Soglia | Threshold
open access | peer reviewedKeywords An-icon • Bastiani, Monopoli, Puglia • Immagini sacre • Medieval Dalmatia • Split Cathedral • Portali • Temporality • Missionary Collecting • Triumphal arch • Emilia-Romagna • Threshold • Chinese collections • Genealogy • Vierge ouvrante • hortus conclusus • Religious alterity • Opening Madonna • William Henry Fox Talbot • Iscrizioni • Late medieval art • Cain and Abel’s offering • Urban views • Iconography • Moving-image • Frescoes • Choir stalls • Disobedience Archive • Missionary exhibitions • Intarsia • Chiese veneziane • Magiciens de la terre, Global Art, Global Art Hist • Christological narrative • Museums • Renaissance perspective • Threshold symbolism • Porta clausa • Annunciation • Immersive art • Reenactment • Marin Sanudo • Image-making • Visual identity
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Published Dec. 22, 2025 | Language en, fr, it
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