Journal |
Venezia Arti
Monographic journal issue | 32 | 2023
Metamorphosis
open access | peer reviewedKeywords Monster • The Italian Metamorphosis 1943-1968 • Animality • Humanist imagery • Annibal Caro • Transnational Art • Facial Mutilations • Arte povera • Videoart • Medieval churches • Global Art • Viani • Rooster • Olga Tobreluts • Battle of Lepanto • Claudio Tolomei • Contemporary Art • Saint marina • Romanitas • Sacred space • Armour • Parody • Fountains • Arp • Masson • Ornament • Venice • New Renaissance • Zoomorphism • Tombs • Biomorphic Abstraction • Forties • Made in Italy • Grotesque • Neoacademism • Ecfrasis • Snake • Venetian self-representation • Guggenheim Museum • Modernism • Germano Celant • Pakistani Art • Waterplays • South Asian Art • Zadar • Basilisk • Digital Collage • Arch • Jacopo Foscarini • Trauma • Liturgical furnishings • Postwar Print Art • Remediation • Body • Metamorphosis • Birolli • Renaissance hydraulic engineering • Medieval oriental cults • War • Picasso
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, en, it
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Medioevo ed Età Moderna
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The Beast Within, the Beast Without
Zoomorphic Armour Ornament and the Human-Animal Divide in the Material Culture of Renaissance War - Dec. 20, 2023
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From Triton Neptvni Tubicen to the Glory of Lepanto
The Early Modern Rebirth(s) of a Roman Arch in Zadar - Dec. 20, 2023
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Percorsi metamorfici della natura nel Cinquecento
L’acqua e le fontane nell’ecfrasi di Annibal Caro e Claudio Tolomei - Dec. 20, 2023
Contemporaneo
- The Visual Afterlife of les gueules cassées: Artistic Reception from the Interbellum to documenta 13
- Dec. 20, 2023
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«Nudi trasfigurati da una strana metamorfosi»
La scultura di Alberto Viani intorno alla metà degli anni Quaranta - Dec. 20, 2023
