Soglia | Threshold
open access | peer reviewedKeywords Cain and Abel’s offering • Renaissance perspective • Iscrizioni • Urban views • Late medieval art • Chinese collections • Triumphal arch • Disobedience Archive • Immagini sacre • Museums • Visual identity • Annunciation • Choir stalls • Image-making • Missionary Collecting • Emilia-Romagna • Iconography • Christological narrative • Magiciens de la terre, Global Art, Global Art Hist • Porta clausa • Temporality • Threshold • Vierge ouvrante • hortus conclusus • Reenactment • William Henry Fox Talbot • Religious alterity • Split Cathedral • Opening Madonna • Frescoes • Medieval Dalmatia • Portali • Immersive art • Chiese veneziane • Threshold symbolism • Missionary exhibitions • An-icon • Marin Sanudo • Bastiani, Monopoli, Puglia • Moving-image • Genealogy • Intarsia
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language fr, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.