Metamorfosi
open access | peer reviewedKeywords Venice • Masson • Neoacademism • Birolli • Animality • Ornament • Renaissance hydraulic engineering • Body • Made in Italy • Parody • Metamorphosis • Armour • Global Art • Trauma • Claudio Tolomei • Jacopo Foscarini • Sacred space • Rooster • Picasso • Arch • New Renaissance • Basilisk • War • Waterplays • Zadar • Romanitas • Modernism • Monster • Contemporary Art • Digital Collage • Pakistani Art • Grotesque • Saint marina • Facial Mutilations • Medieval churches • Viani • Arp • Biomorphic Abstraction • Tombs • Humanist imagery • Medieval oriental cults • Germano Celant • Postwar Print Art • Transnational Art • Battle of Lepanto • Fountains • Snake • South Asian Art • Liturgical furnishings • Zoomorphism • Annibal Caro • Arte povera • The Italian Metamorphosis 1943-1968 • Remediation • Forties • Venetian self-representation • Olga Tobreluts • Ecfrasis • Guggenheim Museum • Videoart
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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