Metamorfosi
open access | peer reviewedKeywords Remediation • Postwar Print Art • Jacopo Foscarini • Guggenheim Museum • Fountains • Ornament • Transnational Art • Trauma • Medieval oriental cults • Armour • Annibal Caro • Liturgical furnishings • Monster • Germano Celant • Grotesque • Picasso • Romanitas • Pakistani Art • Made in Italy • Arp • Venetian self-representation • Contemporary Art • Venice • Rooster • Arch • Arte povera • Modernism • Zadar • The Italian Metamorphosis 1943-1968 • Masson • Metamorphosis • Saint marina • Videoart • War • Tombs • Birolli • Digital Collage • Humanist imagery • Parody • Renaissance hydraulic engineering • Global Art • South Asian Art • Ecfrasis • Basilisk • Zoomorphism • Claudio Tolomei • Neoacademism • Body • Snake • New Renaissance • Forties • Sacred space • Battle of Lepanto • Olga Tobreluts • Waterplays • Viani • Animality • Biomorphic Abstraction • Facial Mutilations • Medieval churches
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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