Metamorfosi
open access | peer reviewedKeywords Metamorphosis • Waterplays • Postwar Print Art • Arte povera • War • Grotesque • Body • Trauma • Forties • Romanitas • Masson • Viani • Arp • The Italian Metamorphosis 1943-1968 • Claudio Tolomei • Humanist imagery • Sacred space • Liturgical furnishings • Snake • Arch • Armour • Tombs • Contemporary Art • Basilisk • Jacopo Foscarini • Ornament • Saint marina • Facial Mutilations • Zadar • Zoomorphism • Monster • New Renaissance • Pakistani Art • South Asian Art • Germano Celant • Renaissance hydraulic engineering • Battle of Lepanto • Rooster • Venice • Picasso • Neoacademism • Animality • Annibal Caro • Medieval oriental cults • Transnational Art • Ecfrasis • Modernism • Made in Italy • Guggenheim Museum • Global Art • Olga Tobreluts • Fountains • Remediation • Videoart • Digital Collage • Venetian self-representation • Parody • Medieval churches • Birolli • Biomorphic Abstraction
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua it, EN, en
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