Metamorphosis
open access | peer reviewedKeywords Ecfrasis • Jacopo Foscarini • The Italian Metamorphosis 1943-1968 • Viani • Facial Mutilations • Medieval oriental cults • Snake • Grotesque • Metamorphosis • Global Art • Biomorphic Abstraction • New Renaissance • Arte povera • Animality • Trauma • Videoart • Digital Collage • Germano Celant • Pakistani Art • South Asian Art • Tombs • Masson • Olga Tobreluts • Armour • Renaissance hydraulic engineering • Humanist imagery • Ornament • Remediation • Claudio Tolomei • Made in Italy • Arp • Venetian self-representation • Waterplays • Zadar • Monster • Basilisk • Forties • War • Zoomorphism • Guggenheim Museum • Body • Annibal Caro • Medieval churches • Arch • Rooster • Battle of Lepanto • Modernism • Saint marina • Neoacademism • Venice • Fountains • Liturgical furnishings • Sacred space • Transnational Art • Contemporary Art • Romanitas • Parody • Postwar Print Art • Picasso • Birolli
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, EN, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.