Soglia | Threshold
open access | peer reviewedKeywords An-icon • Threshold • William Henry Fox Talbot • hortus conclusus • Image-making • Chinese collections • Immagini sacre • Porta clausa • Triumphal arch • Cain and Abel’s offering • Missionary exhibitions • Split Cathedral • Religious alterity • Renaissance perspective • Visual identity • Vierge ouvrante • Portali • Medieval Dalmatia • Missionary Collecting • Annunciation • Emilia-Romagna • Museums • Chiese veneziane • Genealogy • Temporality • Opening Madonna • Marin Sanudo • Iscrizioni • Intarsia • Choir stalls • Moving-image • Iconography • Bastiani, Monopoli, Puglia • Threshold symbolism • Reenactment • Late medieval art • Frescoes • Christological narrative • Magiciens de la terre, Global Art, Global Art Hist • Disobedience Archive • Urban views • Immersive art
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua it, fr, en
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