirror and through his inscription, and corresponds to the recent identification of the bride and groom as Giovanni di Arrigo Arnolfini and his previously unknown first wife Helene of unknown last name. Van Eyck’s scene can be called the first modern painting, as the earliest autonomous, illusionistic representation of secular reality, provided with the earliest artist’s signature of the modern type, framing his scene as perceived and represented by a particular individual. That is why Jan van Eyck was here.

Keywords: Jan van Eyck. Signature. Arnolfini. Morganatic Marriage. Modern painting.

Lingua: en

Submitted: 17 Luglio 2017
Accepted: 21 Settembre 2017
Pubblicato: 20 Dicembre 2017

permalink: http://doi.org/10.14277/2385-2720/VA-26-17-7

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License