Metamorfosi
open access | peer reviewedKeywords Made in Italy • New Renaissance • Arch • Annibal Caro • Guggenheim Museum • Pakistani Art • Ornament • Waterplays • Remediation • Parody • Sacred space • Forties • Venice • Romanitas • Monster • Saint marina • Humanist imagery • South Asian Art • Animality • Metamorphosis • Arte povera • Renaissance hydraulic engineering • Rooster • Tombs • Liturgical furnishings • Viani • Ecfrasis • Birolli • Armour • Masson • Basilisk • Facial Mutilations • Global Art • Picasso • Digital Collage • Videoart • Jacopo Foscarini • The Italian Metamorphosis 1943-1968 • Snake • Venetian self-representation • Medieval oriental cults • Germano Celant • Neoacademism • Modernism • Trauma • Arp • Contemporary Art • Transnational Art • Olga Tobreluts • Postwar Print Art • Zoomorphism • Medieval churches • Body • Grotesque • War • Zadar • Biomorphic Abstraction • Battle of Lepanto • Claudio Tolomei • Fountains
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, en, it
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