Metamorphosis
open access | peer reviewedKeywords South Asian Art • Saint marina • Humanist imagery • The Italian Metamorphosis 1943-1968 • Ornament • Battle of Lepanto • Contemporary Art • Forties • Modernism • Olga Tobreluts • Trauma • Picasso • Facial Mutilations • Venetian self-representation • War • Zadar • Rooster • Viani • Pakistani Art • Ecfrasis • Sacred space • Neoacademism • Annibal Caro • Fountains • Jacopo Foscarini • Arte povera • Basilisk • Grotesque • Liturgical furnishings • New Renaissance • Postwar Print Art • Romanitas • Germano Celant • Parody • Body • Medieval oriental cults • Renaissance hydraulic engineering • Arch • Digital Collage • Guggenheim Museum • Waterplays • Biomorphic Abstraction • Tombs • Zoomorphism • Snake • Remediation • Venice • Metamorphosis • Animality • Made in Italy • Transnational Art • Masson • Monster • Arp • Medieval churches • Armour • Claudio Tolomei • Birolli • Videoart • Global Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, it, EN
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