Soglia | Threshold
open access | peer reviewedKeywords Temporality • Immersive art • Religious alterity • Urban views • Portali • Choir stalls • Renaissance perspective • Porta clausa • Threshold • Missionary exhibitions • Split Cathedral • Iconography • Genealogy • Magiciens de la terre, Global Art, Global Art Hist • Bastiani, Monopoli, Puglia • Chinese collections • Marin Sanudo • Image-making • Iscrizioni • Late medieval art • Vierge ouvrante • Intarsia • Moving-image • Immagini sacre • Visual identity • hortus conclusus • Medieval Dalmatia • Christological narrative • Missionary Collecting • Threshold symbolism • Annunciation • Cain and Abel’s offering • Reenactment • Frescoes • Triumphal arch • William Henry Fox Talbot • An-icon • Disobedience Archive • Opening Madonna • Museums • Chiese veneziane • Emilia-Romagna
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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