Metamorphosis
open access | peer reviewedKeywords Remediation • Videoart • Guggenheim Museum • New Renaissance • South Asian Art • Metamorphosis • Medieval oriental cults • Saint marina • Ecfrasis • Liturgical furnishings • Arte povera • Animality • Fountains • The Italian Metamorphosis 1943-1968 • Biomorphic Abstraction • Pakistani Art • Monster • Postwar Print Art • Global Art • Armour • Zadar • Basilisk • Modernism • Olga Tobreluts • Venice • Grotesque • Made in Italy • Romanitas • Contemporary Art • Zoomorphism • Claudio Tolomei • Forties • Jacopo Foscarini • Rooster • Trauma • Tombs • Transnational Art • Venetian self-representation • Facial Mutilations • Renaissance hydraulic engineering • Germano Celant • Masson • War • Waterplays • Picasso • Birolli • Body • Humanist imagery • Sacred space • Arch • Arp • Neoacademism • Medieval churches • Annibal Caro • Snake • Viani • Digital Collage • Parody • Ornament • Battle of Lepanto
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
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