Metamorphosis
open access | peer reviewedKeywords Zadar • Contemporary Art • The Italian Metamorphosis 1943-1968 • Arch • Olga Tobreluts • Fountains • Liturgical furnishings • Guggenheim Museum • Monster • Romanitas • Facial Mutilations • South Asian Art • Arp • Metamorphosis • Neoacademism • Snake • Made in Italy • Rooster • Medieval oriental cults • Forties • Jacopo Foscarini • Trauma • Waterplays • Ecfrasis • Germano Celant • Pakistani Art • New Renaissance • Claudio Tolomei • Picasso • Transnational Art • Venetian self-representation • Venice • Modernism • Renaissance hydraulic engineering • Videoart • Postwar Print Art • Grotesque • Armour • Saint marina • Ornament • Battle of Lepanto • Body • Sacred space • Medieval churches • Animality • Remediation • Arte povera • Parody • Annibal Caro • War • Masson • Humanist imagery • Basilisk • Zoomorphism • Tombs • Viani • Biomorphic Abstraction • Birolli • Global Art • Digital Collage
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, en, it
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