Soglia | Threshold
open access | peer reviewedKeywords Renaissance perspective • William Henry Fox Talbot • Missionary Collecting • Cain and Abel’s offering • An-icon • Threshold • Vierge ouvrante • Moving-image • Split Cathedral • Genealogy • Emilia-Romagna • Immersive art • Medieval Dalmatia • Religious alterity • Temporality • Image-making • Missionary exhibitions • Iconography • Immagini sacre • Disobedience Archive • Iscrizioni • Bastiani, Monopoli, Puglia • Chiese veneziane • Marin Sanudo • Christological narrative • Urban views • Porta clausa • Opening Madonna • Triumphal arch • Museums • Portali • Visual identity • Choir stalls • Chinese collections • Intarsia • Threshold symbolism • hortus conclusus • Annunciation • Frescoes • Late medieval art • Reenactment • Magiciens de la terre, Global Art, Global Art Hist
Permalink http://doi.org/10.30687/VA/2385-2720/2025/01 | Pubblicato 22 Dicembre 2025 | Lingua it, fr, en
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