Metamorphosis
open access | peer reviewedKeywords Forties • Battle of Lepanto • Made in Italy • Saint marina • Zadar • Grotesque • Videoart • Zoomorphism • The Italian Metamorphosis 1943-1968 • Transnational Art • Claudio Tolomei • Humanist imagery • Tombs • Trauma • Rooster • Medieval churches • Annibal Caro • War • Picasso • Birolli • Ecfrasis • Medieval oriental cults • Arch • Global Art • Armour • Body • Jacopo Foscarini • Olga Tobreluts • Pakistani Art • Venetian self-representation • Metamorphosis • Modernism • Monster • Basilisk • Ornament • New Renaissance • Parody • Liturgical furnishings • Snake • Postwar Print Art • Renaissance hydraulic engineering • Fountains • Germano Celant • Viani • Arte povera • Biomorphic Abstraction • Guggenheim Museum • Sacred space • Venice • Animality • Contemporary Art • Facial Mutilations • Waterplays • Masson • Neoacademism • Remediation • Romanitas • Digital Collage • South Asian Art • Arp
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.