Metamorphosis
open access | peer reviewedKeywords Basilisk • Jacopo Foscarini • Liturgical furnishings • Venice • Digital Collage • Romanitas • Sacred space • Animality • Trauma • War • Zadar • Monster • Annibal Caro • Olga Tobreluts • Tombs • Postwar Print Art • Fountains • Remediation • Facial Mutilations • Guggenheim Museum • Birolli • Neoacademism • Ecfrasis • Zoomorphism • Modernism • South Asian Art • Masson • Made in Italy • Metamorphosis • Snake • Humanist imagery • Arp • Ornament • Germano Celant • Global Art • Arch • Rooster • Waterplays • Claudio Tolomei • Transnational Art • Body • Armour • New Renaissance • Parody • Medieval churches • Viani • Battle of Lepanto • Picasso • Saint marina • Biomorphic Abstraction • Grotesque • Medieval oriental cults • Videoart • Forties • Pakistani Art • The Italian Metamorphosis 1943-1968 • Renaissance hydraulic engineering • Arte povera • Contemporary Art • Venetian self-representation
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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