Metamorphosis
open access | peer reviewedKeywords Animality • Battle of Lepanto • Global Art • South Asian Art • Birolli • Venetian self-representation • Annibal Caro • Viani • Arte povera • Neoacademism • Modernism • Digital Collage • Made in Italy • Body • Guggenheim Museum • Zadar • Grotesque • Contemporary Art • Rooster • Ecfrasis • Claudio Tolomei • Remediation • Postwar Print Art • Picasso • Sacred space • Transnational Art • Snake • Videoart • Facial Mutilations • Renaissance hydraulic engineering • Trauma • Venice • War • New Renaissance • Zoomorphism • Basilisk • Metamorphosis • Tombs • Medieval churches • Fountains • Ornament • Jacopo Foscarini • Arch • Masson • Saint marina • Biomorphic Abstraction • The Italian Metamorphosis 1943-1968 • Waterplays • Forties • Pakistani Art • Medieval oriental cults • Germano Celant • Parody • Romanitas • Olga Tobreluts • Arp • Liturgical furnishings • Armour • Monster • Humanist imagery
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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