Metamorfosi
open access | peer reviewedKeywords Humanist imagery • Parody • Armour • Grotesque • Body • Arte povera • Made in Italy • Facial Mutilations • Medieval oriental cults • Saint marina • The Italian Metamorphosis 1943-1968 • Venetian self-representation • Claudio Tolomei • Forties • Pakistani Art • Snake • War • Masson • Videoart • Ecfrasis • Romanitas • Animality • Viani • Waterplays • Zoomorphism • Contemporary Art • Metamorphosis • Rooster • Biomorphic Abstraction • Monster • Trauma • Germano Celant • Neoacademism • Postwar Print Art • Zadar • Fountains • Digital Collage • Remediation • Guggenheim Museum • Jacopo Foscarini • Ornament • Birolli • Venice • Modernism • Olga Tobreluts • Sacred space • Picasso • Liturgical furnishings • Arch • Global Art • Annibal Caro • Transnational Art • Battle of Lepanto • South Asian Art • Renaissance hydraulic engineering • Arp • Tombs • Medieval churches • New Renaissance • Basilisk
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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