Metamorphosis
open access | peer reviewedKeywords Videoart • Renaissance hydraulic engineering • War • Viani • South Asian Art • Arte povera • Remediation • Global Art • Arch • Liturgical furnishings • Trauma • Annibal Caro • Contemporary Art • Fountains • Grotesque • Picasso • Jacopo Foscarini • Zadar • Rooster • Tombs • Postwar Print Art • Neoacademism • Biomorphic Abstraction • Venetian self-representation • Claudio Tolomei • Medieval churches • Made in Italy • Medieval oriental cults • Arp • Ornament • Sacred space • Saint marina • Zoomorphism • Monster • Transnational Art • Forties • Birolli • Animality • Metamorphosis • Basilisk • New Renaissance • Pakistani Art • Armour • Snake • Body • Battle of Lepanto • Romanitas • Olga Tobreluts • Parody • The Italian Metamorphosis 1943-1968 • Ecfrasis • Humanist imagery • Germano Celant • Digital Collage • Masson • Modernism • Waterplays • Facial Mutilations • Venice • Guggenheim Museum
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
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