Soglia | Threshold
open access | peer reviewedKeywords Porta clausa • Split Cathedral • Marin Sanudo • Missionary exhibitions • Triumphal arch • Vierge ouvrante • Bastiani, Monopoli, Puglia • Iconography • Magiciens de la terre, Global Art, Global Art Hist • Reenactment • Emilia-Romagna • Disobedience Archive • Frescoes • Opening Madonna • Immagini sacre • Medieval Dalmatia • hortus conclusus • Temporality • Visual identity • Renaissance perspective • Image-making • Urban views • Intarsia • William Henry Fox Talbot • Threshold • Iscrizioni • Moving-image • Annunciation • Threshold symbolism • Cain and Abel’s offering • An-icon • Chiese veneziane • Religious alterity • Museums • Missionary Collecting • Genealogy • Immersive art • Christological narrative • Late medieval art • Chinese collections • Portali • Choir stalls
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua fr, it, en
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