Soglia | Threshold
open access | peer reviewedKeywords Medieval Dalmatia • Iconography • Threshold • Image-making • Porta clausa • Missionary exhibitions • Late medieval art • Split Cathedral • Visual identity • Chiese veneziane • Portali • Intarsia • Iscrizioni • Threshold symbolism • Urban views • Cain and Abel’s offering • Bastiani, Monopoli, Puglia • Chinese collections • Triumphal arch • Christological narrative • An-icon • Reenactment • Immagini sacre • Marin Sanudo • Vierge ouvrante • hortus conclusus • Museums • Religious alterity • Genealogy • Opening Madonna • Missionary Collecting • Moving-image • Choir stalls • Immersive art • William Henry Fox Talbot • Emilia-Romagna • Disobedience Archive • Temporality • Annunciation • Magiciens de la terre, Global Art, Global Art Hist • Renaissance perspective • Frescoes
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua en, fr, it
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