Metamorphosis
open access | peer reviewedKeywords Fountains • Picasso • Grotesque • Metamorphosis • Neoacademism • Rooster • Saint marina • Remediation • Made in Italy • Videoart • Forties • Masson • Parody • Waterplays • Annibal Caro • Birolli • Transnational Art • Snake • Olga Tobreluts • South Asian Art • The Italian Metamorphosis 1943-1968 • Tombs • Zadar • Trauma • Ornament • Romanitas • Claudio Tolomei • Animality • Humanist imagery • Armour • Biomorphic Abstraction • Global Art • Venetian self-representation • Digital Collage • Liturgical furnishings • Arte povera • Ecfrasis • Postwar Print Art • Modernism • Basilisk • Jacopo Foscarini • Medieval oriental cults • Renaissance hydraulic engineering • Contemporary Art • Zoomorphism • Germano Celant • Viani • War • Monster • Arp • Body • Facial Mutilations • Venice • New Renaissance • Guggenheim Museum • Pakistani Art • Battle of Lepanto • Sacred space • Arch • Medieval churches
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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