Soglia | Threshold
open access | peer reviewedKeywords Split Cathedral • Renaissance perspective • hortus conclusus • Iconography • Magiciens de la terre, Global Art, Global Art Hist • An-icon • Urban views • Chinese collections • Iscrizioni • Visual identity • Portali • Triumphal arch • Threshold • Disobedience Archive • Chiese veneziane • Museums • Reenactment • Missionary exhibitions • Threshold symbolism • Emilia-Romagna • Medieval Dalmatia • Religious alterity • Vierge ouvrante • Immagini sacre • Porta clausa • Missionary Collecting • Bastiani, Monopoli, Puglia • Cain and Abel’s offering • Marin Sanudo • Intarsia • Moving-image • Late medieval art • Choir stalls • Image-making • Immersive art • Annunciation • Christological narrative • Frescoes • William Henry Fox Talbot • Opening Madonna • Temporality • Genealogy
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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