Metamorfosi
open access | peer reviewedKeywords Postwar Print Art • Zoomorphism • Ecfrasis • Battle of Lepanto • Zadar • Transnational Art • Guggenheim Museum • South Asian Art • Trauma • Olga Tobreluts • Monster • Neoacademism • Venetian self-representation • Liturgical furnishings • Sacred space • Biomorphic Abstraction • The Italian Metamorphosis 1943-1968 • Arte povera • Germano Celant • Humanist imagery • Metamorphosis • Grotesque • New Renaissance • Saint marina • Arp • Armour • Facial Mutilations • Masson • Forties • Claudio Tolomei • Contemporary Art • Medieval oriental cults • Global Art • Venice • Animality • Pakistani Art • Picasso • Tombs • Arch • Ornament • Medieval churches • Viani • Videoart • Body • Annibal Caro • Made in Italy • War • Remediation • Modernism • Romanitas • Snake • Digital Collage • Rooster • Renaissance hydraulic engineering • Waterplays • Birolli • Parody • Fountains • Jacopo Foscarini • Basilisk
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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