Soglia | Threshold
open access | peer reviewedKeywords Split Cathedral • Bastiani, Monopoli, Puglia • Reenactment • Marin Sanudo • Chinese collections • Genealogy • Moving-image • Cain and Abel’s offering • Opening Madonna • Urban views • Missionary exhibitions • Christological narrative • Immersive art • Porta clausa • Renaissance perspective • Immagini sacre • William Henry Fox Talbot • Triumphal arch • Temporality • Annunciation • Visual identity • Religious alterity • Medieval Dalmatia • Missionary Collecting • Portali • Vierge ouvrante • Iscrizioni • hortus conclusus • Chiese veneziane • Emilia-Romagna • Threshold • An-icon • Magiciens de la terre, Global Art, Global Art Hist • Disobedience Archive • Museums • Threshold symbolism • Frescoes • Intarsia • Late medieval art • Image-making • Iconography • Choir stalls
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language it, en, fr
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