Metamorfosi
open access | peer reviewedKeywords Humanist imagery • Made in Italy • Rooster • Grotesque • Liturgical furnishings • Germano Celant • Transnational Art • Metamorphosis • Biomorphic Abstraction • Digital Collage • Arte povera • Body • Romanitas • Claudio Tolomei • Remediation • New Renaissance • The Italian Metamorphosis 1943-1968 • Zadar • Ecfrasis • Monster • Neoacademism • Forties • South Asian Art • Medieval oriental cults • Zoomorphism • Waterplays • Arp • Armour • Jacopo Foscarini • Birolli • Animality • Viani • Trauma • Saint marina • Contemporary Art • Parody • War • Battle of Lepanto • Guggenheim Museum • Ornament • Postwar Print Art • Tombs • Arch • Picasso • Facial Mutilations • Modernism • Masson • Pakistani Art • Sacred space • Annibal Caro • Venice • Global Art • Medieval churches • Renaissance hydraulic engineering • Videoart • Venetian self-representation • Fountains • Snake • Olga Tobreluts • Basilisk
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua it, en, EN
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