Soglia | Threshold
open access | peer reviewedKeywords Annunciation • Iconography • Visual identity • Reenactment • Chiese veneziane • Threshold symbolism • Marin Sanudo • hortus conclusus • Frescoes • Missionary exhibitions • Porta clausa • Iscrizioni • Intarsia • Moving-image • Split Cathedral • An-icon • William Henry Fox Talbot • Disobedience Archive • Emilia-Romagna • Cain and Abel’s offering • Portali • Opening Madonna • Christological narrative • Museums • Immersive art • Religious alterity • Bastiani, Monopoli, Puglia • Temporality • Triumphal arch • Medieval Dalmatia • Magiciens de la terre, Global Art, Global Art Hist • Missionary Collecting • Chinese collections • Image-making • Threshold • Urban views • Choir stalls • Vierge ouvrante • Genealogy • Immagini sacre • Renaissance perspective • Late medieval art
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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