Soglia | Threshold
open access | peer reviewedKeywords Medieval Dalmatia • Iconography • Threshold • Threshold symbolism • Image-making • Religious alterity • Genealogy • Marin Sanudo • Opening Madonna • An-icon • Moving-image • Chinese collections • Immersive art • Late medieval art • Christological narrative • Urban views • Bastiani, Monopoli, Puglia • Emilia-Romagna • Portali • Renaissance perspective • Porta clausa • Vierge ouvrante • Disobedience Archive • Missionary Collecting • Immagini sacre • Choir stalls • Iscrizioni • Split Cathedral • Magiciens de la terre, Global Art, Global Art Hist • Annunciation • Museums • Chiese veneziane • Temporality • hortus conclusus • Intarsia • Frescoes • William Henry Fox Talbot • Triumphal arch • Reenactment • Visual identity • Cain and Abel’s offering • Missionary exhibitions
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, en, it
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