Soglia | Threshold
open access | peer reviewedKeywords Reenactment • Renaissance perspective • Visual identity • Museums • Iscrizioni • Chinese collections • Late medieval art • Marin Sanudo • Immersive art • Temporality • Image-making • Religious alterity • Genealogy • Bastiani, Monopoli, Puglia • Missionary exhibitions • Urban views • Chiese veneziane • Opening Madonna • Frescoes • Vierge ouvrante • Christological narrative • Porta clausa • Missionary Collecting • Portali • Annunciation • Disobedience Archive • William Henry Fox Talbot • An-icon • Cain and Abel’s offering • Medieval Dalmatia • Threshold symbolism • Threshold • Iconography • Emilia-Romagna • hortus conclusus • Triumphal arch • Intarsia • Magiciens de la terre, Global Art, Global Art Hist • Split Cathedral • Choir stalls • Immagini sacre • Moving-image
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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