Metamorfosi
open access | peer reviewedKeywords War • Body • Facial Mutilations • Trauma • Claudio Tolomei • Biomorphic Abstraction • Metamorphosis • Battle of Lepanto • Saint marina • Tombs • Picasso • South Asian Art • Transnational Art • Grotesque • New Renaissance • Armour • Liturgical furnishings • Zadar • Rooster • Medieval oriental cults • Arch • Olga Tobreluts • Renaissance hydraulic engineering • Arp • Venetian self-representation • Modernism • The Italian Metamorphosis 1943-1968 • Forties • Sacred space • Arte povera • Medieval churches • Neoacademism • Viani • Waterplays • Fountains • Contemporary Art • Germano Celant • Annibal Caro • Remediation • Guggenheim Museum • Videoart • Humanist imagery • Birolli • Venice • Monster • Pakistani Art • Postwar Print Art • Masson • Basilisk • Parody • Ornament • Zoomorphism • Global Art • Romanitas • Snake • Ecfrasis • Animality • Digital Collage • Jacopo Foscarini • Made in Italy
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.