Metamorphosis
open access | peer reviewedKeywords Battle of Lepanto • Renaissance hydraulic engineering • Armour • Neoacademism • Saint marina • Guggenheim Museum • Basilisk • Viani • Birolli • Made in Italy • Metamorphosis • Postwar Print Art • Biomorphic Abstraction • Waterplays • Animality • Picasso • Medieval churches • Zoomorphism • Arp • Transnational Art • Rooster • Modernism • Romanitas • Arte povera • Body • Forties • Jacopo Foscarini • Zadar • Medieval oriental cults • Snake • Sacred space • Global Art • Venice • Humanist imagery • Annibal Caro • Fountains • Monster • Parody • Trauma • Venetian self-representation • Arch • Germano Celant • New Renaissance • Olga Tobreluts • War • Pakistani Art • Claudio Tolomei • Contemporary Art • Ecfrasis • South Asian Art • Videoart • Tombs • Ornament • Facial Mutilations • Remediation • Masson • Digital Collage • The Italian Metamorphosis 1943-1968 • Grotesque • Liturgical furnishings
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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