Soglia | Threshold
open access | peer reviewedKeywords Emilia-Romagna • William Henry Fox Talbot • hortus conclusus • An-icon • Missionary Collecting • Opening Madonna • Cain and Abel’s offering • Disobedience Archive • Intarsia • Image-making • Urban views • Reenactment • Genealogy • Renaissance perspective • Threshold symbolism • Chinese collections • Late medieval art • Chiese veneziane • Porta clausa • Triumphal arch • Marin Sanudo • Portali • Religious alterity • Temporality • Christological narrative • Threshold • Visual identity • Choir stalls • Immagini sacre • Magiciens de la terre, Global Art, Global Art Hist • Split Cathedral • Immersive art • Frescoes • Medieval Dalmatia • Iconography • Vierge ouvrante • Bastiani, Monopoli, Puglia • Missionary exhibitions • Moving-image • Museums • Annunciation • Iscrizioni
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
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