Soglia | Threshold
open access | peer reviewedKeywords An-icon • Moving-image • Annunciation • Vierge ouvrante • Genealogy • Visual identity • Chiese veneziane • Porta clausa • Urban views • hortus conclusus • Immersive art • Marin Sanudo • Medieval Dalmatia • Chinese collections • Threshold symbolism • Image-making • Museums • Iconography • Christological narrative • Iscrizioni • Intarsia • Missionary exhibitions • Emilia-Romagna • Magiciens de la terre, Global Art, Global Art Hist • Late medieval art • Bastiani, Monopoli, Puglia • Disobedience Archive • Cain and Abel’s offering • Immagini sacre • Temporality • Portali • Opening Madonna • Choir stalls • Renaissance perspective • William Henry Fox Talbot • Religious alterity • Reenactment • Triumphal arch • Frescoes • Threshold • Missionary Collecting • Split Cathedral
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
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