Soglia | Threshold
open access | peer reviewedKeywords Religious alterity • Temporality • Opening Madonna • William Henry Fox Talbot • Urban views • Frescoes • Medieval Dalmatia • Immagini sacre • Image-making • Intarsia • Genealogy • Immersive art • Choir stalls • Missionary exhibitions • An-icon • Iscrizioni • Missionary Collecting • Museums • Marin Sanudo • Threshold • Moving-image • Triumphal arch • Visual identity • Split Cathedral • Cain and Abel’s offering • Portali • hortus conclusus • Annunciation • Threshold symbolism • Porta clausa • Reenactment • Disobedience Archive • Late medieval art • Magiciens de la terre, Global Art, Global Art Hist • Chiese veneziane • Bastiani, Monopoli, Puglia • Renaissance perspective • Emilia-Romagna • Chinese collections • Christological narrative • Iconography • Vierge ouvrante
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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